Star Trek Movie Retrospective–Star Trek Generations

Captain James T. Kirk: “I take it the odds are against us and the situation is grim.”

Captain Jean-Luc Picard: “You could say that.”

Captain James T. Kirk: “Sounds like fun.”

Casual conversation between two starship captains on horseback

“It was…fun. Oh my…”

Captain James T. Kirk’s last words

generations poster 2The Star Trek franchise was at its high peak in 1994. Later that year came Star Trek Generations, which was supposed to be the start of a new film era starring the characters from Star Trek: The Next Generation (TNG), but instead signaled the long, slow decline of the franchise.

Let’s get to the point and have it known that the only great thing about the seventh Star Trek film was Captain James T. Kirk (William Shatner). By himself he nearly saved the film. That is because Star Trek Generations only seemed to come to life whenever he appeared, which was to bookend the film.

It begins with the christening of a new Federation starship: the Enterprise-B. Joining the celebration are former crewmembers of the Enterprise-A, Kirk, Chief Engineer Montgomery “Scottie” Scott (James Doohan) and Commander Chekov (Walter Koenig).

Kirk is clearly uncomfortable being at this Enterprise, since he isn’t in command and is reminded of how empty his life has become. These are magnificent scenes with superb acting by William Shatner. He doesn’t have many lines but you could see on his face that longing to sit in the captain’s chair again. Clearly, retirement doesn’t suit him well. The captain of the vessel is John Harriman (Alan Ruck), who seems a bit like a dweeb. He isn’t a bad person, just too cautious and inexperienced. How did he get this prestigious assignment? Perhaps he’s related to someone important.

The Enterprise-B is officially launched from Earth orbit for a quick tour of the solar system and back. But the ship receives a distress call from ships with El-Aurian refugees. Harriman is hesitant to commit the ship, but as with your typical Star Trek plot inconvenience, even though they’re in Earth’s solar system, there aren’t any nearby ships that can help. Reluctantly, Harriman orders the ship to warp over to the refugees’ location.

enterprise b at nexusUpon arrival, they find two ships caught in the gravity field of the nexus ribbon. It’s a swirling, flaming band of energy that oscillates and spews out tendrils of energy, which destroys one transport ship. Harriman is clearly out of his depth and asks Kirk for help. Kirk, Scotty and Chekov spring into action. Scotty manages to beam aboard some refugees before the last ship explodes. Chekov assembles a makeshift medic crew to help the survivors. One of them is a hysterical mad man (Malcolm McDowell) who is begging to go back to the nexus. Chekov helps another refugee who turns out to be Guinan (Whoopi Goldberg), the ancient bartender seen on TNG.

The Enterprise-B becomes trapped in the same gravity field. The only means of escape is to fire an energy pulse from its deflector array located in the engineering hull. Harriman volunteers to kirk harrimanmodify the array but Kirk realizes that the Enterprise-B isn’t his ship. He tells Harriman to remain on the bridge and leaves to work on the array. Kirk makes the modifications and the ship pulls free, but not before an energy tendril strikes the engineering hull, which causes a hull breach.

Once it’s realized that Kirk was in the area of the breach, Scotty, Harriman and Chekov rush down to the engineering section and can only stare horrifically at the remains of the area Kirk was on. Only outer space held back by a force field greets them as they grasp that Starfleet’s greatest legend is gone…

old shipThe film jumps ahead 78 years later from outer space to tranquil ocean waters and a quaint sailing ship named Enterprise commandeered by officers in old-fashioned naval uniforms. The entire thing is a simulation on the Enterprise-D’s holodeck. The senior Enterprise-D crew members including Captain Jean-Luc Picard (Patrick Stewart), First Officer William Riker (Jonathan Frakes) and the android Lt. Commander Data (Brent Spiner) are celebrating the promotion of their Klingon crewmate Worf (Michael Dorn), who is dunked into the water. Data is perplexed by the humor of the situation especially after his attempt at humor fails to produce laughs.

old uniforms

Captain Picard then receives a personal message from Earth and becomes gloomy for most of the film. Moments later, the ship gets a distress call from the Armagosa Observatory. The Enterprise-D heads to the Armagosa system and the floating observatory, which was attacked. The crew find a survivor in the observatory, a scientist, Dr. Tolian Soran, who happens to be the same lunatic rescued on the Enterprise-B.

Meanwhile, Data tells his friend Chief Engineer Geordi LaForge (Levar Burton) that he feels stunted regarding his attempt to grow as a sentient being. He wants to experience emotions and has Geordi implant an emotion chip into his brain. Later at the Ten Forward lounge, Data begins to experience emotions after sampling a drink offered by Guinan. Data then acts like a buffoon for most of the film.

data clown

Investigations uncover that the Romulans attacked the observatory because they were looking for trilithium. It’s an unstable compound developed by them that can stop nuclear fusion in a star. It’s revealed that Soran is building solar probes with the compound to collapse stars because he wants the shockwaves to alter the course of the nexus towards a planetary body.

After failing to convince Picard to let him return to the observatory, Soran goes anyway there and kidnaps Geordi, who was there to investigate the attack. Data was with Geordi but is so overcome with his new emotions that he can only cower in fear when confronted by Soran. The scientist then launches a solar probe with the trilithium at the Armagosa star.

enterprise d

In his quarters, Picard tells Counselor Deanna Troi (Marina Sirtis) why he is so morose. His brother and nephew died on Earth and he is despondent over that and the realization that he is without any family. Before the scene can devolve into an intergalactic episode of Dr. Phil, they witness the collapse of the Armagosa star. The Enterprise-D crew manages to rescue Data  and leave the system, but Geordi and Soran are beamed aboard a Klingon bird-of-prey ship.

Soran is working with the commanders of the ship, the ugly and annoying Duras sisters Lursa (Barbara March) and B’Etor (Gwynyth Walsh) who appeared on TNG. They stole the trilithium from the Romulans and gave it to Soran to develop a weapon for them. The Klingon ship leaves for the Veridian system, where Soran can continue his work.

cartographyBack on the Enterprise-D, Picard learns about Soran and his plan for the nexus. It’s made of temporal energy (don’t ask) and is actually an interdimensional realm where time has no meaning and you can live out your fantasies. Soran was briefly there before his rescue by the Enterprise-B and desperately wants to return. Picard and Data deduce that with the nexus will now travel to the Veridian system. If that star is collapsed, the shockwave will push the nexus towards a nearby planet Veridian III. Picard orders the ship to head to that planet.

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Star Trek Movie Retrospective–Star Trek VI: The Undiscovered Country

“‘Second star to the right, and straight on ’til morning'”

Captain James T. Kirk’s final course heading for the U.S.S. Enterprise-A

trek 6 poster 2The final Star Trek film to feature the entire original cast from the Star Trek TV show has many distinguished qualities such as a thrilling story, craftsman-like direction, solid acting and yes great special effects. But Star Trek VI: The Undiscovered Country will always be known for its parallels to the end of the Cold War and more importantly as the last hurrah for the original Enterprise crew.

When the film was released, the Cold War between the U.S. and the Soviet Union had ended bringing on a new uncertain era with ramifications still affecting us today. In Star Trek VI: The Undiscovered Country, the long-running feud between the United Federation of Planets and the Klingon Empire comes to a peaceful end with adversaries on cast VIboth sides struggling to accept the new normal. This was done bravely with the main character Captain James T. Kirk (William Shatner) who expressed an unpleasant side with his unhidden bigotry towards the Klingons.

Star Trek VI: The Undiscovered Country literally begins with a bang. A giant shockwave from an exploding moon reaches across space and slams into the Federation starship Excelsior. Commanded by Captain Hikaru Sulu (George Takei), the Excelsior rides out the shockwave’s destructive path. Sulu and his crew learn that the explosion came from the Klingon moon Praxis, which was overused as mining facility in an analogue to Chernobyl.

Months later, Captain Kirk and his senior Enterprise-A crew are summoned to a meeting at Starfleet Headquarters. To their surprise, their colleague Captain Spock (Leonard Nimoy) presents at the meeting not only the finding that the Klingons are dying out but that peace negotiations have begun between the two powers. Kirk is ordered by the Chief in Command (Leon Rossum) to have the Enterprise-A escort the Klingon leader Chancellor Gorkon (David Warner) to Earth for continued negotiations.

Kirk is angered that his friend Spock vouched for him to carry out this mission but Spock did so because Kirk’s reputation and antagonistic history with the Klingons will serve as an effective olive branch if he peacefully escorts Gorkon to Earth.

The Enterprise-A crew leaves Spacedock for its mission, but not before Kirk meets Spock’s protégé Lt. Valeris (Kim Cattrall), the ship’s helmsman. We later learn that Spock thinks highly of her and intends for her to succeed him as first officer of the ship.

enterprise and klingon

The Federation starship makes its rendezvous with Gorkon’s Klingon battle cruiser Kronos One and Kirk invites the chancellor over for dinner. Gorkon beams over with his entourage, which includes his daughter Azetbur (Rosana DeSoto) and General Chang (Christopher Plummer), a bald, crusty Klingon with an eye patch and an obvious dislike towards Kirk. He is practically chomping at the bit for the chance to engage the famous starship captain in combat and is clearly disheartened that he won’t get the chance.

chang and troop

The dinner held in the officer’s mess goes poorly. There is an uncomfortable tension as both Kirk and his senior officers and Gorkon and his entourage trade charged barbs at each other. The Starfleet officers, except Spock, can barely hide their contempt toward the Klingons. It was a bit jarring to see our heroes in a negative light, but it was very bold and dimensional because we see some flaws with our heroes. final dinnerThe only other person who tried to be polite and engaging was Gorkon. He is a clear reference for the Soviet leader Mikhail Gorbachev and exhibited a mature, open and statesman-like demeanor. David Warner was very memorable in this too brief but important role and made the leader seem sympathetic and noble.

After the uneasy dinner, the Klingons return to their ship while Kirk retires for the night nursing a hangover from drinking illegal Romulan ale during dinner. He has no time to rest when he is called to the bridge. These scenes were quite revealing; Kirk seems weary and ready to retire. But he is still the captain and acts as one when he instantly stops slouching after the turbo lift doors open to the bridge.

As he enters the bridge, the Klingons are attacked by an unknown source. The attack damages Kronos One’s gravity field, leaving the Klingons afloat and defenseless. Two men garbed in white Starfleet suits, garbed helmets and gravity boots beam aboard the Klingon ship and fatally shoot Gorkon.

Their work done, the assassins beam back out moments before the Klingons restore power. After answering the Enterprise-A’s hail, a furious Chang accuses Kirk of an unprovoked attack and begins a counterattack. Kirk, horrified and realizing the severity of what is unfolding, orders the Enterprise-A to surrender before an intergalactic war can begin.

Wanting to help, he and Dr. Leonard McCoy (DeForest Kelley) beam aboard Kronos One. They find Gorkon and McCoy desperately tries to save the chancellor’s life, but he is unsuccessful. Gorkon’s last words are to Kirk, a plea “Don’t let it end like this.”

gorkon

The two Starfleet officers are arrested on the spot by the Klingons. Spock assumes command of the Enterprise-A and begins investigating what happened. According to their computer,  their ship did fire on Kronos One, but Chief Engineer Montgomery “Scottie” Scott’s (James Doohan) inventory reveals that all of the ship’s photon torpedoes are accounted for. Spock orders Valeris to continue investigating, convinced that the assassins are still onboard the starship.

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Star Trek Movie Retrospective–Star Trek V: The Final Frontier

“What does God need with a starship?”

Captain James T. Kirk questioning “God” on the planet Sha Ka Ree

trek V posterAfter the triumph of Star Trek IV: The Voyage Home, anticipation and demand was high for another Star Trek film. What audiences received was William Shatner’s directorial effort Star Trek V: The Final Frontier.

The fifth Star Trek film is an undeniable disappointment and it has many things going against it. Ranked by many as the worst Star Trek film, it’s hands down the weakest one to feature the original cast from the TV show. Let’s face it, Star Trek IV: The Voyage Home was a difficult act to follow. It would’ve taken a master director and writer to deliver a worthwhile followup. But Paramount Studios wanted to placate William Shatner, who wanted his shot at the directing chair because his buddy Leonard Nimoy got to direct two Star Trek films. So in addition to paying him and Nimoy a high salary, they allowed him to direct the fifth Star Trek film.

trek 5 cast 2

Now it’s easy to lay all the blame on Shatner but there are others to blame for this film. Notably Paramount Studios itself, who should shoulder the majority of the blame. In a foolish move, the studio severely slashed the budget, which resulted in the amateurish looking special effects that were horrendously bad and added to the film’s drawbacks. They also wanted a lighthearted romp similar to Star Trek IV because the studio felt that the comedy in that film made it such a success and wanted to repeat the formula. Instead of gentle comedy, Star Trek V: The Final Frontier came off as goofy and too heavy handed in the laugh-o-meter with our heroes behaving at times out of character. There were laughs alright, just unintentional ones. Who can forget the immortal line, “Spock, it’s me. It’s Sybok!” The Writer’s Strike in 1988 curtailed the film’s pre-production and didn’t allow time for a polished script. When you boil it down what the film needed most was a decent script doctor.

The film starts in a desert planet, Nimbus III, which has the so-called Paradise City colony set up by Klingons, Romulans and the Federation as a means of promoting peaceful coexistence. But the place is run down and practically forgotten. Out of the horizon, a mysterious stranger riding on a blue horse-like animal appears and promises to heal people of their painful memories through his empathic powers and in return asks for followers on a religious crusade. This person is a bearded Vulcan called Sybok (Laurence Luckinbill) and he needs a starship.

el capitan 2The film then switches over to Earth, where James T. Kirk (William Shatner), recently demoted from admiral to a captain, is spending shore leave mountain climbing on El Capitan in Yosemite National Park. After being saved from falling by his best friend Spock (Leonard Nimoy), he and Spock settle down for the night at a campfire with their other close friend Dr. Leonard McCoy (DeForest Kelley) and shoot the breeze. The genial banter between the three was the best thing about the film. It was genuine and funny without going overboard. Shatner conveyed a sense that the trio were close friends with a deep bond.

At this time on Nimbus III, Paradise City welcomes the newest Romulan ambassador (Cynthia Gouw), who is all full of energy and optimism. She is greeted instead by two surly and cynical ambassadors (David Warner and Charles Cooper), a human and Klingon respectively. Oddly enough, she and the Klingon are the only members of their race seen in the city, everyone else is either human or some kind of alien. These scenes with the ambassadors were interesting since the actors were good in their roles. The film presented a seedier side to life in the 23rd century, which was an interesting contrast to earlier films’ depictions of near-nirvana.  sybok and gangWe see drunkards (principally with Cooper playing the bitter and washed up Klingon general), cheap salesmen (watch the video monitors in Paradise City’s bar) wearing ugly plaid jackets and alien strippers. The latter being a feline-based alien with three breasts that predated the famous hooker seen in the original Total Recall. It was a refreshing change from the ethereal utopias from earlier films. Soon after, the colony is invaded and conquered by a literal rag-tag army from the desert led by Sybok, who promises to heal everyone of their spiritual pain.

Back on Earth, our heroes’ shore leave is interrupted by an urgent call from Starfleet. They rush back to their ship the Enterprise-A, a replacement of the ship lost in Star Trek III: The Search For Spock, to learn about their next mission. They are ordered to go to Nimbus III and save the hostages in Paradise City. But there’s a problem with the Enterprise-A. The new ship is a go climb a rocklemon. Why would Starfleet reward Kirk and company with a broken down ship after they saved the Earth is beyond me. Except maybe to provide a moronic venue for cheap laughs, such as Chief Engineer Montgomery “Scotty” Scott’s (James Doohan) tirades about needed repairs and sight gags such as malfunctioning turbo lifts. The plot point of a broken ship that in the end pulls through would’ve been an interesting story. But that gets lost in this film. As for the film’s desperate earning of laughs at this point, the funniest gag on the ship is Kirk’s reaction when he’s told by an admiral (producer Harve Bennett in a cameo) via viewscreen that Starfleet needs him. He turns away from his superior and makes an exasperated face. It’s a good way of acknowledging this common plot thread of the Enterprise crew being the only capable personnel in Starfleet. Seriously, why send the Enterprise-A? It’s undergoing repairs on Earth so why have it travel all the way to this distant planet? There aren’t any ships closer to the planet? Doesn’t Starfleet have its own version of SEAL Team Six for these kind of situations?

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Star Trek Movie Retrospective–Star Trek IV: The Voyage Home

Dr. Gillian Taylor: “Don’t tell me. You’re from outer space.”

Admiral James T. Kirk: “No I’m from Iowa, I only work in outer space.”

Dinner conversation during a date at an Italian restaurant in San Francisco, circa 1980s

“Well, a double dumbass on you!”

Admiral James T. Kirk to a taxi driver on the streets of San Francisco, same time period

trek 4 poster 2Usually when the fourth film in a franchise comes around the franchise itself starts to show signs of fatigue. Thankfully that wasn’t the case with Star Trek IV: The Voyage Home. Unbelievably, the fourth Star Trek film reaffirmed the Star Trek franchise after its moribund predecessor. A lot of the credit goes to writers Nicholas Meyer, Harve Bennett (who was also the producer), Peter Krikes and Steve Meerson, and primarily, director Leonard Nimoy, who co-stars in the film as Spock. Nimoy found his footing with his second directorial gig and it shows in a big way.

Star Trek IV: The Voyage Home begins with a dedication to the lost crew of the space shuttle Challenger, which was appropriate and sincere being that the tragedy happened earlier in the year that the film premiered. After the credits, the  story begins with a Reliant-class starship encountering a humongous, shiny, black cylindrical alien probe that drains the starship of its power. Before anyone can say V’Ger, the story jumps back to Earth at the council chambers of the United Federation of Planets where audiences are brought up to date with what happened in the previous film. A Klingon ambassador (John Schuck) wants Admiral James T. Kirk’s (William Shatner) head for killing a Klingon crew and stealing their bird-of-prey ship and accuses the Federation of wanting to wage war on the Klingons with the failed Genesis terraforming process.

trek 4 cast

Kirk has violated nine Starfleet regulations, such as disobeying orders and stealing the starship Enterprise . He is on exile with his former crewmembers on the planet Vulcan. They include Dr. Leonard McCoy (DeForest Kelley), Chief Engineer Montgomery “Scottie” Scott (James Doohan), and Commanders Hikaru Sulu (George Takei), Pavel Chekov (Walter Koenig), and Uhura (Nichelle Nichols). After being on Vulcan for three months, they choose to return to Earth and face trial. Spock, who they risked their lives and careers for in Star Trek III: The Search For Spock, is recuperating from his resurrection and regaining his mental acuity. He is still confused about the nature of feelings, but elects to accompany his friends back to Earth.

probeMeanwhile, the alien probe approaches Earth and creates havoc as it drains away the energy of anything that it approaches. Starfleet is effectively crippled and Earth defenseless. The probe also emits a series of ear-piercing inhuman screeches and wails that no one can decipher. The probe arrives in Earth orbit and begins transmitting into the oceans. This creates a severe superstorm that covers the planet and the endangers all life.

Kirk and his crew leave Vulcan with the stolen Klingon ship (rechristened the Bounty) and on their way to Earth pick up a distress call from the Federation President (Robert Ellenstein), who is on Earth, warning away visitors because of the probe. Spock is able to decipher the probe’s transmissions and we learn that it is trying to contact humpback whales. Unfortunately, the species is extinct in the 23rd century, which forces Kirk to take the Bounty and time travel to Earth’s past and find whales to bring back to their time period.

After Kirk informs Starfleet Command of his intentions, the Bounty makes a time travel sceneslingshot maneuver around Earth’s sun. It’s a time travel procedure first done in the classic original episode “The Naked Time” but more ethereal with dream-like sequences showing morphing busts of the crew and whales. After that sequence the ship winds up in the latter half of the 20th century. After picking up whale songs transmitting from the San Francisco area, the ship lands cloaked in Golden Gate Park in the middle of the night. Scotty informs Kirk that in addition to refitting the ship’s interior to accommodate a whale tank, the ship’s dilithium crystals that power the warp core drive are drained and need recharging or else they’re stranded. With that, the now-Bounty crew disembark their ship and head off into the wild frontier of the 20th century.

trek iv cast

Then the fun begins.

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The Wonder Of Jurassic Park

JP logoWith the re-release of Jurassic Park in theaters, renewed interest in the twenty-year-old film has arisen. Putting aside all the raves about the 3D conversion process used in Jurassic Park’s re-release, many have come to realize or remember how monumental it was when during its initial release.

During the summer of 1993, one couldn’t go anywhere without seeing that iconic logo with the t-rex skeleton. The film was a marketing dream with its realistic dinosaurs that were instant hits and helped sell dinosaur-related merchandise. The previous three films that had similar cultural impacts were Jaws, Star Wars and E.T.: The Extra-Terrestrial.

Many of its delightful and revolutionary aspects are taken for granted nowadays, notably the extensive use of CGI (computer generated imagery) that brought the dinosaurs in the film to life. The visual effects process had been around for a few years and came to public awareness with films like TRON, The Last Starfighter, The Abyss and Terminator 2: Judgment Day. But the effects wizards working on Jurassic Park went the extra mile at the behest of its director Steven Spielberg.

ttops
Originally, the dinosaurs were to be a mix of animatronics (done by Stan Winston) and the offspring of stop motion animation, go motion animation (to be done by Phil Tippet). However, Spielberg wasn’t quite satisfied with the limited scope of go motion. The dinosaurs in screen tests didn’t look convincing enough. Animators Mark Dippe and Steve Williams presented to Spielberg a test reel featuring the famous t-rex in Jurassic Park for the first time as a CGI. That was all Spielberg needed to see. Tippet quickly adapted, and he and his team of animators re-trained to become CG animators.

The impact of seeing those realistic dinosaurs in the big screen cannot be overstated. Audiences were floored when brachthe first full shot of the brachiosaurus in the park was unveiled. Probably the closest experience from seeing dinosaurs recreated on the silver screen that compares to it is way back in the 1920s when the dinosaurs in The Lost World  terrorized audiences. With Jurassic Park, while more educated audiences knew that dinosaurs sadly no longer existed, they found themselves wishing they did and this was the closest they would get to witnessing realistic recreations.

The use of CGI is commonplace today and has been since the 1990s, which can lead to an unjust dismissal of the film. Jurassic Park also masterfully blended that process with Winston’s animatronics (as seen when the t-rex first appeared in the rain) and CG was also used in subtle ways. For instance, there was a scene where a female stunt double for actress Ariana Richards has her face replaced by an image of the young actress.

trex rules

There have been many attempts to recreate that phenomenal film in the way that left people speechless as to what was possible to do on film. None, not even Jurassic Park’s sequels, were able to do that, though there were many admirable attempts. Part of the reason is that people have come to anticipate CG marvels when seeing a film. It’s when a CG is done poorly that it registers and believe it or not there are tons of films that come out today with CG effects that are inarguably inferior to what was accomplished with this twenty-year-old film.

raptorsBut it would be a mistake to celebrate Jurassic Park just for its ground-breaking effects and topnotch marketing. It took a genius of a filmmaker to bring Michael Crichton’s epic novel of the same name to the silver screen. There are many divergences from the novel, but if it were to be filmed as it was written, the producers might’ve had an R-rated film on their hands with many unlikable characters. Spielberg and the writers were able to soften the story, while still keeping the book’s thrills and scientific curiosity, and injected a sense of wonder and fleshed out the characters. It was their efforts that made sure that the film wasn’t just an effects extravaganza. The story and characters mattered and that is one of the main reasons why the film still endures today.

 Lewis T. Grove