Remembering Sir Patrick Stewart 1940-2026

Make it so” Captain Jean-Luc Picard, Star Trek: The Next Generation

The Worlds of Star Trek and Marvel are still numb and devastated by the news that Star Trek and Marvel Legend Sir Patrick Stewart passed away last week at the age of 86 following a brief battle with Alzheimer’s Disease and Lewy body dementia. The tragic announcement of his death on October 28, 2026 was a double gut punch for Star Trek fans and in many ways even more devastating news following the death of Walter Koenig a couple of days earlier. Despite the tragic loss, Stewart lived a full life and left behind a glorious acting legacy that was highlighted by his iconic performances as Captain Jean-Luc Picard in Star Trek: The Next Generation (TNG) and Star Trek: Picard, and as Professor Charles Xavier/Professor X in the X-Men films.

Early Life & Career

Born in Mirfield, United Kingdom, Stewart developed a passion for acting when he was a child and studied drama. He soon participated in local theater and continued to develop his acting skills while working as a journalist. Eventually, he chose to devote his career on acting and made his debut onstage at the Theatre Royal, Bristol in a production of Cyrano de Bergerac. He then became a member of the Royal Shakespeare Company and honed his acting skills in several minor television roles and stage productions. Stewart preferred classical theater, even though he began to gain the attention of Hollywood thanks to his strong baritone voice and stage presence. Probably his best known work in the 1970s was his role as Sejanus in the BBC TV drama I, Claudius in 1976. He won the prestigious Laurence Olivier Award for his work in Antony and Cleopatra in 1979.

Stewart entered the realm of live-action genre with his small but impressive role in Excalibur (1981) and especially as Gurney Halleck in Dune (1984). One of the few highlights in that film was his character’s unexpected reunion with Paul Atreides in the battlefields of Arrakis. The moment when the two men hugged each other in the chaotic battlefield was quite heartfelt and emotional as it genuinely conveyed the deep friendship they shared. Stewart also appeared in the sci-fi/horror film Lifeforce.

The Next Generation Begins

When Star Trek: The Next Generation went into pre-production in 1986, there was an exhaustive search to find the right actor to play the Enterprise’s captain. During this period, executive producer Robert Justman saw Stewart giving a lecture about Shakespeare in UCLA and knew instantly that he would be perfect to play Jean-Luc Picard, though he was considered for the role of Data.

Stewart’s casting as Picard was not an easy road, as Star Trek creator and showrunner of TNG Gene Roddenberry did not favor Stewart. Roddenberry felt that Stewart, as a bald, middle-aged Shakespearean actor, did not fit the role of a virile starship captain and preferred Patrick Bauchau and Stephen Macht instead. It should be noted that other prominent actors like Yaphet Kotto and Edward James Olmos were considered. Thankfully, Justman persevered and finally convinced Roddenberry and other TNG executives that Stewart was the best actor for the role due to his auditions.

The rest as they say is history. When Star Trek: The Next Generation made its debut in syndicated television in the fall of 1987, many were skeptical that a Star Trek series without the original cast would work. Unfortunately, due to the tepid first season, those doubts were justified, but one thing that stood out in the early TNG episodes was Stewart’s performance. His Picard had a commanding presence with a confident and eloquent manner that quickly established that Captain Picard was a natural leader in a way that stood apart from Captain Kirk.

After a couple of seasons, TNG found its stride and gained acclaim by fans and critics as it ushered in the Star Trek Renaissance in the 1990s. Over time, thanks to Stewart and others, TNG became well regarded in many instances lauded as the best Star Trek TV series. Being that Picard and the other characters were quite different from the original Star Trek characters, the world and scope of Star Trek was able to grow into a rich and diverse universe with new characters that fans eventually embraced. During his tenure on TNG Stewart turned in some brilliant performances, notably in “The Measure of a Man”, “Family”, “Tapestry”, “Chain of Command”, “Darmok” “All Good Things…”, and “The Inner Light”. He also directed several episodes of the TV series.

picard takes charge

When the series ended after seven seasons, Stewart and the other TNG cast made their transition to films in 1994 with Star Trek Generations, which gave us the unforgettable moment with Captain Picard met the other legendary Star Trek Legend, Captain Kirk. The natural chemistry the two actors shared with each other was the best part of the flawed film and was delight for fans of the two series to watch. The TNG films ranged in quality but one constant about them was Stewart’s performances. Arguably his best TNG film performance was in Star Trek: First Contact where he emulated Captain Ahab (a role he later played in a television production of Moby Dick) in his obsessive drive to defeat the Borg.

When the TNG film series ended in 2002 with Star Trek: Nemesis, Stewart took a break from Star Trek and excelled in other roles such as Charles Xavier in the X-Men film franchise, although he reprised his role in the video game Star Trek: Legacy and lent his voice to the Star Trek: The Experience theme park attraction Klingon Encounter. However, he returned to the role that made him famous in Star Trek: Picard for three seasons from 2020 to 2023. The TV show had a mixed reception, but its third and final season was well beloved as it finally reunited the core TNG cast, as well as featuring other great Trek characters and plot lines. Given that he is no longer with us, it is quite fortunate that we were able to get a reunion of the TNG characters for one last trimuphant hurrah.

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Deadpool & Wolverine Save The MCU

The only film from Marvel Studios this year, Deadpool & Wolverine, introduces the film characters based on Marvel Comics before the Marvel Cinematic Universe (MCU) was created and the Fox X-Men films into the vast MCU with a gory and wild flourish.

Ryan Reynolds and Hugh Jackman return to the superhero roles that made them famous, and even though it’s been several years since they donned their costumes, they fit easily into the roles as if they last played the roles yesterday. Frankly, it was great seeing the two actors interacting with one another as they had instant chemistry in what amounts to a reluctant buddy film. The last time they appeared in film together was with the abominable X-Men Origins: Wolverine, which was a low point for the Fox X-Men films. Now, the two actors reunite to salvage the MCU, which is currently undergoing its own rough patch. Some spoilers will follow.

Deadpool & Wolverine begins with everyone’s favorite mercenary, who has the power to instantly heal, exhuming the remains of Wolverine/Logan who died at the end of Logan. His mission ends when he finds out the hard way that this version of Wolverine is not coming back from the dead and he is forced to find another version of Wolverine to save his world.

An extended flashback reveals that Deadpool aka Wade Wilson is now retired from being a mercenary and living a meaningless and lonely life as a used-car salesman. He is soon captured by agents from the interdimensional Time Variance Authority (the TVA featured in the series Loki). At the TVA headquarters, Deadpool meets Mr. Paradox (Matthew Macfadyen), who informs him that his timeline is dying because Wolverine is an anchor being in his timeline who kept the timeline intact. But because he died in Logan, the timeline is becoming unstable and will cease to exist. In order to move up the corporate TVA ladder, Mr. Paradox plans to destroy Deadpool’s timeline with the Time Ripper, a machine that can quickly destroy timelines as a form of “mercy”. He offers Deadpool the opportunity to live in the MCU’s Sacred Timeline and actually lead a meaningful life, but the retired mercenary steals a time traveling device and explores various universes to find a Wolverine variant to fill in the role of his timeline’s anchor being.

Deadpool eventually encounters a surly and bitter version of Wolverine that is considered the worst Wolverine and Deadpool manages to subdue him. However, once back at the TVA with the Wolverine variant, Mr. Paradox banishes Deadpool and Wolverine into the Void, a realm outside of time. Amidst their bickering, the duo come across many variants of characters we last saw in the Fox X-Men films and Marvel films before the MCU was created, implying that their timelines were destroyed. One of these characters is Cassandra Nova (Emma Corrinn), an evil twin sister of the powerful mutant telepath, Charles Xavier, and the ruler of the Void. Nova plans to take control of the Time Ripper and intends to use it to destroy all timelines. Now Deadpool not only has to save his own timeline but every other as well, and he has to find a way to convince the gruff Wolverine to help him.   

Deadpool and Wolverine serves as another raucous return to form for Deadpool that revels in over-the-top profanity and violence. It is definitely the most violent Deadpool film, but the violence is so cartoony and sick that one can’t help but laugh at the outlandish nature of the violence. This film certainly earns its R rating from its sexual innuendo to its graphic violence and exaggerated profanity.  Of course, parents SHOULD NOT allow young children to see the film, but everyone else will have a blast watching Deadpool and Wolverine savagely ripping through their enemies while swearing up a storm, and laughing at all the meta jokes.

The film has its flaws, namely with its pacing at times and the script needed more polishing. This is most likely due to last year’s writers’ strike that prevented any revisions of the script, which is regrettable because there are a few plot holes and threads that are not resolved. As for its dark humor, while the film is quite hilarious at times, not every joke lands and some of it may become dated with its topical references. Let’s be honest, Disney, Marvel Studios and the MCU needed to be roasted for their missteps and familiar tropes, and the film doesn’t hold back on riffing on Marvel and the MCU. Seriously, it’s amazing that the film was allowed to go above and beyond with its humor which was very raunchy and with MCU (and Disney) often being the butt of the jokes.

But Deadpool & Wolverine more than makes up for its faults with witty energy and great banter between Ryan Reynolds and Hugh Jackman. It goes without saying that it was a joy not just seeing Jackman playing the wild mutant again but in wearing for the first time a comic book-accurate costume. Plus, the action scenes are very inventive and are some of the best featured in the MCU, especially one bloody and claustrophobic fight that takes place inside a minivan. Then there are the numerous cameos, some of which will make jaws drop since they were unexpected. Not every character or actor or reference that can be imagined shows up. But nearly every character introduction steals the scenes and are welcome not just for returning characters but those we never got to see before.

Saying that Deadpool & Wolverine saves the MCU is not a small exaggeration. At this point in time and given its recent missteps, the MCU needed a win which is provided by this hysterically gory and fun romp that should be seen multiple times to take in all of its jokes and references.

José Soto

The Return Of Hugh Jackman As Wolverine In Deadpool 3!

The news lately about Marvel Studios and the Marvel Cinematic Universe has been a series of downers as fans have become frustrated by delays, non-announcements and disappointing films and TV shows. However, most were elated this week when Deadpool star Ryan Reynolds announced that not only was Deadpool 3 officially being made but that it would co-star Hugh Jackman returning to his iconic role as Logan/Wolverine.

This was very exciting news considering that Hugh Jackman’s last performance as the famous X-Men hero was in 2017’s Logan and the character died in that film. At the time Logan was released, Jackman announced that he would no longer play the role, which saddened many, but led to wild speculation about who would eventually replace him. This speculation went into overdrive when Disney acquired Fox Studios and the film rights to the X-Men characters in 2019.

One thing frustrating fans of the X-Men is that although Disney and Marvel Studios has had the film rights to the X-Men and associated mutants since 2019, very little was done with the characters. Not even the recent announcements about Phase Five and Six of the MCU revealed anything hinting at the X-Men or even mutants. Sure there have been some revelations that Ms. Marvel, Namor and possibly the Scarlet Witch are mutants in the MCU, but nothing else.

What also made the recent Phase Five and Six disappointing was that Deadpool 3 was not part of the announced MCU films and TV shows even though Ryan Reynolds had been quite vocal about wanting to reprise the role and reports he was in negotiations with Marvel Studios for a possble Deadpool 3.

Well, it turns out that our patience has been rewarded, as Deadpool 3 will begin filming for a September 6, 2024 release. Of course, sweetening the announcement was Jackman’s return as Wolverine. Just the announcement of a third Deadpool film was fine enough, but this added bonus is enough to make the film one of the most anticipated films coming out that year.

As to what would the film be about and how it would fit in with the MCU is anyone’s guess at this point. Reynolds confirmed that the Wolverine that appears in Deadpool 3 would be a separate variant than the one seen in Logan. This is similar as Professor X’s (Patrick Stewart) appearance in Doctor Strange in the Multiverse of Madness where it was fairly clear that even though Stewart played Professor X, the one seen in the film was different from the one featured in the Fox X-Men films. It is possible that Deadpool and Wolverine will appear in the Fox X-Men universe, which has conflicting continuity, and somehow crossover into the MCU. Perhaps the two will tour various universes in a loose adaptation of Deadpool: Merc With a Mouth. It is also possible that Deadpool’s time-traveling antics at the end of Deadpool 2 causes the deadly interdimensional incursions introduced in Doctor Strange in the Multiverse of Madness. Hopefully Deadpool 3 will actually turn out to be a superhero version of a cop/buddy film as Reynolds hinted because it would be hilarious seeing Wolverine playing a straight man to Deadpool’s zaniness.

There are questions about the Fox X-Men film universe though, namely will other characters from that film series appear? Will that film universe be destroyed in an incursion? Will Deadpool 3 serve as the swan song for the Fox X-Men film universe or will some characters become part of the MCU or take part in Avengers: Secret Wars? Deadpool himself is a definite character who will appear in that epic Avengers film. But the most important question is will Wolverine finally don a comics-accurate suit?

One thing to keep in mind is that while it is terrific that Hugh Jackman is reprising his role as Wolverine, his appearance just kicks the can down the road as to who will eventually play the character in the MCU. Not only that, but it keeps reinforcing the notion that only Jackman can play Wolverine, which will make the re-casting of the mutant superhero harder for fans to accept.

This dilemma is something to worry about for another time, and should not detract from our celebration of the news that Deadpool 3 is coming and Hugh Jackman’s Wolverine will be part of the package.

Piling On The MCU And Other Superhero Movies

The continued dissing on the films of the Marvel Cinematic Universe (MCU) and other superhero films by prominent filmmakers and actors has gotten ridiculous!

For years as the MCU gained more and more popularity and the films became more and more successful there have been grumblings from various actors and filmmakers who have not being involved in such films. They would pooh pooh the films and claim that they were only interested in real art and bemoaned the death of cinema. Most of us fans dismissed their rants and chalked them up to sour grapes and not bothering to understand the emerging cinematic genre.

But this piling on the MCU and the other superhero/comic book films is now overboard with the recent rants from Martin Scorsese and most recently Francis Ford Coppola. Frankly enough is enough.

Yes, we understand these filmmakers’ frustrations with getting their projects off the ground but to take it out on these films is uncalled for.  Of course, everyone is entitled to an opinion and certainly the superhero films won’t appeal to everybody. However, Scorsese recently said he has not watched most MCU films and then went on to make a broad statement about how inferior they are and called them “theme parks”, in other words, inconsequential fluff. To have such an opinion when not having seen many films of the genre is backward. This also infers that Scorsese has not seen superhero films that transcended the genre such as The Dark Knight, Logan, or Captain America: The Winter Soldier. Of course, the genre film he produced Joker does not count (note the sarcasm).

While many superhero films may not be high art and are harmless entertainment, there are many that are high quality films and yes this applies to many MCU films. There is not a need to list the many fine superhero films but it is clear that they contribute to the cinematic art form. Logan was nominated for Best Adapted Screenplay at the Academy Awards. It was the prejudice of many old fashioned voters that kept it from getting nominated for Best Actor or Best Picture. The same went for The Dark Knight, though Heath Ledger won a deserved Best Supporting Actor for his classic portrayal of the Joker.  Black Panther became the first superhero film to get the prestigious Best Picture nod, though there have been better superhero films. Nevertheless, this is an important achievement.

Superhero films are not alone in being disrespected by elite filmmakers. Sci-fi and horror continue to be disregarded by many of them even though many genre films are well made examples of cinema and have been very influential.

Keep in mind, much of this has to do with resentment. While Avengers: Endgame dominated the box office, Scorsese struggled to get his upcoming film The Irishman made and was forced to have it released through Netflix. The blame for this has to go to the studios who will only bankroll films that they are confident which will be successful, not just in North America but throughout the world. Superhero films happen to be the flavor of the decade. Each decade has a very successful genre that captures the public attention. Last decade it was epic fantasy films like the Harry Potter films or The Lord of the Rings trilogy. In the ’80s and ’90s it was action films, sci-fi epics, slasher flicks and disaster films. There was a time when the Western was the most popular genre, it is certain that many filmmakers back in the day grumbled about Westerns and how they couldn’t get their projects bankrolled. That is just the way it is. Sooner or later, some other genre will take center stage at the box office and there will still be complainers.

For us, we should ignore these critics, especially if they haven’t bothered to watch superhero films. As for them, maybe they should open their minds and genuinely give the films a chance. Either way, we know how great superhero films are and that should be enough.

José Soto

The Fox X-Men Films Ranked

All X-Men

Now that Dark Phoenix is out in theaters and ending the Fox X-Men film series, it’s time to quickly look back at the franchise and rank the films. This obviously will not include The New Mutants because it is not out yet and frankly, after the way Dark Phoenix did so poorly in the box office, it’s doubtful The New Mutants will ever get released. Expect it to pop up in a streaming service like Hulu and given what is known about the film, it doesn’t seem like it is part of the Fox X-Men films.

It is easy for some superhero film fans to look down upon the Fox X-Men films and they are thrilled that Disney owns the film rights now. But keep in mind that many of these films are bonafide classics that rank among the best superhero films ever made. Also, it goes without saying that starting in 2000, the X-Men films ushered in the modern era of superhero films that were dramatic improvements over what came before.

With that, let’s get to the films and see how they rank.

Wolverine and deadpool

12. X-Men Origins: Wolverine (2009):

Oh, boy, not only is this worst X-Men film but among the worst superhero films ever made. How could 20th Century Fox executives botch this one? A film exploring the origins of the most popular X-Man should have been great. Instead, we got bad CG, poor storytelling, limp action, and butchered characters. Exhibit A: Deadpool. His appearance in the film was so awful that it nearly prevented him from ever appearing again on film. At least, Deadpool 2 rectified this film during its post credits!

11. X-Men: The Last Stand (2006):

While the first two X-Men films were expertly guided by director Bryan Singer, this one was not, and it shows. After Singer left the project, Fox ultimately gave the directing job to Hollywood hack, Brett Ratner, who turned in a by-the-numbers superhero film. Not only was it crowded with too many undeveloped, new characters, but the story was all over the place. What could have been a great plot about a mutant cure was rushed. Plus, the famous “Dark Phoenix” story from the Marvel Comics was reduced to a subplot. One would think that when it came to retell the story, Fox would have learned its lesson…

10. Dark Phoenix (2019):

Despite the vitriol from some parts of the Internet, the final Fox X-Men film is not a complete disaster. Rather it is a disappointing adaptation of the classic story that defined the X-Men comic books. It sorely lacked the grand epic scale of the comic book story and came off as pedestrian. It has its moments, such as strong performances from many of the actors, and it covered some interesting ideas such as the hubris of Charles Xavier and Jean Grey’s struggle to control her new powers. However, under the tutelage of a rookie director, Dark Phoenix did not approach the intensity and visual punch demanded by the original story.

9. The Wolverine (2013):

Thankfully the Wolverine films recovered after the disastrous X-Men Origins: Wolverine with this effort that took Logan/Wolverine on a solo adventure in Japan. For the most part, The Wolverine is a well-executed superhero film that focused on the angst felt by the main character as he grappled with his past and the fact that he lost his healing ability. For the first time, Logan is actually vulnerable, which added a much-needed sense of danger during his fight scenes. The film loses some of its magic with its final act that did not match the grounded tone of the rest of The Wolverine.

8. X-Men: Apocalypse (2016):

Bryan Singer is a talented director, but by the time he helmed his fourth X-Men film, it was easy to tell he was checked out. This was evident with the way the chief villain Apocalypse was presented. A larger-than-life presence in the comic books, here Apocalypse is a rather mundane foe with little presence and poor motivation. Still, X-Men: Apocalypse has some spectacular segments such as Quicksilver’s rescue of Xavier’s students and a no-holds-barred final confrontation. During the climatic battle, the X-Men and their opponents get their moment to shine utilizing their unique powers, especially Jean Grey and Charles Xavier.

7. Deadpool 2 (2018):

While not as inventive or as fresh as the first Deadpool, this sequel is still a lot of fun. The Merc with a Mouth returns with even more gross-out gags, outrageous stints, and fourth-wall-breaking madness. This time out, Wade Wilson gets involved in a Terminator-inspired plot to protect a future mutant despot while meeting great, new characters from the comic books. These new characters help expand the madcap world of Deadpool and it would be a shame to completely lose it and Deadpool’s outrageousness now that he is in the House of Mouse.

6. X-Men (2000):

The very first X-Men film may feel a bit dated, especially when it comes to its action, but it still holds up. Most of the major players in the Fox X-Men films make their debut in this film and are immediately captivating. Needless to say, the breakout character of X-Men was Wolverine, well portrayed by Hugh Jackman. Unfortunately, his presence didn’t allow for the development of other X-Men like Cyclops. However, other actors were just as charismatic like Patrick Stewart, and Ian McKellan, who both added gravitas. Overall, the film hit the ground running and brought us the modern age of superhero films.

5. Deadpool (2016):

Thankfully, after his debacle of a debut in X-Men Origins: Wolverine, the Merc with a Mouth was given another chance and his mouth back. This was the first time a Fox X-Men film was allowed to have an R rating and it earns it well. Irreverent from the very start with its blood-soaked, but exciting scenes and hysterical opening credits, Deadpool did not hold back in terms of gory action, offensive jokes and banter, and lewd innuendo. Thanks for the success of Deadpool, of course, goes to its star Ryan Reynolds, who helped champion the foul-mouthed anti-hero for years until Fox relented and greenlit this classic dark comedy.

4. X-Men: First Class (2011):

After the poor reception of the previous two films, the Fox X-Men film series needed a course correction. X-Men: First Class provided that with this soft reboot/prequel that showcased the early days of Xavier and his uneasy friendship with Erik Lensherr/Magneto. Set during the Cuban Missile Crisis, which was caused by evil mutants, the film presented fresh incarnations of established characters while introducing new and intriguing ones. Much of the credit for the success of rebooting the film franchise goes to Matthew Vaughn, who sadly never returned to do another film. He brought an invigorating approach to the characters and their situations and revived the series.

3. X2 (2003):

Often called X2: X-Men United, the first X-Men sequel is considered to this day by many as one of the best superhero films. The mutant superhero team are forced to team up with their mutant enemies to a grave threat: a scheme by a bigoted human to kill all mutants. The action kicks it up a notch as seen in various scenes which showcase the full potential of the mutants’ powers. These include Nightcrawler’s stunning attack in the White House and Wolverine unleashing his inner animal to defend Xavier’s young students. The final moments of X2 tantalize and frustrate us with an epic Dark Phoenix followup that never happened.

2. X-Men: Days of Future Past (2014):

The greatest X-Men epic film unites the original and new cast of X-Men in this time-travel classic. Adapting the comic book story, X-Men: Days of Future Past starts in the future where mutants are nearly extinct and an older Wolverine’s consciousness is sent to the past to prevent this apocalyptic future. What follows is a superb time-travel tale set in the 1970s where he meets many of the First Class characters. As this goes on, the remaining mutants in the future have their last stand against the robotic Sentinels that are hunting them. Seeing the old and new cast interacting was such a blast and everyone involved with the film went all out to properly tell this expansive story. Simply put, X-Men: Days of Future Past is one of the greatest comic book story adaptations of all time.

logan and x23

1. Logan (2017):

This masterpiece should have been the finale to the Fox X-Men films, because it is the perfect swan song to their saga. Somber, brutal and poignant, Logan follows the last days of the title character as he deals with old age and mortality. With his healing powers fading and striving for a quiet life of retirement, Logan is thrust with a final mission to save mutant children. Reluctant to take up the Wolverine mantle one last time, Logan nevertheless rises to the occasion. Logan is a haunting and heartbreaking film that is part Western, part superhero tale and will leave many in tears. Both Hugh Jackman and Patrick Stewart gave their finest performances and it’s a shame neither of them were nominated for Academy Awards. By that count, Logan should have received a Best Picture nomination because it’s that great and one of the best superhero films ever made.

José Soto