DC & Marvel Throw The Film Gauntlets

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It’s clear that the comic book/movie titans DC and Marvel have thrown the gauntlets at each other at Comic-Con this weekend.

Both companies attempted to one-up each other with surprise announcements regarding their film franchises.

It all started innocently enough when the famous convention opened on July 17. Marvel hawked their upcoming comic book developments (remember those?), as well as the highly anticipated Agents Of Shield TV show. DC provided news on future comic book projects and celebrated the 75th anniversary of Superman with a tribute to Action Comics #1.

worlds finestThen the first bombshell was dropped yesterday. Warner Bros. and DC announced that the sequel to the film Man Of Steel will feature none other than the Caped Crusader himself, Batman! True, it’s not the Justice League film that fans are slobbering for, but it’s the next best thing, a live-action version of World’s Finest, the comic book series that teamed up DC’s most popular heroes. Seeing them on screen together was unwittingly foreshadowed in the Will Smith movie from a few years ago I Am Legend. A careful eye will spot in the movie a film poster that blends the two iconic symbols together as was done at Comic-Con.

Some may complain that Superman should be granted another solo film to develop his world. The success of Man Of Steel warrants that idea. But the problem is that DC and Warner Bros. are now in a race against the other big kid on the block. With the announcement, DC is acknowledging that they are competing against the Marvel movie behemoth, but in a different way. Rather than rushing out with a Justice League film to compete against the next Avengers film, or carefully building up the DC movie universe with references, DC chose a compromise. A Superman/Batman film allows for a new, re-imagined Batman to be introduced, while giving justified screen time to Superman. If they’re smart they should introduce elements and references to other DC characters to nicely set up the eventual Justice League film. Superman will get a chance to have another solo movie later on. There are also percolating, unofficial rumors about a Flash movie in 2016 and finally a Justice League film in 2017. To date, those two films haven’t been confirmed by Warner Bros. or DC.

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One would think that Marvel would try to raise the ante of that announcement. And they did. At Comic-Con, the company lauded their upcoming releases, principally, a well-received presentation of The Amazing Spider-Man 2 film. In that presentation, they had Spider-Man, the character himself, make an appearance at the official panel for next summer’s film. Meanwhile, footage from the film X-Men: Days Of Future Past was shown and it whetted many attendees’ appetites. Other showcased films included Thor: The Dark World (Tom Hiddleston appeared in character as the villainous Loki), Captain America: The Winter Soldier and the eagerly awaited Guardians Of The Galaxy.

age ultornThe big reveal came when The Avengers director himself, Joss Whedon, presented a preview trailer for the 2015 sequel. No new footage was shown, just a montage of previous Marvel movies. But the end of that montage electrified everyone when the helmet belonging to the villainous android Ultron was unveiled, along with the film’s title: The Avengers: Age Of Ultron! For non-comic book fans, Ultron is an android created by Avengers member Hank Pym that went rogue and became one of the team’s deadliest foes. He was the featured villain in this year’s comic book mini-series event Age Of Ultron. This stunned many who were expecting the big heavy to be Thanos as hinted in the end of The Avengers. Ultron’s appearance in The Avengers: Age Of Ultron also indicates that the Marvel movie universe will be expanded significantly. This also cements the fact that while DC has two titan character franchises, Marvel has shown that they have successfully created a solid film universe. These films feature many middle-ranged characters that are now well-known properties for Marvel.

Many will argue over which of the two companies will be the winner in the new comic book movie war. The clear answer is that the fans will be the victors as they finally behold their wildest dream. Now if they could just get Spider-Man or the X-Men to appear in a future Avengers film! LOL

Lewis T. Grove

Mounting Pressure For A Justice League Film

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Now that Man Of Steel has proven to be a hit at the box office, demand has increased even more for a Justice League film. It’s unfair to Man Of Steel because the natural thing would’ve been for a sequel to that Superman film. It’s also unfair for the Batman franchise being that Christopher Nolan’s Dark Knight trilogy concluded last year. Normally, the focus on the franchise would have been on rebooting it not taking part in a team film.

What is driving the pressure for a Justice League film is the phenomenal success of Disney/Marvel’s film The Avengers. To say that The Avengers was a game changer isn’t a small statement. That film proved that it is feasible to present an entertaining, well crafted film that utilizes many characters from a shared cinematic universe. But it’s not unprecedented. Remember Universal Studios decades ago did this with their horror movie monsters fighting each other in films.

Lost Opportunities

Warner Bros. and DC should’ve gotten the ball rolling years ago and put references of the larger DC Comics universe into their DC films.

satelliteThey did put in very minor references in Batman & Robin (where Batman mentions Superman) and in Superman Returns (a PA announcement could be heard about a Gotham City train), but that was it. Christopher Nolan refused to have any mention of the other DC characters in his Batman films, so that opportunity was lost. Ditto with 2011’s Green Lantern. In Man Of Steel, Superman and Zod battle by a satellite that belongs to Bruce Wayne’s company, so that is a Batman reference. Plus, some there’s a blink-and-you-miss-it Booster Gold reference during a fight scene. Yet all this pales to Nick Fury’s surprise, substantial cameo at the end of Iron Man, which led to more Marvel Comics universe references in other Marvel films that culminated with The Avengers.

DC could go the same route but they don’t have the time. Fans want a Justice League film now. They’ve grown impatient with the studio’s glacial progress. Besides many higher ups in DC and Warner Bros. have stated that they don’t want to copy Disney/Marvel’s formula. Frankly, it would be the best thing to do, but with Disney/Marvel charging ahead and greenlighting films, Warner Bros./DC can’t afford to do that. It becomes a game of catch up and they’re way behind.

Nonetheless, many fans are going insane with the lack of communication from Warner Bros./DC on the status of the Justice League film.

This proves that they are taking this matter seriously and want to put out the best possible film. While there is pressure to make the film already, they don’t just want to rush out and slap something together. Given the failure of Green Lantern, Warner Bros./DC know they cannot alienate fans. Continue reading →

Which Are Worse, Superman III & IV Or The Schumacher Batman Movies?

 

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The title says it all. While many comic book fans are salivating over the upcoming Man Of Steel movie, many of them want to forget not just Superman Returns but those horrendously awful Superman sequels from the ’80s, Superman III and Superman IV: The Quest For Peace.

On the flip side of that notion there are the Batman movies. Sure Christopher Nolan singlehandedly reinvented and salvaged the Bat franchise with his own take of Batman, but the sting of Joel Schumacher’s version of Batman in the ’90s is still felt.

Altogether these flicks nearly derailed each franchise and forced years-long moratoriums where no new Superman or Batman movies were available. With the Superman train wrecks it took nearly twenty years until a new Superman movie came out. But Superman Returns was a huge letdown and brought upon another drought of Superman flicks until this year. Batman recovered much quicker, his sabbatical from the movies only lasted seven years and his comeback flick Batman Begins set fandom on fire, culminating with The Dark Knight.

Still the nagging question remains, which of those films are worse? Let’s take a look, and start with Superman.

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Super Duds

Before Superman III, Superman was riding high in popularity. Superman II was a huge success in the movies with its action-packed story about Kryptonian supervillains coming to Earth and Superman having to confront them. The end of the movie promised a Superman III, which excited many people. Unfortunately, the second sequel was doomed from the start. See, Richard Donner, who deserves credit for his masterful work on Superman and parts of Superman II had no input in the third Superman movie. Executive producers Alexander and Ilya Salkind had a feud with Donner and even fired him during production of Superman II. They turned to their buddy Richard Lester to complete that movie.

Now that they were running the show completely without Donner, they proceeded to ruin Superman by turning Superman III a comedy. It wouldn’t be as bad as it sounded if the movie was funny. Quite the opposite, it was moronic and embarrassing to watch. How bad was it? I put it on a few weeks ago when it was on cable to watch with my seven-year-old nephew. After a few minutes (right around that stupid scene where the traffic light figurines fight with each other), he told me to change the channel because “Superman III is dumb!”

supes gus gormanWhat is hard to believe is that there are actually defenders of this film who hail its dumb comedic bits, including Richard Pryor’s casting! Talk about misfires! Superman III heralded the downfall of Pryor’s reputation in the movies. Once the guy was seen as a comedic genius and had several hit movies under his belt. Then the poor comedian made a comment in a talk show about how he loved Superman II. Fate turned out to be cruel because the filmmakers behind the Superman films got wind of this comment and decided to put him in Superman III. It was a ballsy move, but it didn’t work. Pryor was known for his racy humor, which had to be toned down for the kid-friendly Superman film and instead he became a bumbling, unfunny buffoon in the movie. His character wasn’t much of a villain, just a misguided dupe forced to help an evil tycoon (Robert Vaughn), and of course, he helps Superman in the end. Ho hum.

Superman (and actor Christopher Reeve) took a break and didn’t appear again until the abysmal Superman IV: The Quest For Peace. By this time, the Salkinds washed their hands of the Man of Steel and sold him off to the schlocky film studio Cannon Films, famous for the zero-quality Chuck Norris and Charles Bronson action flicks.

The fourth film, the new filmmakers promised, was supposed to be bigger and better. Instead, the budget for it was severely slashed leaving an extremely cheesy mess. But the worst part was the script where Reeve supposedly had input on. Lord almighty. Superman gets rid of all the nuclear weapons without thinking of the consequences. But the movie doesn’t even cover that or have any serious discussions superman 4about that idea. The only thing that happens is that Lex Luthor (Gene Hackman) schemes with some generals and creates a sort of Superman clone called Nuclear Man (Mark Pillow). The two superhumans fight and talk in space(!) and Superman pushes the moon to create a solar eclipse to defeat him. It was strictly for kids. Alright I’m stopping. Let’s just say this wasn’t one of Superman’s better films and as much as people like to riff on director Bryan Singer for Superman Returns, at least that movie didn’t have gross scientific inaccuracies.

Continue reading →

Dark Knight Exhibit

photofourBatman fans living in the L.A. area were very lucky recently when Warner Bros. held a free Batman exhibit to coincide with last month’s Blu-ray and DVD release of The Dark Knight Rises.

It was called The Dark Knight Legend Exhibit and was held in L.A. LIVE from November 30, 2012 until December 14th, 2012. The exhibit was held under a humongous tent on a parking lot and thanks to all the props, displays, murals and vehicles it had a very moody atmosphere. It was like being in a Batcave of sorts.

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Visitors were greeted to large murals of Gotham City as seen in the Christopher Nolan Batman films along with Hans Zimmer iconic music. The first thing to see was beautiful artwork from various artists displayed as if in an art gallery.

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Moving past the art came real eye openers; several mannequins adorned with the costumes from The Dark Knight Rises and Nolan’s other Batman films. Moving deeper into the exhibit revealed assorted props in display cases and costumes worn by other characters in the Batman films. It was a thrill to see outfits worn by Bane, the Scarecrow and, of course, the Joker (the Heath Ledger version). One of the best parts was examining the cool gadgets from Batman’s utility belt and intricate maquettes.

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But any Batman fan would say that the highlight of The Dark Knight Legend Exhibit were the prominently displayed vehicles seen in all the Batman films and the 1960s TV show as well. It was great seeing all the different Batmobiles which started off with the 1960s, Tim Burton and Joel Schumacher versions to the tumbler vehicles. They even had a realistic mockup of the neutron bomb seen in The Dark Knight Rises and the Bat Signal too. The only thing missing was the Bat flying vehicle from The Dark Knight Rises. Maybe they didn’t have enough space for it.

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There were also videos along the walls featuring interviews with actors and production personnel that could be listened to via headphones. It was a nice way to experience the exhibit, which took about an hour to walk through leisurely.

It’s such a great exhibit that would’ve been enjoyed by more fans who don’t live in L.A. There isn’t any information as to whether or not Warner Bros. will have The Dark Knight Legend Exhibit elsewhere, but it’s something to be considered.

Article & photos by GEO

The Dark Knight Rises And Falls

Acclaimed director Christopher Nolan concludes his Batman film trilogy with an absolute triumph. Needless to say, I loved The Dark Knight Rises. It’s simply one of the best superhero movies ever made and more importantly a satisfying way to finish a Batman film series.

By this, what is meant is that The Dark Knight Rises gives a finality to the Batman story  that has not been seen in comics except perhaps for certain aspects of Frank Miller’s classic The Dark Knight Returns. In fact, Batfans will notice many similarities to The Dark Knight Returns at least in broader sense. That includes the idea of a retired Batman/Bruce Wayne (played by Christian Bale) making a comeback when his beloved city of Gotham is imperiled, then he gets defeated the first time out before regrouping and coming back to take out the foe that pummeled him the first time out.

Christopher Nolan’s film also utilizes aspects of the great “Knightfall” storyline where the villain Bane defeats Batman by wearing him out then crippling him. Bane may not seem an imposing or interesting foe to the larger public because the only film exposure non-comic book fans had of him was that awful Batman And Robin movie. But true fans will see the spirit of who Bane is in The Dark Knight Rises. Tom Hardy who plays the masked villain deserves a lot of credit for the way he made Bane such a distinct villain. Not only did he physically pump up his body impressively to resemble the muscle-bound foe but because parts of his face are covered, Hardy created a memorable voice villain. Bane’s voice has a deep cadence that makes him sound like an older man or officer used to ordering troops around. How does he compare to Heath Ledger’s Joker from The Dark Knight? Well, as great as Hardy is in Nolan’s third Batman film, Ledger created not only one of the greatest comic book villains on film but one of the greatest film villains of all time. Plus, viewers were able to see Ledger’s face and see more emotion than with Hardy.

As with all comic book adaptations, changes were made in The Dark Knight Rises. This was done with Bane regarding his origin. In this film, his background is tied to Batman, Ra’s al Ghul (Liam Neeson from Batman Begins returns to play him) and Ra’s’ daughter Talia (Marion Cotillard). Viewers will see a link between all four characters and see how their shared experiences transformed them into separate ways.

But Bane isn’t the only standout in The Dark Knight Rises. Other memorable characters include Selina Kyle (Anne Hathaway), John Blake (Joseph Gordon-Levitt), Lucious Fox (Morgan Freeman) and Alfred Pennyworth (Michael Caine).

Although Selina isn’t called Catwoman and her feline aspects aren’t as exaggerated as with previous film incarnations of Catwoman, the character works in context of the film. Some may wonder during the film why so much screen time is spent on Blake, a young cop and ally of Batman, but he provides the film’s most pleasant surprise at the end; his arc was a real crowd pleaser. Fox is in many ways the head or brains of the Batman franchise. It should be pointed out that Alfred, Bruce’s loyal butler, is the heart and soul of the Batman franchise. He warns Bruce not to confront Bane simply because Alfred fears Bane. He knows that Bruce isn’t a match for the hulking villain. This leads to a very emotional argument where Alfred tells him that Bruce has another option in his life that doesn’t have anything to do with darkness. Bruce can have a shot at a happy life, but the superhero won’t hear of it since he feels bound to fight Bane. At that point, having a happy life is an abstract notion. It isn’t until Selina comes into the picture that having a happy life seems possible, so she serves as a sort of catalyst. Sure Marvel’s The Avengers was the greatest and most exciting superhero movie ever made, but The Dark Knight Rises has a deeper emotional core.

And what great battles are featured in the film! Nolan pulls out everything here. The Gotham police, the National Guard, and even the air force come out to confront Bane and his army. It was all thrilling to watch. As were all the cool gadgets and vehicles Batman uses like The Bat, the new interpretation of the batwing flying craft. The Bat was an amazing sight, sort of like a flying tank with VTOL capability and well armed. Batman also uses a type of EMP gun which helped him travel stealthily throughout Gotham, it was ingenious!

Christopher Nolan created an effective bookend to his Batman movies. Whereas The Dark Knight seemed like a crime thriller, his third film feels more like a superhero film.  The end of Batman in this film means so many things in the context of Nolan’s Batman world, and The Dark Knight Returns provides multiple, satisfying resolutions. Anyone who is worrying about the third film curse can relax because he doesn’t let the fans down with this sendoff.

GEO