The Must-Read Book For The Summer: Max Brook’s World War Z

 

world war z coverTrends come in cycles. Recently the popular culture has seen the return of an old and familiar staple, the zombie. The Hollywood ghouls started out in the spooky black and white classics of the 30s and 40s, but they were branded into the baby boomer consciousness via George Romero’s 1968 classic Night of the Living Dead. To be fair, they’ve never been away much since, thanks to Living Dead‘s various sequels, semi-sequels, and remakes. But in 2002 British film wunderkind Danny Boyle gave the genre a shot of adrenalin with 28 Days Later, about a deadly virus ravaging London and turning survivors into hyperkinetic, psychotic killers. For zombie fans, the die was cast.

In 2003 writer Max Brooks – son of Mel Brooks and Anne Bancroft – wrote The Zombie Survival Guide (TZSG), a tongue-in-cheek “how-to” on surviving a zombie onslaught as society breaks down. TZSG was a New York Times best –seller thanks to its dark humor and occasional light tone. The book’s characteristics, however, did not mask the fact that underneath the surface it contained some very useful survival information, and it’s easy to see that Brooks did his research. His work must have fuelled a thirst somewhere, because a month later Image Comics began publishing Robert Kirkman’s The Walking Dead (now a hit TV series on the AMC cable network), describing the adventures of survivors of a zombie apocalypse.  The undead were officially back in style.

Not to be outdone, Brooks took zombies one step further and in 2006 came out with World War Z (WWZ), describing the entire history of a massive, deadly zombie onslaught – a war, basically between humans and the undead (“Z” for zombie, if you haven’t yet figured that out). The zombies are the same as those in TZSG, making the book a follow-up of sorts.  According to Brooks, zombies are humans re-animated by an incurable disease, spread by a zombie bite or having open pores exposed to zombie tissue. Taking a page from Romero’s model, they are slow, brainless creatures completely devoid of intelligence, whose sole instinct is to eat live flesh. They are incapable of tiring, cannot drown, and can only be killed by a blow to the head.

Other than that, WWZ is very different in style and tone than its slim predecessor. Patterned in structure after Studs Terkel’s classic oral history of WW2, The Good War, WWZ is not one story per se like Kirkman’s comic but rather a series of individual accounts telling the story from the initial sudden outbreak to mankind’s victory and the sad, weary aftermath.  The book’s narrator (in whose voice Brooks writes), a member of the (fictional) United Nations Post War Committee, is commissioned to interview survivors from mankind’s war against zombies.  Like a twisted travelogue, Brooks shuttles around the world, as survivors running the gamut from military, clergy, health services, government officials, security, and ultimately the average citizen describe their experience and the ghastly horrors they witnessed.

In a chilling opener, the story begins quickly but methodically. In a remote, rural province in China, a young boy goes diving for sunken booty with his father. His father is pulled down by something unknown and the boy escapes but is nipped on the heel.  The poor infected lad becomes “patient zero”, infecting others and kickstarting the zombie pandemic. Once the infection goes beyond the village, it acts as an out-of-whack Rube Goldberg contraption, setting in motion a chain of events that will change the world.  Infected Chinese refugees begin streaming across the border into Central Asia. Others fly out to Europe, bringing the infection to the continent. The Chinese government feverishly tries to halt the spread and invents a military crisis involving Taiwan to mask their armed build up and activities.  Only after hitting the poor South African ghetto townships does the world begin to take notice, calling it the “African Rabies”.  Israel is one of the first to respond, imposing a national quarantine, granting entry only to uninfected Jews and Palestinians, and calling out the Israel Defense Forces for border security.

Through the illegal organ trade, the infection reaches Brazil and once in Mundus Novus it begins to wreak havoc.  Zombies rip through an unprepared United States, as corruption, government incompetence, and overconfidence result in some heavy bungling and widespread deaths. Millions all over the world begin fleeing their homes for safety, as the “Great Panic” begins. At a major, decisive battle in Yonkers, New York, American soldiers fight a massive and frightening wave of undead as if they were fighting living soldiers. Using inappropriate techniques against an undead army – such as attempting to “demoralize them” – they fail miserably and the American forces are brutally defeated on live TV. Other countries encounter similar disastrous results and world civilization as we know it begins to crumble. Continue reading →

Which Are Worse, Superman III & IV Or The Schumacher Batman Movies?

 

drunk supes and clark batman forever

The title says it all. While many comic book fans are salivating over the upcoming Man Of Steel movie, many of them want to forget not just Superman Returns but those horrendously awful Superman sequels from the ’80s, Superman III and Superman IV: The Quest For Peace.

On the flip side of that notion there are the Batman movies. Sure Christopher Nolan singlehandedly reinvented and salvaged the Bat franchise with his own take of Batman, but the sting of Joel Schumacher’s version of Batman in the ’90s is still felt.

Altogether these flicks nearly derailed each franchise and forced years-long moratoriums where no new Superman or Batman movies were available. With the Superman train wrecks it took nearly twenty years until a new Superman movie came out. But Superman Returns was a huge letdown and brought upon another drought of Superman flicks until this year. Batman recovered much quicker, his sabbatical from the movies only lasted seven years and his comeback flick Batman Begins set fandom on fire, culminating with The Dark Knight.

Still the nagging question remains, which of those films are worse? Let’s take a look, and start with Superman.

drunk supes

Super Duds

Before Superman III, Superman was riding high in popularity. Superman II was a huge success in the movies with its action-packed story about Kryptonian supervillains coming to Earth and Superman having to confront them. The end of the movie promised a Superman III, which excited many people. Unfortunately, the second sequel was doomed from the start. See, Richard Donner, who deserves credit for his masterful work on Superman and parts of Superman II had no input in the third Superman movie. Executive producers Alexander and Ilya Salkind had a feud with Donner and even fired him during production of Superman II. They turned to their buddy Richard Lester to complete that movie.

Now that they were running the show completely without Donner, they proceeded to ruin Superman by turning Superman III a comedy. It wouldn’t be as bad as it sounded if the movie was funny. Quite the opposite, it was moronic and embarrassing to watch. How bad was it? I put it on a few weeks ago when it was on cable to watch with my seven-year-old nephew. After a few minutes (right around that stupid scene where the traffic light figurines fight with each other), he told me to change the channel because “Superman III is dumb!”

supes gus gormanWhat is hard to believe is that there are actually defenders of this film who hail its dumb comedic bits, including Richard Pryor’s casting! Talk about misfires! Superman III heralded the downfall of Pryor’s reputation in the movies. Once the guy was seen as a comedic genius and had several hit movies under his belt. Then the poor comedian made a comment in a talk show about how he loved Superman II. Fate turned out to be cruel because the filmmakers behind the Superman films got wind of this comment and decided to put him in Superman III. It was a ballsy move, but it didn’t work. Pryor was known for his racy humor, which had to be toned down for the kid-friendly Superman film and instead he became a bumbling, unfunny buffoon in the movie. His character wasn’t much of a villain, just a misguided dupe forced to help an evil tycoon (Robert Vaughn), and of course, he helps Superman in the end. Ho hum.

Superman (and actor Christopher Reeve) took a break and didn’t appear again until the abysmal Superman IV: The Quest For Peace. By this time, the Salkinds washed their hands of the Man of Steel and sold him off to the schlocky film studio Cannon Films, famous for the zero-quality Chuck Norris and Charles Bronson action flicks.

The fourth film, the new filmmakers promised, was supposed to be bigger and better. Instead, the budget for it was severely slashed leaving an extremely cheesy mess. But the worst part was the script where Reeve supposedly had input on. Lord almighty. Superman gets rid of all the nuclear weapons without thinking of the consequences. But the movie doesn’t even cover that or have any serious discussions superman 4about that idea. The only thing that happens is that Lex Luthor (Gene Hackman) schemes with some generals and creates a sort of Superman clone called Nuclear Man (Mark Pillow). The two superhumans fight and talk in space(!) and Superman pushes the moon to create a solar eclipse to defeat him. It was strictly for kids. Alright I’m stopping. Let’s just say this wasn’t one of Superman’s better films and as much as people like to riff on director Bryan Singer for Superman Returns, at least that movie didn’t have gross scientific inaccuracies.

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Star Trek Movie Retrospective–Star Trek

“Punch it”

Captain Christopher Pike’s order to take the Enterprise into warp space

posterDon’t worry readers, the review for the new Star Trek Into Darkness is coming right up. But first, let’s look at its predecessor, the eleventh Star Trek film. After Star Trek: Nemesis became a box office failure in 2002 and the series Star Trek: Enterprise was canceled in 2005, the franchise seemed to have died. Paramount Studios realized they ran Star Trek into the ground and so it went on hiatus. The fortieth anniversary of the original TV show came and went without any fanfare and implied that no one cared about Star Trek anymore.

However, J.J. Abrams, the man behind the classic TV show Lost, was brought in to rejuvenate the franchise. It was decided to bring Star Trek back as a film series rather than a TV show and so Abrams and his team rebooted the franchise, resulting in the 2009 feature film Star Trek that went back to the beginning. The film was a rousing success but sparked controversy among stalwart fans.

Star Trek begins with a dizzying, close up shot of the starship Kelvin gliding past the camera as it investigates a lightning storm in space. This storm turns into a black hole and from it emerges a gigantic spaceship shaped somewhat like a squid with sharp mechanical kelvin2tendrils. This ship immediately opens fire on the Kelvin with advanced weaponry. The Kelvin isn’t a match but puts up a gallant fight. The attackers demand that the Kelvin’s captain, Robau (Farin Tahir), go to their ship to discuss a surrender. Right away these scenes signaled that Star Trek was reinvigorated with wild, kinetic battle scenes.

Robau leaves First Officer George Kirk (Chris Hemsworth) in command and is killed in the enemy ship by its crew, a group of bald, tattooed Romulans. Kirk orders a shipwide evacuation and covers it by setting the Kelvin on a collision course with the attacking ship. One of the evacuees is his pregnant wife Winona (Jennifer Morrison), who goes into labor in an escaping shuttlecraft. Kirk is unable to join her because he has to manually fly the Kelvin into the enemy ship. He is able, however, to hear the first cries of his newborn son James Tiberius Kirk moments before the Kelvin smashes into the Romulan ship.

George Kirk’s sacrifice wasn’t in vain, the enemy ship is crippled, giving several shuttlecraft an opportunity to escape…

shipyard

Years later, Kirk’s son grows up to be a rebellious, angry young man (Chris Pine) without any direction in life and living in Iowa by a shipyard that is constructing the Enterprise. After a bar fight, he meets Captain Christopher Pike (Bruce Greenwood), who sees some potential in James Kirk. Pike is able to convince the young man to join Starfleet.

During his training Kirk meets many people who will become important parts of his life, notably Dr. Leonard “Bones” McCoy (Karl Urban) and Spock (Zachary Quinto). Ironically, Kirk and Spock do not get along at first. Spock is a by-the-book officer who cannot abide Kirk’s brash and reckless demeanor. Things come to a head after Kirk takes the Kobayashi Maru simulator test, which Spock developed to train cadets, and is caught cheating.

crew

Kirk is under inquiry for his actions when fate intervenes. Starfleet receives an emergency distress call from the planet Vulcan and all available ships on Earth are dispatched. Among them is the new U.S.S. Enterprise commanded by Pike with Spock as its first officer.

With McCoy’s help, Kirk is able to get onboard the Enterprise as it joins the armada. The ship is unable to jump into warp space with the other ships thanks to an error made by the helmsman Hikaru Sulu (John Cho ). It turns out that this delay and Kirk learning of a lightning storm reported by Vulcan helps saves the ship. Kirk guesses that the Enterprise will be facing the same fate as the Kelvin and tells Pike. When the time the Enterprise drops out of warp space near Vulcan,  the crew finds a floating junkyard of destroyed ship parts.

shipwrecksThe other Starfleet ships were easily destroyed by the same Romulan ship that destroyed the Kelvin. The ship had launched a long, tethered drilling platform to Vulcan’s surface. When the Enterprise is discovered, the Romulan ship’s commander, Nero (Eric Bana), orders an attack on the Starfleet vessel but stops when he realizes it’s the Enterprise. The Romulan demands that Pike go to his ship just as was done with Robau. Pike agrees, but before leaving, he promotes Kirk to first officer and leaves command of the Enterprise to Spock. He has Kirk, Sulu and a redshirt accompany him in Pike’s shuttlecraft. Before Pike turns himself in, the trio are clandestinely launched via parachutes to the drilling platform to disable it. After fighting off  Romulans on the platform, Kirk and Sulu are able to disable it. But they’re too late, the drill already reached the planet’s core. The Romulans release a substance called red matter that creates a black hole in Vulcan’s core, dooming the world.

kirk sulu

In a desperate move, Spock beams down to Vulcan just in time to save his father Sarek (Ben Cross) and a few others but not his mother (Winona Ryder). Shortly after, he and the handful of survivors are beamed back to the Enterprise as Vulcan is destroyed from within.

Spock struggles not displaying emotions over the death of his mother and world and Pike’s capture. He decides to regroup with the fleet but Kirk tries to convince him otherwise. The Romulans are heading to Earth and Kirk demands that they try to stop them. After they argue for several minutes, Spock has Kirk removed from the bridge and ejected from an escape capsule to a nearby planet, Delta Vega, and orders the Enterprise to resume its course to rendezvous with the fleet.

old spockAfter the capsule lands,  Kirk breaks out and finds himself in a frozen world filled with predatory animals out to snack on him. He is saved from one huge animal by a mysterious Vulcan who turns out to be a very old Spock (Leonard Nimoy). This Spock mind melds with Kirk and he learns that Spock is from the future as are the bald Romulans. In the late 24th century, the Romulans’ homeworld was destroyed by a supernova that threatened other worlds. From his own ship, Spock launched a sample of the red matter to destroy the supernova by creating a black hole. As he tried to escape the black hole, he encountered Nero and his ship. The Romulan was enraged at Spock because the Vulcan promised the Romulans he would save their world, now his wife and family are dead. Before anything could happen, Nero and Spock’s ships fell into the black hole, which was a doorway to the past. Nero had Spock abandoned on Delta Vega so that he could witness the destruction of Vulcan and experience the pain that Nero felt in the future.

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Star Trek Movie Retrospective–Star Trek: Nemesis

“To absent friends. To family”

Captain Jean-Luc Picard’s toast for his deceased friend Data

nemesis posterThere is a superstition among Star Trek fans and others that the odd-numbered Star Trek films are bad and do poorly at the box office, while the opposite applies to the even-numbered films. Star Trek: Nemesis disproved that belief, at least when it came to box office returns. As for its quality, well it’s not a bad film at all. It has its flaws but as the last film to feature the characters from Star Trek: The Next Generation (TNG) it’s actually underrated.

The beginning takes place on the planet Romulus, the heart of the Romulan Empire. The Romulans are an evil offshoot of the peaceful, pointy-eared Vulcans and are bitter enemies with the United Federation of Planets and the Klingon Empire. In the Romulan Senate, a coup d’état occurs where the praetor and the Romulan government are killed by a device that emits an energy field that turns everyone in the Senate into ashes.

ash romulan

Next, the film jumps to Captain Jean-Luc Picard (Patrick Stewart), who is on Earth giving a best man toast. He and his fellow Enterprise-E crewmembers are at the wedding reception of the Enterprise-E’s first officer Will Riker (Jonathan Frakes) and the ship’s counselor weddingDeanna Troi (Marina Sirtis). We learn that Riker has been promoted to captain and is about to take command of his own ship. Deanna will be joining him there while the android officer Data (Brent Spiner) will become the new first officer of the Enterprise-E.

The ship departs for Betazed, Troi’s home planet, so the newlyweds can have a traditional Betazoid wedding. As the senior bridge crew joke about the prospect of appearing naked in the Betazoid wedding as per custom, the Klingon tactical officer Worf (Michael Dorn) gets an alert that the ship picked up a positronic signature from a nearby system. That is the same kind transmitted by androids like Data, which is a rarity. With his and Data’s interest aroused, Picard orders the Enterprise-E to divert to the planet of the signature’s origin.

Picard, Data and Worf arrive on the desert planet. These scenes on the world looked otherworldly thanks to the harsh, washed out lighting from the planet’s sun. They find scattered pieces of an android who is a replica of Data and take him back to the ship.

He is assembled and activated. This android is B-4 and is a prototype android created by Data’s “father”. B-4 has no memory of how he wound up on the planet and in fact seems a bit slow. Data decides to download his own memory into B-4 in the hope that his added memories and information will help B-4 grow and become more productive.

janeway

As this is going on Picard receives a message from Admiral Janeway (Kate Mulgrew reprising her role from Star Trek: Voyager) and is ordered to go to Romulus because the new praetor has requested a Federation envoy. Both are surprised that the praetor is a Reman.

remanThe Remans are slave caste members of the Romulan Empire. It’s never explained if they are in fact of the same race as Romulans because they look so drastically different. They seem more like the vampiric Nosferatu with their bat-like ears, fangs and pale skin. The coup d’état at the beginning of Star Trek: Nemesis was orchestrated by Shinzon (Tom Hardy) in order to liberate the Remans and seize control of the empire.

The Enterprise-E arrives on Romulus and after a long wait, this huge, hideously designed war craft de-cloaks in front of them. It’s the Scimitar, a ship secretly built by the Remans but looking more like a demented Lego toy. Picard and his senior staff are invited to beam aboard to meet Shinzon.

meeting shinzonOnce on the Scimitar, Picard and his Away Team are shocked when they discover that the new praetor is actually a young, bald human with a striking resemblance to Picard. Shinzon is gracious if a bit off–he is obsessed with Deanna, having never seen a human before, even though she is half Betazoid. He tells Picard that he wants to open peace negotiations with the Federation and offers a sample of his blood to Picard and the others.

Back on the Enterprise-E, the ship’s doctor Beverly Crusher (Gates McFadden) examines the blood sample and confirms Picard’s suspicions: Shinzon is Picard’s clone.

The next day over dinner, Praetor Shinzon explains to Picard what happened. Years ago, the Romulans took a sample of the captain’s DNA and cloned him in order to have the clone replace Picard and infiltrate Starfleet. This plan was eventually abandoned, as was Shinzon who was exiled to the Remans’ homeworld to work in the dilithium mines. A Reman (Ron Perlman), who is now Shinzon’s viceroy, took pity on young Shinzon and took him under his care.

Shinzon again proposes peace with Picard. The captain politely turns him down saying that trust must be earned but leaves the door open for more dialogue.

At the same time, B-4 receives a mysterious signal and begins working on a nearby computer to access information. The crew learn of this subterfuge and takes action.

Meanwhile, Shinzon, with the viceroy’s help, forms a telepathic bond with Deanna and tries to mentally rape her through her husband when they’re in bed. Shinzon is interrupted when he gets word picard shinzonthat B-4 is ready. The android is beamed aboard the Scimitar and downloads confidential Starfleet information. After this is done, Shinzon forcibly beams over Picard in order to have a medical procedure done.

Before this can happen, B-4 turns out to be Data, who gave Shinzon the wrong information, and frees Picard. Then the two escape from the Scimitar.

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Star Trek Movie Retrospective–Star Trek: Insurrection

“How many people does it take admiral, before it becomes wrong? Hmmm? A thousand? Fifty thousand? A million?”

Captain Jean-Luc Picard questioning Admiral Dougherty’s attitude about forcibly relocating 600 Ba’ku villagers

ins posterThe ninth Star Trek film, Star Trek: Insurrection, isn’t well regarded by fans and even the people who made it. However, it does have some merit. In fact, as our contributor GEO would say, here’s what’s great about Star Trek: Insurrection:

Still looking? Don’t bother. There isn’t anything great about the film.

dataIt opens in a quaint pastoral Mediterranean-looking village on an unnamed planet. The townspeople are a simple and content lot who tend to their fields, bake bread and live a quiet existence. But they’re monitored unnoticed by Starfleet personnel and mummified-looking aliens in a duck blind. They’re also tracking an invisible person who turns out to be the android Lt. Commander Data (Brent Spiner) who has gone rogue. Other cloaked officers try to stop him from reaching the village, but the android reaches it. The villagers become aware of them, especially after Data removes his invisible suit and shoots at the invisible monitoring station, making it visible to everyone.

uniform

Meanwhile, Captain Jean-Luc Picard (Patrick Stewart) is hosting a reception onboard his ship, the Enterprise-E, for new members of the United Federation of Planets. He runs into his old Klingon friend Lt. Commander Worf (Michael Dorn) who apparently dropped by the ship to visit. Worf at this time was a regular character in the show Star Trek: Deep Space Nine (DS9) but it’s never really explained what he was doing on the Enterprise-E.

sona ship enterprisePicard gets an urgent message from Admiral Dougherty (Anthony Zerbe) who is requesting Data’s schematics and informs him of the android’s behavior. He adds that Data took hostage the Starfleet observers along with the Son’a, the aliens working with the observers. The captain offers to send his ship over to help but Dougherty discourages this since the planet they’re on is in a perilous region of space nicknamed the Briar Patch.  It got that name from its volatile gases in the system’s nebula that creates anomalies like poor communication.

His interest piqued, Picard has the Enterprise-E go to the planet anyway. When they arrive, Dougherty is with the Son’a leader Ru’afo (F. Murray Abraham) on the Son’a’s command ship, which was just attacked scout shipby Data in a scout ship. Picard and Worf quickly leave their ship in a shuttlecraft and are in turn attacked by Data’s ship near the ringed planet. Both vessels enter the planet’s atmosphere during a cat-and-mouse chase. Over the radio, Picard engages Data to an embarrassingly dumb musical duet based on a Gilbert and Sullivan musical. This distracts the android long enough for Worf to board his ship and deactivate him with a modified tricorder.

Afterwards, the Enterprise-E crew arrive at the village to free the hostages. They’re surprised to find that the so-called prisoners are treated as guests and are free to leave. Picard meets one of the villagers, Anij (Donna Murphy) and a few others. They’re the Ba’ku and despite their primitive appearance are actually a warp-capable society who are up to date on science and technology but choose to live a simpler life.

Back on the Enterprise-E, Chief Engineer Geordi LaForge (Levar Burton) informs Picard that Data’s positronic brain was damaged in a firefight, which is picard data and chickwhy he was acting strangely. Data, now repaired, is activated. The android doesn’t remember much of what happened to him, so him and Picard go back to the planet to investigate. Anij and other Ba’ku, including a young boy named Artim (Michael Welch) who previously encountered Data, join them. They discover a cloaked rectangular ship that is really one large holoship that can recreate any environment inside of it. The ship has a recreated Ba’ku’s village, meaning that the villagers were to be transported there while they slept and fooled into thinking they were still in the village. The mystery just deepens.

Picard and his crew begin experiencing strange reactions to being on the planet, notably that they are getting younger. Worf breaks out in acne, First Officer William Riker (Jonathan Frakes) and Counselor Deanna Troi (Marina Sirtis) rekindle a dormant romance and most dramatically Geordi regains his eyesight. The scene where Geordi looks at a sunrise for the first time in his life was his best moment in all the films thanks to Burton’s quietly emotional acting.

geordi sees

Anij explains to Picard what is going on. The Ba’ku left their ruined planet centuries ago and resettled in the current world. The metaphasic radiation from the rings of the planet rejuvenated them, which explains the Ba’ku’s youthful appearance. Anij and many others are actually centuries old thanks to the rings. The Ba’ku’s world is an actual Fountain of Youth, which is why Starfleet and the sickly Son’a are so interested.

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