George Lucas & His Retirement

It’s been all over the news lately that with the release of Lucasfilm’s Red Tails George Lucas plans on retiring from blockbuster, i.e. popular films. Lucas cites the hard time he had trying to get Red Tails financed by studios (before he wound up paying for most of the film himself) and hints at the bitter reaction from many fans over his Star Wars prequels. In a New York Times Magazine interview he states, “I’m retiring, I’m moving away from the business, from the company, from all this kind of stuff.”

But looking at this and other interviews, one can spot a loophole or two. He does not rule out a fifth Indiana Jones film, although the older Harrison Ford gets and the longer it takes for Lucas to approve a script the less likely that becomes. Then there is the Star Wars live-action series that he is still trying to get off the ground. That looks more likely since advancements in special effects will soon make it financially feasible for Lucas to produce film-quality episodes of his galaxy-spanning saga.

Actually, his so-called retirement isn’t exactly news. Back when Star Wars Episode III: Revenge of the Sith was released, Lucas said then that he wanted to move away from blockbuster films. And even further back when Return of the Jedi came out, he claimed back then he wanted to focus on small, experimental projects. For many fans still bitter about Jar Jar Binks and Indy surviving a nuke blast in a fridge that’s great news. Don’t let the door hit you on the way out George, they may be thinking. But to others this is sad news and cements the fact that there won’t be any future Star Wars films.

Then again, look at his earliest efforts, THX-1138 and American Graffiti. Many forget today that both films were quirky, experimental pieces of filmmaking but are rightfully considered classics today. That’s especially true with THX-1138 since even today the film is seen as an avant-garde film. Whereas American Graffit is seen as a more conventional film it actually helped introduce the storytelling narrative of the main characters going off on their individual tangents without a set plot. That is because this technique has been copied so many times since. So Lucas probably just wants to go back to his roots and make quieter, low-budget films. That’s fine, since he did a superb job in directing them and at this point in his career, being that he is set financially, he can now afford to do whatever he wants.

Oh by the way, don’t forget that along with THX-1138 his other early genre effort was a little-known film at that time about some kid running around in spaceships with aliens. Yes that was Star Wars, but it was considered to be a huge risk for 20th Century Fox and experimental. So don’t write George Lucas off just yet.

Lewis T. Grove

The Term “SCI-FI”

When I was a kid, growing up in the Amazon in South America, I was far away from Hollywood, USA , where great superhero and space adventures were chronicled in film and other media. I must say that as much as I missed the developed comforts that the U.S. can offer, I liked the weather and the people down there. The only thing that made me stand out in general conversation topics was that instead of talking the usual futbol , or politica , I tried to start the conversation with superheroes and space heroes. The usual reaction I got from the locals after tolerating my monologue for an hour is “mucha fantasia!” or “too much fantasy!” The mindset there is reality-oriented. I’m sure they love reality TV.

One of the movie magazines I brought with me to South America had articles with the termSci-Fi . As a little kid, it’s amazing how a little term boggled my elementary school attempts for pronunciation. “Skee-Fee?” “Sky-Fy?” Boy, lots of gray brain matter at work there. A helpful parenthesis in the article related the term sci-fi to science fiction. Oh! That’s what it was! Duh! I’m a true genius!

I began collecting more sci-fi magazines, books and comic books. Before long I had a sizable collection and was amassing a fair knowledge of sci-fi and superhero stories. I even had a few issues of Famous Monsters of Filmland. Back to that later.

Years afterward, and back in the good ol’ USA , I was working for a publishing company in New York City. One of their publications was a general science fiction magazine. Their science fiction editor always had a fit when we said “sci-fi.” We used to listened to his tantrums. The same one from last Tuesday LOL. A mental list of anger-management classes crossed my mind during his rants. He argued that it was incorrect to say “sci-fi” (surrounded by piles and piles of magazines paperbacks, statuettes and toys of that favorite genre of his — the sci-fi genre, thank you very much.) He said that was a term coined by Forrest Ackerman, but it’s not a real term. (Try telling that to the ‘not-a-real-term’ Channel; that was before it started to drift away from its roots and changed its name to Syfy). As much as we liked this fellow, he just needed to lighten up a bit! All joking aside, I have much respect for this editor friend of mine, and I wish him well.

Almost ten years later, I had moved to Los Angeles. I found out that Forrest Ackerman (who first coined the term sci-fi) , publisher of the cult favorite Famous Monsters of Filmland magazine, was living here in L.A. I spoke to him by phone and he invited me to his Museum of Sci-Fi in Hollywood. He was in his late 80’s, but he was gracious to give me a tour of his museum for me.

We spoke about some of my genre-related projects.  I told him they were my own attempt at capturing the essence of sci-fi, which for me was a way to telling stories related to current events and the social commentary of our time, fueled by wild imagination. It’s too much fantasy indeed, but I like it!

After giving me a tour of his best collections (my favorite was the Metroplis robot Maria) we sat down to listen to his great career. He actually told me how he came up with the term  sci-fi. “In 1954” he explained, “that word was first heard in this world. I was riding around in my car with the radio on and some mention was made of ‘hi-fi.’ Since ‘science fiction’ had been on the tip of my tongue since Hugo Gernsback introduced it in 1929 (in his science fiction mag Science Wonder Stories), I looked in the rearview mirror, stuck out my tongue and there, tattooed on the end of it was . . . SCI-FI!”

What a great anecdote to cap off a pleasant visit; he was such a nice guy. Sadly, Forrest Ackerman passed away in December 2008, but I feel honored to have met him and we should all thank him for coming up with that wonderful term. So that’s how my sci-fi term comes full circle. Hope you enjoyed it. Too much fantasy, man!

GEO

Visit GEO’s website: www.coroflot.com/geodesigns/portfolio

Fringe Nears Its End

Fringe ends its mid-season break when it airs a new episode “Back To Where You’ve Never Been” on Friday the 13th (!) on Fox.

Sadly, this may be the swan song for the show being that its ratings have been terrible. Fox president Kevin Reilly said recently that the show isn’t profitable which most likely means that it’s on the chopping block. A shame really. Fringe (about federal investigations into incidents dealing with fringe science) is the best science fiction show currently airing and credit has to go to the producers (Alex Kurtzman, Roberto Orci and J.J. Abrams) for throwing caution into the wind and running full steam with the show’s complex mythology in this season.

Last time on Fringe, Peter Bishop (Joshua Jackson) returned from limbo into our universe much to the chagrin of the enigmatic Observers (who seem to be trying to maintain the dimensional and temporal cohesion of the multiverse). Unfortunately, Peter concludes that the universe he returned to is not his own because no one, not even his father Water Bishop (John Noble) or lover FBI agent Olivia Dunham (Anna Torv) have any memory of him since he was erased from our  timeline.

Yes it’s a bit complicated, but here goes: throughout the show’s run there has been an impending war brewing between our universe and another parallel universe due to an incursion made by Walter back in the 1980s to a parallel world (where the World Trade Center is intact and airships dot the skies) to save Peter’s life and winds up bringing him to live in our universe.

All the interdimensional traveling is causing wormholes to appear that threaten to destroy the fabric of reality in both universes. At the end of the third season, the show jumps forward to 2026 where the parallel world is destroyed and ours face the same fate. Then there’s Olivia’s death at the hands of the evil alternate version of Walter. To reverse this, Peter Bishop uses a giant machine placed in the ancient past to change history in 2011. He creates an interdimensional bridge between the two universes so that both sides can work together and resolve their differences. It works, though it leaves an uneasy truce between the two factions and with Peter erased from the proper timeline.

For the most part the changes to the timeline have been very minor apart from Peter’s absence. The characters have changed subtly and only dedicated fans could spot the differences. This could be what disappointed some who expected wilder changes but it probably was an attempt by the show makers not to turn off casual viewers (not that it mattered since ratings plummeted anyway). At the end of the mid-season finale “Wallflower”, Peter was still trying to find his way back to his proper universe with the Observers on his tail.  Meanwhile it’s reveled that Olivia is an unsuspecting test subject of Massive Dynamic (one of those giant technological companies that are behind many fringe events). Click onto their official site: www.massivedynamic.com   

Obviously it helps if one has a good basic knowledge of the characters. Well that’s why DVDs exist. Being that it’s only three and a half seasons, it’s fairly easy to catch up to date. And it’s worth a rental or download. The show may have turned some off with its superficial similarities to The X-Files and the first few episodes of season one reinforce this notion. But this show isn’t about convoluted conspiracies that don’t make any sense and UFOs.  One could tell that the producers (responsible for LOST and the upcoming Alcatraz) have a game plan that rewards patient viewing. More or less all the weird stuff going on in this show (such as an invisible ex-soldier, a desperate scientist who mutilates his body in order to time travel and save his wife, or children who are born and rapidly mature into adulthood) that the standalone episodes are part of a larger tapestry where Walter Bishop is in the center of, thanks to his scientific brilliance. And his same brilliance research and theories in the past have also cost him dearly in terms of his sanity and relationship with Peter.

Fringe faces an uphill battle to get a fifth season greenlit. On Fox there are a three other genre shows vying for airtime. They include Terra Nova, Alcatraz and Touch. Add to that those moronic singing competition shows that eat up entire programming slots and there’s only so many shows the network will keep on the air.

What’s distressing is that the show more or less has a five-year story plan, meaning they only need a couple dozen episodes to bring the show to a proper conclusion. Fox could do the producers a favor and either renew the show for a final year perhaps with only thirteen episodes to conclude it, or give them enough notice that Fringe will be canceled this season so they can try to wrap up the series. If the second option happens then hopefully the show won’t feel truncated like season four of Babylon 5. That show suffered when it was forced to conclude its main storyline in the fourth season only to find out that a fifth season was greenlit. This led to a listless final season that didn’t seem to go anywhere in terms of story.

Of course, the worst fate is an outright cancellation that doesn’t give the producers time to conclude the show. This leaves fans with unanswered questions like who are the Observers and what is their agenda? Then there is the other terrible fate: a show that ends on a cliffhanger. Reassurances from the producers that they are seeking other venues to finish the show don’t help. It’s a rarity that another network picks up a canceled show and seriously, who wants to read a comic book or novel that finishes a live action story? It won’t feel complete and only serves to remind fans over how they were denied a proper ending. In the meantime, fans can enjoy the new slate of episodes that will be airing over the next few weeks.

José Soto

Check out this clip from the latest episode and groove to the psychedelic background music from Tommy James and the Shondells!

One Man Star Wars Trilogy

 

“The Force is strong with this one” I’m not talking about Luke Skywalker, I’m talking about One Man Star Wars writer and actor, Charles Ross. One Man Star Wars is a hysterical show where Ross singlehandedly performs highlights from the George Lucas’ original Star Wars trilogy.  Not only does he play the roles of the characters, he also acts out the parts of many of the ships suchs as the X-Wing fighters, TIE fighters and Imperial Walkers. One of the highlights includes Luke Skywalker’s reaction to Darth Vader when he has his helmet and mask removed, it was hysterical! Ross started touring this theatrical oddity in 2002, he has performed the show over 1,200 times in more than 180 cities across four continents and still finds a way to keep it fresh. 

Ross takes a few breaks between each movie and asks the audiences questions such as “Has anyone here watched all six Star Wars Movies in One day?” He answers the cheers with “You’re in the right place.” He said he started the show as a comedy act where he performed highlights of the first movie. The act was a huge hit and prompted him to expand the act to a full show that covered the complete trilogy. He had performed the show for a few years and came home one day to an email from Lucasfilm. The subject line said “Future project”  When he opened it the message said “We know about you, please contact us” He then realized he had never contacted Lucasfilm to ask for their permission to perform the show. He thought Boba Fett was going to show up and take him away. He sent a tape of the show but was asked to see them in CA. When he got there he was asked to perform the show at a Star Wars convention in front of thousands of die-hard fans. The fans loved it and Lucasfilm worked out a deal that allowed Ross to keep performing the show.

After the success of his Star Wars show, Ross left outer space and traveled to Middle Earth to write and perform One Man Lord of the Rings. “One ring to rule them all” or as he puts it, “One nerd to perform the whole trilogy” based on J.R.R. Tolkien’s The Fellowship of the Ring, The Two Towers and Return of the King. This show has also been a huge hit for Charles. Sir Ian McKellan (Gandalf) himself said “If you liked Lord of the Rings, You’ll love Charlie Ross’ version.”

The Force is strong with this one, my Precious. You shall not pass… the chance to see these shows so check out www.OneManStarWars.com  and www.OneManLordoftheRings.com to see tours dates for Charles Ross’ performances.

Jim McLernon

Visit Jim McLernon’s website: http://www.leopardmanstudios.com/

Top 12 Most Anticipated Films Of 2012

2012 promises to be an exceptional year when it comes to sci-fi, fantasy and horror film releases. These are the top twelve picks (being that it’s 2012 “gulp!”) plus some promising runner-ups. Let’s hope these films live up to the hype.

12. Rise of the Guardians

This animated holiday offering by DreamWorkshas a fun premise; mythical characters like Santa Claus, the Easter Bunny, Jack Frost join forces to save the world from the evil Boogeyman. Release Date: November 21.

11. Wrath of the Titans

A sequel to the surprisingly good Clash of the Titans remake. Just based on the trailer, expect more heroics, monsters, angry gods, and giant cyclops, oh my! Release Date: March 30.

10. The Hobbit: An Unexpected Journey

It’s astonishing but the placid trailer didn’t really capture the public’s eye except hardcore Tolkien fans. Lots of talking heads and makeup. But being this is Peter Jackson’s follow up to his epic Lord of the Rings trilogy, it’s sure to stand up to his previous Middle Earth saga. Release Date: December 14.

9. Chronicle

Another one of the found-footage films; this is about a trio of young men who acquire super powers. The fun they have soon gives way to dread as one of the friends lets the power get to his head. Release Date: February 3.

8. World War Z

This adaptation of Max Brooks’ zombie epic would’ve scored higher on the anticipation scale but the word that it will be a PG-13 film and changes from the novel brought about some caution. (The book is told from the point of view of many people across the world. This film seems to be more linear with Brad Pitt in the lead role.) Release Date: December 21.

7. The Cabin in the Woods

This Joss Whedon-produced film was finished a while ago but sat on the shelf until this year. Promising to turn on its ear the cliché of a remote cabin found by a some young people, the buzz surrounding this film has begun to percolate due to Whedon’s genre clout (i.e. Buffy The Vampire Slayer and Firefly). Release Date: April 13.

6. John Carter

The trailers keep looking better and better, capturing the fantastic swashbuckling feel of Edgar Rice Burroughs’ A Princess of Mars. Directed by Andrew Stanton (who won Oscars for Pixar’s masterpieces WALL-E and Finding Nemo) the film about a Civil War vet’s adventures on the planet Mars could continue the trend of notable animators making successful transitions into live-action filmmakers (see Brad Bird with his Mission Impossible: Ghost Protocol). Release Date: March 9.

5. The Amazing Spider-Man

It’s pretty obvious that Sony is cranking this too-soon reboot to hold on to the lucrative franchise but it looks very promising. Andrew Garfield has an eerie resemblance to Peter Parker, Spider-Man’s mechanical web shooters, the evident back to basics approach and Marc Webb’s distinct visual style makes this film one to keep an eye on. It could be this year’s version of X-Men: First Class. Release Date: July 3.

4. Gravity

Alonso Cuaron who directed the best sci-fi movie of the last decade (Children of Men) as well as Harry Potter and the Prisoner of Azkaban helms this film about two astronauts (George Clooney and Sandra Bullock) trapped onboard a damaged space station and their efforts to return to Earth. Release Date: November 21.

3. The Dark Knight Rises

Christopher Nolan concludes his acclaimed Batman trilogy with the Caped Crusader’s greatest struggle in a Gotham that has shunned him. Meanwhile Batman’s absence leads to the rise of one of his deadliest villains, Bane and sexiest, Catwoman. Given the runaway success of The Dark Knight, this film is certain to be a monster hit. BTW, Robin (supposedly played by Joseph Gordon-Levitt) is rumored to make his debut in the film. Release Date: July 20.

2. The Avengers

Any fan boy’s (or girl’s) dream come true. Captain America, Iron Man, Thor and the Hulk team up and portrayed by the actors originating the roles (except for the Hulk). Add in other characters like Hawkeye, Black Widow, and Nick Fury and that’s a recipe for a blockbuster. While not as dark and serious like The Dark Knight Rises (just wish Marvel Studios would stop with the too-loud rock music in their trailers!), this Joss Whedon super hero mash up could be the big one for the summer. Release Date: May 4.

And the most anticipated film to be released in 2012 is (insert drumroll sound effect)….

1. Prometheus

Ridley Scott returns to science fiction in a big way with this prequel to Alien. Actually while it takes place in the same universe the ugly xenomorphs are nowhere to be found in this film. Not much is known about the plot outside of hints that it deals with astronauts trying to learn humanity’s roots and encountering the alien space jockey’s race (that creature was seen as fossilized remains in the original Alien). Once the official trailer was released, the film’s buzz level reached fever pitch. Release Date: June 8.

Others To Look Out For:

Looper (a time- travel actioner with Bruce Willis and Joseph Gordon-Levitt); Men In Black III (Will Smith and Tommy Lee Jones return as Earth’s best illegal alien hunters with a time-traveling twist); The Hunger Games (based on Suzanne Collins’ novel about young people surviving deadly combat games in a brutal post-U.S.); Cloud Atlas (The Wachowski Brothers return with this centuries-spanning story with an all-star cast; significant segments of the film take place in the future); Battleship (big, splashy alien invasion tale with plenty of action, effects and military hardware, thankfully Michael Bay isn’t directing this one); Iron Sky (a zany premise involving Nazis escaping to the moon’s dark side and returning to Earth a few years from now); Ghost Rider: Spirit of Vengeance (hey if the trailer has the balls to show Ghost Rider peeing fire, then the film deserves to be checked out!), Abraham Lincoln: Vampire Hunter (adapted from the best-selling novel); Brave (Pixar’s newest film about a heroic Scottish girl in ancient times);  Skyfall (the next James Bond film is directed by Sam Mendes and Daniel Craig returns as the grittiest Bond); and The Divide (Michael Biehn stars in this claustrophobic apocalyptic thriller).

Remember all release dates are subject to change and add in a few other films (notably Paranormal Activity director Oren Peli’s delayed Area 51 that could debut anytime) that were left off or without official 2012 release dates but may impact geekdom in a huge way.

José Soto

UPDATE: Both World War Z and Gravity have been pushed to 2013. With Gravity’s case, this was due to some reported mixed reactions to a test screening.