Captain America: Civil War Is Another Triumph For Marvel

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Captain America: Civil War is the culmination of the first two phases of the Marvel Cinematic  Universe (MCU) and launches Phase Three in a bold and somewhat darker direction. That is because by the end of the film, relationships are frayed, perhaps permanently, and new players have arrived to carry the torch.

A first look at the cast of characters appearing in the film, which includes most of the Avengers, may lead one to believe that the film should have been called Avengers 2.5, but this is first and foremost a movie about Steve Rogers/Captain America (Chris Evans). We see that he is still struggling to fit into the modern world being that he is a product of long bygone era.

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The movie is also a direct continuation of the previous film Captain America: The Winter Soldier in that the Winter Solider aka James “Bucky” Barnes (Sebastian Stan) is the focus of pursuit for everyone. At the same time, the events at the end of Avengers: Age of Ultron play a major factor that somehow manages to validate that film since it is considered to be an inferior sequel to The Avengers.

The destruction in the country of Sokovia at the end of Avengers: Age of Ultron added to the world’s growing unease with superpowered people. This suspicion is compounded after the opening segments of Captain America: Civil War when innocent civilians are killed during a fight the Avengers have with terrorists.

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Enter: The bureaucrats in the form of U.S. Secretary of State Thaddeus Ross (William Hurt) who demands that the Avengers sign an accord by the UN that places the superhero team under supervision and dictates that they cannot act unless ordered.  Steve Rogers objects to this, but his fellow partner and Avenger Tony Stark/Iron Man (Robert Downey, Jr. ) disagrees. He feels that superhumans need to be curtailed partly based on his own guilt about creating Ultron. Later, a terrorist bombing at a UN conference, supposedly by the Winter Soldier, sets off an alarming series of events that turn the two friends into bitter enemies as both men gather allies for their causes.

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Captain America: Civil War is already considered one of the greatest superhero films of all time and that praise is justified. Unlike the similar-themed Batman v Superman: Dawn of Justice, this film flows cleanly, is coherent, not choppy and adequately presents both sides of the issue. Even though Captain America is the star of the film, great pains are taken to show the validity of the other side. It becomes difficult at times to find someone to root for because we know they are both in the right. It illustrates the tragedy of a civil war amongst former friends.

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The directors Joe and Anthony Russo return for their second Captain America film and have beaten the second film curse for MCU directors. At the same time, they demonstrate with Captain America: Civil War that they can handle a large, epic story with multiple characters that are all given their moments to shine. That is an unbelievable effort that lesser directors and writers have difficulty accomplishing.

Despite the film’s length (over two hours) it leaves viewers wanting to see more of this world unfold. That is due to the constant action, fast-moving plotline, and smile-inducing appearances by other characters that get their moments in the sun and not just in action sequences. We meet T’Challa/Black Panther (Chadwick Boseman), a noble African king out for vengeance, and of course, everyone’s favorite Web-Slinger, Spider-Man (Tom Holland). This MCU version of Peter Parker is the most authentic and realistic take of Spider-Man ever shown on film and leaves one hungering for Spider-Man: Homecoming already. Other stand out characters include Wanda Maximoff/Scarlet Witch (Elizabeth Olsen), the Vision (Paul Bettany), Clint Barton/Hawkeye (Jeremy Renner) and Scott Lang/Ant-Man (Paul Rudd).

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The much talked about fight scene the superheroes have with each other in an airport is worthy of the hype and shows the heroes at their best. It was a comic book fan’s dream come true seeing all these superheroes doing their thing. Needless to say the special effects were flawless, as was the intricate fight choreography. However, a following fight scene later on is much more involving and personal, while at the same time heartbreaking as we see that Rogers and Stark are at a point of no return with each other. By the end of the film, everything has changed not just for the two main characters, but for the allies that took their sides.

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Captain America: Civil War is a triumph that is worth multiple viewings not just because of the spine-tingling action but because at its heart the movie is about friendship and how it gets fractured. It is hard to believe this but even though this is Marvel Studios’ thirteenth MCU film, it proves that the Marvel Cinematic Universe can still surprise and excite us as it continues to expand.

José Soto

 

Batman v Superman Heralds The New Superhero Movie War

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After waiting impatiently for many years, DC Comics fans at last get their own version of a superhero cinematic universe with the release of Batman v Superman: Dawn of Justice. The DC Extended Universe (DCEU) actually began with 2013’s Man of Steel, which focused on DC’s first superhero Superman/Clark Kent (Henry Cavill), but it featured Easter eggs that referenced a larger DC universe. Batman v Superman: Dawn of Justice is the first real DCEU film that explores this cinematic universe. And director Zack Snyder picked a huge event for this DCEU film: the first meeting between DC’s titans Superman and Batman/Bruce Wayne (Ben Affleck). But the big question is–is it good? After all, there had been much anticipation about the film for over a year, but then rumors started surfacing last month that Warner Bros. was supposedly nervous about the film based on reactions from early screenings.

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The reaction from critics has been harsh and further added to the worries that the film would kill off the DCEU before it could take off. Well, in my opinion these early reviews do the film something of an injustice (no pun intended). Batman v Superman is a good precursor to the much anticipated Justice League and does have excellent fight scenes between the two heroes. The buildup to the battle is effective in showing the lives of both Bruce Wayne and Clark Kent. Wayne is an older, bitter crime fighter who has seen his share of death and destruction, especially in the excellent prologue scene where he witnesses Superman’s fight with General Zod (Michael Shannon) from the earlier Man of Steel movie.  The experience of seeing so many of his employees dying in the chaos cements his suspicion and fear of Superman as a menace to the whole world.

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Clark Kent for his part is seen as struggling with the concept of being a god to many people and a devil to others, including the scheming Lex Luthor (Jesse Eisenberg), who manipulates both Batman and Superman into a deadly battle for his own twisted sense of order. This whole concept of gods and monsters and our reaction to them is a key element of the film and is what drives our main characters. Scenes with Clark having heart to heart conversations with both Lois Lane (Amy Adams) and his mother Martha Kent (Diane Lane) about who he is are shown in contrast to Bruce Wayne’s attempts to come to terms with his life as a crime fighter and feeling of not having accomplished much in his life.

In regards to laying the ground work for future films, we see Wonder Woman (Gal Gadot) who is a mysterious presence for much of the film until her big appearance near the final battle with DC super villain Doomsday. Her appearance in an old photo from World War I obviously sets up her forthcoming film and she does well playing the Amazonian warrior. We also see intriguing cameos of Justice League members Aquaman (Jason Momoa), Cyborg (Ray Fisher) and The Flash (Ezra Miller). All of which should increase the anticipation of the actual DC equivalent to Marvel’s The Avengers.

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The issue I have with the film is that all of this exposition and world building do take a while to get through and it does take time to finally get to the long awaited fight between Superman and Batman. As for the fight itself, it is well choreographed and brutal, but it is short and is not really the climax of the movie. I think maybe this is a problem of the marketing and title of the film. Dawn of Justice is a good description, but calling it Batman v Superman and having trailers show almost nothing but fight scenes can give someone the wrong impression of what the film is. It is not wall to wall action with Batman and Superman beating each other senseless. It is instead a continuation of the universe established in Man Of Steel and an exploration of what would happen if these otherworldly beings suddenly showed up on our world. Some reviews will state that this is all a bore, but I found a lot of these ideas interesting. However, the pacing of the film does suffer a bit when the second hour sets in and you want Batman and Superman to finally confront each other.

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In terms of the cast,  Ben Affleck is effective at showing a world-weary Bruce Wayne who is still traumatized by his parents death and also a brutal and aggressive Batman. His attempts to acquire kryptonite and later rescue of Martha Kent show a visceral fighting technique and willingness to go far to achieve his goals. Although, his depiction of apparently killing some enemies is not really consistent with the character and will be controversial. Jeremy Irons’ Alfred is very good as his faithful but skeptical servant Alfred. Henry Cavill does a fine job showing his conflict with trying to be a good reporter and find out who Batman is, while at the same time being the world’s saviour and dealing with everyone’s increasing suspicions of him. Jesse Eisenberg’s Lex Luthor is a mixed bag. He does well showing Luthor’s obsession with Superman and desire to destroy him. But his manic way of behaving is at odds with the character’s earlier interpretations of being calm, cool and in control of everything. Gal Gadot does much with her limited screen time as Diana Prince/Wonder Woman and is already an audience favorite.

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Overall, I do like this film and am looking forward to more DCEU films like Suicide Squad and Justice League. Some of the criticisms it has gotten are valid but this is in no way a bad movie like some critics are saying. I just think it was not marketed properly and does take too much time to get to the advertised fight. However, seeing the DC trinity in action was a thrill and I hope to see more standalone films for these three characters to further explore their interesting backgrounds. Batman v Superman: Dawn of Justice does the job of introducing all of the DC universe’s main characters and should satisfy fans who have waited a long time to see them come alive on the big screen.

 C.S. Link

Daredevil Stays Ahead Of The Curve With Its Sophomore Season

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The Netflix/Marvel Studios streaming TV show Daredevil blew away critics and fans alike last year when it premiered. Bolstered by a sensitive yet sturdy performance by Charlie Cox as blind New York lawyer Matt Murdock, who is the vigilante Daredevil, the series was unparalleled. Daredevil rose above its comic book roots and became one of the, if not the, best superhero TV shows ever made.

daredevil at churchNow Daredevil returns for a second season that just became available for streaming and it deftly avoids the sophomore curse. Matt Murdock is still moonlighting as the superhero Daredevil, who uses his enhanced senses (except sight) to fight crime, and dealing with the damning responsibility to fight for justice. Except now, new headaches have entered his locale of Hell’s Kitchen in the forms of the deadly vigilante Frank Castle (Jon Bernthal) and Matt’s former-lover-turned-assassin Elektra Natchios (Elodie Yung).

Both antagonists come in the wake of the void left behind when the crime lord, Wilson Fisk, was defeated by Daredevil last season. Many criminal elements are trying to fill that void but a deadly one-man army is taking them out. As these stories go, this man, Castle, quickly catches the attention of Daredevil and unlike past thugs Matt is used to dealing with, Castle is more than a match.

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Then Matt’s world is turned even more topsy-turvy when Elektra re-enters his life, just as he and his assistant Karen Page (Deborah Ann Woll) start to grow closer to each other. Like a moth to a flame, Matt is drawn to his former lover who is an equally deadly killer in her own right.

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This season of Daredevil is simply terrific. It still delivers the hard-boiled, violently graphic scenes while further acknowledging its comic book roots. From the very first episode, a comic-book drawn sweeping vista of New York City that is laced with the sounds of summer violence, to the gut-wrenching fights that are too vicious to watch at times, Daredevil continues to demonstrate why it is still the best superhero TV show.

three amigosAside from the stunt work and the noirish cinematography, what anchors Daredevil are the above-par performances. Charlie Cox still delivers a nuanced and ground portrayal of a man trying to quell his savage side, while on the opposite end Jon Bernthal nearly steals the show with his wounded, savage performance as Castle. This version of the Punisher is arguably the best one yet as Castle terrifies everyone with his single-minded mission to punish the guilty while emoting some pathos as his story is unveiled. Even the supporting cast like Elden Henson as the always amiable Fogyy Nelson has many memorable scenes that truly buttress the main actors.

Along with Jessica Jones and given how successful Marvel Studios has been with this endeavor, perhaps the studio should just concentrate on these Netflix productions rather than the pedestrian efforts on ABC. The second season of Daredevil demonstrates this idea wholeheartedly.

Lewis T. Grove

 

The Would-Be Legends Of Tomorrow

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Legends of Tomorrow is the latest superhero TV show airing on the CW network taking place in the so-called Arrowverse (named by the show Arrow, the progenitor of this shared universe) and is an ensemble show featuring B-lister superheroes from DC Comics. In many ways, it’s an ambitious program, one of the first to star a superhero team. A show of this scope should scream “difficult to pull off” just in terms of special effects, scope of the story and air time for the characters. There are many things that Legends of Tomorrow gets right and many missed opportunities.

As an ensemble show, there isn’t one true lead character among the mostly colorful group, but the premise of Legends of Tomorrow is jump-started by time traveler Rip Hunter (Doctor Who’s Arthur Darvill). In the future, the immortal supervillain Vandal Savage (Casper Crump) has taken over the world and killed Hunter’s family.

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Defying his group, the Time Masters, Hunter steals a time-traveling spaceship called the Waverider (a nod to the time-traveling character from DC Comics) and travels to our time to recruit a team to stop Savage’s rise to power throughout history. The eclectic group he gathers includes Ray Palmer/The Atom (Brandon Routh), whose armored suit allows him to shrink; Martin Stein (Victor Gerber) and Jefferson Jackson (Franz Drameh), who make up the combined fiery entity Firestorm; Sara Lance/White Canary (Caity Lotz), the martial artist anti-hero featured on Arrow; Kendra Saunders (Ciara Renée), who discovered she is the reincarnated warrior priestess Hawkwoman; and the sibling criminal supervillains from The Flash, Leonard Snart/Captain Cold (Wentworth Miller) and Mick Rory/Heat Wave (Dominic Purcell).

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When Hunter initially recruits the team to help him stop Savage in the past (starting with the 1970s), he doesn’t tell them that the reason he recruits them is because they have minimal impact on the timeline so their disappearances from normal time wouldn’t really matter. Once they learn the truth, most are crestfallen, but decide to use this opportunity to make a difference outside of their eras and become actual legends.

This TV show, has been described as a mix of Doctor Who and Guardians of the Galaxy. That is an apt way of putting it, but it doesn’t reach the heights of those properties. Much of the time, Legends of Tomorrow is a lot of fun to watch and is fast moving. Cluttered with Easter eggs and nods to all things genre and meta (at one point Snart made a typically snarky statement about having experience breaking out of jail–a tongue-in-cheek reference to Miller and Purcell’s last collaboration Prison Break), and unlike the ABC/Marvel Studios TV shows, it takes full advantage of the shared universe it occupies. old arrowIt’s thrilling to spot characters from other shows making guest appearances and all the time traveling allows for a further exploration of the Arrowverse.  One of the best episodes to date was the most recent one “Star City 2046”, which featured a post-apocalyptic Star City where Oliver Queen/Green Arrow (Stephen Amell) was MIA and the city was taken over by Green Arrow’s nemesis Deathstroke, actually Deathstroke’s son (Jamie Andrew Cutler). In a nice tribute to the classic graphic novel The Dark Knight Returns, Queen shows up missing an arm and has to be inspired to fight for his city again  with the help of Connor Hawk (Joseph David-Jones), who takes up the mantle of Green Arrow.

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Still, as much fun as that episode was, it had a flaw in its logic. Sara wanted to help Queen out, but Hunter did not want to get involved because that would be interfering with time and that as a past event in his time it was set and could not be changed. Yet, he wants to travel throughout history to find Savage and alter the timeline. This diminishes Hunter and makes him seem selfish. Then there is the concept that 2046 was the past and set in stone for him, but is the future for the others, so otherwise malleable. There are attempts to address the problems with time travel in the show but they are uneven at best.

snart and legendsThat unevenness is the basic tone and flaw of Legends of Tomorrow. Some plots and subplots are engaging and fun, other times the stories are rushed and thin without any subtlety. The same criticism applies to the characters. This was quite apparent in the pilot episode. Rip Hunter just shows up and asks them to joni him and most of the characters all-too-willingly oblige without deeply questioning Hunter or exploring their motive to leave their lives on a lark. It does take pains to develop them and some of the actors like Miller steal scenes with their acting prowess, but the show struggles to juggle all these characters. That is probably a reason why Legends of Tomorrow killed off the character of Carter Hall/Hawkman (Falk Hentschel) early on to thin the herd. But frankly, it wasn’t a loss since his performance as Hawkman was rather wooden.

Like the team, Legends of Tomorrow isn’t quite legendary, but it has huge potential. Given enough time and guidance, it may find its footing and move past its inspirations and become something of a legend.

José Soto

 

 

Colony Is A Surprisingly Captivating Look At Life After Alien Conquest

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The latest sci-fi TV show Colony, which airs on the USA Network, is a familiar yet interesting take on the alien conquest trope. Created by Carlton Cuse and Ryan J. Condal (both are also the executive producers along Juan Campanella and series star Josh Holloway), it takes place in Los Angeles less than a year after the world presumably was invaded and conquered by an unknown force. Colony doesn’t come out and say Earth is under control by aliens since we never see the invaders but it’s implied. The skies are patrolled by these alien-looking drones that shoot energy weapons and Los Angeles and other cities are cut off from each other with giant walls that would make Donald Trump salivate.

redhats invadeThe villains in Colony are the human collaborators led by Alan Snyder (Peter Jacobson), the proxy governor of the L.A. Bloc and he comes off as a spineless weasel. These collaborators argue that humanity has little choice but to cooperate with their “Hosts” or the repercussions will be dire for the world. Working through the Colony Transitional Authority, a warped version of the Department of Homeland Security holds L.A. under military rule with human shock troops called Redhats (for their bright red helmets) that keep order through strong-arm tactics and brute force. Violations of nighttime curfews incur death, speaking out against authority and the “Hosts” lands you in jail or worse: a sentence to The Factory, though so far, it’s not shown what happens if you’re sent to The Factory.

As these sci-fi stories go, there is a human resistance against the authoritarian rule. Made up of ordinary L.A. residents, they do what they can against hopeless odds as the collaborators hunt them down to keep the “Hosts” from retaliating against bowman and wifehumanity. One family is caught up in this struggle. The family head is Will Bowman (Josh Holloway), a former Ranger and FBI agent and at the start of the show, he lives under another name to avoid attention from authorities. In the pilot episode, Will is captured trying to sneak out of Los Angeles to go to Santa Monica because one of his sons is stranded there. Will is offered a position by Snyder to work for the Redhats and help hunt down the resistance leaders or have his family sent to The Factory. He reluctantly agrees, but Will doesn’t know that his wife Katie (Sarah Wayne Callies) is actually working with the rebels. So, Colony has at its center that Will is forced to work against humanity in order to find his son and keep his family safe, while he unknowingly provides intel to his wife, who has to deal with unsympathetic rebel leaders who only see her and her husband as assets to be used.

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We’ve seen this kind of situation before, such as with the terrible V remake a few years ago, but here it works. That is because Colony focuses on the characters and the hardships they face living under military occupation. It’s a dilemma that can easily be transplanted into another time and era. This could’ve been occupied France during World War II and the showrunners wisely chose to concentrate on this angle. It surprisingly has many gray areas, dronefor instance, it’s shown that the collaborators aren’t one-dimensional villains cackling over L.A. residents. They genuinely fear the “Hosts” and want to get the best deal for humans while they enjoy living privileged lives in the Green Zone. A well-done example of this was with Will’s supervisor Phyllis (Kathy Baker), who at first came off as a mean, cold dragon lady type. But over the course of a couple of episodes we learned that she wasn’t thrilled with humanity’s lot but felt that getting along with the conquerors was the only option. However she wasn’t inhuman, she protected Will when some incriminating evidence was found about one of his sons, then when we think she may be OK she tries blackmailing Katie. That’s not all, when Phyllis goes home after work, we find out she’s caring for an invalid husband, which explained why she’s so cooperative with the “Hosts”. Meanwhile many of the people running the resistance aren’t very likeable because they’re so cold and only see people as tools to be used and easily discarded. Will Bowman and his wife are in losing situations and forced to do things they don’t want to do, but try to make the most of it. The question is how long can they last let alone succeed in their roles? Colony is full of nuanced characters and situations that rises above its standard formula.

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What also keeps things intriguing is that we don’t know the entire situation with the invaders. Are they aliens? Or extradimensional beings? What is their agenda? By not showing the “Hosts” at all (even the villainous characters like Snyder haven’t ever seen them), viewers are automatically intrigued. Then there bowmanare the casual visual cues that the city is different like the lack of American flags, off-the-cuff comments about the “Arrival” and how L.A.’s defenses were destroyed within hours during the “Arrival”, and the oppressive looking walls that tower over skyscrapers. Honestly, it would be best for Colony if they keep the background murky and give viewers tidbits as the struggles of the Bowman family and other L.A. residents are unfolded. Plus, aside from the CG shots of the drones, the show must be relatively inexpensive to produce, which should keep it around for awhile and hopefully the answers will be provided in a natural fashion.

Waldermann Rivera