Category Movies

May 31 2021

The Independent Comics: Unmined Gold For TV & Film

When comic books are brought up in conversation, most people think of the big two comic book publishers, Marvel Comics and DC Comics. Yet, true comic book fans know of the countless independent publishers that put out entertaining and sometimes off-beat comic books that aren’t just about superheroes, but most of the genral public never heard of them. That was until recently, when more and more popular TV shows were revealed to be based on independent comics.

Thanks to the popularity of films and TV shows based on superheroes from DC and Marvel, film studios, television channels and streaming services are now creating their next big superhero film or TV show. The problem for entertainment companies not called Disney or Warner Bros. is that film and TV rights for popular characters like Spider-Man or Batman are off limits. So what can they do to take advantage of the current superhero craze? These companies could create their own characters from scratch as we saw with Heroes and Chronicle. However, the companies do not have to this since there are so many superheroes from independent comic book publishers. What’s more, is that these independent comic books are great treasure troves for other types of genre material from sci-fi to fantasy to horror or a combo of all three.

There have been successful hit films or TV shows based on independent comics that came out years ago, Some examples that come to mind include The Mask (Dark Horse Comics), The Crow (Caliber Comics), and The Kingsman (Icon Comics), but the biggest hit television program based on an independent comic is course, The Walking Dead from Image Comics, the survival saga taking place during a zombie apocalypse. The runaway success of The Walking Dead prompted film and TV studios to mine other properties from independent comics. While these studios did not find the next zombie apocaplyse they found a diverse slew of properties that were begging to be adapted, and yes, this included superhero fare, as well.

Many of these properties are currently airing/streaming and have been well received. These include The Boys (Dynamite Entertainment), Invincible (Image Comics), Jupiter’s Legacy (Image Comics), Resident Alien (Dark Horse Comics), Locke & Key (IDW Publishing) and The Umbrella Academy (Dark Horse Comics). Part of the reason for the success of superhero-related shows like Jupiter’s Legacy or The Boys is because the shows are more graphic and mature compared to the more youth-oriented DC fare airing on The CW, for instance. In other words, they offer a different take on superheroes.

Thanks to the success of these TV shows, even more independent comics are in various stages of development. These include Paper Girls (Image Comics), Ice Cream Man (Image Comics), Port of Earth (Image Comics), Harbinger (Valiant Comics), Oblivion Song (Image Comics), Spawn (Image Comics), and BRZRKR (Boom! Studios). The latter comic book, about a prehistoric immortal warrior, seems to be tailor made for films or TV and it’s no wonder since Keannu Reeves co-wrote it. Any idea who would star in the upcoming television film adaptation from Netflix? The success only confirms that a well-crafted story formed in one medium will be able to crossover to another medium. In this situation, the comic book medium is a great place to find material that is ripe for adaptation.

Of course, there are so many other quality comic books that would make terrific films or TV shows. The list would be exhaustive but should include Saga (though the creators of the comic are not interested in having their sci-fi/fantasy epic being adapted), The Department of Truth, Geiger, Canto, Give Me Liberty, Stray Dogs, The Undiscovered Country, Concrete, Something is Killing the Children, and Astro City.

Thanks to the popularity and success of the live-action adaptations, more and more attention will be paid to the independent comic books. Surveyors will find an impressive and endless trove of reading material spanning a wide variety of subject matter.

May 24 2021

The Latest Crazy Internet Rumor: Disney Buying DC

Well, it did not take long for the wild rumors and speculation to begin once it was announced last week that Discovery, Inc. and WarnerMedia. were merging into one company called WarnerDiscovery. The wildest rumor has it that allegedly the Walt Disney Company is going to buy WarnerMedia’s DC Comics or Warner Bros. Being that Disney already owns Marvel Comics this would mean that both comic book companies can be merged into one.

Think about that for a moment.

If this was somehow true, this would be the most shattering development for comic books and related media since comic books were created nearly a century ago. Of course, fans know that DC Comics and Marvel Comics are the two biggest comic book companies with legendary superheroes and other characters. The fact that the two giants are natural rivals adds fuel to rumor fire about the possibility of this merger.

Think of the team up and crossover events. “Crisis on Infinity Secret Wars” or some other overpriced and over-printed epic spanning hundreds of issues per month with spinoff titles and one-shots cluttering comic book shelves in stores. It would blow out recent events like Dark Knights: Death Metal and King in Black in the shear scope. Imagine trying to buy all the tie-ins for that event!

This could spillover into games, books, and yes, films and TV shows. Thought Avengers: Endgame or The CW’s Crisis on Infinite Earths were epic? Guess again and imagine a live-action version of the last, great DC/Marvel crossover, JLA/Avengers or the 1990s’ DC vs. Marvel that pitted the Hulk against Superman or Captain America fighting Batman! Imagine further and think of the possibility of Robert Downey, Jr. sharing the silver screen as Iron Man alongside Christian Bale as Batman. Or Henry Cavill’s Superman meeting Chris Evans’ Captain America.

Let’s come back to Earth now and face reality because it is doubtful any of this will happen. Sure, it is possible, but to date there are not any credible, confirmed sources to back up this claim.

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May 17 2021

What Does The WarnerMedia/Discovery Inc. Merger Mean For DC And Warner Bros.?

The news that AT&T divested its ownership of WarnerMedia to Discovery, Inc. for $43 billion to form a new, merged entertainment company may not sound as exciting as when The Walt Disney Company acquired 21st Century Fox in 2019, but it is just as important.

Ever since AT&T acquired Time Warner for $85 billion in 2018. there were many concerns in the entertainment industry, which turned out to be justified. Renamed, WarnerMedia, the entertainment conglomerate was owned by a telecommunications giant that did not have any experience with entertainment media and this resulted in questionable moves by AT&T. The most impactful were the creation of the HBO Max streaming service and fractured relationships with notable genre directors like Christopher Nolan, Denis Villeneuve and James Gunn.

In AT&T’s quest to push HBO Max to be competitive with other streaming apps, all of the films slated for release this year by the movie studio, Warner Bros., were released simultaneously in theaters and the streaming service. On the surface, this took into account the COVID-19 pandemic and the fact that most movie theaters were closed. However, now that the pandemic seems to be winding down (at least in the United States and Europe), this strategy has been questioned. Not only did this move result in diminished box office returns, but it alienated many of Warner Bros.’ top talent.

This first began when Wonder Woman 1984 was streamed on Christmas Day in 2020 instead of delaying the film’s release because of the pandemic. This worked in that it attracted attention (and subscribers) to the streaming app but the film received negative reactions from critics and fans who did not find much original content on HBO Max. Unlike Disney+ or Apple+, HBO Max lacked an attention-grabbing genre TV show like The Mandalorian or For All Mankind to entice fans to stay with the service. The app did stream TV shows that once exclusively streamed on the DC Universe app like Titans and Doom Patrol. But it is baffling that throughout all of the development of the app, no one thought to have an original DC TV show ready. The closest thing to semi-original content being Zack Snyder’s Justice League, which did not stream until this year, months after the app was launched. While Disney+ already streamed the Marvel properties WandaVision and The Falcon and the Winter Soldier, HBO Max has yet to stream original DC content. Its announced Green Lantern TV show seems to be forever in development.

It shoud be noted HBO Max premiered the sci-fi TV show Raised by Wolves when it launched and while it was well done the TV show did not capture much attention. It is a shame because the streaming service is quite good with plenty of content, but its launch was botched and confused people who already subscribed to HBO or used its then-existing apps HBO Now and HBO Go.

Filmmakers such as Nolan and Villeneuve were incensed that films they specifically shot for large screens were to be directly streamed on HBO Max. Not only would this lead to low box office returns but the decision robbed audiences of seeing films meant for the large screens. Denis Villeneuve and Legendary Pictures (the production company which bankrolled Villeneuve’s Dune, Godzilla vs. Kong and other recent genre films) expressed their dissatisfaction to push the streaming service over Warner Bros.’ film schedule. After all, in light of the pandemic, if one is able to access the app, why bother going to the theaters? As it now stands the following genre films either streamed already will do so later this year:

  • Wonder Woman 1984
  • Godzilla vs. Kong
  • Mortal Kombat
  • The Witches
  • Superintelligience
  • The Suicide Squad
  • The Conjuring: The Devil Made Me Do It
  • Malignant
  • Space Jam: A New Legacy
  • Reminiscence
  • Dune
  • the fourth Matrix film

WarnerMedia recently announced that starting in 2022, its films would be released solely in theaters before coming to HBO Max. But the damage has been done as many filmmakers openly expressed their dissatisfaction with WarnerMedia and some were no longer willing to do films for Warner Bros.

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Apr 2 2021

Godzilla Vs. Kong Is The Epic Clash We’ve Been Waiting For!

Ever since Godzilla and King Kong have made their way into recent films with modern fx technology we’ve been wating for the inevitable clash between these two legendary titans. Fans had their dreams answered with the new take of Godzilla vs. Kong, and boy does this film deliver!

First of all, let’s be clear. Godzilla vs. Kong is not Citizen Kane or even Blade Runner. It does not feature any deep, meaningful storylines or characters, it just gives viewers a classic slugfest between the two iconic film legends. What characters there are only exist to provide brief explanations, theories and to move the plot along. It is clear that Legendary Entertainment has figured out that from Godzilla, its first entry in their Monsterverse cinematic universe, that audiences have little patience for human drama in these films and only show up to see detailed and powerful battles between giant monsters as they destroy their landscapes. The fourth Monsterverse film wisely, depending on your point of view, puts aside human drama and intricate plots and just sprinkle these elements to service the film and give the giant monster legends a reason to fight.

The film begins with Godzilla unexpectedly showing up off the coast of Florida and decimating the location of Apex Cybernetics. While the world believes the mighty Alpha Titan has gone rogue, there is more to his attack. At the same time, the other Alpha Titan, Kong is introduced as being held inside a massive dome on Skull Island that recreates his primordial kingdom. Apparently at some point before this film, he was captured and placed there to protect him from Godzilla, who would otherwise seek out Kong and battle him since he is a competing Alpha Titan. But Kong wants out of his gilded cage and is somehow able to communicate with Jia (Kaylee Hottle) the young, deaf daughter of Ilene Andrews (Rebecca Hall), one of the many scientists studying the giant gorilla. Ilene meets another scientist, Nathan Lind (Alexander Skarsgard), who wants to use Kong to lead his team into the Earth’s core. Lind believes in the Hollow Earth theory, which he thinks is the home of the gigantic titans and the source of a new kind of energy.

At the same time, Madison Russell (Millie Bobby Brown reprising her role from Godzilla: King of the Monsters), her nerdy friend Josh Valentine (Julien Dennison), and Bernie Hayes (Brian Tyree Henry), a conspiracy podcaster find out that Apex is also interested in exploring the inner Earth and obtaining the energy source. How does this relate to Godzilla and King Kong and other kaijus that pop up? Watch the movie to find out.

Actually, the threadbare plot is nonsense and is not fully explained, but who cares? It’s just a means to get the two giant kaijus to duke it out. Director Adam Wingard delivers the goods when it comes to epic clashes. Godzilla vs. Kong lovingly revels in beautifully choreographed shots of massive battles between the titans and other creatures. Modern cities are just a playground for these giants to stomp around in and destroy during their battles as humans can only do their best to get out of the way.

Keep in mind, that despite the film’s thin plot and underdeveloped characters, the actors give it their all and keep things moving at a fast pace to the point that we don’t mind the human interludes in between monster scenes since every human interaction directly deals with either Kong or Godzilla. This actually helps inect some personality into the monsters, especially Kong. In reality, this is more of a Kong film with Godzilla as a feature character who pops up to challenge the giant ape throughout the film. The result is that Kong has more character than expected and is placed in unique situations that is outside of what is often given to the screen legend. Not only does this reveal that Kong is far more intelligent than we thought, but he’s humanized to the point that even if you are on Team Godzilla you can’t help but root for him during critical moments in the explosive battles. Honestly, it was hard to pick a side, Team Kong or Team Godzilla, as we have reasons to root for both monsters who get their standout moments and demonstrate why they are the kings of their domains.

Needless to say the film’s stunning visuals alone are worth taking a chance to see in theaters. Of course, only go to a theater if you are fully vaccinated since you can’t tell beforehand if you’ll be stuck in the theater with selfish maskholes! Otherwise, be sure to stream this in the best home theater environment possible because Godzilla vs. Kong is a pure delight for kaiju and action fans.

Godzilla vs. Kong is the culmination of nearly a decade’s worth of Monsterverse films and is, at the moment, the final film in the Monsterverse. Hopefully, being that the film has captured the imagination of so many and is being well received despite its faults, maybe we can revisit the Monsterverse since there is more to explore, especially with King Kong.

José Soto

Mar 28 2021

The Last Hurrah For The Snyderverse

As much as fans of the DC films were thrilled over the release of the Snyder cut of Justice League on HBO Max, many others lamented over the news that it will be the last hurrah for the Snyderverse.

The so-called Snyderverse of the DC Extended Universe (DCEU) has always had a rocky existence ever since the release of its first film, Man of Steel. Most of the films in the DCEU received mixed reception and box office results. After the original cut of Justice League did not perform well in theaters the film studio, Warner Bros., began to pull back on the concept of a shared cinematic universe.

At first, many thought this was a good idea as the films Shazam!, Aquaman, Birds of Prey (or the Fantabulous Emancipation of One Harley Quinn) and Wonder Woman 1984 largely were standalone films without direct connections to the DCEU. However, that standalone nature also leads to problems such as the lack of continuity or coordination for other films. The best example of this is Wonder Woman 1984. In that film, which takes place well before the proper DCEU, you see the world undergoing massive events from the machinations of Maxwell Lord such as a third World War, huge walls appearing in the Middle East and mass deaths and destruction. Yet, even though these calamaties are undone, the collective memories of them still appeared to remain and was never referenced once in other films.

Then of course there is Zack Snyder’s Justice League. The way the film plays out contrasts severely with the original version of the film. In fact, Warner Bros. has come out and said Zack Snyder’s Justice League for better or worse is to be considered a “cul-de-sac”, a one-off or for a live-action Elseworlds. For non-DC fans that is an imprint of DC Comics that take place in alternate realities. That’s all well in good and Warner Bros. should continue pursuing more Elseworlds stories such as what they did with Joker and with next year’s The Batman. They should also pursue Justice League Mortal by George Miller or even Joss Whedon’s Justice League and give the director the chance to correct the fake upper lip travesty!

However, Zack Snyder’s Justice League was very well received and with the way it ended, the film left fans wanting more. Of course, it does not help that the ending of the film clearly set up future films and spinoffs. For Aquaman that is fine since his solo film did take place after Justice League, but for Superman. Well, Warner Bros. cannot get its act together and put out a proper Man of Steel sequel. Instead, they hired J.J. Abrams to reboot the character.

Now there are outcries not just for the DCEU but for the Snyderverse established in the new version of Justice League. People want to know what was going on with Batman’s Knightmare vision which featured him teamed up with the Joker. Was Lois Lane pregnant for certain? What is the future for Wonder Woman (her films take place in the past)? Snyder himself said he would love to continue these films but relations between him and Warner Bros. are not exactly great now.

Even if Warner Bros. relented and agreed to more films set in this alternate DCEU there are the logistical hurdles of reuniting the cast. Ray Fisher, who played Cyborg, one of the pivotal characters in Zack Snyder’s Justice League, has had a bad falling out with the film studio. Ben Affleck left the role of Batman after creative differences in the direction of the next Batman film. Instead we are getting another standalone Batman film that features the Caped Crusader as a younger man. And Warner Bros. and Superman actor, Henry Cavill, cannot seem to agree on a venue for him to return. So this is most likely the last hurrah for the Snyderverse. To transition away from the Snydervere an idea would be to have the Flash solo film use its rumored Flashpoint storyline to reboot the DCEU. It makes the most sense. Still it is nice to hope against hope that we have not seen the last of the Snyderverse.