Top ten Sci-Fi Video Game Franchises

 

With the release of the highly anticipated Mass Effect 3 video game fans have another game to obsess about. Stunning graphics and creative storylines have created popular franchises like Halo, Mass Effect and Resident Evil. These are the best science fiction-based video game franchise to date.

10. Doom (PC/N64/PlayStation/Xbox): The FPS (first person shooter) that made FPSs mainstream, fighting demons on Mars and various other locales has never been more fun.

9. Gears Of War (Xbox 360): On the planet of Sera, grizzled soldier Marcus Fenix and his compatriots battle vicious aliens known as the Locust Horde that emerge from beneath the surface of their world. this game has been very influential in other games featuring third person combat.

8. Halo (Xbox/Xbox 360): Hugely successfully FPS series that launched Microsoft’s original Xbox console in 2001, players suited up as the super soldier Master Chief fighting a collection of alien races known as the Covenant out to exterminate humanity.

7. Metroid (NES/Super NES/Gamecube/Wii/Gameboy): Pioneering video game heroine Bounty Hunter Samus Aran fights space pirates and parasitic metroid aliens in one of Nintendo’s classic franchises.

6. Dead Space (PlayStation 3/Xbox 360/Wii): Wonderful survival horror set in space. Aliens that reanimate human corpses into hideous creatures called necropmorphs, as well as alien artifacts that cause people to go insane give this series a feel reminiscent of the Alien and Event Horizon movies.

5. Resident Evil (PlayStation, PS2/PS3/Xbox 360): This survival horror classic series that has players fighting everything from zombies created by the T-Virus to genetically mutated beasts and people and animals infected by the ancient las plagas parasites in Resident Evil 4.

4. Mass Effect (Xbox 360/PS3): Epic storyline of humanity’s coming of age in a galaxy of some friendly and some not so friendly alien races is reminiscent of Babylon 5, this action-packed RPG concluded the saga with the new Mass Effect 3.

3. Resistance (PS3): The FPS launch title Resistance: Fall Of Man has spawned an excellent franchise. Set in an alternate universe where WWII never happened, the Tunguska incident of 1908 caused aliens to overwhelm Russia and then Europe in 1951 and eventually the U.S. in later games.


2. Half-Life
(PC/PS3/Xbox 360): Nuclear physicist turned freedom fighter Gordon Freeman is a thinking man’s action hero that fights inter-dimensional aliens who occupy Earth.

1. BioShock (PS3/Xbox 360): Taking place in an underwater utopian city gone wrong drenched in 1940s decor, this FPS with genetically manipulated baddies was an instant classic when released. The highly anticipated third game in the series BioShock Infinite will be set in a city in the clouds in 1912.

C.S. Link

John Carter: A True Space Fantasy Epic Film

Producing an action fantasy movie adapted from a novel is a triple risk for movie studios. There are three things that they have to get right to make it a hit: 1) the movie has to at least be as good as the book 2) the movie resources–casting, story and SFX must hit all the right spots 3) the fan base must be appeased or there will be an uprising! When production stills and TV ads started to roll out, I’m sure the fans’ lukewarm reaction made Disney execs nervous about shelling out $250 million for an untried property helmed by an animation director. I was very skeptical myself. I read the novel A Princess Of Mars, loved it and hoped the movie did it justice. I saw the movie in a crowded theatre tonight. Just like an Olympic judge when the scores are read regarding the competitor’s performance, here is my score of John Carter . . . . TEN OUT OF TEN!!!!!!!!!!!

John Carter to me is one of the best adapted fantasy films of all time. It’s at least as good as the original book, the cast, story and SFX are superb, and thank goodness, there will be no fan uprising. It’s one of the most impressive sci-fi movies I’ve ever seen, because it’s a character-driven story with an emotional core. It’s also a movie with historical significance. John Carter’s first adventure on Mars was titled “Under The Moons Of Mars”, published in 1912 and that story and others were collected in A Princess Of Mars by Edgar Rice Burroughs (ERB, creator of Tarzan). It was the first of its kind. It was the first novel that had a hero going to another planet, filled with aliens, airships and advanced technology. Action/sci-fi/fantasy properties like Flash Gordon, Buck Rogers, Star Wars, Avatar, DC’s Adam Strange and Superman owe a lot of their borrowed inspiration from John Carter. None of these properties would have been made if it were not for ERB’s creation of John Carter.

 

Regarding the movie these are some of the great things about it: The cast was solid- they sold the audience with their performance. They made it believable. There was good chemistry and interplay with all characters. Production design was superb and top notch, ERB and Frazetta all the way. SFX was excellent The 3D conversion was……… excellent! I’m not a fan of converted 3D movies, but this one was very well done. As for director Andrew Stanton- that’s the biggest surprise of this movie- under his confident vision, he nailed it. He made sure this is a character-driven piece that made the audience care. This movie gave me the same feeling of great satisfaction that I felt with Star Wars Episode IV and V, Star Trek II, Lord of The Rings ROTK, Avatar, Superman, Spider-Man II, Iron Man and Thor. But the one thing I do hope they could do is offer more scenes when the move goes to BluRay. two hours and ten minutes in theatres was just about right, but now I want to see a little more. There are some that may point to this movie’s similarities to Star Wars and Avatar, well any fan will tell you that Lucas and Cameron ripped off ERB! Both of those creations were inspired by the John Carter stories. For example that scene in Star Wars Episode II: Attack Of The Clones where our heroes have to fight those giant monsters in the arena was taken from John Carter. With Avatar, that alien planet is populated by six-limbed creatures just as on Mars in John Carter. Even the Nav’i being tall and blue are inspired by the tall, green martians in ERB’s work.

My one immature quibble about the movie is that Dejah Thoris is not as scantily clad as Frazetta and all fantasy girl artists often illustrate her- but that’s just a minor quibble. I guess for a Disney PG rated move, it would not have been possible, but Lynn Collins totally sells it as Dejah Thoris. Her long raven black hair, her piercing blue eyes and the fighter’s spirit convinced me that Dejah Thoris can work in a Disney movie. This minor quibble does not even make a dent in the immensely satisfying feeling I have for this movie. That’s the way I personally measure a movie I go see these days. It all depends on the overall level of satisfaction that I feel as I walk out of the theatre. When it’s this good, I need to tell others about the movie. And to think its taken all these years to get this ERB creation made as a movie. His other creation, Tarzan has many movies, TV shows, cartoons, comic books, comic strips produced. Tarzan had a lead over John Carter. But now, with movies being the top art form, with talent and technology that can adapt words into visual reality, the John Carter of Mars series has now broken the pop culture barrier. Now everyone knows what a select few original pre-movie John Carter fans knew- this is a great story!! The one thing I want to tell everyone is GO SEE THIS MOVIE! Go with your buddies, with your significant other, go with your family. It’s that good. I’m going to go back tomorrow, and maybe see it three more times. ERB, you finally get your due.

GEO

A Princess Of Mars Introduces John Carter, The First Space Hero

Art by Frank E. Schoonover

Before his famous Tarzan stories Edgar Rice Burroughs first came to the literary scene with his character John Carter of Mars. As the first modern space hero, Carter was introduced in a short story called “Under The Moons Of Mars”, which was published in the magazine The All-Story in 1912. The character returned in serialized stories that were later collected into the 1917 book A Princess Of Mars.

John Carter appeared in several other books detailing his adventures on the red planet and was an excellent example of a pulp fiction hero while being the prototype for the superhero and the space adventurer. Burroughs’ Carter books were filled with action, romance, intrigue and adventure. But to get a good feel of the character and setup start with A Princess Of Mars.

At first the novel reads like a Western due to its setting. As a Civil War veteran who fought for the Confederacy, Carter moves out to Arizona to start anew. Before long, he runs into conflict with an Apache tribe (which parallels his adventures to come). These early parts can be a bit slow for a reader wishing to explore a science fiction world, but be patient. Before long, while seeking refuge from the Apaches, John Carter finds himself transported mysteriously to Mars or rather Barsoom as the natives call the planet.

Then the fun stuff happens. In the Martian desert he encounters the Tharks, a tribe of giant, four-armed, Green Martians who live a barbaric, nomadic existence. He has little regard for their savage ways but he earns their respect thanks to his prowess. It just so happens that the lighter gravity on Mars has granted Carter superhuman strength and agility. So he amazes the Green Martians with his Hulk-like leaps and fighting skills. Carter proves his worth to the Tharks and rises in the ranks by killing off several warlords and surviving ordeals.

Along the way, he earns the friendship of Tars Tarkas, a mighty Thark chief with a hidden sentimental side, Sola, an unusually kind female Green Martian, and Woola, a large guard animal akin to a dog but much larger and meaner.

But the most important relationship he develops is that with Dejah Thoris, the princess from the book’s title.

John Carter first meets her when she is taken prisoner during a raid on her air ship. Dejah Thoris is humanoid, part of a race of Red Martians at odds with the Green Martians and each other. While slightly more civilized than the Green Martians, the Red Martians are the remnants of a once-mighty culture that occupy decaying cities near the planet’s canals.

Art by Frank Frazetta

The sparks fly when the two meet. Reading about how fiery and beautiful she was can make any young teenage boy swoon with longing. And the passages detailing their blossoming love are quite well-written and don’t slow the story down at all; which is largely about Carter’s rise as a warlord and his attempts to protect Thoris and win her heart.

The entire fun read is full of swashbuckling antics where duels are settled with “long-swords” rather than ray guns, and dangerous encounter with giant monsters like the great white apes. There are elements of space fantasy and political intrigue. Despite the outdated notions about the Martian ecosystem the fantastic landscape is lovingly detailed and makes one sad knowing that such a world doesn’t exist.

Any astute sci-fi fan will spot the inspirations for the imaginations of literary and celluloid greats like Robert Heinlein, Ray Bradbury, George Lucas and James Cameron. So for those that may wonder who is John Carter (before seeing the film John Carter or afterwards) then A Princess Of Mars is an excellent introduction.

José Soto

2012 Doomsday Scenarios: Month Two

We’re in the middle of the cold and flu season but the next big pandemic is just around the corner. In fact, many doctors and scientists say we’re overdue for one.

Doomsday Scenario No. 11: The Killers Within

The idea of a pandemic is terrifying and in recent years we’ve dodged the bullet with the onset of AIDS, Ebola, SARS and recently with the H1N1 virus. The last really major pandemic that humanity faced was the Spanish Flu that occurred during World War I in 1918 and killed roughly 50 to 100 million people worldwide. The disease was so widespread and lethal to soldiers that many feel that the disease helped end the war. It is still considered to be the worst modern pandemic to strike humanity. The other horrible pandemic that threatened humanity further back in history was the Black Plague that wiped out a third of Europe’s population in the middle ages. But history is littered with waves of pandemics from assorted diseases like smallpox, typhus and many flu variants. Due to medical advances, we as a whole have been lulled into complacency until very recently. But recent events show that we are still vulnerable. Many fear that soon our antibiotics and other medicines will fail and we’ll be vulnerable to mass death just as our ancestors were.

Add to this fear is the specter of biological terrorism. This threat is all too real as seen with the anthrax terror attacks in 2001. It’s very feasible that some nut can obtain a rare flu strain or a manufactured disease and find a way to spread it to the populace.

Quarantines and Breakdowns

It’s all too easy for our society to fall apart in the wake of a deadly pandemic if a cure or treatment isn’t quickly found. With modern transportation, diseases can spread rapidly and before the medical community is fully mobilized, the contagion could have manifested everywhere.

Social norms will be frayed as the disease spreads. People will demand quarantines and closed borders but that won’t do anything to stop the disease. Nevertheless, fear and distrust will worsen with the new migrations of those wanting to avoid contracting the disease. Unfortunately, many of these refugees will be carriers themselves. Additionally governments will try to futilely treat victims and provide adequate health services. It’s easy to imagine hospitals and care centers guarded by mobilized soldiers, who would also enforce curfews and quarantines. But eventually public services will shut down as the death toll climbs. With fewer and fewer guards, cops and soldiers to enforce the law, anarchy follows and thugs will gain control. Once the disease has run its course, there won’t be much of anything left. Humanity will be forced to rebuild.

Fictional Examples Of The Aftermaths

Such fears have been the basis of many science fiction films, books and shows that postulate on the impact of a true pandemic today and the aftermath. The basic storyline usually goes like this: a disease wipes out 99% of the human (and sometimes animal) population. A handful of survivors then struggle to rebuild civilization. Other times, the story is about the valiant efforts to contain an exotic disease before it spreads.

Some popular books that deal with this include Stephen King’s epic The Stand,  Michael Crichton’s The Andromeda Strain, Richard Matheson’s I Am Legend, Max Brooks’ World War Z , George R. Stewart’s Earth Abides, and most recently with Clemens P. Suter’s Two Journeys.

There are many films that deal with this subject. For example there are three adaptations of I Am Legend (the first being The Last Man On Earth and most recently the 2007 Will Smith version), which is about a plague that turns most of humanity into vampire-like creatures. In 28 Days Later (and its sequel) a man-made virus is accidently released that turns its victims in the U.K. into savage, zombie-like killers. Then there is George Romero’s film The Crazies about a bio-weapon that induces homicidal madness. The Andromeda Strain, about a scientific team trying to eradicate a supposedly extra-terrestrial disease, was made into a film released in 1971 and a recent mini-series. A similar approach was utilized with the 1995 film Outbreak but the disease was less exotic in origin but just as deadly. The Stand was made into a well-received mini-series in 1994 and there are efforts to have a remake done. Twelve Monkeys shows us a future where a disease has decimated the world and the protagonist time travels back to modern times to discover how the disease started. The most recent film about pandemics was Steven Soderbergh’s Contagion, which covers in dismaying detail how our society unravels with the onset of a killer virus.

With television there are few examples of a modern pandemic wiping out humanity. Two that come to mind are Jeremiah, which is based on a Belgian comic book, and starred Luke Perry as the title character. In Jeremiah, a plague has killed off most adults in the world and it picks up a generation later when the surviving children have now reached adulthood. The other one is BBC’s Survivors, a remake of a series produced in the 1970s, and the premise was about the usual plague survivors finding a way to work together and rebuild society. UPN’s The Burning Zone wasn’t about a post-apocalyptic world but rather about a team of bio-agents who dealt with deadly, unusual diseases including some engineered by a mysterious group who considered humanity to be vermin that needed to be eradicated by diseases.

Like many doomsday scenarios there isn’t any way to anticipate the onset of the catastrophe.  A pandemic could arrive tomorrow or in a few years, but it will happen. So it pays to be alert and safe though and to wash your hands often.

Sci-Fi Oscar Bias

On Sunday the Academy Awards will be presented and I really don’t care which film wins for best picture because I haven’t seen any of the nominated films. I’ll eventually watch some of the nominees on cable though. But looking at the list, I realize that as usual there isn’t a science fiction film nominated for best picture. Well, The Three Of Life features scenes of the Earth being set afire from our sun going supernova billions of years from now, but that film doesn’t dwell on those described moments. Then there’s Hugo, which has some arguably slight sci-fi elements, namely the dramatization of Georges Melies and his silent film Voyage To The Moon, but Hugo is more of a fantasy film and an ode to early filmmaking.

Some research reveals that in the entire history of the Oscars only six science fiction films have been nominated for best film. They are A Clockwork Orange, the original Star Wars, E.T. The Extraterrestrial, Avatar, District 9, and Inception. (On a side note, Inglourious Basterds is considered by some to be science fiction only because its ending establishes the film to be about alternate history.) Sure sci-fi films dominate the technical categories such as special effects and sound, but that’s about it when it comes to recognition from the Oscars.

Films like Blade Runner and 2001: A Space Odyssey have made the top 100 list from the prestigious American Film Institute’s AFI’s 100 Years…100 Movies, yet weren’t nominated for best film in the year they were released. Many other sci-fi films have stood the test of time, while some best picture nominees and winners have been forgotten by today’s audiences. For instance, we continue to talk about The Empire Strikes Back and Back To The Future, yet the movies that won for best picture in the years these sci-fi classics came out are largely ignored (1980’s Ordinary People-IMO, for the record, Raging Bull should’ve won that year; and 1985’s Out Of Africa-not even sure what that movie was about). How about the sci-fi films that were nominated? Does anyone actually believe that Annie Hall is a better film than Star Wars? Sure maybe a bunch of elitist snobs do but despite what George Lucas has done with the saga, the original film has stood the test of time and is a popular as ever. In the case of Avatar, there were stories of many Academy members having an axe to grind with James Cameron and had a rapid disdain for Avatar because of all the computer animation. For my money District 9 was a better film than either Avatar or the winning film, The Hurt Locker. With E.T., it was a better film than Gandhi, but by the time the awards came out there was an obvious backlash against Steven Spielberg’s film.  You can thank the marketing departments that plastered E.T.’s mug on everything at that time. Plus Gandhi was considered more respectable, mainstream and IMPORTANT.

It’s vital to realize that the Oscars are really just popularity/political contests and marketing campaigns among Hollywood insiders who award the statues to sentimental favorites and buddies. The Academy Awards are awash with tales of snubs and cronyism and outright dumb selections which goes beyond sci-fi films. Take the pick of Crash in 2005 over the more popular and more controversial Brokeback Mountain. Or the trite comedy Shakespeare In Love over Spielberg’s classic Saving Private Ryan. That oversight was primarily due to a massive marketing campaign by the former’s executive producers.

Oddly this bias doesn’t extend to fantasy movies because those types of films have received best picture nominations since the 1930s (1937’s Lost Horizon and 1939’s The Wizard Of Oz were the first fantasy films nominated for best picture) right up to this year. One even grabbed the Oscar for best picture nine years ago; that was The Lord Of The Rings: The Return Of The King, which many fans felt was the weakest in Peter Jackson’s trilogy. It should be noted that the bias against animated films is even worse, but that’s another story.

The hostility against sci-fi films by the Oscars is clearly evident and will continue for the foreseeable future.  It’s a shame really, since so many past sci-fi films are considered classics not just by fans but by mainstream viewers and critics. This prejudice may have begun with science fiction’s B-movie origins. But as anyone can tell you, sci-fi films have become more sophisticated and true pieces of cinematic art. Shockingly if you go to online sci-fi forums there are many members who put down sci-fi films and don’t consider them worthy of being nominated. So the bias even permeates among many so-called fans who just can’t see these films past their settings. The bottom line is that the Academy has to get over this bias and join the rest of the crowd. Until then we can only root for an occasional acting nomination or the reliable special effects category. Either that or wait for the Saturn or Scream Awards.

José Soto