The Five Nights at Freddy’s Movie Spoiler Talk!

The long-awaited live-action movie version of the classic online game Five Nights at Freddy’s or FNaF has excited fans. Unlike critics who do not understand the FNaF franchise, fans recognized how faithful the movie was to the franchise while developing its own identity. With that, it’s time for SPOILER TALK about the Five Nights at Freddy’s movie! For anyone who has not seen the FNaF film yet, you’ve been warned…

Touching upon an issue brought up earlier with my review of Five Nights at Freddy’s, some things should’ve had a little more explanation than they were given. The main reason I say this is because fans have a general idea of some characters and ideas, but to someone else, it’s a complete mystery that makes them think “Okay? So, what?” The prime culprit of this issue is none other than Golden Freddy. Sure, his spirit is very present in the movie, but the animatronic is only seen for three scenes and is never elaborated upon. That leaves me with many questions: how did he get to Abby’s house? Why is he so withered? Even if I have a general reason as to why, HOW is he still functional? Although he is only seen for two minutes, he still looks very good, and I’m very happy with the practical effects (no surprise there!).

To talk about cameos and Easter eggs, I am happy with the people they brought on! We all knew CoryxKenshin would be in the movie, playing as the taxi driver, but no one expected MatPat as a waiter, as he convinced us that the filmmakers treated him dirty. Both cameos were hilarious and I’m sure they’re both very happy that they were able to be included. The self-proclaimed “King of FNaF”, Markiplier, unfortunately had a planned cameo, but ultimately could not film a scene, as it conflicted with the filming of his own movie that is coincidentally also based on an indie horror game, Iron Lung. Talking about Easter eggs, I was genuinely shocked to see references to Five Nights at Freddy’s history in the movie. Sparky the Dog, the franchise’s first ever, fan-made hoax character had a diner named after him and possibly even an animatronic suit to himself. MatPat’s name tag also had “Ness” on it, which is a golden reference to one of his theories based off two whole different franchises where he argues that Sans from the indie game Undertale, was actually a Nintendo character named Ness from the Earthbound series. Only Scott Cawthon would be able to reference both another indie horror game AND Nintendo at the same time! I also really loved the opening credits for the music and the pixel art. They were both PERFECT for FNaF’s general vibe!

Let’s talk about secrete characters in this movie. Emma Tammi confirmed a couple of weeks ago in an interview that there was a character in the Five Nights at Freddy’s movie who was not seen in any promotional material. That begged the question, who was that character? I genuinely do not know which character it specifically was, as there were multiple featured characters. I have a list of possible characters she could’ve been talking about.

Shadow Freddy, who was seen in a hidden YouTube video made an appearance in the movie as the suit that babysitter Max gets stuffed inside after dying. I must admit I’m a little disappointed that he didn’t get any story relevance, but I probably should’ve expected that, as it probably would’ve been too early for him. Another character was Sparky the Dog (or possibly Fetch, the fan base is still working that part out). Yes, Sparky wasn’t seen in any advertising, but I think Emma would’ve been talking about a character that was important to the story, so this leaves me with two more culprits who I was able to predict in my last essay!

Balloon Boy was only seen on one of the children’s drawings, but we didn’t know if he actually would’ve made a physical appearance in the movie. Luckily, we now know the answer is yes, he appears as a troll character in the form of a mini figurine. Ironically, he was probably the character with the scariest jump scares in this entire movie, which only fuels my hate-fire for him. The last culprit, who still seems to be a mystery, is the Puppet, or sometimes referred to as the Marionette.

We have speculated that she would make an appearance in the movie, as she was the one to give the children the gift of resurrection after they were killed by William Afton, but it seems like she wasn’t included in the movie. That is until people noticed at the end of the amazing end credits that the same cryptic voice that would spell words in the FNaF 2 mini-games was included in the movie and spelled out something. I couldn’t make out what it said myself, but after close examination, (and Peacock’s subtitles), we know that it spelled “C-O-M-E F-I-N-D M-E”. As this was being spelled out, fans noticed the familiar theme of her music box playing in the background, implying the Puppet is directly speaking to Mike, prompting him to find her. This isn’t the end of this manhunt, however. After going through the movie, fans started noticing in certain scenes that you could barely make out shapes in the backgrounds that look very similar to the Puppet. The Puppet may be in the movie, but she is lurking in the background, usually on the ceilings.

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The Five Nights at Freddy’s Movie, Critics Loathe it, Fans LOVE it

It’s no secret that Blumhouse Productions’ Five Nights at Freddy’s (FNaF) went through a rough development over the last eight years. Despite all the waiting, fans are as anxious as ever to see Freddy and the gang on the big screen, so the question becomes: is it a good movie? As a huge FNaF nerd, (I am literally listening to Blumhouse’s official Five Nights at Freddy’s song playlist on Spotify as I’m writing this), I would say absolutely; this is THE near-perfect Five Nights at Freddy’s movie. However, not even I can ignore the fact that it can be very off putting to any potential newcomers to the franchise. This review will begin spoiler-free and will move into the spoiler territory following a brief warning.

Let’s start on the story, shall we? The general story follows Mike (Josh Hutcherson) as he struggles to keep custody of his little sister Abby (Piper Rubio) in a losing custody battle against his aunt Jane (Mary Stuart Masterson). Following an incident at his last job, Mike visits a career counselor, hoping to land a solid job; this job, as you could guess, would be a nighttime security position at the now-abandoned Freddy Fazbear’s Pizza, a family pizza restaurant in the style of Chuck E. Cheese . We follow Mike through the five nights at his job as his life seems to keep going downhill.

The overall story is really good, but is very confusing and difficult to follow at times. I really wish that this movie wasn’t as short as it was because I think it really could’ve benefited from a longer runtime; at least an extra 25 minutes longer. To general audiences, the story, while being a little all over the place, is still enjoyable (and surprisingly heartwarming?). To critics, however, this movie’s story is absolutely unacceptable for their “marvel quality” of expectations when it comes to grand storytelling.

Moving onto what most people were anxious for, the level of scariness. Honestly, Five Nights at Freddy’s as a whole isn’t that scary, (maybe because I’ve been here since the beginning), as it heavily relies on cheap jump-scares as its main scare tactic. The movie, however, is scarier than the newer games, and maybe even more than the original games, in my opinion. It surprisingly lacks many jump-scares, but some of them get you GOOD. There were also some moments that caught me off guard, as I would never expect to see them in a PG-13 Five Nights at Freddy’s movie. I’ve seen critics complain that this movie lacked massive amounts of gore and blood, but newsflash, the games themselves already lack this. The games don’t have to resort to gore, as it nails atmospheric dread and horror. One of the movie’s strengths is that it is able to introduce a threatening aura to the cute and cuddly robot friends.

Speaking of cute and cuddly, the animatronics in this movie were both menacing and adorable. Blumhouse was able to make scary scenes involving Freddy, Bonnie, Chica, Foxy, and Cupcake while also adding scenes that emphasized the more child-like nature of the robots. The one thing that I am happy about is that no one is criticizing the animatronics, as they are absolutely spectacular in this movie. I really liked every prop used in this movie, moving past just the animatronics. Honestly, they were all so likable, that its genuinely a struggle to choose a personal favorite, but if I had to, it’d be Bonnie :]

The acting is really good but could’ve been improved upon. Mike, Abby, Vanessa (Elizabeth Lail), Max (Kate Conner Sterling), the animatronics, and the children were really well acted, and I wouldn’t want any of them replaced. The weakest performance, in my opinion, is sadly Matthew Lillard’s Scott Raglan. I know this is a more controversial opinion, but I just thought they could’ve touched upon some of his scenes; in no way was it bad, but it could’ve been a little better. Blumhouse also nailed down how the animatronics moved, striking a perfect balance between freakishly smooth movements and stiff, robotic movements.

The music is amazing and fits perfectly with the atmosphere of the movie. They also had a great selection of non-original tracks, using 80’s music like “Talking In Your Sleep” and “Celebration”. I admit, I was a little worried when it came to the music selection of this movie, but I think fans won’t be disappointed with the tracks they included. The humor of this movie is also on point, getting many laughs from me, my family, and the entire theater. FNaF creator Scott Cawthon’s humor is funny and I’m glad they allowed him to make jokes of the same caliber with the script he co-wrote.

I think it’s time to move on to the objective flaws this movie has. I felt that the pacing was way too fast in the beginning and ending of the movie. Scenes are practically whizzed past you at lightning speed with little to no time to digest them, as you have to swallow more story in the new scene in front of you. The middle of the movie seems to find its footing on pacing, but for the next movie, assuming we get one, Blumhouse and Scott Cawthon really should focus on getting the pacing right.

Another issue is the storytelling itself. As I said before, the film’s story is fundamentally confusing, and the film only double downs on this trait. This wouldn’t be much of a problem if there were enough scenes explaining seemingly major plot points. I will expand upon certain scenes in a spoiler post later on, but if you are stepping into FNaF for the first time, be prepared to feel like an idiot walking out of the theaters. Hell, as a nine-year fan myself, I’m still trying to process the plot fully in my head.

Overall, the Five Nights at Freddy’s movie was made with fans as a number one priority, and that’s a great thing! It does struggle to bring newcomers in however, and completely misses the mark in the critics’ expectations. I am really happy that this movie finally came out and am beyond satisfied with the finished product. The most saddening thing about this movie is that its being bashed on move-rating websites when it does not deserve score that low. I understand why people may not like the movie with the number of flaws it has, but I think people are being way too harsh towards Blumhouse and Scott Cawthon. If you are a fan, you need to watch this in theaters; if you’re a casual fan, its probably best to stream the movie on Peacock, but everyone should give it a shot!

Angelo Soto

The Five Nights At Freddy’s Movie Is Coming!

After nine long years of waiting through countless script rewrites (12 to be exact), overall restarts, company changes, and even director switches, the Five Nights at Freddy’s movie is finally upon us. In just one week, we will see the beloved animals we’ve become acquainted with on the big screen. As a fan of the online game Five Nights at Freddy’s (FNAF) since 2014, to say I’m excited for this movie is the understatement of the century. Jason Blum, Emma Tammi, and of course, Scott Cawthon worked tirelessly through the many road bumps of production and were determined to deliver Freddy and the gang to the big screen.

Alright, you may be wondering, “How big of a FNAF nerd is this guy?” and to that I say, be prepared. My journey started where most people did, with famous YouTuber,  Markiplier’s Five Nights at Freddy’s gameplay. I remember being frightened and Bonnie’s uncanny appearance in the thumbnail when I was only a kid (I didn’t even know he was a bunny back then, since his ears are cropped out of the frame on that video).  Since then, I’ve kept up with every game entry, piece of media, and how could anyone forget the massive waves of merchandise, good or mediocre. My room ia practically walled with many of the franchise’s posters, I have over 60ish plushies, and I have almost every book ever produced in the franchise. To say this movie was a dream come true is underexaggerating my excitement! Alright, you may be wondering, “How big of a FNAF nerd is this guy?” and to that I say, be prepared. My journey started where most people did, with famous YouTuber,  Markiplier’s Five Nights at Freddy’s gameplay. I remember being frightened and Bonnie’s uncanny appearance in the thumbnail when I was only seven (I didn’t even know he was a bunny back then, since his ears are cropped out of the frame on that video).  Since then, I’ve kept up with every game entry, piece of media, and how could anyone forget the massive waves of merchandise, good or mediocre. My room is practically walled with many of the franchise’s posters, I have over 60ish plushies, and I have almost every book ever produced in the franchise. To say this movie was a dream come true is underexaggerating my excitement!

The four main animatronics, Freddy Fazbear, Bonnie, Chica, and Foxy have been treated with immense care when thinking about how to translate them into real-life functioning robots and suits. They are almost ripped straight from the video games, and I couldn’t be more grateful for that. I think despite it being a horror movie, it has a major chance to stand out among great video game adaptations, alongside The Super Mario Bros. Movie, Sonic the Hedgehog 2, and Arcane. It is projected to be the highest grossing opening for any horror film ever, which shows the power of our fan base. It’s safe to say I think we are all excited for this movie!

And of course, how could we wrap up our discussion of the FNAF movie without talking about Scott Cawthon’s upbringing. When Scott was starting off with computers, he first made direct-to-video short movies; in fact, they were Christian movies! He made a less than stellar paycheck doing this, so he eventually turned to game development. His first notable game was titled: The Desolate Hope. In this game, you play as a sentient coffee maker running through this dark and mechanical world filled with giant robots. Of course, this would be part of the inspiration for Five Nights at Freddy’s, but the true spark was with his last game before FNAF, Chipper and Sons Lumber Co.

This game was thought by most people as just okay. Some people thought it was bad however, and one person left a review that would change the course of Scott’s life. Scott was not a “great” modeler back then, so this person commented that the game was boring, and that Chipper looked like he was a scary animatronic bear and belonged in a horror game. SPARK! After this, Scott put together Five Nights at Freddy’s, which was about a security guard in a Chuck E. Cheese-type of restaurant at night who is stalked by deadly animatronic robots that came to life. Cawthon even looked to fund the game online. Unfortunately, he raised zero dollars, but of course, releasing it through self funding more than paid back for the development of the game.

Now that we’ve talked about the developer, I think it’s time to talk about what I think the story of the movie will be. Spoilers will indeed follow.

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The Last Of Us Is First As A Faithful Adaptation

The television adaptation of the video game The Last of Us concluded its first season on HBO Max. Ever since it premiered this past January, the TV show has received widespread acclaim from critics and fans for being both a faithful adaptation and for its quality.

The Last of Us stands apart from your typical post-apocalyptic fare in many ways. For starters, despite its premise being similar to other post-apocalyptic yarns, it does not involve undead flesh-eaters. It is more contemplative and offers richer character studies as the main characters face moral dilemmas every moment of their fragile existence.

The Last of Us takes place in an alternate world where a fungal infection that started in 2003 destroyed our society as the parasitic fungus, called Cordyceps, altered the brains of its victims and turned them into mindless savages. Their humanity gone, the infected victims ran rampant through society as they infected others though bites and savage attacks. During the outbreak, the world descended into anarchy and the United States basically became lawless as murderous gangs and warlords rule the land except for certain cities that are run by the tyrannical FEDRA (Federal Disaster Response Agency). FEDRA is barely able to maintain some meaure of order through an iron fist and are opposed by a rebel group called the Fireflies. The show picks up twenty years later and stars Pedro Pascal as Joel an embittered survivor who lives a hard existence in the crumbling remains of Boston, which is barely controlled by FEDRA.

Joel is hired by the leader of the Fireflies, Marlene (Merl Dandridge, who is the only actor to reprise the same role from the video game), to transport a young teenage girl called Ellie (Bella Ramsey) across the country to a Firefly-operated medical facility. Joel soon learns that Ellie is immune to the Cordyceps and is humanity’s only hope to recover from the pandemic. At first distrustful and hostile towards each other, the two gradually form an intense bond as they travel through the hostile continent.

While it is true the basic premise strongly echoes that of Pedro Pascal’s other popular TV show, The Mandalorian, The Last of Us differs greatly because of its themes and dark nature.

At its core, The Last of Us is a character study of two hardened survivors and the emotional trauma they suffer and how they rely on each other to heal emotionally.

From the very first episode, we see the start of the pandemic and its immediate and devastating effect on our society as we follow Joel, who lost his daughter Sarah (Nico Parker). This event nearly destroys Joe,l who became hard, bitter and even cruel. We get hints that he did evil things in order to survive and his only goal is to reconnect with his brother Tommy (Gabriel Luna), who is located in Wyoming. Unlike Joel, Tommy is shown to be more idealistic and was a member of the Fireflies. Joel, who is desperate to connect with a family member agrees to take Ellie with him from Boston to her destination out west.

During their journey, Joel and Ellie encounter different types of people who have fascinating and even tragic stories. One episode (“Long, Long Time”) was nearly devoted entirely to a survivalist named Bill (Nick Offerman) who finds a renewed purpose in life, which is to protect and love Frank (Murray Bartlett), a survivor that made his way to Bill’s fortified territory. While that episode showcased the good in humanity, the penultimate episode “When We are in Need” showed us the worst as Ellie is captured by David (Scott Shepherd), a monster who poses as a pastor and is a would-be savior for a desperate town.

Unlike the video game, which was more devoted to accomplishing tasks (get certain items to enter a room, as an example) or battling the infected or FEDRA, the TV show focuses more on exploring the characters and themes, such as collectivism versus individualism. This theme is very central in the last episode “Look for the Light” as we see that while Joel and Ellie are able to heal from their mental wounds they still deal with ethical and moral issues, especially Joel. The actions taken by the characters are very morally dubious and leave you wondering about their moral centers.

While this more nuanced and layered exploration of characters and themes will be appreciated by many seeking something different from all the recent zombie shoot-em-ups, it may leave fans of the classic video game disappointed. It is very faithful to the video game, with it even lifting entire lines of dialogue, and it has tons of Easter eggs and references to the game. However, at times the TV show is light on action scenes as the infected barely appear in some episodes. They do not feel like a constant threat like in the game or your typical episode of The Walking Dead, nor is it as violent. Instead we see the impact of the Cordyceps infection in the ruined landscape of America and how the pandemic brought out the worst in people.

It goes without saying that Pedro Pascal and Bella Ramsey are the highlights of The Last of Us as the two have a natural chemistry which made their characters so endearing. Bit by bit, we see Joel quietly dropping his emotional barriers and rekindle his humanity as he forms a parental relationship with Ellie. She too, undergoes an emotional transformation as she learns about survival from Joel and looks up to Joel as the father figure she never had and needed. Through their ordeals, the two find a renewed purpose in life. For Joel his goal is to protect this young girl as he transferred his feelings over Sarah to her and in a sense accomplished with Ellie what he could not with Sarah. For Ellie, she becomes a Moses-like figure who is resolved to be able to lead humanity out of darkness with her immunity to the Cordyceps. How well they accomplished their purpose made for a wrenching finale as its emphasized how fragile and flawed the two really are.

The Last of Us is as captivating and intense as the classic video game. It also demonstrates that it is possible to be able to faithfully adapt engrossing video games into live-action media, as by the last seconds of the final episode, we’re left wanting to see more of this world and its characters.

Top Ten Films & TV Shows Of 2022

2022 is done and it is time to briefly look back at the best genre films and television shows that came out in 2022. Of course, every reader’s preference and ranking will be different and everyone will have their opinions about these lists and are entitled to them. Drop a comment if you agree with the rankings or have different ones.

TV Shows

It is clear that we are in the middle of a Golden Age of genre TV shows given there so many high-quality shows that came out in just one year. Many of the streamed or aired TV shows are genuine classics with the top three shows being virtually tied for first place and their ranks can be interchanged.

10. The Peripheral

Loosely based on William Gibson’s book, this was one sci-fi show worth watching. Chloë Moretz Grace stars as a VR gamer in the near future caught up in a mind-bending conspiracy involving time travel and alternate realities.

9. The Sandman

This turned out to be a remarkably faithful adaptation of the classic DC/Vertigo dark fantasy comic book. More like a traditional episodic show with standalone stories, The Sandman was inventive, colorful, disturbing and brilliant.

8. Peacemaker

James Gunn sojourn into the DC Extended Universe (DCEU) took a hysterical turn with the first (and possibly final) DCEU TV show. It took one of the least likeable anti-heroes from The Suicide Squad and turned him into a relatable and emotionally complex character.

7. The Guardians of the Galaxy Holiday Special

Director James Gunn delivered an awesome, heartfelt and funny holiday special starring the Guardians of the Galaxy. In between the gooey holiday scenes were moments of pure laughter as the alien Guardians went to Earth to kidnap the actor Kevin Bacon to present as a Christmas present. The songs were great, too.

6. The Boys

With the introduction of Soldier Boy, The Boys took a turn at satirizing the Marvel Comics heroes with his clear similarities to Captain America. Meanwhile, the series continued to be outrageously violent with gross-out humor and in-your-face commentary about our times.

5. Obi-Wan Kenobi

Ewan McGregor reprised the role he made his own in the Star Wars prequels. The series served as both a sequel to those films and a prequel to the original Star Wars. Despite some flaws, McGregor elevated the show with his brilliant performance as a fallen Jedi who has to rediscover his faith.

4. Star Trek: Strange New Worlds

Despite some Star Trek shows that faltered in 2022, Star Trek: Strange New Worlds breathed new life in the franchise. This was due to smart scripts that emulated the original Star Trek, a charming cast, and a back-to-basics approach with its storytelling that favored standalone episodes.

3. Andor

Cassian Andor (Diego Luna) in Lucasfilm’s ANDOR, exclusively on Disney+. ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.

This Star Wars show was the ultimate slow burn as the prequel to Rogue One: A Star Wars Story centered on the anti-hero Rebel agent, Cassian Andor. Separate arcs thoroughly examined Andor’s personal growth and the people around him. It also realistically depicted of how a rebellion grows in an authoritarian society.

2. House of the Dragon

Many who were disappointed by the final season of Game of Thrones were pleasantly surprised by this fascinating prequel that focused on the dragon-worshiping Targaryen royal family. Despite its prequel limitations, the show quickly captivated audiences who were drawn back to the fantasy world of George R.R. Martin.

1. Stranger Things 4

The fourth season of Stranger Things managed to reinvigorate the series with fascinating origin stories and situations, and new and memorable characters. At the same time, this season focused on the core characters that were so beloved and who were allowed to grow as they faced terrifying new threats from the Upside Down dimension.

Honorable Mentions:

Doom Patrol; For All Mankind; Halo; The Handmaid’s Tale; Love, Death + Robots; Moon Knight; The Orville; Raised By Wolves; Severance; She-Hulk: Attorney At Law; Snowpiercer, Star Trek: Picard; Star Trek: Prodigy; Superman & Lois; Tales of the Jedi; Titans; Werewolf By Night; The Umbrella Academy; Undone

Films

Surprisingly, the genre offerings for 2022 were not as plentiful as in previous years. Superhero films still dominate the release schedule though many other genre films (horror, animated, sci-fi, fantasy) have made their presence felt as well in a solid year for genre films.

10. Sonic the Hedgehog 2

The sequel film delivered the best family film of the year. It was also an exciting, colorful and largely faithful live-action adaptation of the classic Sega video game hero and his expanded roster of friends and foes.

9. The Black Phone

This film by Scott Derrickson proved why he is one of the best visionary horror directors today with The Black Phone. He cleverly combined classic horror elements from serial killers to psychic phenomenon to ghosts.

8. Nope

Director Jordan Peele’s latest genre offering was an intriguing and original take on the U.F.O. phenomenon. Nope had its fair share of suspense, horror and the contemplative character studies Peele is known for, as well as elements of a neo-Western.

7. Prey

The Predator franchise was unexpectedly revived with the latest film that took the franchise in a new and fresh direction. Placing the film centuries ago, Prey amped up the thrills as the human characters had to rely on their wits and skills instead of technology against the inhuman Predator hunting them.

6. Everything Everywhere All at Once

Michelle Yeoh turned in a fantastic performance as several variations of the same character in this film that gave us a true multiverse of madness. The film truly went out there with its sometimes bizarre depictions of colliding parallel universes.

5. Jurassic World: Dominion

The conclusion to the second Jurassic Park film trilogy ended on a high note full of dinosaurs rampaging in modern-day society. However, the film’s true high note was when it had the main heroes from both trilogies meeting and teaming up to save the world from extinction.

4 Black Panther: Wakanda Forever

Director Ryan Coogler pulled off the impossible with a sequel that does not feature the star or main character from the original film. This film was full of depth as it explored grief and loss, while expanding the popular Marvel Cinematic Universe (MCU) with the introduction of one of Marvel’s best anti-heroes, Namor.

3. The Batman

We actually got to see the Dark Knight Detective do some actual detective work in this grounded and gritty version of Batman. The dark and brooding film delivered intense action, intrigue and a horrifying version of the Riddler that rivaled classic cinematic serial killers.

2. Doctor Strange in the Multiverse of Madness

While the year’s top MCU film did not exactly deliver a multiverse of madness, it was a fun deep dive into the MCU with chilling horror elements and wild visuals. Sam Raimi was an inspired choice of a director who utilized his horror and comic book film background to full effect.

1. Avatar: The Way of Water

The sequel to Avatar, the biggest box office hit of all time, surprised many who dismissed it for being an empty special effects-heavy sequel. However, director James Cameron’s breathtaking vision of an alien world and its solid world building and characters helped propel Avatar: The Way of Water into a must-see event.

Honorable Mentions:

Barbarian; Beavis and Butthead Do the Universe; Black Crab; Chip ‘n’ Dale Rescue Rangers; DC League of Super Pets; Lighthyear; Moonfall; Puss in Boots: The Last Wish; Smile; Strange World; Thor: Love and Thunder; Turning Red