Apr 12 2018

One Reason Why Fear The Walking Dead Failed

The bloom is off the rose for The Walking Dead as a franchise while ratings continue to slide. But the franchise is in even more dire straits when considering its spinoff, Fear the Walking Dead, which is a failure. The fourth season begins this weekend and the marketing is hyping up that it will feature a crossover with the addition of Morgan (Lennie James) from The Walking Dead. Ages ago, that would have created intense online activity among fans, but there is hardly any buzz going on about the show and its latest developments. The ratings are anemic, especially when compared to its sister series.

There are many reasons for why the spinoff has been poorly received and they are valid. They include unlikeable characters, uninteresting scripts and a failure to reproduce the tension and thrills of the classic seasons of The Walking Dead. Keeping that in mind, there is one main reason why Fear the Walking Dead does not work and it is because it fails as a proper prequel.

The justification for prequels is that they are supposed to help explain the story and characters of the main source. They go into the background of established characters and embellish them and their world.  Like them or not, the Star Wars prequels are excellent examples. Sure they’re derided but they accomplished the goal of delving into the history of Darth Vader and the fall of the Galactic Republic, which were events not shown in the original trilogy.

When it was first announced, it was accepted that Fear the Walking Dead would not examine the backgrounds of the famous characters in The Walking Dead. So Daryl Dixon’s mysterious backstory would remain obscure and any insights into the main characters would only exist as flashback sequences. Instead the prequel would focus on all-new characters in a different locale in a different time.

When Fear the Walking Dead first premiered, there was hope that an explanation would be given for why the dead were reanimating into mindless flesheaters. People wanted to see how civilization actually collapsed, which had already occurred by the time Rick Grimes woke up from his coma and met Morgan in the pilot of The Walking Dead.

But that did not happen with this prequel series. After some dull early episodes that did not give us any answers about the walkers, the show took a time jump to a point where society already disappeared. This left the show looking too much like The Walking Dead as it copied its premise: a bunch of survivors in a post-apocalyptic world full of the undead, only badly done.

Frankly, we get that already in The Walking Dead. Why bother watching Fear the Walking Dead if it only offers the same thing, but less compelling? The prequel is not different enough to justify its existence, which is why it has largely been abandoned by the dwindling fans. Thinking about it, the prequel’s existence can be thought of when the original show started its decline. It could have gone another route if creator Robert Kirkman allowed some kind of explanation for the walker outbreak. But that is not going to happen and despite Morgan’s addition to the castt, it is probably too late to salvage it and the showrunners should concentrate on the original show.

 

Apr 6 2018

Top Ten Ready Player One Easter Eggs & References

To try to list all the Easter eggs and references in Steven Spielberg’s latest classic Ready Player One is an impossible task. No matter what other websites and videos claim no one has discovered all the minute and obscure references in Ready Player One. Until the film comes out on Blu-ray and digital streaming/download we’re going to settle for the top 10 Ready Player One Easter eggs and references. Oh yeah, spoilers down below!

10. Superhero Cameos: Being this is a Warner Bros. film, it was a given that the noticeable superheros and villains that are seen are from DC. These include several versions of Batman, the Joker, Harley Quinn, and Deathstroke. Others such as Spawn and Marvel superheroes are mentioned, though some have pointed out that Marvel heroes make blink-and-you-miss-it appearances.

Overwatch Tracer and Chun Li

9. Video Game Cameos: Nearly every shot in the film was stuffed to the brim with video game characters, whether they’re famous or obscure. Most were just quick cameo appearances and the standouts includes Tracer from Overwatch, Lara Croft, Blanka, Sonic the Hedgehog, Chun-Li, Ryu, Goro, the Spartans from Halo, Goro and we’ll be here all day trying to go on!

serenity

8. Classic Spaceships: Ready Player One has many brief appearances from iconic spaceships from film and cinema. The standout was the Serenity from Firefly, others include rad ships from Battlestar Galactica, the Enterprise, the Valley Forge from Silent Running, and somewhere in the film there is allegedly an X-Wing fighter. The greatest film spaceship the Millennium Falcon is mentioned and the roar of a TIE fighter can be heard in one scene. Anyone else who spotted anything else please drop a comment.

7. Gundam vs MechaGodzilla: A big highlight in Ready Player One’s epic final battle was the throwdown between the bad guy MechaGodzilla avatar and good guy Gundam from Mobile Suit Gundam. MechaGodzilla tore the scene up as he should have, while Gundam was the robotic cavalry that helped save the day. Seeing the behemoths tearing into each other was a terrific tip of the hat to the great kaiju and giant robot battles in Japanese kaiju films that we geeks love!

6. Rexie and King Kong As Racing Obstacles: Director Steven Spielberg went out of his way not to include references to his own great works. However, his film works are so vast and influential that it would have been a crime if there wasn’t any kind of shoutout. The choice of including Rexie, the Tyrannosaurus Rex from the Jurassic Park films was inspired as the dinosaur ripped apart the racing cars. The now-famous opening car race in Ready Player One featured unique racing obstacles like Rexie and one of the greatest movie monsters of all time: the mighty King Kong.

zemeckis cube

5. The Zemeckis Cube: There are so many droolworthy gadgets and weapons scattered and used in Ready Player One. Some of them were critical and saved the hides of Parzival and friends like the Madball. The best one of these gadgets, however, was the Zemeckis Cube, which was clearly inspired by director Bob Zemeckis and his masterpiece Back to the Future and the real-life Rubik’s Cube. The gadget certainly came in handy as it allowed the film’s heroes to turn back time by sixty seconds and escape the IOI evil thugs. Are there any other gadgets or weapons that you think are worth mentioning? Leave a comment!

4. Chucky: The killer doll from the Child’s Play films could be considered a gadget or a weapon with the way he is used. He is used by Parzival and Art3mis as a deadly distraction for the IOI soldiers trying to prevent them from reaching the final challenge. The way the doll just cuts through the soldiers like a mad cartoon character is hysterical! “It’s f#@**ing Chucky!” is one of the immortal lines from this film and quite funny, too.

the shining revisited

3. Revisiting The Shining: The second challenge in the virtual quest in Ready Player One was a visit to the terrifying Overlook Hotel as seen in Stanley Kubrick’s adaptation of The Shining. Sure, novelist Stephen King hates this film adaptation but The Shining is one of the greatest horror films and it is well used in Ready Player One. It is amazing how Steven Spielberg was able to recreate the look and feel of The Shining and integrate it with his own film as Parzival and his allies confront the ghostly horrors in the hotel.

2. The DeLorean: The film was bumper-to-bumper with iconic movie cars like the Batmobile, the Mach V from Speed Racer, the Bigfoot muscle car, the Akira motorcycle, and so on. The one car that blows the rest of them away is the DeLorean as seen from Back to the Future. It was pure joy seeing that famous car racing across the silver screen again and brought back many fond memories from Back to the Future. The only drawback is that it did not fly. Oh, well. Maybe next time.

1. The Iron Giant: Of all the many Easter eggs and references featured in Ready Player One, the one that literally stands above them all is the Iron Giant. After The Iron Giant flopped in theaters back in ’99, it seemed as if the gentle metal Goliath would never be seen again. Thankfully, the animated film has become a cult classic and it was only a matter of time before the Iron Giant returned to film. Thankfully it was in Ready Player One that he made his triumphant return. Hopefully his prominence in Ready Player One will draw more attention to The Iron Giant and will lead to more appearances somewhere.

Any of you have your own top 10 Easter eggs and references from Ready Player One? Jot them down below!

Mar 29 2018

Ready Player One Is A Breathtaking Ode to Gaming & Geek Culture

Ready Player One Poster

The latest Steven Spielberg sci-fi epic is Ready Player One, based on the novel by Ernest Cline, and this is Spielberg’s best film in years.

It takes place in Columbus, Ohio in 2045 and follows the saga of Wade Watts (Tye Sheridan), a downtrodden teenager who escapes his drab existence by living in a hyper VR called the OASIS. This online universe is a place where you can be anyone through avatars and live any kind of existence.

iron giant ready player one

Many visitors are active gamers like Wade who goes by a customized avatar called Parzival. Others have imaginative avatars as well, some unique, some are replicas of popular fictional characters. Some of these include the Iron Giant, Freddy Krueger, Chucky, Batman, Lara Croft and others. They all sport assorted gear, drive various vehicles and mixed costumes from across popular games, films, TV shows, etc. A great example is the DeLorean vehicle from Back to the Future that Parzival drives or a Clark Kent disguise that is used at one point. Comparing Wade’s drab real world, which is literally crumbling apart, to the wondrous marvel of the OASIS, it is easy to see why most of the world’s populace chooses to spend most of their time in the OASIS.

In the film, the mysterious and super-rich creator of the OASIS, James Halliday (Mark Rylance) died a few years earlier. Before his death, Halliday set up an epic quest in the OASIS where gamers have to find three keys to gain control of the artificial realm and become insanely rich. Halliday had a deep love of pop culture, especially sci-fi, fantasy, anime, horror and comic books, and so sprinkled many Easter eggs throughout the OASIS as clues to finding the keys.

Wade lives in squalor and like most players sets out to find the keys to figuratively open the door to a better life. He also shares Halliday’s love of pop culture and thinks creatively, which gives him a distinct advantage in the quest. Joining him are a ragtag team of Gunters (Easter egg hunters), who include Samantha Cook/Art3mis (Olivia Cooke), Aech (Lena Waithe), Daito (Win Morisaki) and Sho (Philip Zhao). Standing in their way are not just billions of other online gamers and Gunters but the CEO of Innovative Online Industries (IOI), Nolan Sorrento (Ben Mendelsohn). He commands a virtual army in the OASIS and desires to gain complete control of the online world. Needless to say, Sorrento will stop at nothing to win the ultimate prize, even if that means using the resources of IOI to endanger everyone, including Wade and his friends.

Ready Player One is a fresh, exciting and nostalgic ode to our ever-expanding pop culture, especially our favorite genres.  Nearly every moment in the film just stuns our eyes with all the references that are too many to list here or even see after a few viewings. There are millions of them and part of the fun watching the film is trying to spot as many of them as possible. For a lesser director it would be so easy to let them overwhelm the film, but since Spielberg is Spielberg, he keeps the focus on the story and the characters. Many of the references and eggs actually serve a purpose in Ready Player One, in fact one of them, a certain film, plays an important role during a sequence that leaves you marveling over how Spielberg and his team managed to pull it off.

As great as it is, Ready Player One may be too much for some, probably those that look down upon geek culture. Others who embrace the culture will love what this film offers. There are some drawbacks, however. A bit more time should have been spent in the real word just for comparison purposes. It is established that reality is undesirable, but it should have been shown more. We never learn why the world is decaying, is it solely because most people retreated to the OASIS? Wade’s real life was depressing but what about his friends’ lives? Aside from some screen time with Samantha, the others are ciphers. Also, a key message in the film about living your real life instead of retreating into fantasies is hit over our heads repeatedly to the point of overkill.

Thankfully, Steven Spielberg’s mastery behind the camera and some genuinely good performances by Sheridan, Cooke, Waithe and Mendelsohn elevate the film above its faults. Of this group, Cooke and Mendelsohn stand out. Cooke’s character expresses a quiet sensitivity while exhibiting great strength and ingenuity. Meanwhile, Mendelsohn does a terrific job portraying the villainous corporate head of IOI.

say Anything ready player one

Nonetheless, the film is a pure joy and captures the fun and wonderment of Steven Spielberg’s earlier works. It reminds us why he is still the master storyteller in cinema. It lets us revel in our love of nerd culture while reminding us that the simple things are the best.  Ready Player One is a heartfelt and visual spectacle that celebrates our love of geekdom. Go see it now and a few dozen times before buying the download or home release.

José Soto

 

 

Mar 23 2018

The Golden Age of Sci-Fi TV

In the previous post, a review of Altered Carbon, it was stated that we are living through the Golden Age of Sci-Fi TV. That may be a bit of hyperbole to some, but with all the quality science fiction TV shows out now or coming soon, it cannot be denied.

Not too long ago, sci-fi TV shows were the laughing stock of television land. Of course, there were the few classic nuggets like Star Trek and The Twilight Zone, which showed the potential of high-quality science fiction tales in the TV medium. However, most sci-fi TV shows were at best pedestrian or at worst embarrassing. Galactica 1980, anyone? Most of these shows had zero budgets, which made them look cheap and amateurish. Having a high budget is critical for many sci-fi programs, but not vital. What crippled many of these shows were the lack of faith from networks and the showrunners themselves who treated their shows like children’s fare and did not take them seriously.

Whenever a science fiction TV show that showed promise debuted, TV networks living by the ratings dogma were too quick to cancel them. The television graveyard of stillborn TV shows is littered with diamonds-in-the-rough like the original Battlestar Galactica, Alien Nation, and Space: Above and Beyond. It was an anomaly to see a genuinely good sci-fi TV show thrive in the competitive television landscape.

alien nationEven with the Sci-Fi Channel (now known as Syfy), high-quality science fiction TV shows could barely be found. Think about that, a cable network supposedly dedicated to this genre had a spotty record for airing good, original sci-fi television. Yes, the channel did air re-runs of past classics, but when it came to original programming, Syfy usually failed. In short, the genre was not respected by studios and the general public.

Thankfully, all that has changed. It didn’t happen overnight and it was a series of baby steps, but now science fiction is a viable and respected genre in television. This turnaround came with the success of the Star Trek spinoffs. Then in the 1990s, The X-Files, the paranormal thriller about aliens and other ghoulies became a bonafide hit and a cultural phenomenon. Other shows in the 1990s and the 2000s made their impact like Babylon 5, Syfy’s Battlestar Galactica reboot, Farscape, Doctor Who (which came back after being cancelled in the 1980s), Fringe and Lost (which won an Emmy for Outstanding Drama Series).Battlestar-Galactica-2003-Cast-PictureToday, there are more and more science fiction TV shows competing for our attention and ratings. There are still the goofy TV shows and guilty pleasures but it has gotten to the point that we can pick and choose what to watch as the threshold for quality has increased tenfold. Just look at what is coming out next month: The Expanse (in its third season), the critically acclaimed Westworld, a new version of Lost in Space that looks stunning, and The Handmaid’s Tale. The latter show also won the Primetime Emmy Award for Outstanding Drama Series, and as much as we complain about science fiction films not ever winning an Oscar for Best Picture (though The Shape of Water can be arguably science fiction), it is refreshing to see the genre recognized for excellence. What has brought about this reverence has been the stellar quality of the scripts, production design, directing, FX and acting.Handmaid's TaleThe success and acclaim for Westworld and The Handmaid’s Tale, among others, shows how respected science fiction has become on TV. These TV shows like The Handmaid’s Tale are resonating with viewers who can relate to the themes and characters that shine through the fantastical trappings. This is why we fans are living through a Golden Age of Sci-Fi TV , let’s hope it lasts for a long time.

Lewis T. Grove

 

Mar 17 2018

Altered Carbon: TV’s Newest Hard-Edged Sci-Fi Tale

Altered Carbon is the latest example that we are living during the Golden Age of sci-fi television shows. It premiered last month on Netflix. but was mostly dismissed by mainstream critics who probably only sample one or two episodes before rendering their verdicts. However, Altered Carbon, much like its characters, is much more than it seems.

Both Kovacs Altered Carbon

Based on Richard K. Morgan’s novel, Altered Carbon takes place hundreds of years in the future where humanity has essentially become immortal. This was accomplished with the introduction of alien technology that allowed human consciousness to be downloaded into “stacks”, devices that are implanted on the base of one’s neck. Everytime a body is near death, the stack transfers the consciousness into another body, called sleeves, with its own stack. This has a profound effect on humanity as people live hundreds of years and casually transfer onto new bodies as swiftly as we change our clothing. But this has not created a paradise. Constantly switching to new sleeves has a profound affect on the mind, soul and even society itself. This process has created a class of super-rich hedonists called meths who consider themselves to be above humankind and its morals.

The show focuses on Takeshi Kovacs (Joel Kinnamen and Will Yun Lee), a revolutionary soldier who was captured and placed into a new sleeve hundreds of years later. This new sleeve was activated by Lauren Bancroft (James Purefoy), one of the wealthiest men in the known universe, to solve his own murder. That is the recent murder of one of Bancroft’s previous sleeves. Kovacs was activated because of his reputation as an Envoy, a rebellious group that wanted to end the use of stacks. Envoys are renowned for their tough mental resilience and discipline. which is what Bancroft needs to solve his murder.

 Kovacs grudgingly accepts Bancroft’s offer of indentured servitude in exchange for his freedom. During his investigations, Kovacs travels the seedy underworld of Bay City and the decadent and hedonistic lifestyles of the mega rich, while meeting an interesting cast of characters. There is Kristin Ortega (Martha Higareda), a working-class police detective with an unusual interest in Kovacs, and Edgar Poe (Chris Conner), an AI manifested as a holographic hotel manager. The show also features extensive flashbacks of Takeshi Kovacs’ previous life with people important to him, such as his sister Reileen (Dichen Lachman) and Envoy leader Quellcrist Falconer (Renée Elise Goldsberry).

Due to the nature of his job, Kovacs runs into a lot of trouble, from criminal elements out to settle scores to sadistic hitmen to unsavory VR experiences. Luckily his honed skills as an Envoy allows Takeshi Kovacs to endure his ordeals. As he tries to solve the murder, Kovacs also has to grapple with his lost, previous life and finding his way in the new life.

altered carbon cityscape

Altered Carbon is entrancing, exciting and quite gripping at times thanks to its stylistic and noirish, cyberpunk elements that are similar to Blade Runner and intensely violent scenes that are reminiscent of John Wick or The Raid. Each shot is captivating with rich cinematography, not to mention special effects and production design that completely sell the notion this story takes place in the distant future.

Unlike other current TV shows, while Altered Carbon can be binged watched but is not dependent on this. Most episodes seem more self-contained while servicing the main plot of the Lauren Bancroft murder case. It is something of a relief since it allows the episodes to be enjoyed individually. However, its plots can be quite dense, though in a good way, with its usage of unusual words, exposition, and plot twists that may confuse casual viewers and calls for more focused viewing.

A word of caution is warranted, Altered Carbon is extremely violent and has graphic nudity. If this was a film it would be a hard R, so it is not for the more squeamish viewer.

Getting past its grimy nature and lurid violence, it is clear that the intense scenes underline the show’s theme: that humanity is not ready for immortality. By using stacks, most of humanity takes life and their bodies for granted as seen with the way many are too quick to jump into new sleeves after injuries or to take on new identities.  In essence, they have become desensitized to violence and by being so cavalier about the sanctity of the physical body these people are losing their humanity.

Altered Carbon is a stylistic, hard-edged sci-fi yarn that engrosses you with eye-popping visuals, intense fight scenes, and captivating and tortured characters. But more than that, Altered Carbon does what a a true sci-fi tale sets out to do: to extrapolate where humanity may go.

José Soto