How Marvel Studios Can Fix The X-Men Films

fox x-men poster

Now that Dark Phoenix is over and done with when it comes to the Fox X-Men films, it is time to turn to Marvel Studios. As the inheritors of the X-Men film franchise, the studio has some work cut out for them. The X-Men films do need some retooling after all, and there are a few fixes that Marvel Studios can implement as they integrate the mutants into the Marvel Cinematic Universe (MCU).

Let the Mutants Rest

Fortunately, Marvel Studios is doing the right thing here, which is hard for some to accept considering the demand for the MCU to feature the X-Men. Marvel Studios head, Kevin Feige, repeatedly stated that there aren’t any plans to introduce the X-Men right away into the MCU and one of the main reasons is that the film studio already has plans for the MCU for the next few years. Trying to force the X-Men into the crowded, but beloved, cinematic universe would be too much.

x-men-dark-phoenix-funeral-scene

Then, after the bad taste that the last two X-Men films left fans with (sans the solo releases of Deadpool 2 and Logan), it is best for now to let the mutants rest. This will enable Feige and others the time to properly retool the franchise and cast its characters. Plus, imagine the built up anticipation for the X-Men. By the time they return, they will have a genuine comeback.

Be Faithful to the Comics and Characters

The X-Men comics from Marvel Comics were at one time among the most popular and revered comic books and for good reason. This was not because of their flashy costumes, and unlike Fox, Marvel Studios should not be afraid to use the comics costumes. Rather, the popularity was due to the wonderfully developed characters and situations. The Fox X-Men films have had a mixed record with the characters. At times they were fairly faithfully represented, other times not so much. Plus, some characters like Wolverine were allowed to hog the highlight and as a result many popular characters like Cyclops or Storm were given scant screen time.

Wolverine-Movie-Alternate-Ending-Costume

It is too easy to allow uber favorites like Wolverine dominate a film, but this is a mistake. The comics were successful because they were about a team with diverse characters. In other words, an ensemble. Ample time and issues were devoted to each of the X-Men members, which is why there are so many popular characters. Perhaps, Marvel Studios should do what Fox did with their prequel films and not feature Wolverine (which happened for the most part) and probably Magneto, as well, at least for the beginning. This leads to another fix.

Explore Other Villains

Magneto has played a prominent role in the Fox X-Men films, usually as an adversary, and for good reason. He is one of the greatest and most developed villains in Marvel Comics. To not use him in a major film is unheard of, but necessary at this point. He needs some rest at the moment, and a well thought-out reimagining. For instance, even though his Holocaust/World War II backstory is very powerful, it makes the Master of Magnetism very old today. Just look at the criticism in Dark Phoenix where Magneto still looked youthful in the film’s 1990s setting compared to his first introduction in the 1960s-set X-Men: First Class.  Another more recent real-world conflict or tragedy will have to be used such as the Yugoslav Wars or the Chechen War.

There are so many other worthy foes that the X-Men can face aside from Magneto. Take for example Mr. Sinister, Nimrod, Onslaught, the Marauders or the Freedom Force. Each of them are powerful, menacing foes with fascinating back stories and motives. Marvel Studios could also lean into its successful cosmic side and introduce the Brood or the Shi’Ar Empire. The latter force could then be used to properly adapt the “Dark Phoenix” storyline.

Go Epic and Personal

 

The X-Men are renowned for their epic story arcs like “Dark Phoenix”, “Days of Future Past”, “Age of Apocalypse” and “House of M”. These stories spanned several comics including other non-mutant titles and weren’t afraid to go big and tragic. The Fox X-Men films often felt like they were holding back when they tried to go epic. One exception was X-Men: Days of Future Past. But they dropped the ball on “Dark Phoenix” twice already and truncated the story. When adapting these stories Marvel Studios should not hesitate in going big. Of course, you can adapt them to fit the film and budget like Captain America: Civil War, but the film studio should not hold back.Age of Apocalypse

On the other side of this equation, the X-Men films in the MCU should not forget to make the films personal. Fox did fine with this aspect for many of their films like the first X-Men, where we saw what it felt like for a young person to experience being a mutant for the first time such as with Rogue. Other films that grounded the mutants included Logan, which explored Wolverine facing old age as he was slowly dying, and X-Men: First Class, which showcased several young adults grappling with their newfound powers. However, many of their other films glossed over personal journeys. A good example is X-Men: The Last Stand, which barely examined the ramifications of a mutant cure. But that was just one of that film’s flaws. Many of the comics had outstanding small, personal stories that explored what it was like to be a mutant in today’s world. This is the core concept of the X-Men comics: how to fit into a world where you are feared and hated. As long the future X-men films stick to this, then they will be beloved.

So, anyone reading this have their own ideas of how to fix the X-Men films? Drop a comment and share your thoughts.

 

 

Advertisements

Top 10 Marvel Movie Villains

With Marvel’s superheroes blazing their way across movie screens, one factor for the films’ success is the supervillain(s) the heroes face. As any good storyteller will tell you, the vital ingredient for a gripping yarn is a formidable foe to put the story’s protagonist to the test.

marvel movie villain

Being that the Marvel superheroes have such memorable enemies and that they translate well to the screen it’s one reason why the Marvel films have been successful. Naturally, with future Marvel films coming up, this list will change, but that’s part of the fun in making up these lists. So for now, these are the top ten villains to appear in Marvel movies…and the five worst.

Ivan Vanko10. Ivan Vanko in Iron Man 2 (Mickey Rourke): Combining elements of Whiplash and the Crimson Dynamo for the big screen, Vanko is a cold, deadly and enraged Iron Man foe who was much more engaging than the original film’s Obadiah Stane or this one’s Justin Hammer.

9. Emil Blonsky/The Abomination in The Incredible Hulk (Tim Roth): Come on, the guy had the balls to go up against the Hulk man to man! That’s one tough SOB, and yes when he becomes The Abomination and fights the Hulk it looks like something out of  a video game. But it was a lot more fun than that turgid Ang Lee film.

8. Bullseye in Daredevil (Colin Farrell): One of the bright spots in that film, Bullseye had a maniacal sense of energy, ego and deadliness that upstaged Daredevil and gave him a personal motivation for trying to defeat the title hero.

7. The Red Skull/Johann Schmidt in red skull hugo weavingCaptain America: The First Avenger (Hugo Weaving): A bit one-dimensional but well-played by Weaving  as an uber Nazi whose ambitions elevate his evil to another level altogether.

green goblin spidey 16. The Green Goblin/Norman Osborn in Spider-Man (Willem Dafoe): The outfit stunk otherwise the Goblin would’ve ranked higher. Dafoe, however, gives Osborn his all as a crazed CEO with fantastic gadgets and (aside from the outfit) largely works as a villain.

5. Col. William Stryker in X2 (Brian Cox): Despite not having any powers, Stryker is one terrifying person whose bigotry and fear of mutants is a driving force that threatens the lives of the film’s mutants whether they’re hero or villain.

4. The New Goblin/Harry Osbron in new goblinSpider-Man 2 and Spider-Man 3 (James Franco): A true tragic villain, Harry doesn’t become bad until the end of Spider-Man 2 where the agony of his father’s death and his own inadequacies unhinge him. His hatred for Peter Parker/Spider-Man, the means he goes about seeking vengeance and his final tragic redemption are the best things in the third Spider-Man film.

doctor octopus3. Doctor Octopus/Otto Octavius in Spider-Man 2 (Alfred Molina): The best of the science-driven-mad villains. Molina gives us a very dimensional Doc Ock who isn’t driven by world conquest or revenge but to achieve a scientific goal. Never mind that trying to create his version of fusion threatens the world. Calculating and arrogant even before his accident, Octavius paid the price for his arrogance and was a formidably tough foe for Spider-Man.

2. Loki in Thor (Tom Hiddleston): One loki in thorof the biggest surprises wth Thor is how subtle and crafty Loki came off. It would’ve been easy with a title as God of Mischief to have him be a Norse god version of The Joker and be cackling and chaotic. Instead, thanks largely to Hiddleston’s quiest expressions, Loki is seen sympathetically as the seemingly less-favored son who holds a secret grudge against his brother Thor. The film successfully shows why Loki detests his situation and why he turns on his family; it’s more layered than him finding out his true origin. Rather his envy and anger are due to his own insecurities, Thor’s arrogance and is his validation for taking over Asgard through crafty means.

old magneto1. Magneto/ Erik Lehnsherr in X-Men, X2, and X-Men: The Last Stand ( Ian MacKellen): As one of the deadliest and most powerful villains, Magneto is someone you can’t help empathize with considering his background; he’s a World War II concentration camp survivor. He developed a hatred for non-mutants who persecuted his own kind,  thus making him feel justified in his actions against society. Magneto was usually one step ahead of Professor X and willing to go the extra distance to achieve his goals whether it involved harming a young girl or firing a gun point blank at a cop with his magnetic powers. Despite his age, Magneto was someone to take seriously as a foe and was also the mirror image, in terms of idealogy, of Professor X’s dream of peaceful co-existance with humans. Sadly, many of humanity’s actions throughout the original trilogy only added fuel to his cause and made viewers wonder as to who was truly evil or misguided.

new magnetoSpecial shout outs in no particular order go to Mystique (Rebecca Romijin Stamos) in the X-Men films, Venom/Eddie Brock (Topher Grace) in Spider-Man 3, The Kingpin/Wilson Fisk (Michael Clarke Duncan) in Daredevil, Jared Nomak (Luke Goss) in Blade II, and Magneto/ Erik Lehnsherr (Michael Fassbender) in X-Men: First Class.  Fassbender’s portrayal of Magneto was good enough to make the top ten list but for most of the movie he is actually an anti-hero who only becomes truly villainous by the film’s end.

And now for the five worst. Before getting to the these turds let it be noted that all it takes to sink a film (sometimes singlehandedly) is a poor villain. When coming up with a screenplay attention must be paid to the villain’s motivation, execution and threat level. It’s a hard thing to pull off; when it works you have a great movie when it doesn’t you have a franchise killer. So here they are, the Marvel movie villain Hall of Shame inductees:

5. Howard Saint in The Punisher (John Travolta): You know as a villain you’re in trouble when the colorful assassins you send after the Punisher like the Russian are more interesting than you.

4. Toad in X-Men (Ray Park): Talk about hamming it up! That scene at the Statue of Liberty when Toad tries to mock Storm with his silly dancing earned him a good lightning strike that ensured that he didn’t return in the sequels.

3. Blackheart/Legion in Ghost Rider (Wes Bentley): Boring, boring, boring! Generic demonic foe that looks more like a goth reject than the son of Mephisto. His father was a more intriguing foe yet this film chose to focus instead on this bratty emo.

doctor doom 2005

2. Dr. Doom/Victor Von Doom in Fantastic Four (Julian McMahon): This is miscasting at its worst. McMahon was terrific as the narcissistic plastic surgeon in Nip/Tuck but lacked the gravitas to be Marvel’s most infamous and regal villain. Everyone expected an Eastern European despot but got your standard egotistical CEO and coming so soon after Willem Dafoe’s Green Goblin performance it just drew unfavorable comparisons. In trying to tie his origin with the Fantastic Four and making him a mutated being, this film robs the character of his rich backstory and menace. In this film he’s just a poor Goblin/Magneto/Electro knock-off. He was more like his comic book counterpart, power-hungry and more Machiavellian in the sequel but that film’s awfulness wiped out any improvement made to Doom’s character.

1. Galactus in Fantastic Four: Rise of the Silver Surfer: Destroyer of worlds, nearly omnipotent, a force of nature personified by a giant being with that wonderfully whacky Kirby outfit, that is how fans conceive of Galactus. Do we get this on film? No! We get a cloud. A stormy cloud. Seriously how lazy is this? What’s equally laughable is the filmmakers’ attempt to explain why they went with a cloud, apparently they wanted to leave it up to whoever did a Silver Surfer film to have a free reign designing Galactus. All this did was help to scuttle that film and any followups to the Fantastic Four. The execution reeks of not being imaginative and/or having a limited f/x budget. It was the ultimate payoff that never happened and signified the film’s problems. There was too much going on in the movie to adequately explore the most famous Fantastic Four story, it would have been better to end it with a cliffhanger even if it never happened. It would have left less of a bad taste.

José Soto