Han Solo Film Directors Fired = I Got A Bad Feeling About This

Solo cast fired directors

The movie world, not to mention Star Wars fans, are still in absolute shock over yesterday’s stunning news that the directors of next year’s Han Solo film, Phil Lord and Chris Miller, were fired from the film. What made the announcement so jaw dropping is that most of the film has been completed with only three weeks of principle photography remaining. That is just unheard of and feels unprofessional on the part of Disney and Lucasfilm to just let two talented filmmakers go when their film is nearly complete. On top of this, Lucasfilm is still standing by the film’s planned release date of May 2018. That is probably not going to happen.

So what happened? The truth is we may never really know. All we do know, based on trade reports, is that Phil Lord and Chris Miller clashed repeatedly with Lucasfilm president Kathleen Kennedy and the film’s executive producer and co-writer Lawrence Kasdan. Much of that had to do with the improvisational directing style of the two directors that made the old guard executives uncomfortable with their take on a Star Wars film and the iconic character. Kasdan, who wrote the book on Han Solo in the original Star Wars film and Episode VII, has a distinct viewpoint of the space pirate. He saw Han as selfish and cynical, and wanted him portrayed in that manner. Meanwhile, the two young directors wanted to present Solo in a lighter, more comedic light. This would have complemented their humorous directing style as seen in the 21 Jump Street films, The Lego Movie and Cloudy With a Chance of Meatballs. Face it, Lord and Miller are more known for their comedic films so it was a surprise that they were chosen to direct Solo: A Star Wars Story (if that is indeed the final title).

The problem here is that they had been hired to direct the Star Wars spinoff film for quite some time. They were involved with Solo: A Star Wars Story from the beginning and started shooting it earlier this year in January. Shouldn’t the executives have known that these two would not fit into the world of Star Wars? Why let them go on for so long? Why didn’t someone at Lucasfilm had the foresight to nip the problem in the bud and replace them much earlier? Kennedy, Kasdan and other executives had to have worked closely with the two directors and had meetings with them. They must have stressed that the film was to be a certain way. They had to have picked up the notion that Lord and Miller may have wanted to try a different approach and be defiant. Whether Lucasfilm wants to admit this or not, Phil Lord and Chris Miller have genuine film creds. They have delivered well done films that pleased critics and audiences. Why not just have some faith in them and let them finish the film? The film studio could have then just taken over post-production like they did with Rogue One: A Star Wars Story and edit it into the kind of Star Wars film they wanted.

We get that Disney and Lucasfilm are protective of their IP, after all, they spent billions to acquire it. With that mentality they are entitled to keep it safe and the best way to do that is to play it safe. So why go to the trouble of hiring these two to direct the film headlining the franchise’s most beloved hero? The reason to recruit new blood into the Star Wars franchise is to bring in fresh ideas and different outlooks into the Star Wars films. Firing Phil Lord and Chris Miller this far into production just shows a lack of confidence in this approach. Consider that director Garth Edwards was pushed aside in post-production of Rogue One: A Star Wars Story because Lucasfilm felt the film wasn’t quite a Star Wars film. Now this happens. Lucasfilm might as well just hire workhorses and yes-people to direct future films and give up this idea of bringing in new talent because clearly they are not welcome.

Now, Lucasfilm has to shut down production and find someone willing to come in at this late hour to complete Solo: A Star Wars Story. Will Lucasfilm pull a Salkind and have most of the film re-shot as what happened with Superman II? If so, kiss May 2018 goodbye. Can Ron Howard (the currently rumored frontrunner to take over UPDATE: Howard has officially been hired to finish the film) or Joe Johnston or someone safe come in and finish the film, while imparting their own vision? Finishing it is doable, but trying to leave their own mark is impossible with so much already filmed and with so little time. Who would want this burden?

In any event, the message is clear to other would-be Star Wars directors, especially those foolish enough to think they will have some measure of control: You can play with the Star Wars toys but at the end of the day, you have to give them back in the shape you found them.

José Soto

Post Script: After Ron Howard was picked to complete the film, Lucasfilm has been in full-scale PR damage control. Stories are circulating that the film’s star, young Han Solo himself, Alden Ehrenreich, was the first one to voice concerns about the direction of Solo: A Star Wars Story. Reportedly, the film was too comedic and slapsticky for the execs’ taste. On the one hand, Star Wars needs to branch out creatively, but on the other hand, a Han Solo film may not be the best venue to go full-scale comedy. If all this is true, the question still stands as to why Kennedy, Kasdan and the other higher ups let this go on for so long? The few bright spots coming out of this debacle are that Phil Lord and Chris Miller are now free to jump onboard the stalled Flash movie, which fits their style anyway, plus Howard has already shown that he has a lot of class with his recent praise of Lord and Miller’s work on the film. Given his close ties to Lucas and his solid directing background, he is the best choice to come in and salvage the film.

A Long Time Ago In A Galaxy Far, Far Away: Celebrating The 40th Anniversary Of Star Wars

“A long time ago in a galaxy far, far away” those simple words, projected on movie screens, would herald a phenomenon in theaters on May 25, 1977. Forty years later, Star Wars is celebrating its 40th anniversary and just like the time when it was released, it’s as popular and beloved as ever. So what makes this franchise so iconic and successful? For starters, when the original film, which was later given the subtitle A New Hope, was released in 1977, the state of cinema was very different than today. With the exception of the Planet of the Apes films, there were no major blockbuster franchises. Sci-fi as a genre was stagnant and the only major film in this area was Stanley Kubrick’s 2001: A Space Odyssey from 1968 almost a decade earlier and the Apes films, which had wound down by the mid 1970s. Movies those days were dominated by dark and violent anti-heroes which reflected the cynical mood of society. Genuine movie heroes and feel-good films were a rarity before Star Wars.

The release of this swashbuckling outer space adventure transformed the landscape of films and singlehandedly reinvented genre films in the ensuing decades. It was a simple story of good vs. evil with now legendary characters like Luke Skywalker, the simple farm boy whose destiny would change the galaxy; Han Solo, the roguish space pirate turned into a rebel with a cause; Princess Leia, the indomitable leader of her people; Chewbacca, Han’s yeti-like buddy and partner in crime; Ben Kenobi, Luke’s wise mentor and warrior of the Old Republic; and everyone’s favorite robotic duo R2-D2 and C-3PO. All of them are instantly recognizable to literally everyone in the world. Their struggle against the most famous villain in movie history Darth Vader was set against a backdrop of a fully realized universe meticulously crafted by creator George Lucas.

a long time ago

The film director was inspired by classic myths and stories and successfully merged them into something new that was magical to audiences back then, and still feels that way even now. Basically, he took the timeless elements and themes from these tales and put it into an appealing and original backdrop. The settings were literally out of this world, yet had a gritty and realistic touch that made everything seem relatable. All that caught everyone’s attention, but what enchanted people the most were the interesting characters who we could identify with as they struck a chord within us. That is quite an achievement considering that many characters were not even human. To an outsider, Star Wars and its extraordinary trappings may seem bizarre but at its core it has easily relatable themes and subtexts.

Lucas directs C3P0

Seeing how influential the film was and continues to be, it is baffling to ponder that many film studios passed on George Lucas’ pet project. Back then he was a young up-and-coming filmmaker and had a hit film, American Graffiti, under his belt. Yet, he had a hard time convincing skeptical film executives to greenlight his film. It seemed so strange to them, a space fantasy without any references to our civilization, one almost cannot fault them for not wanting to take the risk. But thankfully, 20th Century Fox saw the Lucas’ visionary potential and took a chance. Even then, few imagined Star Wars would explode like it did. That includes Lucas himself who hoped that his film would make just enough money to bankroll a sequel. Hardcore fans know that the original Star Wars novel that was released shortly after the film, Splinter of the Mind’s Eye, was supposed to be a low-budget Star Wars sequel. Of course, the monster success of Star Wars meant that Lucas could fully realize his vision of a sprawling galactic epic without any limits in terms of budget and special effects.

Another aspect that made Star Wars so hugely influential is that it had revolutionary special effects. The many scenes of outer space combat enthralled audiences with X-Wings and TIE fighters clashing in dogfights, along with the iconic shots of enormous Star Destroyers and let’s not forget Han’s Millennium Falcon, the faster piece of junk this side of the galaxy. They were such a spectacle to watch and entirely different from earlier sci-fi films that had cheap models hanging on strings. The editing and camera work was also incredibly done. Take for instance, the POV shot of Luke piloting his ship into the Death Star trench, it seems like you are flying right into the trench. The model and puppet work of the many aliens on the desert planet Tatooine in the famous cantina scene were also a real spectacle and added to the feeling that these were real places you were looking visiting. Many of these effects are rarely seen these days since Lucas took it upon himself in the 1990s to update the original Star Wars films with updated CG effects because the original effects work had become dated. Ironically, many of the CG effects now look dated themselves and proved how fruitless it was to tinker with classic films just to embellish them with the latest in special effects.

What Star Wars also accomplished was the film ushered in a whole new era of sci-fi and related genre films. This industry is still going on to this day. The huge success of Star Wars proved that genre films could be massive hits and led to other filmmakers and companies to try to do the same thing. As a result, sci-fi and fantasy films are now the major genre in Hollywood that studios all try to have in their portfolio to keep things going. We all know that the big tentpole films for studios these days are big-budget genre spectacles. The whole concept of having huge summer films with the accompanying merchandise, as well as the idea of ongoing sagas that span multiple movies and other media can all trace their paths back to that movie that came out on May 25th 1977.

Star Wars 40

It’s not an exaggeration to state that Star Wars basically caused a figurative earthquake not only movies but in the culture at large. Look around, you’ll see Star Wars everywhere. Certainly that is due to Disney, who after buying the rights from George Lucas earlier this decade for billions, wanted to get their money’s worth and went into merchandising overdrive. But this means that Star Wars will have a long-felt presence in our global society. As cynical as that sounds, keep in mind that in order for film to resonate long after it has left cinemas, it has to be great and unique. Star Wars is that and much more and is why it is so pervasive. For the few that have never seen Star Wars, even they know exactly who Darth Vader is and can pick out R2-D2 in a picture. That kind of recognition means that this movie has transcended its medium and, like other epic tales of old, has now passed on to the realm of legend.

C.S. Link

Top 40 Greatest Star Wars Moments, Part II

We’re celebrating the 40th anniversary of Star Wars! The “little” sci-fi film that came out in 1977 has spawned an intergalactic media franchise that is just as popular today as it was 40 years ago. Being that it’s the 40th anniversary of Star Wars, we’re continuing the countdown of the 40 greatest moments in Star Wars films and TV.

Palpatine forms Empire

20. Emperor Palpatine Forms The Galactic Empire (Star Wars Episode III: Revenge of the Sith): We, and many of the film’s characters, watched with horror as the disfigured Chancellor Palpatine used a failed attack upon him by Jedi as an excuse to dissolve the crumbling Galactic Republic before cheering throngs. What made this moment so unsettling to watch was that it can be compared to real-life events in our history.

19. Obi-Wan Kenobi and Qui-Gon Jinn vs Darth Maul (Star Wars Episode I: The Phantom Menace): Say what you want about the flawed Star Wars prequel, but it had one kickass lightsaber duel. Buttressed by green screens and John Williams’ rousing, operatic soundtrack the deadly duel between the Jedi Knights and Darth Maul was wild, exciting and undoubtedly the best moment in the film.

ahsoka-quits

18. Ahsoka Leaves The Jedi Order (Star Wars: The Clone Wars “The Wrong Jedi”): In the final episodes of the fifth season of Star Wars: The Clone Wars, Ahsoka Tano, Anakin Skywalker’s Jedi apprentice, had been framed for murder. After much ordeal, Ahsoka was cleared, but she was so disillusioned with the Jedi Order that she chose to leave it at the end of the last episode. This turn of events was frankly surprising and deftly sets up Anakin’s own disillusionment with the Jedi later on.

Arent you a little short for a stormtrooper

17. “Aren’t You A Little Short For A Stormtrooper?” (Star Wars Episode IV: A New Hope): When Luke Skywalker disguised as a stormtrooper bursts into Princess Leia’s prison cell on the Death Star, her first words to him were unexpected. Instead of being fearful or excited, she comes off as nonchalant and unimpressed with her liberator. Throughout the film Leia displayed spunky bravado and put up a steel front even as a prisoner. This savvy attitude perfectly summed up Princess Leia, who dispelled the cliché of being the damsel in distress. We knew that no matter what she could take care of herself.

16. The Battle of Hoth (Star Wars Episode V: The Empire Strikes Back): The very first Star Wars sequel set a darker, more ominous tone which was foreshadowed in the first acts’ climatic battle. Rebel forces were forced to evacuate their base on the frozen world Hoth and brave fighter pilots and troops, including Luke Skywalker, desperately tried to hold off imperial metal, behemoth walkers. It was soon clear that the Rebels were outmatched by the superior forces and the one-sided battle was disheartening, yet exciting, to watch.

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15. Yoda’s Vision Quest (Star Wars: The Clone Wars “Vision”, “Destiny” “Sacrifice”): In the series finale, Jedi Master Yoda goes on a spiritual retreat because he is troubled by the Clone Wars and the rise of the dark side of the Force. His insightful visions during a visit to a Sith planet let him (and the viewers) know there was more to the Force than he knew. He realized that waging war was not the answer to bringing balance to the Force and that the Force was much more multi-layered than just good and evil. This, and Yoda’s vision of a true Chosen One, was a poignant way to end the series.

han shot first

14. Han Shoots First (Star Wars Episode IV: A New Hope): In the original and true version of the first Star Wars film Han is cornered at the cantina bar by the bounty hunter Greedo, who has come to collect Han’s debt owed to Jabba the Hut. From the testy conversation, Han knew Greedo was going to shoot him so he beat the bounty hunter to the punch and underhandedly shot him dead. Pure badassery and it sets up perfectly Han’s eventual redemption later in the film.

13. Darth Vader Saves Luke Skywalker (Star Wars Episode VI: Return of the Jedi): Following the climatic lightsaber duel in Return of the Jedi a victorious Luke refused to kill his father Darth Vader and to submit to the dark side of the Force. In response, Emperor Palpatine attacks Luke with vicious lightning attacks. Luke was helpless under the savage assault while Vader stood by passively. At this point, Vader made a life-changing choice and turned against the Emperor. This cost Vader his life, but his final act saved Luke and put him on a path of redemption as he rejected the dark side of the Force. This moment made Vader much more layered and somewhat of a tragic figure instead of a one-dimensional villain.

12. Darth Vader Goes Medieval (Rogue One: A Star Wars Story): This moment came in the closing scenes of Rogue One and neatly segued the way into Star Wars Episode IV. After the Rebel flagship received the plans for the Death Star, it was prevented from escaping and boarded by Darth Vader. As the frantic Rebel troops tried escaping onto another ship with the plans, Darth Vader silently cut through the hapless soldiers with his red lightsaber being the only source of light. The way he so viciously and quickly killed the troops was both frightening and awe inspiring. The scene demonstrated how deadly Darth Vader was as he displayed his mastery of the Force.

11. Order 66 (Star Wars Episode III: Revenge of the Sith): Perhaps the darkest moment ever seen in a Star Wars film was when Emperor Palpatine ordered the Republic’s clone troopers to turn against the Jedi. One by one, we witness heroic Jedi taken by surprise and slaughtered by their own forces. Underlining the gravity of these acts were John Williams’ haunting score, Yoda’s pained reaction at feeling all those sudden deaths and Anakin Skywalker coldly murdering young children, who were training to be Jedi (thankfully this happened offscreen).

Continue reading

Top 40 Greatest Star Wars Moments, Part I

The 40th anniversary of Star Wars is upon us! It is hard to believe that a quirky sci-fi film that went on the change our cultural and celluloid landscape is 40 years old. In that time, Star Wars and all the films and TV shows that followed, boasted many important and awe-inspiring moments that continue to resonate with fans throughout our planet. As we celebrate Star Wars’ 40th anniversary let’s look at the series’ greatest moments.

Rey claims lightsaber

40. Rey Claims The Lightsaber From Kylo Ren (Star Wars Episode VII: The Force Awakens): Nobody was sure about who was the main hero in the new Star Wars Sequel Trilogy. That mystery was solved beyond a doubt when Rey used the Force to claim Luke Skywalker’s lightsaber and battle Kylo Ren. Her eventual victory  cemented the fact that she is the best hope for the galaxy. 

pod race

39. The Pod Race (Star Wars Episode I: The Phantom Menace): As flawed as the first Star Wars prequel was, the exciting and breakneck pod race on Tatooine with all the weird pilots and their distinctive pod vehicles was one of that film’s best moments.

38. Anakin’s Spiritual Journey on Mortis (Star Wars: The Clone Wars “Ghosts of Mortis”):  On a distant world, Anakin Skywalker became corrupted by the dark side of the Force after encountering spiritual embodiments of the Force. Terrifying visions of his rise to Darth Vader highlighted this powerful story arc that better explored his fall from grace than the prequel films.

37. “These Aren’t the Droids You’re Looking For” (Star Wars Episode IV: A New Hope): Forget using the Force to do super acrobatics, wield lightsabers and levitate objects. When Ben Kenobi used a Jedi mind trick against stormtroopers interested in Luke Skywalker’s wanted droids, that scene displayed one of the most powerful aspects of the Force. Honorable mention goes to the bar scene in Episode II where a younger Kenobi tells a drug dealer to go home and rethink his life.

36. Darth Maul’s Final Duel (Star Wars Rebels “Twin Suns”): Darth Maul finally finds his ancient enemy Obi-Wan Kenobi in exile on Tatooine. The older Jedi isn’t interested in fighting Maul until the former Sith apprentice deduces that Kenobi is protecting someone (Luke Skywalker). The resulting lightsaber duel is brutally short and to the point with Maul quickly killed. It may have disappointed those waiting for a drawn-out sword fight, but the scene demonstrated that Kenobi was indeed a master. Plus, it cast Maul in a sympathetic light as he seemed to see the error of his ways in his last breath.

Ahsoka vs. Darth Vader

35. Ahsoka Tano Vs. Darth Vader (Star Wars Rebels “Twilight of the Apprentice”): Ever since Anakin’s apprentice Ahsoka left the Jedi Order near the end of The Clone Wars series and reappeared during Star Wars Rebels, fans have wondered how she would react to seeing her former master as a Sith. We got our answer in the second season finale where she faced off against Darth Vader and proved she was his equal.  What was more engaging than the duel was her coming to terms with her former master’s fall.

battle of geonosis

34. The Battle of Geonosis (Star Wars Episode II: Attack of the Clones): A Jedi force set out to rescue Anakin, Obi-Wan and Senator Padme Amidala from Separatist forces, but they weren’t enough. Enter the new clone army led by Jedi Master Yoda and before you know we witnessed a full-scale and chaotic ground war between clone troopers and droid soldiers. Seeing all the intense blaster fire and wild looking vehicles of all shapes and sizes engaged in battle was a spectacle and for Star Wars that is saying a lot.

33. Cassian Andor Murders an Informant (Rogue One: A Star Wars Story): It was a small scene in the first live-action Star Wars spinoff film. Cassian Andor gets vital intel from a Rebel spy who cannot keep up with him as stormtroopers close in on them. Instead of helping his comrade Andor unexpectedly kills him. This cold-blooded act drove home the point that Rogue One was a decidedly dark film that took risks by showcasing this morally gray character who goes to extremes for the Rebellion.

32. Anakin Pursues Obi-Wan’s Killer (Star Wars: The Clone Wars “Friends and Enemies”): One of the best arcs in the animated series featured Obi-Wan Kenobi faking his death and going undercover with bounty hunters. Anakin, believing his master to be dead, relentlessly pursues Obi-Wan’s killer, who is actually Obi-Wan in disguise. This development was an undeniable a high spot in this tense and captivating story arc.

31. The Grand Army of the Republic Sets Out For War (Star Wars Episode II: Attack of the Clones): Following the climactic Battle of Geonosis in the film, the Galactic Republic unveils its mighty clone army to counter the Separatist threat. With much fanfare marching legions of white armored troops leave Coruscant in giant ships to engage the Separatist droid armies. While many celebrated this moment, others (and we) knew better than to hail these troopers because they foreshadowed the coming of the evil Empire. Continue reading

Top 10 Star Wars Spinoffs We Want To See

han-solo-cast

Thanks to the success of Rogue One: A Star Wars Story and the promise of next year’s Han Solo film, all Star Wars fans are speculating over what other Star Wars spinoffs will see the light of day. Due to the fact that the Star Wars universe is so rich and layered with fantastic characters and captivating stories, there are many possibilities. Here are the best ideas and characters for future Star Wars spinoff films.

the-knights-of-ren10. Rise of the Knights of Ren—An exploration of the time period in between the Original Trilogy (OT) and the new one would largely depend on the next two films coming out. They will probably provide some more details of how the new Jedi Order fell and how Snoke and Kylo Ren rose to power. From there, Lucasfilm can use the new information to build a film dealing with that time period.

knights-of-old-republic

9. Knights of the Old RepublicThe popular RPG video game and comic book is ripe for a Star Wars spinoff film or three. Taking place thousands of years before the films, the story explores the early conflicts between the Jedi and the Sith, which would give filmmakers a fresh slate of characters and situations or adapt the characters from the game and comics.

bail organa

8. House Organa—While we’ve seen much about the Skywalkers and will learn Han Solo’s back story, we still don’t know a lot about Princess Leia and her adopted noble family. Actor Jimmy Smits is certainly game to reprise his role of Leia’s stepfather, Bail Organa, as seen in Rogue One. The character also appeared in Star Wars: The Clone Wars and Star Wars Rebels, so a Star Wars spinoff film could easily focus on the ruling family of Alderaan and the role they played in the Galactic Republic and the Empire.

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7. Seeds of the Rebellion—This could be expanded from the current animated series Star Wars Rebels, actually such a film could simply be a live-action adaptation of the series. In that show we’ve seen how the Rebellion started to gain traction against the Empire before the OT. A live-action film could either use the characters and situations seen in Star Wars Rebels or go back to an earlier period and show how the Rebellion began right after the Prequel Trilogy (PT).

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6. Boba Fett and the Bounty Hunters— Originally Josh Trank was supposed to direct a Boba Fett film and it was close to being produced. But Trank’s career meltdown following his ill-fated Fantastic Four reboot placed the Fett film on hold. Boba Fett is a favorite among fans and a showcase for the galactic bounty hunter is a film too good to pass up. Throw in other galactic bounty hunters like Bossk, Cad Bane, Aurra Sing and IG-88 and you’ve got a classic Star Wars film.

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5. Shadows of the EmpireThe popular multimedia project from the ‘90s would do for The Empire Strikes Back and Return of the Jedi what Rogue One did for Star Wars Episode III and A New Hope. That is to be a companion piece that sets up and bridges those two films. It may be tricky to pull off since convincing CG will be needed to recreate young versions of the original Star Wars cast, but the storyline could largely focus on the smuggler Dash Rendar, the evil Prince Xizor, Boba Fett and, of course, Darth Vader.

clone-army

4. Clone Troopers—Thanks to Star Wars: The Clone Wars the nameless and countless clone soldiers have been given distinct identities like Captain Rex, Cody, Fives, and Echo. Many great episodes of that animated series were devoted to the clone troopers and a film could cover their point of view in the Clone Wars or their part in the infamous Order 66. As long as Temeura Morrison is willing to revisit the role(s) then a film focusing on the grunt soldiers of the Republic is an idea worth exploring.

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3. Yoda—The wise and surprisingly mighty Jedi Master has a way of throwing people off guard as to his true nature. This was best demonstrated in The Empire Strikes Back when he first appeared as a harmless and daffy creature that later showed a jaw-dropping mastery of the Force.  Another instance came in Star Wars Episode II when he displayed his fighting prowess to the shock of audiences. His small stature and Zen-like demeanor hide much about Yoda, which is why a Star Wars spinoff film is a perfect vehicle to explore his centuries-long history.

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2. Ahsoka Tano—As the most popular original character in Star Wars: The Clone Wars, the young Padawan of Anakin Skywalker won over many fans with her plucky attitude and bravery. Throughout the series Ahsoka grew from an immature warrior into a more seasoned and moral-centered Jedi who surprised everyone when she left the Jedi Order in disillusionment. Later, she turned up in Star Wars Rebels as an adult fighting for the Rebel cause and even confronted her former teacher, Anakin, now turned into Darth Vader. She is one of the best developed female characters in all of Star Wars and a live-action film devoted to Ahsoka Tano is just begging to be made.

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1. Obi-Wan Kenobi—The noble Jedi Knight, as portrayed by Ewan MacGregor, was one of the best characters in the PT films. The actor has expressed an eagerness to return to the role and rumors are swirling that one or two films are being planned featuring Kenobi. We’ve made the case before as to why Obi-Wan Kenobi deserves a Star Wars spinoff film and it could explore his history as a Padawan and his time in between the PT and OT when he watched over the one who would truly bring balance to the Force, Luke Skywalker.

So, would any of these characters and stories make your own list of future Star Wars spinoffs? Or are there others missing from this list? Let us know!

José Soto