Toy Story: The Animated Masterpiece That Changed Animated Films

Thirty years ago, Toy Story was released in theaters by Pixar, which at that time was its own independent company owned by Steve Jobs. The animated masterpiece instantly caught everyone’s attention with its revolutionary 3D animation that changed animated films forever.

3D or computer animation existed before Toy Story, of course, but the film about toys that come to life whenever their owners are not around, was the first feature-length film to exclusively use this kind of animation. The use of computers in animated films had been going on for years since the 1980s and 1990s. Disney used computers on a wider scale with its traditional animated classics like Aladdin and Beauty and the Beast, but those films were still two-dimensional and by the mid-90s that kind of animation had reached its peak in what could be done with it as an art form. The world of animation was ripe for new approaches.

Enter John Lasseter, the creative genius behind Pixar. Working with a team of innovative artists and computer technicians, Lasseter experimented with 3D animated film shorts that caught the eyes of many film studios, especially Disney. Some of the films like Tin Toy, Knick Knack and Luxo, Jr. stood out with the pioneering use of 3D animation. In fact, Tin Toy won the Academy Award for Best Animated Short Film, the first 3D-animated film to do so. As Pixar created and released these shorts, they prepared themselves to produce a full-length animated film, which turned out to be Toy Story. At this time, Disney was eager to work with Lasseter and proposed that he create a feature-length film that Disney would distribute, to which Pixar agreed.

At first, Pixar’s first animated film was supposed to be a sequel to Tin Toy and would have featured the title character and his dummy companiion trying to find their way into the hands of children. But Disney was not happy with the script and after much retooling, the Tin Toy characters were replaced with the original creations Woody the cowboy doll and Buzz Lightyear the high-tech electronic doll. They had clashing personalities which generated genuine laughs, but had to work together to find their way to their child owner.

Turning Toy Story into an animated buddy film with two completely different characters sparring with each other then becoming great friends was an inspired decision. This development injected a lot of heart and humor into the script and gave the two lead characters distinct personalities that most viewers could relate to. For instance, Woody was the leader of the toys owned by the child, Andy. His status is threatened with the arrival of Buzz Lightyear, the new hot toy on the block that quickly becomes Andy’s favorite toy. Woody is jealous and resentful towards Buzz as he lost his status and his actions cause both he and Buzz to be lost and the two have to find a way back to Andy’s home. What also helped tremendously was the casting of vocal actors Tom Hanks and Tim Allen to play Woody and Buzz. Both actors had great vocal chemistry with each other and comedic timing that rivaled many classic comedy duos.

The film featured many other memorable characters voiced by great actors that embedded the toys with a lot of personalities. Take for instance the legendary comedian Don Rickles who played Mr. Potato Head or R. Lee Ermey as Sargeant, the no-nonsense military leader of the tiny green plastic army men. Seeing many classic and real-world toys appearing in the film was a hysterical and brought back many memories for adults and joy to children. A large part of the film’s appeal was that both adults and children could equally enjoy it, and this became one of Pixar’s strongest selling points with their future films.

Toy Story was an instant hit and a bonafide classic when it was released in theaters on November 22, 1995 as it caught the imagination of viewers. While the computer animation was a distinct selling point, what made the film so beloved was its script, direction and characters who are still relevant to this day. There is even a Toy Story 5 that will be released next year. That is fortunate because while the 3D animation was revolutionary for its time, some of the animation does look a bit dated, especially when it came to depictions of humans.

Of course, the success of Toy Story inspired many film studios to rush out with their own computer animated films to varying degrees of success. Some like Dreamworks and Illumination produced their own classic films but few could capture the magic and whimsy of Toy Story. Still, regardless of quality, the early computer animated films crowded out traditional 2D-animated films and even Disney jumped on the bandwagon with their own 3D-animated films. But it would take Disney some time to create their own films that rivaled Pixar’s in terms of quality. Unfortunately, the success of Toy Story spelled the end of traditional 2D-animated films, at least with American films. The last traditional animated film that Disney released was The Princes and the Frog in 2009. It’s true that there are many advantages with 3D animation, but it is a mistake to completely discard two-dimensional animation. What these studios have failed to realized is that the success of Toy Story and other quality Pixar films, including the Toy Story sequels, was not solely due to its animated technique but because of the story and characters. Hopefully one day, a visionary creator at a major studio will be able to produce a quality two-dimensional animated feature length film that will be successful.

Much like Snow White and the Seven Dwarves was revolutionary in its day and changed films by introducing the concept of full-length animated films, so did Toy Story. It is not an exaggeration to say that Toy Story revolutionized animated films when it premiered 30 years ago as we are still feeling the impact of the classic film that is just as enjoyable as when it was released 30 years ago.

How To Train Your Dragon (2025) Shows How To Do Live-Action Remakes

Fifteen years ago, DreamWorks Animation (DreamWorks) graced the world with the brilliant film adaptation of Cressida Cowell’s How to Train Your Dragon (HTTYD) novel series. The film was released to massive fanfare from both critics and casual audiences, citing the film’s plot, music, and characters as great and unique. The success of the first film led to 2 sequels and even spinoff TV shows of the same name, and now, 15 years later, comes a live-action remake. This came as a surprise since DreamWorks has never dabbled in the “live-action remake trend” spearheaded by Disney, so I along with many others had mixed feelings on this. However, just in time for Father’s Day, I decided to watch it with my dad, and I was pleasantly surprised at the outcome.

DreamWorks’ How to Train Your Dragon (2025) is a brilliant homage to the original film, taking care of the original vision, helped by the return of the first film’s director, Dean DeBlois. The story follows young chief-to-be Hiccup (played by Mason Thames) as he flails around a brave Viking village, being of no use as always when a hoard of dragons terrorize the village. He luckily manages to shoot down the most feared dragon type, a Night Fury, but nobody takes him seriously. His father, Stoick (played by Gerald Butler, surprisingly reprising his role from the animated films), feels dissatisfied with his unworthiness, so he leaves him in the caring hands of his best friend Gobber (played by Nick Frost), to both babysit and train him. Hiccup pursues the Night Fury he shot down hoping to confirm the kill, but when he finds it, he is unable to finish it off, leading into a masterful and heartfelt story.

I am happy to report that the original story is done justice with every major beat being preserved and at times even elevated by the script and acting. Speaking of which, the actors do a phenomenal job portraying the characters and they feel as if you’re watching these characters as actual people. People complained about Astrid’s casting, with the actress (Nico Parker) not looking much like the original rendition, but she portrays the character amazingly. Unlike previous Disney live-action remakes having poor acting (“cough, cough” Snow White “cough, cough”), DreamWorks seemingly knocked them out of the water in every aspect when it comes to remakes, in addition to the topnotch casting and script in HTTYD.

In addition, the music in How to Train Your Dragon is absolutely beautiful and always elevates the scenes in an inspirational way. One scene of note is the iconic “test drive” scene with Hiccup riding the flying Night Fury he names Toothless which has an amazing score complimenting it. I have seen mixed opinions about the new rendition of the same music, but in my opinion, it made the scene even more jaw dropping, sprinkling a feeling of grandiose into the already majestic landscapes as Toothless and Hiccup take their first flight together. This is most likely the case because of the return of the original film’s composer, John Powell, to score this film. A trend that aligns with the success of this film that I’ve noticed is it brought back a lot of the original team and got their creative influence to assist with bringing a beloved film to life. If Disney were to take notes from DreamWorks, maybe their live-action remakes can feel more than just soulless cash grabs.

It is worth noting that the visuals in How to Train Your Dragon were really well done, adapting the dragons and the vivid world of the series in a careful matter that proves that Berk can translate into realistic visuals. With these live-action remakes, Disney tends to butcher the visual aspect, which is arguably the most important part of said translation. You cannot possibly expect fans of a beloved story to be on board with slapping lazy and chalky visuals while simultaneously ruining their childhood. This is why movies like Snow White (2025), The Lion King (2019),and Dumbo (2019) may have had some financial success, but bombed when it came to positive reviews.

The set pieces in How to Train Your Dragon can range from spectacular and gorgeous to dark and grim while keeping the same visual soul of the original animated film. When it came to the designs for the dragons, I will admit I found it a bit strange that Toothless stood out amongst the rest. Every dragon other than Toothless felt like they came out of Game of Thrones, being hyper realistic rather than being more on the cartoony side with Toothless. I understand why this was done, most likely to emphasize that the rest were actual threats to humans and at the same time, make Toothless more adorable, but it was odd to me.

Overall, DreamWorks’ How to Train Your Dragon (2025) remains a spectacular and emotional journey of changing the future for the better and dealing with familial tensions. The return of the original team greatly helped this project feel lively and not like most of Disney’s recent live-action films. Stand out features include the brilliant cast, the heartfelt music, and the jaw dropping visuals. I would highly recommend giving this film a shot if you were a fan of the original, and even if this is your first exposure to the How to Train Your Dragon franchise! Also, the film comes out just in time for the opening of Universal’s newest park, Epic Universe, which features a land based on the HTTYD franchise, Isle of Berk.

Angelo Soto

Sonic The Hedgehog 3 Is The Perfect Sendoff To My Childhood!

About four years and two movies ago, as well as a spinoff show later, the Sonic Cinematic Universe looks to be at its absolute peak with the latest film Sonic the Hedgehog 3. I would consider myself as a lifelong Sonic fan, and despite his many failures and flops, I’ll always hold a special space in my heart for this franchise. That being said, when Sonic the Hedgehog was released on Valentine’s Day of 2020, I’ll admit that I was beyond ecstatic that the blue blur had finally made it to the big screen; it was far from a great movie, but it was good enough to call a success, and Paramount Pictures agreed to give the franchise a second movie. About a month before the release of Sonic the Hedgehog 2 Paramount Pictures officially announced that a third Sonic movie would begin production shortly after the second movie, along with a logo reveal which got fans speculating on what the post-credits scene for the second movie could be. The top two contenders came down to Metal Sonic or Shadow, and it ended up being Shadow, which got many fans like me excited for where Paramount would take the Sonic franchise. I’ll admit that upon the premature announcement of Sonic the Hedgehog 3, I was worried that Paramount would jump the shark and go too crazy, losing general audiences and causing the movie universe to end short, but after watching Sonic the Hedgehog 3, I can confidently say that I fully trust Paramount to handle the delicate nature of the Sonic franchise. By the way, Sonic 2 was amazing, so I thought it would be impossible to top that movie as THE Sonic movie.

I was wrong! Sonic the Hedgehog 3 is a pure love letter to the video game Sonic Adventure 2 and its many loyal fans. At the time of watching this movie, I had literally just turned 18, so technically the first thing I did as an adult was watch one of the best releases of the Sonic franchise, yes, games included. Rewinding a bit, 2024 has been an amazing year for Sonic the Hedgehog, or rather Shadow instead. 2024 saw SEGA dubbing it “The Fearless Year of Shadow” in which Shadow would get a lot of excellent spotlights, ranging from the incredible mini-animated series Shadow Generations: Dark Beginnings and the follow up video game Shadow Generations, which I would call my favorite Sonic game (as I’m writing this, I have this game’s soundtrack on loop, currently playing “What I’m Made Of…”). It is safe to say that this year was easily the best idea SEGA has had for the franchise in years, and how else could you end the year of Shadow than releasing the Shadow movie?  I will split this review into non-spoilers, and then spoilers, but I will indicate when the shift is.

Sonic the Hedgehog 3 begins with Shadow (voiced by Keanu Reeves) waking up from a 50-year-long stasis and fleeing from Prison Island, an iconic level from the video game, Sonic Adventure 2. We cut to Team Sonic, made up of Sonic (voiced by Ben Schwartz), Knuckles (voiced by Idris Elba) and Tails (voiced by Colleen O’ Shaughnessy) doing a friendly race which leads to a surprise party in honor of Sonic’s “B-earth-day”, the day Sonic came to Earth in the first film. This party is cut short as the Guardian Units of Nations (G.U.N.) sends a helicopter and requests Team Sonic’s immediate assistance with a rogue alien causing havoc in Tokyo, that alien being Shadow.

That’s enough plot exposure for now, let’s talk about the movie more in depth, starting with how it compares with the previous installments. The first movie was your generic road trip movie that was heightened by Sonic, and of course the brilliant Jim Carrey as Dr. Robotnik. With Tails appearing after the credits, the movie left much to be desired, so the second film stepped in and delivered. As Knuckles being the main antagonist working with Dr. Robotnik, Sonic and Tails go on a treasure hunt to locate the Master Emerald and protect it from Robotnik’s clutches. This movie felt more like what a Sonic movie should feel like compared to the first. Now back to Sonic 3; I feel Paramount has peaked with this one, so much so that I’m kind of skeptical if they could top it in the recently announced Sonic the Hedgehog 4. If you liked the second Sonic movie, you would adore this movie; it is epic, emotional, and unapologetically “Sonic”.

The characters of the Sonic movies are, for the most part, good. Jim Carrey keeps up the zany hilarious energy that he delivered in the previous films, and the introduction of his grandfather, Gerald Robotnik (also played by Carrey), elevates this film’s humor. This is where Carrey’s acting peaks in my opinion, having two of him on screen at once leads to some really funny scenes, some even made me laugh out loud. The humor in general is the best this trilogy has seen, with Sonic’s puns all landing this time around, rather than sometimes coming off as annoying or cringe-worthy. On the topic of Sonic, Ben Schwartz’s performance as Sonic the Hedgehog is the best that he has been portrayed in his own movies so far. In the previous movies, sure he was adorable and childish, but compared to how he acts in the games, this Sonic was a laughingstock that had a long ways to go before matching his original video game counterpart.

I can gladly say that Sonic feels more like his video game counterpart and has become less annoying and more serious and cooler while not completely losing his comical and emotional side. Idris Elba and Colleen O’Shaughnessy as Knuckles and Tails thankfully have more to do in this film and have grown as characters too. The second film wants you to believe that Sonic and Tails are immediate best friends, but the film barely portrays that; Sonic 3 makes it more believable that Sonic, Tails, and Knuckles are all best buddies this time around. Finally, Keanu Reeves absolutely crushes it as Shadow the Hedgehog. Upon hearing his voice in the first trailer, I was kind of worried about a lackluster portrayal of the delicate character, but after seeing the movie, I would say it matches the original soul of Shadow. Reeves put forth effort to research the character and delivers cool, emotional, and grim scenes that does the beloved hedgehog justice. Alyla Brown’s loving and caring portrayal of young Maria mixed with Shadow’s quiet and softness leads to adorable and heart clenching interactions that will really touch the audience and make them fall in love with the characters. Also, to those worried about the humans’ involvement with this movie, it centers mainly around Tom and Maddie (Tika Sumpter), and they serve more important roles this time.

Sonic the Hedgehog 3’s story is also significantly better than the other stories. The first film once again was a road trip, the second was basically a treasure hunt, and while those tropes don’t necessarily lead to bad movies, they can get kind of tired. This story is fast paced and emotional while taking itself more seriously. Having to adapt Sonic Adventure 2 was no easy task, but I would say they did an amazing job while keeping the universe grounded to make it as realistic as possible. One of my only complaints about this movie has to do with pacing of the story, however. The first act throws scenes at the audience at whiplash speed and does not really give them time to swallow what they just saw. This problem fixes itself as the movie goes on, or I just got used to the pacing, but when I say the last 30 minutes of this movie is perfect, I mean it. The climax is genuinely perfect, and I wouldn’t change a thing about it; the story is at the best and the action is unmatched in the third act. Speaking of action, this movie’s action sequences were genuinely top tier, rivaling many iconic fight scenes the franchise has seen. Every scene of conflict is handled to perfection and especially with Sonic fans in mind; let me tell you, my fan-event theater had reactions on the level of Avengers: Endgame to every fight scene in this movie. The action in this movie made me feel like I was watching an anime of the likes of Dragon Ball Z or My Hero Academia, which I felt is what the Sonic games needed the most, just more sick action sequences and fights. Every scene that involves high-speed fights is bound to get Sonic fans on the verge of tears.

Overall, Sonic the Hedgehog 3 is a near-perfect Sonic the Hedgehog movie that adapts Sonic Adventure 2 to the big screen in the right way, and I am positively anticipating what comes next for this expansive universe. My theater being a fan-event filled with diehard Sonic fans honestly elevated my viewing experience and hearing everyone’s reaction as they screamed with joy to this movie was amazing. I would rate this movie as a 10/10, and I believe everyone should give this film a try this holiday season. To those who are Sonic and Shadow lovers, buy yourself a ticket and strap in your seatbelts because this movie is wild! This is the part where I delve into spoilers, so if you haven’t watched this movie yet, why are you still here?

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The Wild Robot’s Emotional Story Almost Overwhelmed My CPU

It’s no hot take that DreamWorks Animation (DreamWorks) always knocks it out of the park when it comes to adapting beloved books into unforgettable movies, and The Wild Robot is no exception. Every single decision that led to the finished product was nearly perfect and it really feels like the people behind this movie’s creation, such as director Chris Sanders (who directed Lilo & Stitch and How to Train Your Dragon), poured their whole hearts and souls into developing this film, which makes sense since this is sadly the last in-house animated film for DreamWorks. I highly recommend The Wild Robot to everyone who reads this review to go out there and see it in theaters because it deserves the love and the theater experience for this one was definitely unique. This review will be split into 4 parts.

STORY

The story follows a lost robot named ROZZUM Unit 7134 (“Roz”, voiced by Lupita Nyong’o) as she finds her way around an island entirely inhabited by wild animals. She is programmed to be an aide and seeks to offer her services to the animals as part of her pre-programmed goals before she can activate a beacon to be picked up by her manufacturers. As Roz explores the island, it becomes clear that she is unable to communicate with the animals, so she spends months listening in on their conversations and is eventually able to hear and speak in their tongue.

Along the way, she unofficially adopts a baby gosling named Brightbill (Kit Connor) after she accidently kills his family. Having a new purpose, Roz must help raise the gosling to be prepared for the upcoming winter season when the geese migrate off the island. During their time together, Brightbill sees Roz has his mother while Roz begins to develop genuine emotions and is conflicted with her protocol to leave the island after her task of raising Brightbill is completed.

This movie’s story is genuinely amazing and almost made me tear up 3 separate times in only the first two acts. DreamWorks did such a phenomenal job at delivering a heartfelt story that is so emotionally rich that you feel somewhat of a bond with the characters in this film. My only issue, if I absolutely had to have one, was that the pacing was very quick, like whiplash quick. But surprisingly, unlike many other films with fast pacing, this film somehow made it work and it didn’t feel too off-putting. Every plotline progressed off the previous one and every scene felt more action packed and engaging than the last.

CHARACTERS

The characters are well written in The Wild Robot. To start, Roz is a complex character and is able to feel emotions that robots shouldn’t; she is instantly one of my favorite DreamWorks protagonists. She has a heart of steel that comes from her programming where she is unable to harm other living things despite what they think of her. She is unyielding in whatever task has been assigned to her and refuses to give up even in the most impossible scenarios.

Throughout the film, Roz is accompanied by a mischievous and unpopular local fox named Fink (Pedro Pascal) who is sly and has no problem with lying but is also willing to help others who are mentally and physically vulnerable. He is also a really funny supporting character and has great chemistry with both Roz and Brightbill. As the adopted child of Roz, Brightbill is an adorable and inspiring goose that overcomes all odds against him. We get to see him grow from baby to young adult in mere moments, but it feels as if we were with the family every step of the way.

Brightbill’s journey was more difficult than it was for those around him because he is a runt and had an unusual upbringing, but he proved everyone who doubted, and even bullied him, wrong. There are many other supporting characters that played

into their roles really well, such as the stoic and tough owl, Thunderbolt (Ving Rhames), who helps teach Brightbill how to fly, the gentle and wise Longneck (Bill Nighy), the leader of the island geese who welcomes Brightbill into his flock, and a crusty but helpful beaver named Paddler (Matt Berry). These and other minor characters get their moments to shine throughout the film and add to the rich tapestry of characters throughout the film.

SOUND DESIGN

The sound design in The Wild Robot is stellar and every voice actor knocked it out of the park. To start with the soundtrack, it included very strong and epic music that complimented certain key scenes very well, adding onto the layers of immersion this film has. The two original songs featured in this film are amazing and I recommend listening to both of them (“Kiss the Sky” and “Even When I’m Not” by Marren Morris). The voice acting is phenomenal and every character’s actors were chosen perfectly.

My personal favorites were Lupita Nyong’o as Roz, Kit Connor as Brightbill, Pedro Pascal as Fink, and Bill Nighy as Longneck. The original score only amplifies the experience of watching this movie, as it makes every scene either emotional, casual, or heart-pounding.

ART AND ANIMATION

The only word to describe the art style of this movie is gorgeous; this is without a doubt one of the best-looking animated movies ever made. The art style is a mixture of natural landscapes, watercolor strokes, and the wonderous joy of storybook pages. Every character looks so high quality that I wanted to personally thank every person in charge of developing this fantastic identity. The animation is astonishingly brilliant and it’s so good that every frame of animation could by captured as a photo and used for marketing material. The people who worked so hard to animate Roz’s fluidic, yet robotic movements deserve so much praise. The backgrounds and landscaping are also beautiful; there is this one shot that involves Roz being in front of a giant moon in the background that I cannot stop thinking about because it was such an amazing shot. I am probably rambling on about the art and probably sound like a broken record, but that’s how much I genuinely love the work put into making this movie shine so visually.

CONCLUSION

The Wild Robot is an unforgettable and story-rich adventure that no one will want to miss. Its story is unique, the characters are lovable, the sound design is elite, and the animation is easily one of the best of this decade so far. This DreamWorks movie is one of its best and it is a shame that this marks the end of in-house animated movies for the company. I am usually not one to advocate for sequels, especially in an age where they get more and more mediocre, but I really would not be opposed to seeing another two movies based on the other books in the Wild Robot trilogy by author Peter Brown. Be sure to watch The Wild Robot, out now in theaters!

Angelo Soto

Wither Physical Media? Or The Downside Of Digital Streaming

By now, we all know about how physical media is dying, especially after the retailer Best Buy announced last year they would discontinue selling DVDs, Blu-rays and 4K disks this year. This is largely due to the prevalence of digital media and digital streaming services like Netflix, Hulu, Max, and so on, and declining sales of physical media. These platforms made it much more convenient to access and watch your favorite films and TV shows without the bother of physically getting up, searching through your DVD/Blu-ray library and inserting disks into a player. However, something has been lost with the downfall of physical media. Or is it truly dead?

By announcing that physical media was doomed, interest has increased in fans and collectors to obtain the remaining physical media, especially in secondary markets, as fans are now actively hunting down copies of their favorite films. What helped drive the hunts was a major flaw that became clear with the rise of digital media: the availability of a favorite film or TV show.

On paper, digital media and streaming takes care of the problems with buying and collecting physical media, namely storage and the ease of accessing your favorite Star Trek episode. The problem is the streaming market has become so diversified that these services feel like you’re accessing incomplete libraries. A draw of streaming was the vast libraries they boasted. This was the case when Netflix was the only large streaming service years ago, but with the coming of Disney+, Max and other streaming services, these companies understandably took their toys and went home. Good luck if you subscribed to Netflix to watch the latest Marvel superhero film. You might get Morbius or some knock-off film, but if you want to watch Iron Man or Avengers: Infinity War you’ll have to subscribe to Disney+. The same thing happened if you wanted to watch Star Trek. While you can watch some of the films on other services, for the “complete” Star Trek library you have to subscribe to Paramount+, which offers little else that would interest the average Star Trek fan. And by “complete” we have to keep in mind that Paramount+ cancelled and removed Star Trek: Prodigy from their service. Now you can only see that show on Netflix, which will exclusively stream the second and final season of Star Trek: Prodigy.

Anyone sees where this is going? Essentially, you have to subscribe to all the major and even minor digital streaming services to be able to access the films and TV shows you want to see. That is if they have the rights to stream them. Anyone want to see Outland? Never heard of it? No surprise. Outland was a sci-fi crime drama that starred Sean Connery as a sheriff on a mining station on IO. It copied the gritty and grounded look of Alien but was a well done film. Now where can you find it. Sure, anyone can buy it digitally, but why should they if they are supposed to easily access it on digital streaming? Also the money spent to download Outland is comparable to buying a physical disk.

The same issue has been noted online with the sci-fi film Cocoon. It was successful back when it was released in the 1980s, it even won Academy Awards, but it is unavailable on physical media and you have to hunt for it on streaming. Then there is the situation with trying to watch the original version of Star Wars, no bloody Episode IV or other silly subtitles, and where Han shoots first! Many fans hoped that Disney+ would have streamed the original vision of George Lucas, but to date that has not happened. The only way to see the unaltered Star Wars is by purchasing old VHS cassettes, laser disks, and DVDs. Of course, the quality won’t be 4K but at least it is accessible to you and owned by you.

The problem with buying digital downloads of films and TV shows is that you don’t actually own the downloads. Disney+ boasted that with its service you could download their content to watch anywhere on any device. But do you get to keep the downloads if you unsubscribe? If you can please drop a comment below.

Many owners of the PS5 learned the hard way that their digital downloads are not theirs to keep forever, as it was announced late last year that any Discovery+ content that was purchased and downloaded would be removed from PS5s. So, what is the point of buying downloads if you cannot keep them? With DVDs and Blu-rays, the disks are yours forever, you can watch them at anytime just as long as you have a player, which are very cheap these days. Of course, a problem with all the media platforms is the availability of old and obscure content. There are countless sci-fi, fantasy and horror films and TV shows that have basically disappeared since they are not streaming (usually due to rights issues) on any service and if they had a DVD or Blu-ray release, they have gone out of print a long time ago. This makes me glad that I never got rid of my DVD copy of Peter Jackson’s The Frighteners since it is a favorite that cannot be easily seen these days.

What can a genre fan do? Sure you can subscribe to every streaming service but that is expensive and you’ll be stuck paying for subpar services just to access a film or TV show, which can be removed at anytime, often without notice. This happened to me when I was binging Snowpiercer on Max and stopped watching it a few episodes away from its season finale. The next day the entire series was removed from Max. This streaming service was infamous for removing other genre content because the parent company did not want to pay residuals to writers and so on. Such content included Raised By Wolves and Westworld. Anyone who intended to watch the complete series is out of luck these days.

Another thing that makes physical media superior is that many disks come with unique interactive menus and features that you cannot get on a digital download. Some like The Lord of The Rings films are renowned for the exhaustive content on their Blu-rays and 4K disks like extensive behind-the-scenes features, production art, games, and of course deleted scenes. You certainly won’t get this much material in a download!

The best option is to shop for obscure products on second-hand online services that specialize in obscure and out-of-print DVDs and Blu-rays. But be prepared to pay a lot. Then there is cable or satellite TV. Yes, the point of streaming services was to enable viewers to cut the cable cord, but many times, cable is the best place to watch obscure genre films. However, while sales these days of physical media are past their heyday, they are still being made. It is easy to see a time when physical media makes a comeback like vinyl records did as streaming services and digital downloads become more expensive and inconvenient for fans. But for now, make a point of actively seeking out and buying your favorite obscure sci-fi film like Silent Running or the original version of the Star Trek TV shows. You never know if an increase in sales would have an influence on the decision makers in Hollywood. Besides a Blu-ray or 4K disk library definitely looks cool on display in your homes!