The Five Nights at Freddy’s Movie, Critics Loathe it, Fans LOVE it

It’s no secret that Blumhouse Productions’ Five Nights at Freddy’s (FNaF) went through a rough development over the last eight years. Despite all the waiting, fans are as anxious as ever to see Freddy and the gang on the big screen, so the question becomes: is it a good movie? As a huge FNaF nerd, (I am literally listening to Blumhouse’s official Five Nights at Freddy’s song playlist on Spotify as I’m writing this), I would say absolutely; this is THE near-perfect Five Nights at Freddy’s movie. However, not even I can ignore the fact that it can be very off putting to any potential newcomers to the franchise. This review will begin spoiler-free and will move into the spoiler territory following a brief warning.

Let’s start on the story, shall we? The general story follows Mike (Josh Hutcherson) as he struggles to keep custody of his little sister Abby (Piper Rubio) in a losing custody battle against his aunt Jane (Mary Stuart Masterson). Following an incident at his last job, Mike visits a career counselor, hoping to land a solid job; this job, as you could guess, would be a nighttime security position at the now-abandoned Freddy Fazbear’s Pizza, a family pizza restaurant in the style of Chuck E. Cheese . We follow Mike through the five nights at his job as his life seems to keep going downhill.

The overall story is really good, but is very confusing and difficult to follow at times. I really wish that this movie wasn’t as short as it was because I think it really could’ve benefited from a longer runtime; at least an extra 25 minutes longer. To general audiences, the story, while being a little all over the place, is still enjoyable (and surprisingly heartwarming?). To critics, however, this movie’s story is absolutely unacceptable for their “marvel quality” of expectations when it comes to grand storytelling.

Moving onto what most people were anxious for, the level of scariness. Honestly, Five Nights at Freddy’s as a whole isn’t that scary, (maybe because I’ve been here since the beginning), as it heavily relies on cheap jump-scares as its main scare tactic. The movie, however, is scarier than the newer games, and maybe even more than the original games, in my opinion. It surprisingly lacks many jump-scares, but some of them get you GOOD. There were also some moments that caught me off guard, as I would never expect to see them in a PG-13 Five Nights at Freddy’s movie. I’ve seen critics complain that this movie lacked massive amounts of gore and blood, but newsflash, the games themselves already lack this. The games don’t have to resort to gore, as it nails atmospheric dread and horror. One of the movie’s strengths is that it is able to introduce a threatening aura to the cute and cuddly robot friends.

Speaking of cute and cuddly, the animatronics in this movie were both menacing and adorable. Blumhouse was able to make scary scenes involving Freddy, Bonnie, Chica, Foxy, and Cupcake while also adding scenes that emphasized the more child-like nature of the robots. The one thing that I am happy about is that no one is criticizing the animatronics, as they are absolutely spectacular in this movie. I really liked every prop used in this movie, moving past just the animatronics. Honestly, they were all so likable, that its genuinely a struggle to choose a personal favorite, but if I had to, it’d be Bonnie :]

The acting is really good but could’ve been improved upon. Mike, Abby, Vanessa (Elizabeth Lail), Max (Kate Conner Sterling), the animatronics, and the children were really well acted, and I wouldn’t want any of them replaced. The weakest performance, in my opinion, is sadly Matthew Lillard’s Scott Raglan. I know this is a more controversial opinion, but I just thought they could’ve touched upon some of his scenes; in no way was it bad, but it could’ve been a little better. Blumhouse also nailed down how the animatronics moved, striking a perfect balance between freakishly smooth movements and stiff, robotic movements.

The music is amazing and fits perfectly with the atmosphere of the movie. They also had a great selection of non-original tracks, using 80’s music like “Talking In Your Sleep” and “Celebration”. I admit, I was a little worried when it came to the music selection of this movie, but I think fans won’t be disappointed with the tracks they included. The humor of this movie is also on point, getting many laughs from me, my family, and the entire theater. FNaF creator Scott Cawthon’s humor is funny and I’m glad they allowed him to make jokes of the same caliber with the script he co-wrote.

I think it’s time to move on to the objective flaws this movie has. I felt that the pacing was way too fast in the beginning and ending of the movie. Scenes are practically whizzed past you at lightning speed with little to no time to digest them, as you have to swallow more story in the new scene in front of you. The middle of the movie seems to find its footing on pacing, but for the next movie, assuming we get one, Blumhouse and Scott Cawthon really should focus on getting the pacing right.

Another issue is the storytelling itself. As I said before, the film’s story is fundamentally confusing, and the film only double downs on this trait. This wouldn’t be much of a problem if there were enough scenes explaining seemingly major plot points. I will expand upon certain scenes in a spoiler post later on, but if you are stepping into FNaF for the first time, be prepared to feel like an idiot walking out of the theaters. Hell, as a nine-year fan myself, I’m still trying to process the plot fully in my head.

Overall, the Five Nights at Freddy’s movie was made with fans as a number one priority, and that’s a great thing! It does struggle to bring newcomers in however, and completely misses the mark in the critics’ expectations. I am really happy that this movie finally came out and am beyond satisfied with the finished product. The most saddening thing about this movie is that its being bashed on move-rating websites when it does not deserve score that low. I understand why people may not like the movie with the number of flaws it has, but I think people are being way too harsh towards Blumhouse and Scott Cawthon. If you are a fan, you need to watch this in theaters; if you’re a casual fan, its probably best to stream the movie on Peacock, but everyone should give it a shot!

Angelo Soto

The Five Nights At Freddy’s Movie Is Coming!

After nine long years of waiting through countless script rewrites (12 to be exact), overall restarts, company changes, and even director switches, the Five Nights at Freddy’s movie is finally upon us. In just one week, we will see the beloved animals we’ve become acquainted with on the big screen. As a fan of the online game Five Nights at Freddy’s (FNAF) since 2014, to say I’m excited for this movie is the understatement of the century. Jason Blum, Emma Tammi, and of course, Scott Cawthon worked tirelessly through the many road bumps of production and were determined to deliver Freddy and the gang to the big screen.

Alright, you may be wondering, “How big of a FNAF nerd is this guy?” and to that I say, be prepared. My journey started where most people did, with famous YouTuber,  Markiplier’s Five Nights at Freddy’s gameplay. I remember being frightened and Bonnie’s uncanny appearance in the thumbnail when I was only a kid (I didn’t even know he was a bunny back then, since his ears are cropped out of the frame on that video).  Since then, I’ve kept up with every game entry, piece of media, and how could anyone forget the massive waves of merchandise, good or mediocre. My room ia practically walled with many of the franchise’s posters, I have over 60ish plushies, and I have almost every book ever produced in the franchise. To say this movie was a dream come true is underexaggerating my excitement! Alright, you may be wondering, “How big of a FNAF nerd is this guy?” and to that I say, be prepared. My journey started where most people did, with famous YouTuber,  Markiplier’s Five Nights at Freddy’s gameplay. I remember being frightened and Bonnie’s uncanny appearance in the thumbnail when I was only seven (I didn’t even know he was a bunny back then, since his ears are cropped out of the frame on that video).  Since then, I’ve kept up with every game entry, piece of media, and how could anyone forget the massive waves of merchandise, good or mediocre. My room is practically walled with many of the franchise’s posters, I have over 60ish plushies, and I have almost every book ever produced in the franchise. To say this movie was a dream come true is underexaggerating my excitement!

The four main animatronics, Freddy Fazbear, Bonnie, Chica, and Foxy have been treated with immense care when thinking about how to translate them into real-life functioning robots and suits. They are almost ripped straight from the video games, and I couldn’t be more grateful for that. I think despite it being a horror movie, it has a major chance to stand out among great video game adaptations, alongside The Super Mario Bros. Movie, Sonic the Hedgehog 2, and Arcane. It is projected to be the highest grossing opening for any horror film ever, which shows the power of our fan base. It’s safe to say I think we are all excited for this movie!

And of course, how could we wrap up our discussion of the FNAF movie without talking about Scott Cawthon’s upbringing. When Scott was starting off with computers, he first made direct-to-video short movies; in fact, they were Christian movies! He made a less than stellar paycheck doing this, so he eventually turned to game development. His first notable game was titled: The Desolate Hope. In this game, you play as a sentient coffee maker running through this dark and mechanical world filled with giant robots. Of course, this would be part of the inspiration for Five Nights at Freddy’s, but the true spark was with his last game before FNAF, Chipper and Sons Lumber Co.

This game was thought by most people as just okay. Some people thought it was bad however, and one person left a review that would change the course of Scott’s life. Scott was not a “great” modeler back then, so this person commented that the game was boring, and that Chipper looked like he was a scary animatronic bear and belonged in a horror game. SPARK! After this, Scott put together Five Nights at Freddy’s, which was about a security guard in a Chuck E. Cheese-type of restaurant at night who is stalked by deadly animatronic robots that came to life. Cawthon even looked to fund the game online. Unfortunately, he raised zero dollars, but of course, releasing it through self funding more than paid back for the development of the game.

Now that we’ve talked about the developer, I think it’s time to talk about what I think the story of the movie will be. Spoilers will indeed follow.

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Daredevil Dead Again & Other MCU TV Shows Blues

Things just seem to be going from bad to worse for the Disney+ Marvel Cinematic Universe (MCU) TV shows. For the most part, some of the recent MCU TV shows have been poorly received by fans and critics who griped about the inconsistent tone of the episodes, half-finished scripts and poor special effects. The MCU TV shows hit their lowest point with Secret Invasion, which should have been a lot better but instead turned out to be the worst MCU presentations. There have been a lot of reports and rumors about how Marvel Studios head Kevin Feige is going out of his way to right the ship with the MCU. This has led to substantial delays and cancellation of projects. But the news last week that the upcoming Daredevil: Born Again has been essentially scrapped created a lot of concern for fans.

Daredevil: Born Again has been one of the most anticipated MCU projects since it brought back Charlie Cox as the title character. He won so much acclaim for his performance as Matt Murdock/Daredevil in the Netflix TV series Daredevil, which was about a blind superhero with enhanced senses fighting crime in Manhattan. That series ran for three seasons and was considered to be among the greatest superhero TV shows based on a Marvel Comics charater. Fans wondered if the TV show would ever be revived and saw reason to hope when Cox reprised his role in the film Spider-Man: No Way Home and the TV show She-Hulk: Attorney at Law. Naturally, many were excited when Kevin Feige announced that a new Daredevil TV show was being produced by Marvel Studios.

Not a lot was known about Daredevil: Born Again other than aside from Cox, Vincent D’Onofrio would reprise his role as Wilson Fisk/The Kingpin, the brutal crime lord that rules New York’s criminal society. Supposedly, the overall plot had to do with the consequences of Fisk being elected as the mayor of New York. But there were some aspects about the show that put off fans, namely that Elden Henson and Deborah Ann Woll would not return to play their beloved characters Foggy Nelson and Karen Page. In fact, there have been leaks that both characters were killed off in Daredevil: Born Again. Also, there seemed to be an effort by the executives to not associate it with the Netflix series. This did not make sense since Daredevil was so revered and it was only logical to continue that show instead of doing a reboot given that the same lead actor was returning.

Production came to a halt with the TV show due to the writer and actors strikes, which has crippled film and TV productions this year. At the onset of the strike only a few episodes had been completed and it was supposed to have an eighteen-episode run.

Marvel Studios has been having issues with the quality of many of their projects, especially the TV shows, and this resulted in diminishing returns. As we all know, Marvel Studios and Kevin Feige had been stretched very thin by mandates by Disney to produce more product and there are only so many resources and time available to consistently produce quality products. This is how we got poorly received films and TV shows like Secret Invasion, Eternals and Ant-Man and the Wasp: Quantumania. Naturally, this has forced Marvel Studios to take a hard look at their current and upcoming projects and honestly assess them.

This assessment and the realization that the market was being flooded with too many films and TV shows have led to delayed releases for their projects. In some cases, projects have either been scrapped or will undergo significant revisions. Unfortunately, this included Daredevil: Born Again.

According to a report in The Hollywood Reporter, Kevin Feige reviewed what had been filmed with the new Daredevil TV show and admitted that it was not working. It was turning out to be a procedural lawyer show that de-emphasized Daredevil and Matt Murdock did not even don the Daredevil suit until the fourth episode. This has led to the dismissal of the writers and directors and the show is now back to square one.

But Daredevil: born Again is not the only casualty. It has been rumored that a planned TV show, Visionquest, based on the android hero, the Vision, has been cancelled. Echo, which has been completed and feature Daredevil, keeps being delayed because it’s supposedly not well done and Marvel Studios is trying to fix it through editing. Agatha: Darkhold Diaries also seems to be a victim of constant retinkering given that the TV show based on the witch Agatha Harkness has had so many title changes. Ironheart, has been completed for some time, yet there isn’t any clear indication of when it will stream on Disney+. Rumors for upcoming MCU projects featuring Nova, Okoye and the Silver Surfer have stopped giving the impression that they also have been scrapped.

On the one hand this implosion of MCU TV shows is cause for concern given the high reputation Marvel Studios has with fans and most critics (excepting snobs like Martin Scorsese). Some panicking fans will use this situation to declare that superhero fatigue is upon us. But that is not necessarily so. The reason for diminishing returns in metrics and box office returns is due to diminished and inferior product that is not up to par with past MCU projects. If a film or TV show is great, people will seek it out, for the most part. Look at how well some recents films and TV shows performed. These include Guardians of the Galaxy, Vol. 3, WandaVision, Loki, Spider-Man: No Way Home and Werewolf By Night. Right now, Loki, which began its second season a couple of weeks ago is removing the sting of the dismal Secret Invasion. However, it’s early for the show and it could wind up becoming an uneven disappointment. Another problem for Marvel Studios is that they do not have a lot of experience creating TV shows and it can be seen with their finished products. Most of them seem like overlong films instead of TV shows that are a different medium with a distinct method of storytelling.

On the other hand, these delays, cancellations and retoolings are a sign that Kevin Feige and Marvel Studios have acknowledged that things are not working for their projects. It is far better to course correct now with Daredevil and be willing to go back to the drawing board. Otherwise, can anyone imagine what would happen if Daredevil: Born Again turns out to be another Secret Invasion? One thing Marvel Studios should do is bring back the folks who were behind Daredevil like Drew Goddard. He and the other creatives behind Daredevil knew how to handle the character and his world, and it would reassure fans. Anyway, with less projects to deal with, Marvel Studios now has more bandwidth to ensure that they create superior films and TV shows that will be up to their usual high standards. So, while we may have to wait longer to see the full return of Daredevil, we can be comforted knowing that it will be worth the wait.

Ahsoka Is An Incomplete Star Wars TV Show

The latest Star Wars TV show streaming on Disney+, Ahsoka, just concluded its first season which left many questions unanswered while providing lots of member berries for Star Wars fans. Whether or not that is bad or good would depend if you are a fan of Star Wars: The Clone Wars and Star Wars: Rebels.

Ahsoka is for the most part an enjoyable and even riveting Star Wars TV show with great characters, special effects and expands the Star Wars lore. On the other hand, its pace is uneven with some episodes feeling wooden and stilted thanks to timid direction and it crams in so many characters and sub-plots that could not possibly be resolved in eight episodes. Guess what? Many of the sub-plots were left unresolved. This gave the impression that Ahsoka was merely a prologue for a larger storyline. Evidence for this is the fact that a Star Wars film is being planned that will combine the stories and characters from Ahsoka and most of the recent Star Wars TV shows. That’s very ambitous, but after viewing the final episode, the overral feeling is that the TV show is incomplete.

Rosario Dawson stars as the title character, Ahsoka Tano, a former Jedi who embarks on a quest with her former Jedi apprentice Sabine Wren (Natasha Liu Bordizzo) to find their fellow Jedi Ezra Bridger (Erman Esfandi), who is trapped in another galaxy along with their formidable enemy Grand Admiral Thrawn (Lars Mikkelson). During their adventures the duo uncover a plot by members of the defeated Galactic Empire who are trying to bring Thrawn and his army to the main Star Wars galaxy in order to conquer the New Republic and restore the Empire. With the officials of the New Republic unwilling to help them, Ahsoka, Wren and their Jedi droid Huyang (David Tennant) set off on their own to stop the plot, in addition to rescuing their friend.

If this sounds complex, then you are correct. Anyone watching the series will be able to follow along with its storyline, but there is a nagging feeling that there are so many details and nuances that will go over the heads of casual viewers. The very first Star Wars film was like this, but it was easier to follow and was more engaing. A major flaw with Ahsoka was that the early episodes were a chore to watch thanks to its deliberate pace and line delivery.

This is concerning because the worst episode was the first one and it not only set the way Ahoska was presented but it was directed by Dave Filoni, the major producer of the recent Star Wars TV shows, including the acclaimed animated TV shows. He helped expand the Star Wars lore with Star Wars: The Clone Wars and Star Wars: Rebels, but his live-action directorial effort fell short and what’s worse is that he will direct the Star Wars film that combines these stories and characters. He was largely responsible for the creation and cultivation of Ahsoka Tano and his attempt to bring her to life was disappointing. Throughout the TV show, Ahsoka would stand around, fold her arms and take long moments to reply to others. This Ahsoka is not anything like the quippy and spirited young Jedi that first appeared in Star Wars: The Clone Wars and won the hearts of many fans. This older live-action version of Ahsoka is so stiff and stoic that Sabine easily steals the show with her emotional journey to become a Jedi. Sabine has more emotion and heart and it was easy to identify with her, especially since she had such a poor connection to the Force that Jedi tricks and skills were a chore for her.

The fact that we identified more with Sabine than Ahsoka is a another fault with Ahsoka given that the show is named after her. This is a troubling trend with many Star Wars TV shows like The Book of Boba Fett and the third season of The Mandalorian. Like with those TV shows, there was even an episode where Ahsoka barely appeared. There are too many moments where it feels as if this show is in reality the fifth live-action season of Star Wars: Rebels. It might have served the TV show and Star Wars fans better if it was retitled. This is a disservice to Ahsoka since she is one of the most captivating Star Wars characters.

Ahsoka was allowed the spotlight in the fifth episode, which largely focuses on her as her mind enters an interdimensional realm called the World Between Worlds where time and space are not linear. There she meets the spirit of her mentor Anakin Skywalker (Hayden Christensen) as they end up in past battles during the Clone Wars. This was thrilling for fans of Star Wars: The Clone Wars as they finally got to see these two Jedi interacting in live action during that war. More importantly, these sequences provided fascinating insights into Ahsoka and her feelings towards Anakin Skywalker knowing that he ultimately became Darth Vader. With the way this episode showcased her guilt about Anakin and the Clone Wars, it was probably the best one in the series.

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