Being Human & Its Different Path

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Syfy’s Being Human was cancelled a couple of weeks ago after a four-year run. I didn’t find out about it until the other day and when I did it saddened me greatly. I never expected that kind of reaction and it made me realize how much I’ve come to enjoy this remake of the cult BBC hit of the same name.

The original version of Being Human is quite excellent and worth seeking out. When I first heard that Syfy was doing a U.S./Canadian version of the program I was very skeptical. How could they recreate the charm, quirkiness and chemistry that the original actors had? For anyone who hasn’t seen either TV show, Being Human is about a vampire, werewolf and ghost sharing a place of residence. Yes, it sounds like a joke in the vein of “a priest and a rabbi walked into a bar” but Being Human had this sincere quality that made it endearing.

The show focused on the characters, they were the most important thing on Being Human. This emphasis being human ukhelped flesh out the characters and did so by having them deal with the mundane things so they were very relatable. We cared about them when they were in trouble or going through an emotional crisis. Their dilemmas and how they dealt with them was one of the tenets of Being Human. In the show, the supernatural characters tried to hang on to a semblance of normalcy and their humanity. They didn’t relish being who they were, they wanted to be as human as possible, though in the end that was ultimately impossible. But they emulated the best parts of what makes us human–our compassion and empathy.

So I really doubted the American version of Being Human would successfully emulate those aspects.

After watching a few episodes, I have to admit I was very glad to be wrong.

Of course, the new version of Being Human couldn’t quite replicate that core essence of the original; at least at first. The first season of the show largely followed the storylines of the first season of the original show and it was kind of clunky because it had a longer season (13 episodes as opposed to six episodes in the original season). Still it was well acted and written enough to keep me watching.

Things  became very interesting for me during its second season. Being Human branched off in different directions plot wise from the original show. This meant that the new version became unpredictable and fresh. The characters explored new territories and had unique personal arcs.

sally and corpseTake the ghost in the trio. In the original version, the ghost Annie Sawyer (Lenora Crichlow) remained a ghost for that show’s run and became a powerful poltergeist able to interact with the material world. In the new incarnation, the ghost now named Sally Malik (Meaghan Rath) was resurrected last season but turned into a flesh-craving ghoul as her flesh deteriorated. This season she returned to her ghostly state but with a witch’s powers.

Aiden Waite (Sam Witwer), the vampire character in the new version of Being Human has had to contend with a vampire virus that wiped out most of the world’s vampire population, a reunion with his supposedly long-dead wife, and mentoring a new leader of the remaining vampires. John Mitchell (Aiden Turner), the UK version, hasn’t had to deal with those issues during that show’s run.

When it came to the werewolf of the group, Josh Levison (Sam Huntington), the character’s arc followed a similar path as the original werewolf, George Sands (Russell Tovey). Both turned their future wives (Kristen Hager and Sinead Keenan) into werewolves and got them pregnant. The major difference is that the American couple lost their child through miscarriage, while the UK couple didn’t. Also, Josh has tried to come to terms with the werewolf within him and had a curse earlier this season where he remained a werewolf long after a full moon passed.

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All these differences really helped to make the current version of Being Human stand out from the original. It wasn’t a rethread and its unpredictable nature kept me tuned in. This doesn’t mean that the original is flawed only that this version of the show wisely went into an alternate path. Sometimes I wondered if both versions of the characters somehow existed in the same universe and it’s too bad there weren’t any kind of crossovers or cameos by the original actors.

When the new show’s production team strove to make this version of Being Human different they still kept what made the original so endearing. The focus on characters and their struggles with their souls and the perfect balancing act of being BH4wry and dramatic. It never went into histrionics and events and character reactions felt so natural and genuine. It’s a testament to the acting abilities of the main actors, kudos go to all of them. They didn’t have an easy job, but they pulled it off, they made many people, including me, forget about the original actors. It was all these elements that made the U.S. version of Being Human heartfelt and special. Unlike many of these supernatural TV shows on the air now, it’s human quality made it stand out from the rest.

Annette DeForrester

Sci-Fi Gets Some Oscar Love

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This time the sci-fi genre had significant bones thrown at it last night by the Academy of Motion Picture Arts and Sciences. While Gravity, arguably the best picture released in 2013 didn’t win the coveted Best Picture Oscar, the same film did nab the Best Director prize for Alfonso Cuarón. Additionally, director Spike Jonez won the Best Original Screenplay for his sci-fi romance Her.

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What was interesting about this Oscar awards ceremony was that Gravity was a serious contender for the Best Picture award. That is something that I never saw with these Oscars. I remember how openly derisive critics (and even some sci-fi fans) were to Avatar back in 2010 when it was up for Best Picture. Usually the Academy is very snobbish when it comes to recognizing the creative achievements of genre films, especially sci-fi stuff. There are many important and impactful sci-fi films that are never even nominated for Best Picture. Even Alfonso Cuarón’s last film, Children Of Men, probably the best sci-fi film of the last decade, didn’t get nominated for Best Picture.

Still, anyone who is disappointed should realize that there isn’t any way that Gravity would persevere against more “lofty” and “high-brow” productions like 12 Years A Slave. Not to take anything away from that film, but it’s clear to many genre fans the bias the Academy has against genre films, especially sci-fi movies. If 12 Years A Slave wasn’t nominated the Oscar might’ve gone to American Hustle or some other film that will be found in the $5 DVD bin at Walmart. That’s just the reality of the situation.

oscar winIt’s great that Gravity won the most Oscars, even though most of them were for the usual technical categories. It deserved each award because it was genuinely groundbreaking. Furthermore, the stature and clout of Alfonso Cuarón has risen (as has that of Spike Jonez) and he must be placed in the same caliber of genre directors like Steven Spielberg and James Cameron.

The other positive aspect from the 86th Academy Awards is that the sci-fi genre is undeniably getting closer to getting the creative recognition it deserves. So perhaps one day a sci-fi film will win the Best Picture Oscar.

Lewis T. Grove

Top 20 Babylon 5 Episodes

b5 cast 1Babylon 5, the classic sci-fi TV show from the ’90s, celebrates its twentieth anniversary this year. It all started with an obscure TV movie pilot called Babylon 5: The Gathering, which was about an orbital space station that served as a common meeting ground for several alien races including humans. Created by J. Michael Straczynski, Babylon 5 steadily built up a core fan base thanks to its epic plotlines and complex characters. These are the best episodes from its five-year run. * WARNING: Some major spoilers lie below.

20. “Day Of The Dead” An alien festival held in the station during the show’s fifth season (written by Neil Gaiman) brings about visions of deceased people to many main characters.

inquisitor19. “Comes The Inquisitor” Captain John Sheridan (Bruce Boxleitner) and Mimbari Ambassador Delenn (Mira Furlan) are held captive and tortured by a mysterious human (Wayne Alexander) sent by the enigmatic alien Vorlons to see if they are worthy for a coming struggle–namely the Shadow War.

18. “Z’ha’dum” This third-season ender featured Sheridan’s supposedly dead wife (Melissa Gilbert) coming to Babylon 5 as an envoy for the evil, spider-like Shadows and tries to recruit him to their side in the Shadow War.

17. “And Now For A Word” A news crew visits the station during the Narn-Centauri War in the second season. The episode is shot mostly in a documentary format, as viewers see various characters being interviewed, learn their viewpoints and witness a battle in the war.

16. “Shadow Dancing” As Sheridan stages his forces for a battle against the Shadows, the station’s doctor Stephen Franklin (Richard Biggs) is seriously wounded while on a self-imposed sabbatical.

15. “Babylon Squared” This intriguing first-season b4 episodeepisode hints at the show’s epic scale when Babylon 4, the station’s predecessor, mysteriously reappears after it went missing years ago. Investigations reveal that Babylon 4 is unstuck in time and tantalizing clues for what lies ahead for the show are unveiled. Some of the revelations are truly jaw dropping.

14. ” Point Of No Return” The station is placed under martial law the paramilitary organization the Nightwatch and station personnel must grapple with their loyalty to Earth or defying their government by confronting the Gestapo-like Nightwatch officers.

13. “No Surrender, No Retreat” In this fourth season episode, Sheridan decides to free the Earth colony Proxima 3 from the tyrannical Earth Alliance rule and provokes a showdown between his fleet and that of the Earth Alliance forces.

12. “In The Shadow of Z’ha’dum” More information about the Shadows and the mysterious Vorlons are unveiled as Sheridan faces difficult choices after learning that his wife was killed by the Shadows years earlier and that the mysterious Mr. Morden (Ed Wasser) is an associate of the Shadows.

imagesIP9HIUBQ11. “Chrysalis” This stunning first-season finale marked the last time Jeffrey Sinclair (Michael O’Hare) was the show’s main lead as the Earth Alliance president is assassinated and Security Chief Michael Garibaldi (Jerry Doyle) is critically shot while uncovering the conspiracy to kill the president. Meanwhile, the Minbari ambassador Delenn decides to undergo a metamorphosis.

10. “Believers” Dr. Franklin must contend with alien parents whose religious beliefs won’t allow believershim to operate on their fatally ill son. The ethical dilemma faced by the doctor was well presented as were the aliens’ beliefs that clashed with his Hippocratic oath. The ending was a horrific  shocker that illustrated how extreme both sides were about following their values.

9. “Endgame” At last! What fans have been waiting for since the start of the series. Sheridan’s forces finally arrive on Earth to free it from the tyranny of the Earth Alliance. This conclusion of the Earth Civil War had been building up for years in Babylon 5 and was emotionally satisfying to watch as both sides orchestrated final, fateful maneuvers.

8. “The Deconstruction Of Falling Stars” This unusual fourth-season ender examines the impact that Babylon 5 and its crew has on humanity way into the far future. Originally the episode “Sleeping In Light” was to be the finale when the show was prematurely cancelled. But a last-minute reprieve meant that the series finale had to be delayed and this episode was hastily produced and aired instead. The captivating story culminates in humanity’s fate a million years from now.

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7. “The Fall Of Night” Babylon 5 had many memorable season finales but this was the best one. Nagging questions were answered while new ones arose to keep fans talking in between seasons. The biggest reveal was that Kosh, the mysterious ambassador of the enigmatic Vorlon race finally shows what he looks like and it’s a stunner. Meanwhile, Sheridan and the station crew find themselves on their way to confronting the Shadows and the despotic Earth Alliance.

long twilight struggle6. “The Long, Twilight Struggle” The Narn-Centauri War comes to a bitter end as the losing Narn fight a valiant struggle against the Centauri, who were secretly helped by the Shadows. Meanwhile, Sheridan gains important allies for the coming Shadow War. The performances by the two rival ambassadors of each race G’Kar (Andreas Katsulas) and Londo Molari (Peter Jurassik) were gripping and arresting, as were many haunting images of the war itself.

5. “Sleeping In Light” Babylon 5’s series finale was one of the best ones ever done for any series. Taking place twenty years after the pivotal events in the show (the Shadow War, Earth’s liberation), surviving characters reunite on the eve of both Sheridan’s pending death and the decommissioning of Babylon 5 before its scuttled.  Aside from the poignancy of seeing the station one last time, the episode intrigues viewers with its revelations of what the now-old characters have been up to since Babylon 5 ended.

4. “And The Sky Full Of Stars” War veteran Sinclair sky full of starsis kidnapped and forced to relive through a simulation his time during the final battle in the Earth-Minibari War when he was captured by the Minbari. His kidnappers are convinced he is a traitor and push him via the simulations to admit his crimes. The episode effectively tantalized viewers about its mysteries, especially those about Sinclair’s memory gap during his capture and as to why the clearly superior Minbari forces surrendered to Earth on the eve of conquering humanity.

3. “War Without End, Parts One and Two” Many war without endmysteries regarding Babylon 4, the MInbari and Sinclair are finally revealed in this two-part third-season episode. Sinclair, now leading the warrior Rangers against the Shadows, returns to Babylon 5 with an important mission for many characters. It leads to Sheridan time traveling into the future as other characters wind up a few years in the past to right before Babylon 4 disappeared, which was shown in the episode “Babylon Squared”. Aside from showing what happened to Babylon 4, Sinclair’s ultimate…and stunning fate is revealed.

2. “The Coming Of Shadows” This pivotal episode won the Hugo Award for Best Dramatic Presentation as the evil, spider-like Shadows  secretly sinclair returnsinstigate the disastrous Narn-Centauri War. Meanwhile, Garibaldi gets a message from an old friend, former Babylon 5 commander Sinclair, who is now working against the coming “terrible darkness” and enlists his allegiance. Sinclair’s appearance was a genuine surprise and, along with the Shadows’ machinations, pushed the show and its characters into a bold, new direction.

1. “Severed Dreams” This third-season episode b5 speechof Babylon 5 served as a cathartic release of sorts. Sheridan and his crew had been dealing with the increasingly totalitarian rule of Earth Alliance President Clark, who had the previous president killed in the first season finale. Sheridan reaches a point where the only way to save their democratic way of life is to rebel against his government. Following his declaration that Babylon 5 is seceding from the Earth Alliance a vicious battle ensues between the station and Earth warships, along with a vicious firefight inside Babylon 5 when its boarded. By the episode’s end Sheridan is now committed to a new path and must follow it to its conclusion.

Honorable Mentions: ” Between The Darkness And The Light”, “Divided Loyalties”, “The Fall Of Centauri Prime”, “The Hour Of The Wolf”, “Interludes And Examinations”, “Intersections In Real Time”, “Objects At Rest”, “Signs And Portents”, and ” Walkabout”.

José Soto

The New So-Called Fantastic Four

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Ruining the good vibe from the recently released Guardians Of The Galaxy trailer, 2oth Century Fox had to go ahead and throw this turd sandwich at genre fans. The cast for their reboot of the Fantastic Four will include Miles Teller as Mr. Fantastic (gee Josh Trank, thanks a lot for lying to us since this past summer by denying Teller was in the running for the role), Michael B. Jordan as the Human Torch (the PC casting of the year), Kate Mara as the Invisible Woman (the character should go back to being called Invisible Girl given how young this actress looks) and Jamie Bell as the Thing (ooh, this guy sure looks tough!). Forget about Jesse Eisenberg playing Lex Luthor. These are the worst casting choices for a superhero film since Halle Berry played Catwoman and Jennifer Garner paraded as Elektra.

Just seeing these people together makes me physically ill. This does not look like the Fantastic Four to me, but like a bunch of kids playing superheroes in a school play. Honestly, we were better off with the Tim Story version of the Fantastic Four, hell, even the cast from Roger Corman stillborn version looked better than this bunch.

It’s pretty clear that Fox and Trank fail to grasp the essence of the Fantastic Four. They are a dysfunctional real FFfamily unit, Mr. Fantastic is the father figure, the Thing is the grumpy uncle, Invisible Woman has the big sister/mother hen role, and the Human Torch was the brash young kid of the group. This cast looks like they’re just now able to legally buy alcohol. At least with the Tim Story Fantastic Four films, the cast filled out those roles to different degrees of success. Yeah, I’ll admit Julian McMahon and Jessica Alba were the most miscast actors in the bunch, but the rest captured the essence of their roles well. Say what you want about Ioan Gruffudd, but he did a fine job as Mr. Fantastic. OK, so he wasn’t the most dynamic character, but Mr. Fantastic is supposed to be a stoic, intellectual type and Gruffudd showed that. Miles Teller doesn’t look like the brainy type, but as the kind of kid who plays pranks on others. And Mr. Fantastic is supposed to be approaching middle age, that’s why he’s the father figure. You’re not going to get that from this whippersnapper!

What is more troubling are the rumors that Dr. Doom will probably be played by a woman (Lady Doom?!), and worse the leaked premise which goes against the traditional version of the team. Supposedly, Mr. Fantastic and the Thing got their powers as kids and were used by the government as living weapons! Then later on they meet the brother and sister team of the Human Torch and Invisible Woman. I’m just groaning right now thinking about this. I can understand wanting to update origins by making changes. But the core of the character and his or her situation must remain the same.

Look at Iron Man, Spider-Man and Superman. Their films had major changes done with the characters, but they were basically the same people that fans loved. Iron Man wasn’t born in the jungles of Vietnam as in the comic books but rather in Afghanistan. He was still a pompous a-hole who had to learn some humility because of his heart problem. The two film versions of Spider-Man were different with their origin stories; his Uncle Ben’s death was more tied in with Spider-Man’s callous behavior. The people he went to school with have changed from the comic books. Liz Allen is absent while Gwen Stacy and Mary Jane Watson in both film versions have filled in that high school sweetheart role. But the core of Spider-Man is the same: a geeky loner kid who gets super powers and doesn’t become a hero right away. With last year’s Man Of Steel there were changes done to Superman’s origin: his father dies in a tornado, Zod killed his biological father, but the main gist of Superman was intact. He was still an alien infant sent to Earth from a dying world and he grows up to become a superhero. Does it look like we’ll get a version of the Fantastic Four that is true to their nature with this reboot. Not likely!

I don’t like the idea of rooting for a superhero film to fail. But this just feels all wrong and at this point I refuse to reward Fox by spending my hard-to-get money on this upcoming movie. Why couldn’t the ffSuperman/Batman film come out next summer as originally planned? At least the hoopla for that would’ve drowned out this reboot. So after The Avengers: Age Of Ultron, the next superhero film on my radar will be Ant-Man, because I’m bypassing this stinkfest altogether. The worst thing about this pending fiasco is that Marvel Studios won’t be getting back the rights for the Fantastic Four. Let’s all pray this reboot bombs at the box office so that Marvel can regain the rights quicker and eventually produce a more genuine version of the team that sticks to its roots.

So thanks a lot Fox for spoiling my morning. “Sigh,” I just hope Stan Lee doesn’t do a cameo in this DOA production.

T. Rod Jones

New Trailer For Guardians Of The Galaxy

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After what seemed like forever, Marvel Studios finally unveiled the first official trailer for the upcoming film Guardians Of The Galaxy. Based on the comic book of the same name it’s about Peter Quill a.k.a. Star-Lord (Chris Pratt) and a band of alien misfits and outlaws who get into a grand outer space misadventure.  Guardians Of The Galaxy is one of the most anticipated films for this summer and for non-fans, this excitement is surprising given that the film is based on one of the lesser known properties of Marvel Comics. Some may even claim that this thing is a gamble for a Marvel movie because unlike other properties that weren’t well known like Elektra and Ghost Rider, this film looks like a lavish big budget affair with a big name cast (Zoe Saldana, John C. Reilly, Benecio Del Toro, etc.).

It’s not really surprising when you think about it. The premise is waaay out there and it doesn’t fall into the formula for a Marvel film. One look at the trailer shows that it seems more like Farscape or Star Wars than the latest Iron Man film. We see lots of weird aliens, dazzling special effects, big fight scenes and the center of it all is the self-important and goofy Peter Quill. Pratt’s introductory scenes in the trailer suggest that his character will be cut from the same cloth as his other loony character, Andy Dwyer from Parks & Recreation, only more serious and with a touch of John Crichton thrown in.

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But hands down, the big highlights were Rocket Raccoon and Groot. They look outlandish and you have to give Marvel and director James Gunn credit for not holding back on these two aliens. Rocket Raccoon and Groot look like they just stepped out of the comic books and they could be the breakout characters. Just imagine the toy shelves this summer cluttered with plush Rocket Raccoons! It’s a no brainer.

Many of the fast paced shots were identical to those seen in that brief, grainy bootleg trailer that has been on the Internet since last summer, complete with Blue Swede’s “Hooked On A Feeling” playing in the soundtrack. Seeing it in high-definition was just gravy.

All this hoopla over a trailer in the end won’t matter much if the film fails to deliver. But Guardians Of The Galaxy looks like another sure-fire winner for Marvel.

Lewis T. Grove