Assorted Star Trek Highlights

original enterprise

As we celebrate the 49th anniversary of Star Trek (God, that makes me feel old!), some quick thoughts came to me regarding the beloved show and the franchise it spawned. Star Trek and its many incarnations had many highs and lows, but what stuck with me throughout the decades were the highlights and some general observations about Trek.

Captain

James T. Kirk, played perfectly by William Shatner, is the best Star Trek captain. Period. Nothing more to say.

classic kirk

Villains

Star Trek has many memorable villains that faced off against Kirk, Picard and others. The biggest and baddest of them all still remains as Khan, the first version played by Ricardo Montalban. While Benedict Cumberpatch did a menacing job reimaging Khan in Star Trek Into Darkness, Montalban’s Khan was just insane. The other great Trek villains are the Borg Queen (Alice Krige) from Star Trek: First Contact, General Chang from Star Trek VI: The Undiscovered Country (Christopher Plummer had great chemistry with Shatner), Shinzon from Star Trek: Nemesis, Nero from Star Trek, Kurge (Christopher Lloyd) from Star Trek III: The Search for Spock, Q (John DeLancie) from Star Trek: The Next Generation, the Romulan Tomalak (Andreas Katsulas) of Star Trek: The Next Generation, Ron Perlman’s Nosferatu-like Viceroy in Star Trek: Nemesis, Gul Madred (David Warner) in Star Trek: The Next Generation and Gul Dukat (Marc Alaimo) in Star Trek: Deep Space Nine. In general, I enjoyed the Klingons, Romulans and Borg. Finally, I have to give a shout out to the black oil spill creature that killed Tasha Yar. It proved that oil spills will be the death of us!

khan II

Ships

Star Trek is well known for its many distinctive space ship designs. Of course, one of the best has to be the original Enterprise from Star Trek. It’s simple, classic and culturally important. With that I will state that I loooooove the Enterprise from Star Trek: The Motion Picture! As for the Enterprise seen in the Star Trek reboot, I admit that I like it, but don’t love it like I did with the earlier movie versions of the Enterprise. I also thought the space station designs in the reboot didn’t work (but I loved the ones used in the early films, the same goes for the early space dock used in the first two Star Trek films).

enterprise refit

Other great ships for me were the Enterprise D from Star Trek: The Next Generation with its amazing concept of having the saucer separating from the ship. Meanwhile, I also liked the Enterprise E first seen in Star Trek: First Contact because it had this neat, sleek look.

Starfleet also had other great designed ships. Let’s start with the shuttlecraft Galileo. It was a classic, and I’ll have to say that the updated shuttle designs seen in Star Trek: The Next Generation were nice. Two other great ships were the Defiant from Star Trek: Deep Space Nine (it’s one great, tough, little ship!) and the Reliant from Star Trek II: The Wrath of Khan. It’s got the most innovative design and was actually a happy accident. Director Nicholas Meyer saw the blueprints for it upside down and approved it. This allowed for the designs of differently shaped Federation starships.

reliant

The alien ships used in Trek were also wonderful, take the Klingon Bird-of-Prey ships that were seen in most films and TV shows. It just showed what a great design it was. I also liked the Romulan warbirds from the Trek spinoffs and the Ferengi ships, too. Other ships that deserve mentioning should be the alien probes V’Ger and the whale probe. With V’Ger I didn’t know the full shape of it until I saw the director’s cut. I think it was OK, but the closeups of it are more spectacular than its outside silhouette shape. What I liked about the whale probe from Star Trek IV: The Voyage Home was that it kind of mimicked the elongated shapes of the whales.

vger

I should point out that the Borg cube first seen in Star Trek: First Contact is Trek’s answer to the spherical Death Star. Maybe the next sci-fi franchise should have the enemy ship look like a cone! Star Trek: Deep Space Nine, Star Trek: Voyager and Star Trek: Enterprise had many more ship designs, but they weren’t very memorable to me except for the Bajoran solar sail ship.

Costumes

A common thread in these musings of mine is how great the original Star Trek was and how it got so many things correct. Any so-called improvements made by the movies and spinoffs, while mostly good, just can’t compare to Classic Trek. A good example of this is the costuming of the original show. They used simple multi-colored costumes that made it easy to denote rank and division. The design and colors were so great and the 2009 movie reboot kept the same pattern, but improved on the fabrics and patterns used.

Star trek reboot

A close second would be the classic red uniforms that were used for most of the original cast movies starting with Star Trek II: The Wrath of Khan. They had a naval design that was just perfect for the movie’s tone.

khan cast

The spinoff Star Trek TV shows also had some nice costumes, especially the ones used in Star Trek: The Next Generation that followed the spirit of the original series in having different colors denoting rank and division.

As for costumes that didn’t work, that dishonor goes to the bland outfits used in Star Trek: The Motion Picture. They looked like grey pajamas! But the fancy white and grey uniform worn by Admiral Kirk and Spock’s black Vulcan tunic were great.

Music

The original theme by Alexander old trek castCourage has a resonating hailing overture that builds to a sense of adventure thanks to the use of a singer and bongo drums. I just love listening to it. Composer Michael Giaccino built on that mood with his take of the original Star Trek theme in J.J. Abrams’ reboot. His version of the original theme is magnificent.

The second best Star Trek theme for me is actually a tie between Jerry Goldsmith’s majestic score for Star Trek: The Motion Picture and James Horner’s adventurous work in Star Trek II: The Wrath of Khan. Goldsmith’s fanfare is a hail to adventure and the rest of the soundtrack made the movie better than it was. Horner’s work meanwhile had the right tone for the movie which evoked naval ships and battles.

Star Trek VI: The Undiscovered Country had a score that I liked a lot. It was dark, intriguing, yet had fanfares that were sentimental farewells for the original cast. The signature send off at the film’s end was fantastic. Other noteworthy scores are the ones for Star Trek: First Contact, Star Trek: Voyager, while the one for Star Trek: Deep Space Nine grew on me.

Background Design and Cinematography

wrath of khan bridgeFor me, Star Trek II: The Wrath of Khan had the best look on the whole because of its slightly darker lighting. It’s funny to think that the sets used in that film were the same ones from Star Trek: The Motion Picture. It’s amazing what lighting can do! On that note, I’ll say that I hated the bridge lighting used in Star Trek V: The Final Frontier, but loved the improved lighting in Star Trek VI: The Undiscovered Country thanks to Hiro Narita, who also worked on The Hunt for Red October.

 

Star Trek: The Next Generation had the best computer interfaces, it still looks futuristic and I love the look of the graphics. Meanwhile the look of the Trek reboot sports a fresh interpretation. It’s like walking into an Apple store with mirrors that produce lens flares! I didn’t mind the look, but I know purists object to it.

 

Walter L. Stevenson

Falling Skies Concludes

falling skies picture

After five seasons the TNT TV series Falling Skies has come to a conclusion. Executive produced by Steven Spielberg, Falling Skies told the saga of the Mason family and a ragtag group of human fighters resisting an alien occupation of Earth. It was a rocky road getting to its endgame with unexpected highs and lows.

Looking back at Falling Skies, it could be seen that it was trying to emulate the same post-apocalyptic feel of the more superior The Walking Dead, but it couldn’t achieve those lofty goals. Still, it was for the most part entertaining to watch.

The first three seasons were easily the best for Falling Skies since the show displayed a desperate, squalid atmosphere where the freedom fighters were always on the run and for the most part were just staying one step ahead of the alien Espheni and their minions. As the show progressed so too did the humans.

fs castLed by Tom Mason (Noah Wyle), his wife Anne (Moon Bloodgood) and Col. Dan Weaver (Will Patton), the human fighters got better at fighting the aliens and were able to set up a provincial government thanks to the help of alien allies called the Volm, represented by one of the coolest TV aliens, Cochise (Doug Jones). Despite its limited budget, Falling Skies was generally entertaining, well acted and had some impressive production values. The set design was extremely dark and disheveled, which sold the fact that the American countryside was decimated by the alien invaders. The show had its faults such as delving too much in Mason family drama that involved Hal’s three sons, and the stories and characters were uneven.

hal and cochise skitters attack truck

Regrettably, Falling Skies took a turn for the worst in its fourth season, which was just a symptom of its behind-the-scenes hurdles where the show went through many showrunners. How bad was it? Well, one of the worst sci-fi clichés was used: the alien/human hybrid who prematurely ages into a young adult and has superpowers. Then the show’s characters were split up; some were put into a ghetto where Tom Mason became a vigilante superhero (I’m not making this up), then one of his sons wound up in an alien youth camp where the children were being indoctrinated to welcome the alien conquerors. If the aliens had conquered Earth why go through all this trouble?

Luckily, Falling Skies improved somewhat in its final season. It became grittier and darker even though the writing and character motivations were all over the place. Take for example, breaking bad popethe character of John Pope (Colin Cunningham), who was first introduced as a villainous biker type then became an antihero. During the final season, Pope decided to go back to his murderous, evil ways and was after Tom Mason. At that point, Pope became like Jason Voorhees and was impossible to kill. He would show up in the last few shows in an extended cameo and be unceremoniously dispatched only to turn up alive in the next episode. This went all the way into the final episode, but at least his final scenes were actually effective thanks to Cunningham’s acting ability.

It was easy to tell that the showrunners wanted to wrap up the show in the last episodes, which is why things felt so rushed. But what was maddening, was the insistence of introducing and then ignoring new characters. Some were interesting, others were forgettable. Like with Pope, this trait went on into the final episode “Reborn” where a new biker type entered the picture (Jeff Fahey), who basically provided off-screen cannon fodder.

find your warriorThe final battle between the humans and the aliens showed its budgeted limitations with much of the action happening off-screen and with sound effects. But at least “Reborn” ended on a satisfactory note, even if it won’t go down as a great finale. Looking at its pluses and minuses, the final episode represented the entirety of Falling Skies. Some good ideas with uneven execution, but on the whole, the show was a decent diversion on TV for the summer.

Lewis T. Grove

Comic-Con 2015 Highlights

deadpool hikerAnother Comic-Con has made its impact with genre fans from all over the world. As exciting as it was for those lucky enough to attend the annual gathering at San Diego, there wasn’t any Earth-shattering news to come out of the convention. Nonetheless, many presentations and speakers were able to whet the appetites for fans at what lies ahead.

TV Shows

New trailers for The Walking Dead and Fear The Walking Dead made their debut and whetted the appetites for followers of the zombie phenomenon. While Rick Grimes (Andrew Lincoln) has leadership headaches in season six of The Walking Dead, we all finally get to see how the walker apocalypse got its start with the prequel spinoff.

While Marvel Studios was conspicuously absent this year, we did get news about their TV shows Agents of S.H.I.E.L.D. and Agent Carter. The most intriguing was the tease that one of the actual Avengers (and Maria Hill doesn’t count!) may appear in Agents of S.H.I.E.L.D. That being the Falcon (Anthony Mackie), which is terrific news since he is so popular.

As for their natural rival, DC, we found out that Jay Garrick will indeed be featured in The Flash and portrayed by Teddy Sears, plus Wally West is coming to the popular show as well as a new villain Zoom. Also, Hawkman himself will appear in the upcoming Legends of Tomorrow. Do we smell another spinoff coming?

Movies

The three big movie-related revelations at Comic-Con were about Fox’s Marvel movies, Star Wars: The Force Awakens and DC/Warner Brothers’ superhero films. The clear winner was DC who presented a teaser for the Suicide Squad, announced that there will be a Green Lantern Corps. film  and that Ben Affleck will direct and star in a Batman solo film, and showed a near-perfect trailer for Batman v Superman: Dawn of Justice. But let’s go over the first two revelations.

Fox presented teasers for next year’s Deadpool and X-Men: Apocalypse, as well as next month’s Fantastic Four. While the new X-Men presentation was fascinating, what brought the house down was the first look at Deadpool. The teaser featured many of the same scenes from the ashcan trailer that made the rounds in the Internet to sell the idea of a Deadpool film. But added to that were the basic origin stuff of how Slade Wilson became the Merc with a Mouth. Overall, the trailer clearly shows that this will be an R-rated film to the delight of fans.

Just as delightful to watch was the Star Wars: The Force Awakens panel that was highlighted by a reunion of the Original Trilogy stars, Mark Hamill, Harrison Ford and Carrie Fisher. A behind-the-scenes video was released that had new footage from the upcoming Star Wars film and one point that seems to be hammered into the video is the reliance on practical sets and effects so as to set it apart from the prequel films.

Arguably the most popular presentations where done by DC/Warner Bros. with their two comic book films due next year. The Suicide Squad trailer was fairly standard with Harley Quinn (Margot Robbie) winning over drooling fans as expected. The images were buttressed by Will Smith’s take of Deadshot, who added some gravitas to what looked like a costume parade. However, Jared Leto stole the entire trailer at the end when he showed up as the Joker. He seemed just as manic and deadly as he appeared in the photos.

What set the DC presentation apart was the winning trailer for Batman v Superman: Dawn of Justice. It showed that there will be real repercussions for the events in Man of Steel where Superman (Henry Cavill) and his foes effectively destroyed Metropolis. We find out that Bruce Wayne (Ben Affleck) was present in Metropolis during the climatic battle and witnessed firsthand the threat that meta-humans pose. His hatred for Superman seems natural and justified. Meanwhile, Superman has to contend with either being revered as some kind of god and feared and hated by others. All the protesters with the signs calling him an illegal alien is very topical. The final and winning touch to the trailer was the premiere of Gal Gadot as Wonder Woman. It didn’t show much but she looked beautiful and powerful. Thanks to the trailer Batman v Superman: Dawn of Justice has become the must-see film of 2016.

Marvel Studios MIA

DC’s presentations sucked all the air out of the convention for the other properties, even the Fox Marvel movies. What could’ve countered this was if Marvel Studios had bothered to make a presentation at Comic-Con. Instead, they stayed home and it remains to be seen if a price will be paid for this absence.

They had their reasons for staying out of Comic-Con, Ant-Man will be out in a few days and their other films may not be ready yet. Then there’s the fact that there may be presentations at next month’s D23 Expo, which will solely be about all things Disney. batman armorOr perhaps Marvel Studios will have another special presentation like they did last fall where they announced the full slate of the Phase Three MCU films. Except this time we’ll get actual footage from Captain America: Civil War and Doctor Strange.

Be that as it may, it is still probably a strategic mistake to take the year off Comic-Con. While the MCU films are riding a wave of popularity now, this year’s convention showed that genuine competition is coming and Marvel Studios needs to stay alert. Some cracks in the armor showed with Avengers: Age of Ultron and Ant-Man’s potential for success is unknown. If they didn’t want to show any footage, they could’ve at least shown some props or artwork from the upcoming films. Instead we got to see cool props from Batman v Superman: Dawn of Justice like the Batman armor. Score one for DC. 🙂

Lewis T. Grove

 

 

Top Ten Star Trek: Enterprise Episodes

cast

It’s been ten years since the final two first-run episodes of Star Trek: Enterprise aired. The prequel to the Star Trek phenomena was derided by many for its bland and derivative nature. But a careful and objective look reveals that Star Trek: Enterprise had many terrific episodes, especially its later episodes. These are the best episodes of the fifth and (to date) final Star Trek TV show.

leaving drydock10. “Broken Bow” The pilot episode of the series (which at the time was simply called Enterprise) introduces the crew of the Earth starship Enterprise, including Captain Jonathan Archer (Scott Bakula), as they embark on an impromptu mission to establish relations with the infamous Klingon Empire.

9. “Affliction”/”Divergence” This two-part fourth-season episode answers the nagging question that has perplexed Star Trek fans ever since the late ’70s –why do the Klingons from the original series look different from modern incarnations of the warrior race? The answer was quite inventive.

xindi attack8. “The Expanse” The second-season finale introduces a radical shift in the show’s direction and has echoes of the then-recent 9/11 attack. A surprise assault on Earth by an alien race called the Xindi leads to the Enterprise being re-assigned to undertake a military mission to Xindi territory to prevent another more devastating attack that is coming within a year.

7. “Zero Hour” The Xindi super weapon archer vs xindicommandeered by an ill-tempered Xindi faction finally arrives at Earth in this thrilling third-season finale. The only hope to prevent Earth’s destruction is a desperate Archer and his crew, along with Xindi allies. The final moments were tense beyond belief and featured slam-bam space battles and the episode’s cliffhanger was way out of left field.

6. “The Forgotten” The personal ramifications and loss from the Xindi attack on Earth are seen through the eyes of Chief Engineer Charles Tucker (Connor Trinneer) whose sister was lost in the attack. Trinneer’s acting was quite memorable in the moments when his character broke down over his intense grief. Other standout acting came from T’Pol (Jolene Blalock) and Degra (Randy Oglesby), an Oppenheimer-like Xindi who has a change of heart about his race’s destructive plans for Earth.

5. “Twilight” An accident leaves Archer with the inability to form new memories. As time passes, the Xindi destroy Earth and humanity is scattered. As years pass by, Doctor Phlox (John Billingsley) discovers that curing Archer’s condition is the key to undoing the past. But will Archer be cured before the Xindi eradicate the last vestiges of humanity?

old archer

From the shocking cold opener where a visibly older Archer witnesses Earth’s destruction to its final, nerve-wracking scenes, “Twilight” excelled in presenting us with a dismal future where the Xindi succeed and put humanity on the brink of extinction.

4. “United” This episode was actually the middle part of a three-episode arc where Romulans try to instigate war between Earth, Vulcan, Andorians, and other planets. As a prototype Romulan ship with the capability to alter its outer appearance attacks different alien ships, the Enterprise crew and alien allies try to discern what is actually happening before war breaks out.

The alliance formed from the effort was one of Star Trek: Enterprise’s best moments and this episode used its all shipsprequel status to its best advantage. The highlight of “United” was a lingering shot featuring an armada of Earth, Vulcan, Andorian and Tellarite spaceships after confronting the Romulan menace. Thus, the seeding of the eventual United Federation of Planets has begun.

azati prime3. “Azati Prime” Archer and the Enterprise finally reach the Xindi super weapon in the aliens’ territory and prepare to destroy it, but Archer is suddenly whisked into the far future by the enigmatic time traveler Daniels (Matt Winston). As this goes on, the Xindi discover the Enterprise and launch a devastating assault that ends in a nail-biting cliffhanger.

What made this episode stand out is the revelation that what Archer does has a pivotal impact in Star Trek’s distant future. Plus, a hint of a future Enterprise is shown for good measure.

2. “Demons”/”Terra Prime” As Earth and its allies begin its first steps to forming the basis for what will become the revered Federation, those plans are threatened with the emergence of a xenophobic human terrorist group that wants to keep Earth and humanity isolated.

tera primeEven though “These are the Voyages” was the official final episode of Star Trek: Enterprise, this penultimate two-part story is a much more valid conclusion to the series. That is because it points the way towards Star Trek’s optimistic future and illustrates quite nicely how the characters help pave the way for what lies ahead with Star Trek.

1. “In a Mirror Darkly, Parts I & II” Starting with a cold opener where humanity’s first contact with Vulcan takes a more savage turn, and then showcasing a dark, militaristic opening credits in a mirror darklyfans were in for a treat as the cast chewed lines and reveled in playing evil versions of their characters. Amidst the histrionics, questions about the original Star Trek episode “The Tholian Web” were answered and we learned the origins of the brutal Terran Empire seen in other Star Trek shows. “In a Mirror Darkly” was a true treat for fans with its numerous shenanigans and shout outs to the Star Trek mythos.

Strange as it seems, the best episode of Star Trek: Enterprise doesn’t even feature the main cast. Rather this two-part story is solely about the Mirror, Mirror parallel universe versions of the Enterprise crew. It was easy to tell the cast had a great time portraying twisted, malevolent versions of their normal characters and that added to the joy of seeing “In a Mirror Darkly”.

enterprise

This fourth-season episode best shows the strengths of Star Trek: Enterprise when it fully realized its potential by being an actual prequel rather than recycling old storylines from other Star Trek shows. Sadly, the improvements the show underwent came too late since it was cancelled at the end of its fourth season. As lamentable as that was, at least Star Trek: Enterprise has a distinctive honor that other Star Trek shows lack: it ended on a creative high note.

Honorable Mentions: “The Andorian Incident”, “Awakening”, “The Council”, “Countdown”, “Dead Stop”, “Harbinger”, “Kir’Shara”, “Minefield”, “Observer Effect”, “Regeneration”, “Silent Enemy”, “Similitude”, and “Storm Front, Parts I & II,

José Soto

Daredevil Is Marvel’s Best TV Show

all posters

Brutal, gritty, engaging, authentic. Those are thoughts that come to mind when watching the new streaming TV show Daredevil on Netflix.

Daredevil is easily the best Marvel TV show ever done and puts Agents of S.H.I.E.L.D. and Agent Carter to shame with the ease at which it draws in viewers and in terms of quality. It’s even better than the DC TV shows The Flash and Arrow and that is a very high bar to pass.

matt and karenSet in the Marvel Cinematic Universe (MCU), Daredevil is undeniably more urban and grounded with its rare, vague references to the MCU and focuses correctly on the intimate lives of petty criminals and average folks in New York’s Hell Kitchen neighborhood. That locale is decidedly different than the actual neighborhood (now called Clinton) and that’s due to collateral damage from the climactic battle at the end of The Avengers. The result is a return to the seedy, hard-boiled streets the neighborhood last saw in the recent past and the perfect framework for Daredevil.

Based on the Marvel Comics superhero comic book created by Stan Lee and Everett, This version is heavily influenced by the stories done by comic book legend Frank Miller. It also uses many elements from Miller and John Romita, Jr.’s comic book mini-series Daredevil: The Man Without Fear, which depicts the origin of the blind superhero Daredevil. This TV show introduces Matt Murdock (Charlie Cox), a blind defense lawyer who operates secretly as a vigilante clad in black and uses his superhuman senses to aid him in fighting crime. As he comes to prominence both in his professional field and as a superhero, his work attracts the attention of Wilson Fisk (Vincent D’Onofrio), a major crime lord. And, of course, before long they’re butting heads with each other.

One thing to praise about this show has to be the performance of Charlie Cox. He just hits the ground running matt and claireas the sympathetic and haunted hero driven with a supernatural sense for justice. More importantly, Cox doesn’t go overboard with his portrayal and hits the right balance of lawyer by day, vigilante by night. Even though he is a superhero with enhanced senses (minus sight), and an indomitable fighting spirit, Daredevil is vulnerable and human. He takes severe beatings and even when he wins the aftermath shows on him through nasty cuts and bruises. This vulnerability makes him more endearing to us and we’re more concerned for the outcomes of battles.

These fight scenes are just brutal and stunningly filmed without the cheap use of shaky cams. There was one sequence in the second episode “Cut Man” that lasted for several minutes and the stunt work and cinematography done by the production was perfect. It exemplified the graphic and cringe-inducing nature of the fights in Daredevil’s world, while coming off as authentic. There wasn’t any use of special effects or wire work, just good old fashioned stunt work that was wonderfully choreographed. Each punch or kick looked like they hurt the fighter and the victim, and every punch that Daredevil landed took a lot from him but his unrelenting nature kept us cheering for him and at times I wondered if he would falter.

daredevil street

Complementing this realistic take on fighting is the way the show depicts his use of super senses. There aren’t any overdone CG sequences like in the Daredevil film. Instead, rather subtle and simple camera and audio tricks are skillfully used to convey Murdock overhearing conversations from afar and so on.

Speaking of camera work, as mentioned above, the cinematography throughout the series is film-quality work. It seems like we’re watching mini-movies on our TV sets. Plus, the production decision to film in New York City paid off grandly as we feel the grittiness and glamour of the Big Apple and the background complements the characters we meet.

fisk and madameLet’s start with Fisk. Thanks to D’Onofrio’s subtle, but terrifying performance, Fisk is a huge, beefy, but cultured villain who is just broiling under the surface. His world is one of sophistication, but at the right moment (or wrong if you’re unfortunate enough), Fisk just let’s out this primal fury as he savages his opponents. It goes without saying that this show is very violent and not for the faint of heart.

But don’t think this course world is filled with vicious criminals. It’s also populated by more sympathetic types like Foggy Nelson (Elden Henson) who is Murdock’s law partner and a likeable presence. Others include the lawyers’ secretary Karen Page (Deborah Ann Woll) and Claire Temple (Rosario Dawson), a nurse who provides medical aide to Daredevil. Both are well played by these actresses and these women have many nuanced layers to them.

daredevil waiting

Daredevil is a triumph for Marvel and helps expand the intricate and varied MCU. More than that, it’s actually a surprisingly effective crime show without going over the top. This means that unlike say Gotham it doesn’t overly stress its comic book origins, which would’ve resulted in something that bordered on camp. No, Daredevil respects its source material and skillfully brings the hero and his world to life.

José Soto