Star Trek Movie Retrospective–Star Trek III: The Search For Spock

“Because the needs of the one…outweigh the many.”

Kirk to Spock on Vulcan

spock posterAfter the rousing Star Trek II: The Wrath Of Khan, its sequel Star Trek III: The Search For Spock feels like a bit of a letdown. It’s an entertaining film but it could’ve been a lot better and the cast and crew give it a good try. It can be difficult to state exactly what is wrong with film. It’s not dull like Star Trek: The Motion Picture and moves along at a brisk pace. More than the other two films, this one feels more like an episode of the original series thanks in part to director Leonard Nimoy’s obvious familiarity with the characters and situation. But a careful examination would have to conclude that the script needed another pass before filming began. The film feels disjointed at times and seems to be in a rush to go from one plot point to another; in the meantime some unanswered questions pop up about plot developments.

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The film begins not long after Star Trek II: The Wrath Of Khan, the Enterprise is heading  back to Earth after Khan (Ricardo Montalban) and Spock’s (Leonard Nimoy) death. Commanding officer Admiral James T. Kirk (William Shatner) is visibly depressed over the loss of his friend. Most of the young cadets onboard the ship during the last film have been transferred elsewhere. Saavik (now portrayed by Robin Curtis because Kristie Alley and the producers couldn’t agree on a salary) has been assigned to a science vessel called Grissom orbiting the new Genesis Planet (after Khan detonated the stolen Genesis Device, it created the planet). Assisting her with researching Genesis is Kirk’s son, Dr. David Marcus (Merritt Butrick), developer of the rapid terraforming process that created the planet. Even though his mother, Dr. Carol Marcus (Bibi Besch), was a major character in the previous film, her absence in this film is never explained at all. In reality, writer and producer Harve Bennett needed to make budget cuts and felt her character wasn’t essential to the story. That was the first clue that the script was off.

Meanwhile, Dr. Leonard McCoy (DeForest Kelley) is behaving strangely, actually he begins acting like Spock and even sounds like him. But there isn’t any effort to get him any help.

excelsior

The Enterprise arrives at a huge Spacedock orbiting Earth and sees the next generation of starships, the Excelsior, whose commandeered by an arrogant Captain Stiles (James Sikking). He would’ve been a good foil for Kirk but that is never explored. Throughout the film, members of Starfleet show an obvious disregard and disrespect toward Kirk and his crewmates that is a bit baffling and undercuts their supposedly legendary status. Perhaps they weren’t that highly thought of in their time.

Kirk and his crew learn from the commander of Starfleet, Admiral Morrow (Robert Hooks) that the Enterprise will be decommissioned because of its age. They are also ordered not to discuss the matter of Genesis, since it has become a political hot potato.

meldSpock’s father, Sarek (Mark Lenard) visits Kirk at his apartment and demands to know why he left his son’s body on Genesis and didn’t bring back his katra or his spiritual essence to Vulcan. According to Vulcan belief, when a Vulcan is dying, he or she mind melds with a close associate so that the katra can be transferred into that person. Both the katra and body are needed to give a proper burial and that if the katra remains with the associate it will mean that person’s death. The entire matter isn’t properly explained but that is the script for you. After looking at the Enterprise’s video logs, Kirk discovers that right before he died, Spock quickly performed a mind meld with McCoy. This explains the doctor’s odd behavior since he has Spock’s katra.

Kirk decides to risk everything to retrieve Spock’s body and soul because of his friendship. However, Admiral Morrow forbids Kirk from returning to the Genesis Planet and won’t budge. Kirk gets annoyed and resolves to go anyway as he tells the Enterprise helmsman Sulu (George Takei), “The word is no. I am therefore going anyway.”

escapeHe frees an imprisoned McCoy slated to be turned over to a “Federation funny farm” because he tried to hire a ship to go to Genesis and his behavior has people convinced he’s insane. Kirk also steals Enterprise out of the Spacedock with the help of his crewmates Sulu, Scotty (James Doohan), Chekov (Walter Koenig) and Uhura (Nichelle Nichols). Apparently the only other ship in Spacedock that can pursue the Enterprise is the Excelsior, which is stopped dead in its track thanks to some sabotaging from Scotty. It seems odd that in such a space faring society, Kirk is unable to procure a private ship to go to Genesis. Stealing a badly damaged starship while fun to watch, fails to quell the question of why do it? The Enterprise needs repairs and will make an easy target. It would’ve made more sense if they quietly took another ship and snuck away.

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Star Trek Movie Retrospective–Star Trek II: The Wrath Of Khan

Spock: “The needs of the many …”

Kirk: “…outweigh the needs of the few.”

Spock: “Or the one.”

An exchange between Spock and James T. Kirk onboard the Enterprise

khan posterStar Trek II: The Wrath Of Khan was a radical departure from its predecessor Star Trek: The Motion Picture, which is what Paramount Pictures wanted. Even though Star Trek: The Motion Picture made money it was perceived as a failure. Many people complained that it was dull and pretentious. In other words, they wanted action! And that is what director Nicholas Meyer delivered with Star Trek II: The Wrath Of Khan, only he added a human element that elevated the film to classic status.

This film is the most personal Star Trek film out of the many that have come out. Its main characters go through some intense and heartfelt emotional journeys and are changed forever. Admiral James T. Kirk (William Shatner in his best performance as Kirk) faces the prospect of middle age and looking back at his life. His best friend Captain Spock (Leonard Nimoy) faces his mortality with a sense of bravery and nobility that touched audiences’ heart in a way that would have been more lasting if his fate had been final. On the other side of the coin, the main villain Khan Noonien Singh (Ricardo Montalban) is wracked with bitterness and hate over his lot in life and in the end this anger consumes him.

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In the original Star Trek episode “Space Seed” Khan was part of a group genetically enhanced despots from Earth’s violent past found hibernating by Kirk and his crew. After briefly capturing the Enterprise, Kirk defeats him and exiles him and the other superhumans to an uninhabited planet.

In between that episode and the film, the planet. Ceti Alpha V, underwent an environmental disaster that made it practically unlivable. Think of Tatooine on its worst day with blistering sandstorms. Most of Khan’s people didn’t survive, including his wife. Now, Khan is a seething cauldron of fury out to annihilate the one he blames for his predicament: James T. Kirk.

Even though the film is a sequel to “Space Seed” it skillfully brings viewers up to speed with only a few lines of exposition regarding Khan, who is portrayed magnificently by Montalban. The actor originated the role of Khan in “Space Seed” and testmade a solid impression in that episode but by the time that the first Star Trek sequel came around, Montalban was more known for his role in the show Fantasy Island. His performance as Khan demonstrated the true nature of his acting prowess thanks to his bringing to the role a sense of regal eloquence, animalistic charisma, and maligned fury.

The film opens with the Enterprise, commanded by a young Vulcan  named Saavik (Kristie Alley in her first role), being attacked by Klingon ships and losing the battle with main characters like Spock being killed. But it was a simulation at Starfleet Academy. Some time has passed between Star Trek: The Motion Picture and this film. One noticeable difference is that the Starfleet uniforms are now bright red jackets with black pants giving its personnel a more militaristic look. The filmmakers wanted to convey a sense of naval conditions with this film since they saw it as a retake of Horatio Hornblower. In fact, the feel of Star Trek II: The Wrath Of Khan feels more grounded, less lofty than in the first film. Sets look more cramped and a bit more lived in although not as severe as with Star Warsor Alien. A good eye will spot a No Smoking sign on the set, which alarmed some fans who hoped that the awful habit would’ve been gone by the 23rd century.

The actual Enterprise is now training vessel commanded by Spock for young cadets and officers, including Spock’s protogé Saavik. Kirk is no longer commanding a starship and feels like a relic, in spite of the fact that it’s his birthday. Gifts from Spock and Dr. Leonard McCoy (DeForest Kelley) do little to cheer him up, prompting McCoy to urge him to do something with himself and stop living in the past.

reliant

Around this time, the starship Reliant approach the barren Ceti Alpha V, which is to be used as a testbed for the Genesis science experiment. Kirk’s former lover Dr. Carol Marcus (Bibi Besch) and her son David (Merritt Butrick) have developed the Genesis Device, which can initiate rapid terraforming on inhospitable worlds for colonization. The Reliant’s captain Clark Terrel (Paul Winfield) and first officer, the former Enterprise navigator Pavel Chekov (Walter Koenig) beam down to the planet investigate life signs only to find Khan and his people marooned there. After capturing the two men, Khan and his genetic superhumans gain control of the ship and set out on a mission of vengeance.

khan castKirk joins Spock onboard the Enterprise with his original crewmates to assist with a training cruise for Starfleet cadets. They receive a call from Dr. Marcus wanting to know why Kirk is taking the Genesis Device. What she and Kirk don’t realize is that Khan is trying to lure Kirk by manipulating a brainwashed Chekov into stating that Admiral Kirk wants the Device. Kirk takes the bait and orders the Enterprise to head out to Marcus’ science station Regula I, which orbits an asteroid the station is named after, and investigate. In a preemptive move, Spock relinquishes command of the Enterprise to his friend because as he famously said, “Commanding a starship is your first, best destiny; anything else is a waste of material.”

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Star Trek Movie Retrospective–Star Trek: The Motion Picture

“Out there. Thataway.”

Admiral James T. Kirk replying to a request for a course heading

posterWith the new Star Trek film coming out in a couple of months (Star Trek Into Darkness), it’s time to take a look back at the many Star Trek films that preceded it. Let’s start off with the one that launched Star Trek’s cinematic voyage, Star Trek: The Motion Picture.

This film isn’t regarded as a top tier Star Trek film and for good reason. It’s slow moving, yet seems rushed and for good reason. Director Robert Wise recounted how far behind schedule they were that the effects work was only completed just before the film made its debut, translation: Wise didn’t have time to properly edit the film. On the other hand, it does have undeniable merits.

Out of all eleven Star Trek films (twelve counting Star Trek Into Darkness), Star Trek: The Motion Picture is the most majestic and oddly the most Trek like. Meaning that this film captures the core concept of Star Trek creator Gene Roddenberry’s optimistic view of humanity’s future. That is largely because Roddenberry produced the film and it’s the only one where he was directly involved. After its perceived failure, Roddenberry was relegated to a “consultant” role in the other Star Trek films until his death. In this film, we get a few glimpses of Earth and see that it’s a bright, pastoral paradise where people either wear New Agey type of clothing or bland Starfleet uniforms. The conflicts in the film are largely internal believe it or not. Sure, there’s the threat of this V’Ger entity that wants to annihilate life on Earth, but the problems that capture viewers’ attention are those with Admiral James T. Kirk (William Shatner), Spock (Leonard Nimoy) and Commander Will Decker (Stephen Collins). Anyone expecting a mustache-twirling villain will have to look elsewhere.

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In between the original Star Trek show and Star Trek: The Motion Picture, Kirk was promoted to a desk-bound position as an admiral and he’s bored. He’s in charge of refitting his old ship the Enterprise, which was supposed to be commanded by Decker, but Kirk uses the V’Ger threat as a excuse to take command of the Enterprise, which naturally angers Decker. Now with Spock, he’s retired from Starfleet and off in his home planet Vulcan undergoing this ritual to purge all emotions from within him, but he finds himself unable to go through with the process. He feels a calling, which so happens to coincide with the coming of V’Ger.

The film opens with V’Ger, seen as an immense multi-colored energy cloud in space that dematerializes three Klingon battle cruisers. It should be pointed out that this film is responsible for introducing the modern take of Klingons, now adorned with thick armor and sporting their distinctive sagittal crests on their foreheads. While the film properly shows how badass the Klingons were with their guttural speech, armor and a tribal music soundtrack, they are quickly taken out by V’Ger. It effectively illustrates the entity’s power and deadliness. And of course, it’s heading towards Earth.

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Equally convenient to the plot is how the Enterprise, although not finished with its refitting, is the only starship that can intercept V’Ger. How many ships does Starfleet have? But hey, what’s a Star Trek film without the Enterprise and its crew being the only thing standing between life and death?

Despite’s Chief Engineer Scott’s (James Doohan) usual protests that the ship isn’t ready, Kirk orders that the Enterprise be launched to confront V’Ger. Afterwards, the engineer entreats Kirk to an exhaustive external inspection of the Enterprise while in drydock. It’s at this point, that the film first rears its indulgent tone. Continue reading

Remake Logan’s Run!

logan's run

The 1976 movie Logan’s Run is based on a book by William F. Nolan and George Clayton Johnson. The film follows the journey of Logan 5 (Michael York), a “sandman” who is an enforcer in a futuristic, dystopian society that is obsessed with youth. It’s so obsessed that when a citizen turns thirty years old he or she undergo “renewal” but are actually euthanized. While many in this domed, underground society (actually a stand-in for a mall in Texas) accept their fate, some called runners choose to flee and keep living. Logan and other sandmen are tasked to track down these runners and killing them.

During an investigation, Logan learns of a place called Sanctuary, which offers a haven for runners. The computers who rule his society give Logan a mission to find Sanctuary. In order to infiltrate the runners, Logan’s life schedule is advanced to the age of thirty, subjecting him for renewal.

logan jessDuring his cover as a runner Logan falls in love with a dissident, Jessica 6 (Jenny Agutter) and learns the truth about Sanctuary and his way of life. In a typical story fashion, Logan genuinely questions his belief system and of course, turns against his society.

I’ll be the first to admit that Logan’s Run is kind of kitschy and dated. Those scenes in the mall um… future city have that funky ’70s feel but I loved the message which resonates with our society. I mean look around, see how we’re obsessed with looking young and beautiful. Facelifts, tummy tucks, nose jobs. There was even a scene in the movie where Logan visited a high tech plastic surgeon located in a mall who used lasers to rejuvenate customers. old manAnother theme is how society devalues old people. One of the best moments in Logan’s Run is when Logan and Jessica meet an old man (Peter Ustinov) in the ruins of Washington, D.C.. They are shocked to see someone so old, they actually wonder why his face is “cracked”! Yet the old man shows them that life goes on beyond thirty.

That is why Logan’s Run should be remade. Its subject matter is still relevant to our times and may teach some viewers a lesson or two. I haven’t read the book, but it’s supposed to be different than the movie. For instance, Logan is much younger in the book since the day of renewal is when one turns twenty one. But the basis of the story is solid. There is little that needs to be done with the story, just update the effects and film it anywhere except a mall!

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It would be a fun idea to cast Michael York as the old man living in the ruins of D.C.–the production design showing the wrecked buildings and overgrown vegetation was excellent btw. There have been many attempts to remake the movie and they all failed. Bryan Singer, sandman gunTron: Legacy director John Kosinski and Drive director Nicolas Winding Refn were going to direct a remake at one time or another. With the latter director, Ryan Gosling was to star in the remake. Well all those plans fell apart, but it’s encouraging that quality filmmakers have shown interest in remaking Logan’s Run.  It seems to be a matter of timing. So hopefully it will be remade someday.

Annette DeForrester

A Look Back At Star Trek: Deep Space Nine, Part Two

DS9 Cast

Continuing our look at one of the best Star Trek shows Star Trek: Deep Space Nine (DS9), there are more reasons why the show stood out from the other Trek spinoffs. To start let’s look at the main character Benjamin Sisko (Avery Brooks).

The Sisko

While seeming distant from his officers, Sisko was a very passionate man with an affinity for cooking. He was one of the most dimensional Trek captains ever shown and portrayed. At the start of the series, Sisko was a very troubled man and for good reason. His suffering was one of the best plot lines in the series pilot “Emissary”. A flashback prologue showed that while posted on a ship that tried to fight an invading Borg cube during the Star Trek: Next Generation episode “The Best Of Both Worlds, Part II” (the scene was from the Battle of Wolf 359, which took place offscreen in that episode), Sisko’s wife died in the futile battle. On an escape pod with his injured son, he watched helplessly as his ship exploded with his wife’s body still on it.

Angry, bitter and directionless, Sisko was assigned years later to command the Cardasssian-built space station Deep Space Nine orbiting the ravaged planet Bajor. His duty was to help Bajor get ready for admission into the Federation via rebuilding efforts. But still consumed by his wife’s death, Sisko considered leaving Starfleet before discovering a stable wormhole near Bajor and DS9.

What followed were a series of brilliantly shot scenes that represented the spirit of Star Trek in terms of meeting new life and mutual learning. Inside the wormhole, he encountered the “Prophets”, non-corporeal aliens who took the forms of people he knew–including his dead wife, in surreal, dream-like sequences. Every time a different person would speak, the scene would abruptly jumped to another time and location. For example, if a “Prophet” in the form of his first officer Kira Nerys (Nana Visitor) at the station had a question, then she would be answered by a “Prophet” in the form of Locutus (Patrick Stewart) during the Battle of Wolf 359. They didn’t understand the linear nature of time and Sisko had to find a way to explain the concept. Sisko tried to use baseball to explain not just the cause-and-effect nature of time but the nature of human existence. After his explanation, the aliens pointed out to “The Sisko” (as they later called him) that if time was linear why was his mind occupied with his wife’s death? The station commander quietly realized that he was trapped by his past because of his grief and needed to move on.

The Bajorans looked upon Sisko as a religious figure because of his discovery and this made him uncomfortable. However, he took his role seriously of defending the Bajorans and helping them to rebuild their civilization after the Cardassian occupation.

Ben Sisko

His greatest tests came after the malevolent Dominion arrived from the other side of the wormhole. He wound up becoming a brilliant war-time leader in what turned out to be a critical post and thwarted the Dominion’s plans to conquer the Federation. During this crisis, he had to find time to be a single father to his son Jake (Cirroc Lofton), act responsibly as a religious figure and maintain relations with the mysterious “Prophets” and other aliens. By the series end (“What You Leave Behind”) Sisko has a final confrontation with his enemies and discovers his ultimate fate with the “Prophets”.

Secondary Lineup

The show had a rich roster of characters who were well written and acted. They helped drive the show and made viewers care about what was going on. One advantage DS9 had over its Trek cousins were the secondary characters. Most of them were as well developed as the main ones and could’ve conceivably carried on as replacements for the main characters, they were that good. There was Nog (Aron Eisenberg), Quark’s (Armin Shimmerman) nephew. At first he was written to be a comedic foil and companion to Jake, but over time, the diminutive Ferengi expressed a desire to better his lot in life and joined Starfleet, becoming the first Ferengi to do so. Nog quickly proved himself and became known for his competence and bravery. Another Ferengi of note was Nog’s father Rom (Max Grodenchik), a seemingly dim-witted and good-natured soul who worked as Quark’s hapless assistant. While he was usually comedic relief, over time, he too wanted to better himself but was only lacking confidence. Eventually he joined the station’s engineering crew, married the very attractive Bajoran waitress Leeta (Chase Masterson), worked as a Federation spy and even wound up becoming the Grand Nagus –the leader of the Ferengi and began to bring about progressive reforms.

Quark, Rom and Nog

DS9 had complex and fascinating alien races like the Ferengi, the Bajorans and even the Klingons. But one of the most multifaceted aliens were the Cardasssians. First up was Garak (Andrew J. Robinson), an enigmatic exile who was introduced early in the show’s run. Demonstrating a fascination towards Dr. Bashir (Alexander Siddig), Garak reveled in being a mysterious source of help and information. Over time, it was revealed that he once worked for Cardassian intelligence dukatbut fell out of favor. As a former spy, Garak was quite deadly, he even carried out Sisko’s dirty work in the episode “In The Pale Moonlight” but by the show’s end became a liberator and helped to defeat the Dominion occupiers of his home planet. The other prominent Cardassian was Dukat (Marc Alaimo), the show’s arch nemesis. Originally the commanding officer of DS9 when it was in Cardassian hands, Dukat was a brutal dictator who took joy in terrorizing Bajorans. Dukat appeared several times as a menacing figure but apparently turned over a new leaf when the Klingons went to war with the Cardassians in the fourth season. He became a guerilla fighter and seemed regretful about his past, but the humiliation his people suffered under the Klingons was too much for him. Making a Faustian bargain, Dukat allied himself with the Dominion and allowed them to take control of the Cardassian Union (“By Inferno’s Light”). In the end all he wanted (as he ranted in the episode “Waltz”) was to be adored and respected by those he considered inferior to him. That included the Bajorans and Ben Sisko. Continue reading