A couple of years back, it was reported on this blog that Nike released special limited edition replicas of the Nike sneakers worn by Marty McFly (Michael J. Fox) in the movie Back To The Future, Part II. While they looked amazingly accurate to the futuristic footwear worn byMarty and lit up, they lacked that shoe’s distinctive feature: the power laces. In other words, they didn’t self lace themselves like in the movie. That was the one thing that made the sneakers so freaking cool! But fear not fans, it turns out we will be getting those special kicks after all.
This past Friday, Nike designer Tinker Hatfield confirmed that next year, 2015 the year that the movie takes place in, the shoe company will release sneakers that will have the self-lacing feature! He didn’t say, however, if the power laces will be on new releases of the Nike Air Mag or another shoe. Hopefully, they’ll release the Air Mag (and not just limited editions) with the power laces. That would be sweeeet! Forget Velcro! Just push a button on the shoe and it laces itself, think of the precious seconds you’ll save when getting dressed. The funny thing is that these shoes that looked so futuristic back then when the movie was released in the late ’80s look so contemporary. It’s like modern fashion has caught up to the future.
So, start saving up your dollars people because it’s a guarantee that we’ll have to pay top dollar for the product. But you know what? It’ll be worth it just to say that one thing prophesized in Back To The Future, Part II came true. Next year we won’t have flying cars, or Jaws 19, or even Mr. Fusion, but at least the coolest future gadget from Back To The Future, Part II will be a reality. Now if only Mattel could get working on those hoverboards…
Relax people, the remake of Robocop is actually a good movie. Now the main question is if it’s as good as the original? No, it isn’t. Still, it’s light years better than those abysmally bad sequels that followed the original Robocop, and it has its own identity.
This Robocop remake follows the basic story of the original. Alex Murphy (Joel Kinnaman) is an undercover detective for the Detroit police in the near future who is nearly killed in a car bomb explosion that leaves him paralyzed and with major injuries. Enter Omnicorp, the multinational corporate leader in robotic soldiers and cybernetics. The company’s CEO Raymond Sellars (Michael Keaton) is trying to have Omnicorp’s products sold and used for civilian law enforcement purposes in the U.S. Standing in his way is that it’s illegal to use robots in such a manner in the U.S. He decides to skirt around the law by having his scientist Dr. Dennett Norton (Gary Oldman) transplant Murphy’s head, right hand and some major organs into a robotic body, thus creating a cyborg policeman.
This film differs a bit from the original in that it examines more closely Murphy’s struggle with his lost humanity. As he recovers, he’s horrified that he is more machine than man, and later Norton, under orders, suppresses Murphy’s emotions to make him more efficient. At first, the nearly lobotomized Robocop is hailed as a hero in Detroit and the country for his swift and ultra proficient law enforcement methods. But over time, his emotions slowly re-emerge as he regains feelings for his wife and son (Abbie Cornish and John Paul Ruttan) and begins going against protocol by carrying out his own mission. That is seeking justice for anyone who has wronged him, including Sellars, who sees Murphy as just a commodity.
Robocop has surprising depth with its look at Murphy’s plight and brings up relevant questions about his humanity and the supposed superiority of machines. The film also covers the impact that the Robocop program has on society and politics. It’s an extrapolation of the predicaments we face today regarding security and corporate responsibility. While the original Robocop went over these issues, it was drowned out at times with its dark humor and satire. Here, these questions are front and center.
These issues are the core of Robocop, which helps it stand apart from the original. The film has great effects and action scenes, although it dragged a bit in some parts. The robotic designs are just exemplary and outdo the original. It helps that the suit is pretty awesome in its own right, even though it’s that solid black color that have the fanboys in an uproar. The suit is intimidating and surprisingly less clumsy looking than the original Robocop suit.
The film, however, sorely lacks the sardonic wit and pace that characterized the original classic. Director José Padilha isn’t Paul Verhoeven, but he does a better job than expected with the material and the actors. Oldman, as always stands out with his typical stellar performance and serves as a conscience for what is going on, even though his hands aren’t that clean. Samuel L. Jackson was too over-the-top with his portrayal of Pat Novak, a histrionic talk show host/propaganda tool for Sellars. Here was an instance where the original’s witty commercials and news briefs gave a better picture of that futuristic society. Antoine Vallon (Patrick Garrow), this movie’s version of Clarence J. Boddicker isn’t nearly as memorable, but that’s fine since the villainy is front and center Sellars and most of his employees, including Jackie Earle Haley as Mattox, a savage merc.
Those that prefer the original’s vicious satirical look at our commercialized society may want to avoid this remake. The same goes for gore hounds that reveled in Verhoeven’s macabre humor, this remake is PG-13 mind you. But a film’s rating shouldn’t count for its quality. Just go look at A Good Day To Die Hard, it had its R rating, but stunk compared to its PG-13 predecessor.
Despite its shortcomings regarding humor and gore, Robocop has its merits, including some food for thought.
One of the best underrated celluloid gems from the ’80s is The Last Starfighter. It starred Lance Guest as Alex Rogan, a bored teenager stuck in a trailer park who wants to leave home and who can blame him? Soon enough, Alex gets his shot…at the stars. Literally.
One night, Alex plays this arcade video game called Starfighter in the trailer park and sets a new record in the game, much to the cheers of his middle-aged and elderly neighbors who have nothing better to do. Later that night, Alex is abducted by a fast-talking con man called Centauri (Robert Preston), who’s actually an alien. It turns out that the video game was a way for Centauri to uncover gifted recruits for the Star League on planet Rylos. Before Alex knows it, he’s caught up in an interstellar war and faces the choice of returning home or defending the Frontier against Xur and the Ko-Dan Armada–the plot line of the video game he played back home.
Ok, so The Last Starfighter is a Star Wars ripoff, but it’s a damn good one! Director Nick Castle infused the film with an innocent, sincere and naive charm that works. The film is a wish fulfillment of every sci-fi fan who wants to be whisked away on a grand space adventure. That idea is even expressed at the very end of the movie when Alex Rogan’s little brother Louis (Chris Hebert) eagerly begins playing the Starfighter video game so he too can be recruited.
The film isn’t perfect, it’s pretty simplistic, but it’s a fun watch. It had many nice performances, especially from Preston and Dan O’Herlihy as Grig, Alex’s boisterous reptilian partner on their fighter ship. Alex was a very relatable character who grappled with wanderlust and self doubt. His arc was predictable but well done. The spaceship designs were unique and eye catching thanks to artist Rob Cobb, and the film had a rich and rousing score by Craig Safan. It was one of the best Star Wars-esque themes I’ve ever heard and fits the tone of the film.
There’s been talk of a sequel for some time now, but as these things go, it’s stuck in development hell. It would be fantastic if a sequel were to be made; this story is ripe for further examining. Did Alex return to Earth? Did his brother become a Starfighter? Whatever happened to that buffoonish villain Xur (Norman Snow)? But it’s been thirty years since that film came out, trying to launch a sequel and reunite the remaining cast members may be too difficult.
So it may be best to just remake The Last Starfighter. But in this celluloid market crowded with unnecessary remakes why reboot this one if it’s still fun to watch? Well, while the film has many merits, there’s room for improvement. A remake can be better written and less simplistic, although it shouldn’t try to be dark and gritty. A new take of The Last Starfighter needs to retain the pleasant charm of the original, which will be hard to duplicate. But the right director can pull it off. An important thing that can be improved would be the special effects, of course. At the time it came out, The Last Starfighter had then-revolutionary CGI effects that are horribly dated now. You and I can generate better effects with our desktops at home. Another thing that must be changed for a remake is the look of the Rylans and Emperor Xur. They look utterly ridiculous with white hair that wraps around their heads and bald tops. Another flaw with The Last Starfighter was that the major villain Xur wasn’t menacing at all. There was one scene where he appears as a hologram to taunt our heroes that had me laughing hysterically. He looked so dumb as a disembodied head! That’s surprising because the other aliens in the film are pretty well designed.
Other films with less faults than this one have been remade. The Last Starfighter is worth remaking because it has a nifty story that is relatable to us fans that needs retelling.
The big news blazing across the Internet lately has been over the recent spate of castings for roles in upcoming superhero films. Normally, the news would bring about satisfied grunts from fans all over, but some decisions and even just the rumors have been quite controversial.
Initial Grumblings
It all started in earnest late last year with the revelation that Israeli actress Gal Gadot will play Wonder Woman in the upcoming Man Of Steel sequel. Many were very surprised by this decision and some complained that she was too skinny. Guess what? So was Christopher Reeve and bulked up just fine and in time for Superman.
There were some grumblings around that time when fans learned that Elizabeth Olsen will appear as Wanda Maximoff, the Scarlet Witch in next year’s The Avengers: Age Of Ultron. But in the end, most had enough confidence in director Joss Whedon to give the actress the benefit of the doubt. Besides, the main cast will reprise their roles, so how much screen time will Olsen have anyway?
Then, a couple of weeks ago, fandom started raising ire when it was announced that Michael Douglas will play Hank Pym in the Ant-Man movie that is also coming out next year. While Paul Rudd’s casting as Scott Lang, the film’s main character was acceptable for many, a bunch of whiners started going off about Douglas’ age and that the choice veers significantly from the version seen in the comic books. In the end, the movie will be about Lang and it does follow the comic books’ canon. Scott Lang did take over the Ant-Man duties from Pym and made a name for himself. Douglas is an Oscar-winning actor of high caliber and he can add needed depth and pathos to Pym. So he should be fine.
After that the Internet really went into a tizzy when rumors about the potential cast for the Fantastic Four reboot started surfacing. Director Josh Trank has been working overtime on Twitter to deny many rumors, yet it wasn’t enough to satisfy Fantastic Four fans. Trank denied in August of last year that actor Miles Teller wasn’t in consideration to play Reed Richards, but recent rumors have it that he has the role locked up along with Michael B. Jordan as Johnny Storm. Things seemed to calm down a bit when actor Josh Gad, rumored to be the pick for Ben Grimm, went on record to deny this latest claim. Continue reading →
“It was the dawn of the third age of mankind”– Commander Jeffrey Sinclair, opening monologue during the first season opening credits of Babylon 5
What made Babylon 5 so great was its epic scope. It had a long-running storyline with conflicted characters and bizarre aliens who weren’t just actors with bumps on their faces. Unlike many sci-fi TV shows before it, Babylon 5 genuinely set out to present a mature story with engaging characters and it succeeded. When conceiving the show, Starczynski wanted to do a grand, epic sci-fi show and was inspired by Dune, The Lord Of The Rings and the Lensmen and Foundation series. Also emulating TV shows like Hill Street Blues, he wanted Babylon 5 to be taken seriously without robots or kids running around. Instead complex storylines were the order of the day; events had consequences in later episodes. Characters, even the heroic ones, were deeply flawed and suffered from addiction, greed, insecurities and other foibles. The show didn’t present some kind of utopian future, yet it wasn’t a moody, post-apocalyptic saga. At the end, the show was about hope and striving for a better tomorrow, which was best seen in its fourth season finale “The Deconstruction Of Falling Stars” and its final episode “Sleeping In Light”.
Evolving Situations & Complex Characters
Babylon 5 takes place in the mid 23 century on Babylon 5, a space station. It served as neutral ground for various space powers to work out their differences peacefully and as a port-of-call. At first, the station functioned as a futuristic U.N. and in the opening credit’s narration in the early seasons it was called the “last peace hope for peace.” But by the third season, intergalactic war was raging and the station then changed into the “last best hope for victory.” As can be inferred by the change in narration, Babylon 5 was very dynamic. Events, political situations and people were always in flux. It wasn’t static like many TV shows and careful viewers had to keep up with what was happening in the show.
Follow this example. There were five super space powers that had representatives on board the station; the Minbari Federation, the Earth Alliance, the Narn Regime, the Vorlon Empire and the Centauri Republic. The latter one was once a major, imperial power in the known galaxy. The B5 representative was Londo Mollari (Peter Jurasik), who was characterized by his outlandish hair that stood up in the back like peacock feathers and his boisterous personality. He came off at first as a bickering buffoon, who liked to verbally spar with his rival G’Kar (Andreas Katsulas). Now G’Kar represented the Narn, which was once ruled by the Centauri. He liked to antagonize Londo about the supposed superiority of the Narn and the fact that the Centauri were a declining power. It was very clear that Londo wished for his people to become a great power again.
Early in the show’s run, he met a mysterious person, Morden (Ed Wasser) who offered him a Faustian deal to return the Centauri to greatness. Afterwards, the Narn and Centauri went to war and the Narn were being defeated by an unknown power aiding the Centauri. At first, Londo was ecstatic over the supposed Centauri victories, but over time he learned that his people were aligned with the evil Shadows, an ancient power that returned to the known galaxy to conquer everyone. Londo came to realize the true cost of his deal, which was his soul and his people’s subjugation. So during the course of the show, Londo underwent a wide personality shift. Once seen as comedic relief, Londo assumed an adversarial role until consumed by guilt, he earned a measure of redemption when he finally turned against the Shadows and helped G’Kar and his people.
That was just one story arc. There were many other intricate plot lines that involved not just the show’s leads but supporting characters as well. People would suddenly die or leave the station, even the main character. In its first season, the lead was Commander Jeffrey Sinclair (Michael O’Hare), who was a calm, stoic leader, but was quietly suffering from his ordeals during a previous war. The show’s producers shocked fans after the first season when they announced that O’Hare wouldn’t be returning to the show. He was replaced by Bruce Boxleitner as Captain John Sheridan, a self-assured and brash commander who echoed James T. Kirk. It all may have been daunting for the average viewer who just tuned in for an episode or two, but in the end it was largely rewarding for a dedicated watcher. Continue reading →
A couple of years back, it was reported on this blog that Nike released special limited edition replicas of the Nike sneakers worn by Marty McFly (Michael J. Fox) in the movie Back To The Future, Part II. While they looked amazingly accurate to the futuristic footwear worn byMarty and lit up, they lacked that shoe’s distinctive feature: the power laces. In other words, they didn’t self lace themselves like in the movie. That was the one thing that made the sneakers so freaking cool! But fear not fans, it turns out we will be getting those special kicks after all.
But you know what? It’ll be worth it just to say that one thing prophesized in Back To The Future, Part II came true. Next year we won’t have flying cars, or Jaws 19, or even Mr. Fusion, but at least the coolest future gadget from Back To The Future, Part II will be a reality. Now if only Mattel could get working on those hoverboards…
Starloggers 