Peacemaker Joyfully Revels In Violence And Silliness

Peacemaker is the first TV show set in the DC Extended Universe (DCEU) and streams on HBO Max. It’s also a spinoff of The Suicide Squad and follows the further adventures of the idealogically fanatic superhero Peacemaker/Chris Smith (John Cena), who was rightly left for dead at the end of the film.

After been rescued and hospitalized by the U.S. government group A.R.G.U.S., as seen in the post-credis scene of The Suicide Squad, Peacemaker is recruited by that group’s black ops team to fight alien creatures who inhabit host human bodies and are called Butterflies because of the way the aliens appear.

The black ops team is made up of an eclectic group of goofy or over-the-top violent characters including the deadly and tough A.R.G.U.S. agent Emilia Harcourt (Jennifer Holland), John Economos (Steve Agee), an insecure tactical support agent, Leota Adebayo (Danielle Brooks), a new A.R.G.U.S. recruit who becomes good friends with Chris, and their exasperated mercenary leader Clemson Murn (Chukwudi Iwuji). An unofficial recruit is Adrian Chase aka the costumed Vigilante (Freddie Stroma), an overeager sociopath who looks up to Peacemaker and fashions himself as Peacemaker’s best friend. But that is actually Peacemaker’s pet bald eagle, Eagly.

As the group carry on their mission to eliminate the Butterflies, they learn a lot about each other and gradually earn each other’s trust, respect and even friendship. The one person who is most affected by the experience is Chris himself who begins to question his extreme jingoistic view of life and even becomes likeable.

In The Suicide Squad, the Peacemaker was a real jerk, a total D-Bag, and when he was supposedly killed off, hardly anyone mourned him unlike the other characters. But the TV show went to great lengths to humanize him and it paid off. Yes, he is still a jerk who is too cocky, but we learn that beneathe that false bravado hides a wound psyche and the emotional center of Peacemaker.

The TV show is written by James Gunn, who also directed most of the episodes. Much of the success of the show is due to the film director who reinvented the Suicide Squad and presented a possible new direction for the DCEU. As always, Gunn demonstrates his twisted filmmaking skills thanks to his well-written characters and fast-moving scripts, which keeps surprising viewers. All the actors are especially good in this show and bring an extra dimension to their characters. Cena was the best surprise with his role because of the way he is able to show different levels to his character.

As is James Gunn’s forte, Peacemaker excels at its level of cheekiness, graphic violence, and its overall raunchy nature. This is certainly not a show for the kids to watch, but DCEU fans will love the jokes, Easter eggs, and stylized action. There are a few cameos by DCEU characters that actually work and add to the show’s enjoyment. Fans of hair and glam metal bands will love the soundtrack which is peppered generously with many songs. The standout song used in Peacemaker is, naturally, Wig Wam’s “Do You Wanna Taste It” and it fits so well with the show’s hysterical dance number in the opening credits.

Be patient with the first episode or two as Peacemaker settles in and establishes the characters and situations. While it and the main character may be off-putting, by the second or third episode, viewers will get wrapped up and engaged with the bizarre and irreverant nature of the show as the characters are actually changed by their adventures.

After dealing with the inane Arrowverse, Peacemaker comes at the right time as the DCEU now thankfully is represented in the TV medium and it can herald a new era for DC-based TV shows.

The Outrageous Return Of The Suicide Squad

The Suicide Squad is the latest entry in the DC Extended Universe (DCEU), directed by Guardians of the Galaxy director James Gunn and is currently in theaters and streaming on HBO Max. Beware of some spoilers after this notice.

This standalone sequel to 2016’s Suicide Squad features returning characters Rick Flag (Joel Kinnaman), and captured supervillains Harley Quinn (Margot Robbie) and Captain Boomerang (Jai Courtney), who as part of the secret United States black ops group Task Force X, are sent on a literal suicide mission by U.S. operative Amanda Waller (Viola Davis) to the island nation of Corto Maltese, along with new characters such as Weasel (motion captured by Sean Gunn), and Blackguard (Pete Davison). However, this group is almost wiped out at the start of the film, with only Flag and Harley surviving and captured by the military of Corto Maltese. It’s revealed that they are a decoy team for a second team led by other captured supervillains Bloodsport (Idris Elba), King Shark (motion captured by Steve Agee and voiced by Sylvester Stallone), Ratcatcher 2 (Daniela Melchior), Peacemaker (John Cena) and Polka Dot Man (David Mastmalchian), who also arrive on the island at another location. They are supposed to destroy a secret weapon, which is later revealed to be an extraterrestrial entitiy known as Starro, a gigantic starfish that can seemingly destroy the world.

The second group eventually rescues Flag, who was actually captured by rebels intent on overthrowing the island’s military government. Harley is able to escape by herself in an exciting and colorful action sequence and then she joins up with the rest of the Suicide Squad. They eventually head to a secret research facility housing Starro, leading to the biggest action scenes in The Suicide Squad with the group showing off their abilities and a surprise confrontation when the US government’s role with Starro is revealed. The final battle features the gigantic alien starfish ready to destroy a city Godzilla style and the members of the squad fighting a seemingly hopeless battle. The conclusion is both crazy, outrageous and creepy, which demonstrates the overall feel of the movie quite well.

The interaction between the characters is a highlight with Bloodsport and Ratcatcher 2 forming a father-daughter bond, and King Shark providing good comic relief with his quest for food (namely human) and friendship. Peacemaker’s contradictory love of violence in the name of peace and his rivalries with Bloodsport and Rick Flag is also enjoyable, as is Polka Dot Man’s neurosis over his mother who he sees as literally everyone. Harley is as zany and psychotic as she has been since the first Suicide Squad, lethal one minute and a seemingly ditzy blonde the next.

The connection with the first film is minimal with this film having a separate plot, although it’s not a reboot as some earlier reports said. The tone of The Suicide Squad is somewhat lighter than the previous one with numerous musical interludes and humorous moments throughout. Some of these scenes go on too long which explains the two-hour-plus running time that does stop the momentum of the plot, but the film makes up for this during the hectic finale. The killing off of the first team at the start of the film is somewhat unfortunate as we never get to know them well, though some of them warranted more screen time. One advantage the first film had was the presence of more familiar characters, such as the Joker and Killer Croc, and a more intense feel, but the new film is still an enjoyable experience that has great action scenes and over-the-top violence. That is one thing to keep in mind if watching it with kids. There are numerous gory scenes with decapitations, King Shark devouring people with glee and faces blown off. It’s rated R and earns it, but at the same time The Suicide Squad doesn’t take itself seriously, which softens the blow and keeps things light.

Overall, The Suicide Squad is an adventurous and outrageous entry into the DCEU, which may point the way to more films like this with James Gunn returning for future unnamed movies, as well as the upcoming spin-off HBO Max series starring John Cena as Peacemaker. We are seeing more interactions like this between the streaming service and theatrical DC and DCEU films with a Gotham PD series to follow The Batman, and a Batgirl movie in the works for HBO Max. This is different than in the past when TV shows such as Gotham, and Krypton were standalone TV shows with no relation whatsoever with any films. This seems to be changing and may point to a more interconnected DC live-action universe. This was hinted at during the CW Crisis on Infinite Earths crossover that had the theatrical DCEU Flash appearing in a cameo. Having the story of The Suicide Squad continue through Peacemaker’s new show is a clear example of this interconnection.

Whether another Suicide Squad movie will be coming is not known at this time, but hopefully, based on the initial reaction to The Suicide Squad, we haven’t seen the last of Task Force X.

C.S. Link

Best Comic-Con 2018 Trailers & Related News

The San Diego Comic-Con for 2018 has come and gone and as always we fans are left with scintillating trailers and revelations for what is coming up. This year’s Comic-Con was a bit quieter than previous conventions if you can call having San Diego invaded by over 100 thousand fans a quiet event.

Although there were plenty of news and promos that kept us busy, Marvel Studios absence in this year’s Comic-Con and the fabled Hall H was noticeable. While this left DC alone to revel in the spotlight, it was odd to not see a presence by Marvel Studios. After all, they have the most successful shared universe as seen with its recent blockbusters. This signals that Marvel Studios may shift away from Comic-Con and put their energies with their parent company, Disney and their D23 Expos. The problem with that is that those conventions are only held every two years and the next one isn’t scheduled until next August, a bit too late to promote Captain Marvel and Avengers 4. Then again, with the wind at their backs Marvel Studios has the luxury of skipping a Comic-Con, but this gives off an arrogant vibe and they should not take these things for granted. Just look at the television side of Marvel. Knowing that the first season of Iron Fist was disappointing, the television arm of Marvel Entertainment went out of their way to present a kick-ass trailer for Iron Fist’s second season and it seems as they learned their lesson.

On the other side of that coin, DC took full advantage of Marvel Studios’ absence and presented their big guns: trailers for Shazam! and Aquaman, plus a presentation of the next Wonder Woman film. Aquaman clearly won Comic-Con with its long-awaited trailer that delivered the goods. The film looks like a winner full of stunning spectacle and action. It may be the film that might have salvaged the DC Extended Universe (DCEU). That is because for all intents and purposes the DCEU is dead following the failures of some of the films in that shared universe. Instead we are being presented with Worlds of DC, which embraces the concepts of multiverse as its upcoming Joker film doesn’t take place in the DCEU and this may happen with the long-planned The Batman. This Worlds of DC is an interesting concept and acknowledges the richness of their characters and how they can be adapted to any situation. And honestly, this idea of a film/TV multiverse is not new since the DCEU existed alongside the Arrowverse, the new Titans TV show, and even the Marvel films and TV properties actually use this concept of different and separate universes as seen with their MCU, the Fox X-Men films, the Sony Spider-Verse and the TV shows that take place in diverse realities (the Netflix shows, Legion, The Gifted, etc.). This Worlds of DC sounds promising but let’s hope that DC doesn’t completely abandon the DCEU.

There were plenty of non-DC/Marvel film and TV trailers and news that kept us excited. The biggest and most pleasant surprise was that Star Wars: The Clone Wars is returning, this time to Disney’s upcoming streaming app. This was certainly welcome news given all the negativity following Star Wars lately. Other exciting trailers included those for the second seasons of The Orville and Star Trek: Discovery. Anson Mount looks commanding as Captain Christopher Pike and the Spock teases sent many fans into delirium. Other notable film trailers were for Godzilla: King of the Monsters and Glass, the third film in the Unbreakable trilogy which brings together all the superpowered humans from Unbreakable and Split. It looks like a winner.

However, as fun as it was to watch all the new trailers and read about the upcoming development that cast a dark shade over the weekend was the news that Disney fired director James Gunn after some alt-right nutjob exposed disgusting jokes that Gunn posted on Twitter years ago. This was obviously a hitjob on Gunn because of his attacks on Trump and his policies, but this left many fans of the Guardians of the Galaxy films disheartened. Of course, Gunn’s jokes were in poor taste and horrid but he seemed repentant about his past. What made matters worse is that these tweets were in the public for some time and Disney’s actions seem hypocritical because the execs had to have known about them back when James Gunn was hired, but their actions were done to protect their brand. Still, these events call into question the future of Guardians of the Galaxy and the cosmic side of the MCU which Gunn was orchestrating. Perhaps, it was for the best that Marvel Studios didn’t have any presentations at Comic-Con because this controversial news item would’ve drowned out any promotions for their films.

Aside from that event, Comic-Con 2018 delivered the trailers and news as have previous conventions. Now it’s on to next summer and Comic-Con 2019…maybe Marvel Studios will show up this time. Now enjoy these trailers:

Star Trek: Discovery

Glass

Nighflyers

Shazam!

Doctor Who: Season Eleven

Godzilla: King of the Monsters

This Summer’s Best Film: Guardians Of The Galaxy

guardian poster 2

Guardians Of The Galaxy is the perfect embodiment of the summer film. It’s fun, exciting, explosive, and it has the right balance of humor, action and drama. It’s also a big risk for Marvel Studios who until this time produced relatively safe  adaptations of their superhero comic books. Guardians Of The Galaxy doesn’t feature any big-name heroes and it can’t be considered a superhero film but a straight up space opera. Fortunately, Marvel Studios pulled it off in a spectacular way.

peter quilOne of the many reasons why Guardians Of The Galaxy works so well is due to its main character Peter Quill (Chris Pratt). He is cut from the roguish Han Solo/Mal Reynolds cloth, but with a huge helping of John Crichton thrown into the mix and a pinch of Indiana Jones. We’ve seen his type before, a bumbling, lovable thief/smuggler, who is looking for the next big score, but in the end decides to do the right thing. Even though his character type is familiar, Peter connects with us thanks to Pratt’s sincere and goofy performance and his surprisingly deep emotional makeup. The script (by director James Gunn and Nicole Perlman) takes time to show elements of his past, which explains Peter’s motivations and behavior.

Abducted from Earth as a young boy, Peter, who goes by the moniker Star-Lord, lives a scoundrel’s life in the galaxy while listening to oldies pop music on his vintage Walkman.  When Guardians Of The Galaxy begins, he breaks into an abandoned temple on an alien planet and steals an orb that is coveted by very powerful factions. The worst being Ronan (Lee Pace), a proud Kree warrior who is aghast that his race is now at peace with a rival space power, the Nova ????????????????????????????????????????????????????????????????????????????????????????????????????????????????????Empire. He wants what is inside the orb, an Infinity Stone, a MacGuffin that grants its user deadly power to destroy. Fans of the Marvel Comics know that it’s part of the gem set used to form Infinity Gauntlet, used by the evil madman Thanos to cut a path of destruction across the universe. Ronan is just a lackey of Thanos (who is briefly played by Josh Brolin), and is tasked to retrieve the stone. Over time, Ronan decides to defy Thanos and use the stone to destroy Xandar, the home planet of the peaceful Nova Empire. Continue reading