How Marvel Studios Can Fix The X-Men Films

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Now that Dark Phoenix is over and done with when it comes to the Fox X-Men films, it is time to turn to Marvel Studios. As the inheritors of the X-Men film franchise, the studio has some work cut out for them. The X-Men films do need some retooling after all, and there are a few fixes that Marvel Studios can implement as they integrate the mutants into the Marvel Cinematic Universe (MCU).

Let the Mutants Rest

Fortunately, Marvel Studios is doing the right thing here, which is hard for some to accept considering the demand for the MCU to feature the X-Men. Marvel Studios head, Kevin Feige, repeatedly stated that there aren’t any plans to introduce the X-Men right away into the MCU and one of the main reasons is that the film studio already has plans for the MCU for the next few years. Trying to force the X-Men into the crowded, but beloved, cinematic universe would be too much.

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Then, after the bad taste that the last two X-Men films left fans with (sans the solo releases of Deadpool 2 and Logan), it is best for now to let the mutants rest. This will enable Feige and others the time to properly retool the franchise and cast its characters. Plus, imagine the built up anticipation for the X-Men. By the time they return, they will have a genuine comeback.

Be Faithful to the Comics and Characters

The X-Men comics from Marvel Comics were at one time among the most popular and revered comic books and for good reason. This was not because of their flashy costumes, and unlike Fox, Marvel Studios should not be afraid to use the comics costumes. Rather, the popularity was due to the wonderfully developed characters and situations. The Fox X-Men films have had a mixed record with the characters. At times they were fairly faithfully represented, other times not so much. Plus, some characters like Wolverine were allowed to hog the highlight and as a result many popular characters like Cyclops or Storm were given scant screen time.

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It is too easy to allow uber favorites like Wolverine dominate a film, but this is a mistake. The comics were successful because they were about a team with diverse characters. In other words, an ensemble. Ample time and issues were devoted to each of the X-Men members, which is why there are so many popular characters. Perhaps, Marvel Studios should do what Fox did with their prequel films and not feature Wolverine (which happened for the most part) and probably Magneto, as well, at least for the beginning. This leads to another fix.

Explore Other Villains

Magneto has played a prominent role in the Fox X-Men films, usually as an adversary, and for good reason. He is one of the greatest and most developed villains in Marvel Comics. To not use him in a major film is unheard of, but necessary at this point. He needs some rest at the moment, and a well thought-out reimagining. For instance, even though his Holocaust/World War II backstory is very powerful, it makes the Master of Magnetism very old today. Just look at the criticism in Dark Phoenix where Magneto still looked youthful in the film’s 1990s setting compared to his first introduction in the 1960s-set X-Men: First Class.  Another more recent real-world conflict or tragedy will have to be used such as the Yugoslav Wars or the Chechen War.

There are so many other worthy foes that the X-Men can face aside from Magneto. Take for example Mr. Sinister, Nimrod, Onslaught, the Marauders or the Freedom Force. Each of them are powerful, menacing foes with fascinating back stories and motives. Marvel Studios could also lean into its successful cosmic side and introduce the Brood or the Shi’Ar Empire. The latter force could then be used to properly adapt the “Dark Phoenix” storyline.

Go Epic and Personal

 

The X-Men are renowned for their epic story arcs like “Dark Phoenix”, “Days of Future Past”, “Age of Apocalypse” and “House of M”. These stories spanned several comics including other non-mutant titles and weren’t afraid to go big and tragic. The Fox X-Men films often felt like they were holding back when they tried to go epic. One exception was X-Men: Days of Future Past. But they dropped the ball on “Dark Phoenix” twice already and truncated the story. When adapting these stories Marvel Studios should not hesitate in going big. Of course, you can adapt them to fit the film and budget like Captain America: Civil War, but the film studio should not hold back.Age of Apocalypse

On the other side of this equation, the X-Men films in the MCU should not forget to make the films personal. Fox did fine with this aspect for many of their films like the first X-Men, where we saw what it felt like for a young person to experience being a mutant for the first time such as with Rogue. Other films that grounded the mutants included Logan, which explored Wolverine facing old age as he was slowly dying, and X-Men: First Class, which showcased several young adults grappling with their newfound powers. However, many of their other films glossed over personal journeys. A good example is X-Men: The Last Stand, which barely examined the ramifications of a mutant cure. But that was just one of that film’s flaws. Many of the comics had outstanding small, personal stories that explored what it was like to be a mutant in today’s world. This is the core concept of the X-Men comics: how to fit into a world where you are feared and hated. As long the future X-men films stick to this, then they will be beloved.

So, anyone reading this have their own ideas of how to fix the X-Men films? Drop a comment and share your thoughts.

 

 

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The Fox X-Men Films Ranked

All X-Men

Now that Dark Phoenix is out in theaters and ending the Fox X-Men film series, it’s time to quickly look back at the franchise and rank the films. This obviously will not include The New Mutants because it is not out yet and frankly, after the way Dark Phoenix did so poorly in the box office, it’s doubtful The New Mutants will ever get released. Expect it to pop up in a streaming service like Hulu and given what is known about the film, it doesn’t seem like it is part of the Fox X-Men films.

It is easy for some superhero film fans to look down upon the Fox X-Men films and they are thrilled that Disney owns the film rights now. But keep in mind that many of these films are bonafide classics that rank among the best superhero films ever made. Also, it goes without saying that starting in 2000, the X-Men films ushered in the modern era of superhero films that were dramatic improvements over what came before.

With that, let’s get to the films and see how they rank.

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12. X-Men Origins: Wolverine (2009):

Oh, boy, not only is this worst X-Men film but among the worst superhero films ever made. How could 20th Century Fox executives botch this one? A film exploring the origins of the most popular X-Man should have been great. Instead, we got bad CG, poor storytelling, limp action, and butchered characters. Exhibit A: Deadpool. His appearance in the film was so awful that it nearly prevented him from ever appearing again on film. At least, Deadpool 2 rectified this film during its post credits!

11. X-Men: The Last Stand (2006):

While the first two X-Men films were expertly guided by director Bryan Singer, this one was not, and it shows. After Singer left the project, Fox ultimately gave the directing job to Hollywood hack, Brett Ratner, who turned in a by-the-numbers superhero film. Not only was it crowded with too many undeveloped, new characters, but the story was all over the place. What could have been a great plot about a mutant cure was rushed. Plus, the famous “Dark Phoenix” story from the Marvel Comics was reduced to a subplot. One would think that when it came to retell the story, Fox would have learned its lesson…

10. Dark Phoenix (2019):

Despite the vitriol from some parts of the Internet, the final Fox X-Men film is not a complete disaster. Rather it is a disappointing adaptation of the classic story that defined the X-Men comic books. It sorely lacked the grand epic scale of the comic book story and came off as pedestrian. It has its moments, such as strong performances from many of the actors, and it covered some interesting ideas such as the hubris of Charles Xavier and Jean Grey’s struggle to control her new powers. However, under the tutelage of a rookie director, Dark Phoenix did not approach the intensity and visual punch demanded by the original story.

9. The Wolverine (2013):

Thankfully the Wolverine films recovered after the disastrous X-Men Origins: Wolverine with this effort that took Logan/Wolverine on a solo adventure in Japan. For the most part, The Wolverine is a well-executed superhero film that focused on the angst felt by the main character as he grappled with his past and the fact that he lost his healing ability. For the first time, Logan is actually vulnerable, which added a much-needed sense of danger during his fight scenes. The film loses some of its magic with its final act that did not match the grounded tone of the rest of The Wolverine.

8. X-Men: Apocalypse (2016):

Bryan Singer is a talented director, but by the time he helmed his fourth X-Men film, it was easy to tell he was checked out. This was evident with the way the chief villain Apocalypse was presented. A larger-than-life presence in the comic books, here Apocalypse is a rather mundane foe with little presence and poor motivation. Still, X-Men: Apocalypse has some spectacular segments such as Quicksilver’s rescue of Xavier’s students and a no-holds-barred final confrontation. During the climatic battle, the X-Men and their opponents get their moment to shine utilizing their unique powers, especially Jean Grey and Charles Xavier.

7. Deadpool 2 (2018):

While not as inventive or as fresh as the first Deadpool, this sequel is still a lot of fun. The Merc with a Mouth returns with even more gross-out gags, outrageous stints, and fourth-wall-breaking madness. This time out, Wade Wilson gets involved in a Terminator-inspired plot to protect a future mutant despot while meeting great, new characters from the comic books. These new characters help expand the madcap world of Deadpool and it would be a shame to completely lose it and Deadpool’s outrageousness now that he is in the House of Mouse.

6. X-Men (2000):

The very first X-Men film may feel a bit dated, especially when it comes to its action, but it still holds up. Most of the major players in the Fox X-Men films make their debut in this film and are immediately captivating. Needless to say, the breakout character of X-Men was Wolverine, well portrayed by Hugh Jackman. Unfortunately, his presence didn’t allow for the development of other X-Men like Cyclops. However, other actors were just as charismatic like Patrick Stewart, and Ian McKellan, who both added gravitas. Overall, the film hit the ground running and brought us the modern age of superhero films.

5. Deadpool (2016):

Thankfully, after his debacle of a debut in X-Men Origins: Wolverine, the Merc with a Mouth was given another chance and his mouth back. This was the first time a Fox X-Men film was allowed to have an R rating and it earns it well. Irreverent from the very start with its blood-soaked, but exciting scenes and hysterical opening credits, Deadpool did not hold back in terms of gory action, offensive jokes and banter, and lewd innuendo. Thanks for the success of Deadpool, of course, goes to its star Ryan Reynolds, who helped champion the foul-mouthed anti-hero for years until Fox relented and greenlit this classic dark comedy.

4. X-Men: First Class (2011):

After the poor reception of the previous two films, the Fox X-Men film series needed a course correction. X-Men: First Class provided that with this soft reboot/prequel that showcased the early days of Xavier and his uneasy friendship with Erik Lensherr/Magneto. Set during the Cuban Missile Crisis, which was caused by evil mutants, the film presented fresh incarnations of established characters while introducing new and intriguing ones. Much of the credit for the success of rebooting the film franchise goes to Matthew Vaughn, who sadly never returned to do another film. He brought an invigorating approach to the characters and their situations and revived the series.

3. X2 (2003):

Often called X2: X-Men United, the first X-Men sequel is considered to this day by many as one of the best superhero films. The mutant superhero team are forced to team up with their mutant enemies to a grave threat: a scheme by a bigoted human to kill all mutants. The action kicks it up a notch as seen in various scenes which showcase the full potential of the mutants’ powers. These include Nightcrawler’s stunning attack in the White House and Wolverine unleashing his inner animal to defend Xavier’s young students. The final moments of X2 tantalize and frustrate us with an epic Dark Phoenix followup that never happened.

2. X-Men: Days of Future Past (2014):

The greatest X-Men epic film unites the original and new cast of X-Men in this time-travel classic. Adapting the comic book story, X-Men: Days of Future Past starts in the future where mutants are nearly extinct and an older Wolverine’s consciousness is sent to the past to prevent this apocalyptic future. What follows is a superb time-travel tale set in the 1970s where he meets many of the First Class characters. As this goes on, the remaining mutants in the future have their last stand against the robotic Sentinels that are hunting them. Seeing the old and new cast interacting was such a blast and everyone involved with the film went all out to properly tell this expansive story. Simply put, X-Men: Days of Future Past is one of the greatest comic book story adaptations of all time.

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1. Logan (2017):

This masterpiece should have been the finale to the Fox X-Men films, because it is the perfect swan song to their saga. Somber, brutal and poignant, Logan follows the last days of the title character as he deals with old age and mortality. With his healing powers fading and striving for a quiet life of retirement, Logan is thrust with a final mission to save mutant children. Reluctant to take up the Wolverine mantle one last time, Logan nevertheless rises to the occasion. Logan is a haunting and heartbreaking film that is part Western, part superhero tale and will leave many in tears. Both Hugh Jackman and Patrick Stewart gave their finest performances and it’s a shame neither of them were nominated for Academy Awards. By that count, Logan should have received a Best Picture nomination because it’s that great and one of the best superhero films ever made.

José Soto

Latest Version Of Fantastic Four Is Doomed

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After torturing myself from watching Fantastic Four, the new cash grab reboot by 20th Century Fox to hold on to the film rights to Marvel Comics’ legendary superhero team, I’m convinced that the film studio doesn’t know what to do with this franchise. How bad was Fantastic Four? Let’s put it this way, not only does it make the Tim Story Fantastic Four films seem like Christopher Nolan’s Dark Knight Trilogy films, but I would rather watch Batman & Robin again than sit through this monstrosity one more time. Seriously, at least those films can be enjoyed on an “it’s so bad, it’s hysterical” level while drunk or high. This dreary, dour film doesn’t even have that guilty pleasure value.

I’m not exaggerating when I say this film is an ff castinsult to the Fantastic Four and to superhero films. It’s obvious that almost everyone involved in this film from director Josh Trank to the actors don’t respect the source material or have a clue as to what made the comic book work. At least, Tim Story had enough sense to pay homage to the comic books and captured many parts of it like the banter, the feeling of family, the sense of fun. All of that is missing here. The cast has no synergy, there isn’t any joy or excitement or even adventure with this reboot. Instead Josh Trank gives us a pretentious and sloppily slapped together mess that is evidence that control of the film was taken away from him in post production. Not that it helped.

richardsThere are half-hearted attempts in the first third to create some character developments, but then they’re dropped. For instance, when Johnny Storm (Michael B. Jordan) is confronting his father Franklin (Reg. E. Cathey, who gives the best performance in this cesspool), there is a hint that he is jealous of his adopted sister Sue (Kate Mara), but it’s never brought up again. Remember how Johnny would always tease Ben Grimm in the comics and earlier films? That only happens once, at the end. That’s right, and it Johnny’s sole attempt at humor came off as being mean-spirited for no good reason. The opening third tries to copy Spielberg’s sense of wonder, but all I got where endless scenes of people looking at blueprints and computer screens and Reed Richards (Miles Teller) wandering around hallways and spouting exposition. It isn’t until forty five minutes into a ninety-minute film that the characters get their powers and basically not do much with them until the end.

Then without warning, Fantastic Four becomes a poor man’s David Cronenberg body horror film, which was kind of intriguing, but undeveloped especially with Ben Grimm (Jamie Bell). What could’ve been a good showcase for him is a lost opportunity and that’s a @!#$ shame because in this muddle there is a nugget of something that could’ve been stellar. The other attempt at body horror is actually quite laughable. When Reed Richards is first shown all stretched out on an exam table like a Stretch Armstrong doll I couldn’t stop rolling my eyes on how silly he looked.

doomedFinally, Fantastic Four completely goes off the rails in the final third that tries to be an action superhero film, but collapses when the villain Victor Von Doom (Tobey Kebbell) appears. This version of Dr. Doom incredibly redeems the Tim Story version! Doom here just shows up in the last fifteen minutes or so, blows up people’s heads with telekinesis and screams corny lines about the evils of humanity. He doesn’t look menacing but like a stupid combo of the Mummy and a metallic Freddy Krueger. This Doom has none of his comic book counterpart’s bravado and power. The only merciful thing to say about Dr. Doom is that his screen time is so short you can take a bathroom break when he first appears and he’ll gone by the time you return. BTW, most of those clips you’ve seen in the trailers don’t appear in the finished film.

Oh God, I have a headache right now thinking about the film. I’m going to pull out my old Fantastic Four DVDs to wash out the memories of witnessing this summer’s real Trainwreck. I think I’ll also go see Ant-Man again this weekend for good measure. With that let me conclude this review with an open letter to 20th Century Fox:

FF

Dear Fox:

Your company has struck out three times with the Fantastic Four. Each time you tried to improve the film franchise you only dug the grave deeper for the First Family of Marvel superheroes. Now you have released what will be known as one of the worst superhero films. You clearly don’t understand why they launched the Marvel Comics phenomenon and this reboot is a disrespect to the First Family and its fans.

By refusing to let the rights go back to Marvel and making bad films, you’re ruining your reputation and good will. Honestly, I’m questioning if I should bother to pay money to see more X-Men films and their spinoffs.

You’ve tried, but we’re getting diminishing returns here. Be honest with yourself and your shareholders. The bottom line is the dollar, but by continuing to produce these insulting adaptations you are alienating viewers and are putting your future profit at risk.

OK, keep the X-Men franchise, you’ve done good with it for the most part and there’s word that you want to do a TV show based on those mutants. Well, since you need to negotiate with Marvel for the TV rights, why not earn some cred and give the Fantastic Four rights back to Marvel? Don’t be a tool and hold onto the rights for another five or seven years then crank out another piece of crap out of spite. Just let it go.

Waldermann Rivera

 

X-Men: Days Of Future Past Is A Great Superhero Epic

X posterX-Men: Days Of Future Past is a return to form for the X-Men film franchise and it’s more than that. It rectifies the misfires made with the franchise since the film’s director Bryan Singer left it to do Superman Returns. But more significantly, Singer has delivered the best X-Men film to date, even eclipsing favorites like X2: X-Men United and X-Men: First Class.

????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????The fifth X-Men film (not counting the Wolverine solo efforts) is a loose adaptation of the classic Chris Claremont/John Byrne comic book story arc in The Uncanny X-Men #141-142 where mutants are facing extinction in the future and one mutant’s consciousness is sent back in time to prevent the mutant holocaust at the hands of giant Sentinel robots. The opening scenes in X-Men: Days Of Future Past take place in the grim, dark future where mutants are being mercilessly hunted down by advanced, adaptive Sentinels. In a desperate move, the consciousness of the fast-healing mutant Logan/Wolverine (Hugh Jackman) is sent back to the 1970s into the mind of his younger self, which begins a wild ride.

The film switches gears and has the audacity to introduce much-needed humor as Wolverine does a fish-out-of-water routine when adopting to the new timeline. In the 1970s, Bolivar Trask ???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????(Peter Dinklage) is a mutant-hating scientist who constructs the Sentinels. According to history, he is assassinated by the shape-shifting mutant Mystique (Jennifer Lawrence), which starts the chain reaction leading to the dystopian future seen in the film’s opening act.  Wolverine has to find a younger version of his mentor Charles Xavier (James McAvoy) and Magneto (Michael Fassbender) and convince the two men to put aside their differences and change history.

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X-Men: Days Of Future Past is genuine epic spanning across time and places with an intricate, but fast-moving story that is never dull. It’s so perfectly paced with exciting and tense sequences interjected with pathos and wry humor. There’s a smile-inducing segment where Wolverine, Xavier and Hank McCoy (Nicholas Hoult) recruit the speedster Quicksilver (Evan Peters) to break Magneto out of prison and he just steals the show. The way Singer demonstrated Quicksilver’s super-fast powers was so incredible to behold and fresh. It would’ve been easy to just show him as a streak, but Singer went the extra mile and showed his POV where the world around him slows to a standstill as he speeds up. This shows why Quicksilver is one of the coolest mutants and it’s too bad more time isn’t spent with him. His actions erases any complaints from haters and trolls who moaned about how dumb he looked in publicity shots. Of course, what elevates Quicksilver’s presence is how Peters played him as an ADD-addled, fun-loving type. Hopefully, he’ll pop up again in a future X-Men film and one can only speculate at this point on how Joss Whedon will present him in next year’s Avengers: Age Of Ultron.

X and WolverineAs with Peters, the rest of the cast elevate X-Men: Days Of Future Past by giving deeply emotional and captivating performances. This goes for major cast members like Jackman, McAvoy, Fassbender and Lawrence to those that had minor parts  like Ellen Page, Shawn Ashmore, Fan Bingbing, and Halle Berry. It was great to see the acting greats Patrick Stewart and Ian McKellen returning to their roles as the older versions of Xavier and Magneto. Also, there are surprising and most welcome cameo appearances by other mutants, which enrich this film and shows how Singer cares about the franchise and pays attention to its details.

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On the whole, unlike the other films, X-Men: First Class aside, this one felt like a true ensemble film and not just Wolverine And The X-Men. He does have a major part in the film, but he is not the only star, that is because the other actors get their moment to shine and Jackman portrays the famous superhero differently, he’s more in control of himself, more mature.

With this film, Bryan Singer takes firm control of the film series and heads it in a new and hopeful direction. It’s clear from watching the performances, the intricate storyline and all the Easter eggs with nods to other X-Men films that Singer is invested with the franchise. X-Men: Days Of Future Past can be seen as an apology of sorts from Singer for leaving the series. Thanks to his efforts, the film is at the same time a welcome superhero blockbuster that will leave many X-Men fans overjoyed.

José Soto