Category Entertainment

Dec 18 2023

MCU Kang Actor Jonathan Majors Found Guilty

Jonathan Majors, very recently one of the most promising rising actors and best known for his role as Kang the Conqueror in the Marvel Cinematic Universe (MCU), has been found guilty today for assault and harassment in New York City.

Early this year, Majors had been on an upward trajectory with his acting career, winning a lot of acclaim for his many performances. His most prominent genre roles were as Kang/He Who Remains/Victor Timely in Loki and Ant-Man and the Wasp: Quantumania, as well as Atticus Freeman in Lovecraft Country, and Rafe Drummond in Captive State. In March of this year, Majors was arrested for assault after a major domestic dispute with his girlfriend that turned physically violent. This arrest at the time put his future as Kang in doubt, as well as with other acting projects.

Now that he as been found guilty for misdemeanor charges of third-degree assault and second-degree harassment, Marvel Studios and its parent company Disney have already dropped him from his role as Kang and his acting career is over.

Ordinarily this turn of events would have been catastrophic for Marvel Studios and its MCU given that Kang was supposed to be the cinematic universe’s main villain for its upcoming slate of films including Avengers: The Kang Dynasty. However, being that the character is heavily involved with multiverses and variants as seen in Loki and Ant-Man and the Wasp: Quantumania it should be fairly simple for Marvel Studios to recast the role. To satisfy fans who would question why the character looks different going forward, an in-universe explanation could be that a new variant of Kang came into prominence. There is already precedent for other types of Kangs. In a post-credits scene for Ant-Man and the Wasp: Quantumania we witness not just several thousand Kangs but some that were not even human. So, recasting Kang should not be an issue.

It is regrettable that this has happened given Majors’ talent, but he was found guilty and has to pay for his crimes. His acting career is over but after facing justice, Jonathan Majors will have a chance to get the help he needs.

As for Disney and Marvel Studios, this is just another headache they’ve had to contend with and the second time an actor was suddenly not available for a prominent role as we saw when Chadwick Boseman passed away. It is best for Marvel Studios to move on as they already have in order to prevent any more delays with their upcoming MCU projects. But, the best lesson for the studio is to properly vet the actors and other filmmakers to prevent any future controversies with its MCU projects.

Getting back to Kang’s future in the MCU, just because Jonathan Majors can no longer play Kang, this does not mean the character has to be discarded. Kang showed a lot of potential as a captivating villain and the storyline about a rampant multiverse is rather interesting and should be allowed to be concluded in Avengers: The Kang Dynasty. Hopefully, Marvel Studios will find the right person to replace Jonathan Majors and continue with the multiverse storyline.

Dec 11 2023

Battlestar Galactica Reimagined Circa 2003

After the original Battlestar Galactica TV show ended its run in the late ’70s there have been numerous attempts to revive it. Some included efforts by Bryan Singer and Richard Hatch, the star of the original TV show. But none were successful until Syfy greenlit a remake instead of a sequel to the orignal show, which aired as a two-part mini-series on the cable channel beginning on December 8, 2003.

Distinctly darker and more grounded than the original TV show, the new Battlestar Galactica quickly won acclaim from critics and fans, even those who were skeptical over the changes made to the concept. The mini-series was so successful that Syfy quickly ordered a series, which began airing later in 2004.

The basic premise of the new Battlestar Galactica was similar to the original TV show. In a distant part of the galaxy, a fragile truce between humans and a cybernetic race called the Cylons is shattered when the Cylons launch a surprise attack that destroys the human civilization. The few remaining human survivors set off in a ragtag fleet led by the last remaining battlestar warship called Galactica to find refuge in the lost human colony world known as Earth.

Whereas the original Battlestar Galactica clearly followed the spirit of Star Wars with an emphasis on starship battles and admittedly cheesy scripts, this version was edgier and grittier. It was clear that this 2003 version of Battlestar Galactica was influenced by 9/11. This turned off some fans of the original Battlestar Galactica who desired a more innocent rendition, but the reimagining drew in many more fans to take their place. They welcomed the moral dilemmas and flawed characters that were the main feature of the mini-series as the aftermath of war and its impact on humanity was fleshed out. The show was so grounded that even though these humans lived in a distant part of the galaxy they wore the same kind of clothes we wear today including business suits. They spoke like normal people, too with the exception that the F word was replaced by “frak” to get around censors, although this made up curse word was used too often and unrealistically in normal conversations.

Another way Battlestar Galactica stood apart from the original was with its exceptional acting. Starting from acclaimed and well known actors like Edward James Olmos and Mary McDonnell to relative newcomers like Jamie Bamber, Katee Sackhoff and James Callis, they infused their roles with needed gravitas which engaged the audience. Unlike the original which focused on the adventurous exploits of Captain Apollo and his buddy wingman Starbuck, the clear leads in the remake were Olmos’ William Adama and McDonnell’s President Laura Roslin. Both characters were unexpectedly thrust into leadership roles for the desperate remains of humanity looking for any kind of guidance and hope. Even with the compelling and mature leads, the remake was more of an ensemble piece, as it prominently featured other important characters like Adama’s son Apollo (Bamber) and his best friend, Starbuck (Sachhoff in a role that was orignally portrayed by a man).

Adding to the drama was that the Cylons were hunting down the last remnants of humanity. One of these survivors was Dr. Gaius Baltar (Callis), who unwittingly helped the Cylons destroy human civilization and grapples with his guilt as he is taunted and seduced by an imaginary Cylon called Number Six (Tricia Helfer). She is part of a new race of Cylons that evolved to look and act like humans and were able to infiltrate human society. This new wrinkle with the Cylons added an intriguing twist and put a face to the enemy, which in the original show were just robots without any personality. This development also introduced an element of paranoia as the humans were no longer sure if the enemy was hiding in plain sight among them ready to commit acts of sabotage and terrorism.

The success of Battlestar Galactica revitalized interest in the IP and led to a TV series that ran for four seasons, a spinoff series called Caprica and there are reports of a new version to be produced. Some of the best sci-fi episodes of any TV show were part of the TV show’s lineup as it further developed the plot lines and characters introduced in the mini-series. This would not have been possible if the Battlestar Galactica 2003 mini-series failed to find an audience and it is why it should be praised for its accomplishments twenty years later.

Dec 3 2023

Godzilla Minus One = Plus One Greatness

Some may scoff the latest Godzilla film, Godzilla Minus One, as just another kaiju flick with battling monsters, goofy plots, and bad acting. But they will be very surprised by what Godzilla Minus One offers since it is one of the greatest Godzilla films ever made.

Evoking the serious and somber tone of the original Godzilla from 1954, Godzilla Minus One is much more than a giant kaiju film about rampaging monsters standing in for deadly forces of nature. It is also a film that studies the impact of war on former soldiers and civilians. With that in mind, the film takes the time to get viewers to become involved with the storyline of its human characters who have a surprising amount of depth and story arcs.

The film opens in the last days of World War II on a Japanese island that serves as repair depot for kamikaze planes. Kōichi Shikishima (Ryunosuke Kamiki) is a kamikaze pilot who lost his nerve and sets down on the island and pretends his plane needs repairs. During nightfall, the depot is attacked by a dinosaur-like monster called Godzilla by the locals. This version of Godzilla is considerably shorter than the giant walking skyscraper we’re used to seeing. This one is about the size of a large t-rex, but is quite deadly. Shikishima cannot bring himself to attack the rampaging beast that soon kills nearly everyone at the depot. Carrying this guilt with him, Shikishima struggles to adapt to civilian life in the midst of a decimated Japan after the war ends. A couple of years later, he meets Noriko Oishi (Minami Hamabe), who struggling to survive with her adopted child Akiko, who was orphaned during the war. The three form a fragile family that soon begin to strive after both adults find jobs and meaning. Shikishima works on a minesweeper boat and bonds with his shipmates. He is compelled to accept his new family and to marry Noriko, but his wartime past still haunts him. At this time a U.S. nuclear test in Bikini Atoll mutates Godzilla, who soon appears in Japan’s waters as a gigantic destructive force that emits radiation through its breath and is able to quickly heal itself from deadly injuries.

After a terrifying encounter with the creature, Shikishima’s surivor guilt and post-traumatic stress disorder kick into overdrive as he is plagued by inner demons over his inability to act in the past. Before long Godzilla makes landfall and decimates the Japanese city of Ginza before disappearing into the ocean. But everyone knows the behemoth will return and take all measures to destroy the kaiju before it returns. This also provides Shikishima with the drive to earn a measure of self redemption by confronting the monster once and for all.

Godzilla Minus One is full of drama and tension as we witness Shikishima’s story and the terrifying might of the monster. Obviously, Godzilla is a metaphor for the destructive force of war and this is done so well in the film. His rampages are very terriying and humbling as humanity and society are laid to waste by the kaiju. The scenes of mass destruction are also anchored by the compelling human stories as the survivors of World War II struggle to rebuild their lives and society. That is why it is disheatening to see the fragile peace created by Shikishima and his friends torn apart so easily by Godzilla. We actually care about these people, they are not random background characters who we casually dismiss when the monster stomps about a city. At the same time, the film also evokes Jaws in its depiction of the casual banter of shipmates who then confront a terrifying underwater beast that functions a colossal prehistoric shark.

The only quibble with the film is that it takes great lengths to explain why the American or even the remnants of the Japanese military did not try to confront the monster more openly. Despite shoutouts about Cold War fears, this does not seem realistic, especially if the behemoth that destroys a city is breathing out deadly radioactive fire. You can bet the U.S. military would have gotten involved when this was discovered. It is also implausible that the Japanese military would have a hands off attitude when it came to fighting Godzilla. Instead, the final confrontation is left up to “private citizens” who take matters into their own hands. This just seems unrealistic.

Unlike most Godzilla films, Godzilla Minus One boasts excellent production values from special effects that easily rivals what comes out of Hollywood to engaging performances from the actors. Much of the credit has to go to its director and screenwriter Takashi Yamazaki, who also supervised the stunning special effects. Yamazaki has a great eye for filmmaking and other kaiju productions should emulate what he has accomplished. It is clear that the Monsterverse films could use the talent of Takashi Yamazaki, who would bring levity and depth to their films. As much fun as the Monsterverse films are Godzilla Minus One elevates the kaiju genre to a much higher level. Then again Hollywood being the way it is would dilute the talent of this director.

It is stunning to know that after 70 years, it is still possible to create an excellent Godzilla film. Godzilla Minus One has set a new standard for Godzilla films that will be difficult to match, but it could inspire other equally impressive kaiju films.

José Soto

Nov 27 2023

The MCU Woes, Part II: How To Correct Itself

The latest online trend has been to bash Marvel Studios and its Marvel Cinematic Universe (MCU). Toxic trolls have been pouring out with uncontrolled glee proclaiming Marvel Studios is too woke and deserves to fail. They point to the disappointing reception for many of the MCU’s latest offerings as proof that the brand is dead. Further adding fuel to the fire, Marvel Studios has delayed many of its productions to improve them.

It is undeniable that the MCU brand has taken some hits and is not regarded as highly as it was during its heyday, to call the brand dead or beyond repair is a gross exaggeration.

Thankfully, Marvel Studios and its parent company Disney have recognized the situation and are taking concrete steps to course correct and ensure the MCU regain its reputation for quality superhero films and TV shows. Sure, the MCU has taken its lumps, but what brand is not immune to this? Many times it is good to take a tumble, this gives one the chance to learn from mistakes and improve. This is what is going on with the MCU.

First of all, Marvel Studios has shown the willingness to scrap what they have worked on and start over. One example is the Daredevil: Born Again TV show which has been scrapped and been redone. Another example is that Captain America: Brave New World has been delayed in order to rework it due to a poor test screening. Then there are the rumors that Kang will be written out of the future films and TV shows in favor of Doctor Doom. This would take care of the situation with Jonathan Majors facing trial for domestic abuse, especially if he is found guilty. These examples demonstrate that Marvel Studios is willing to take the necessary steps to take the time to produce the best projects possible.

Better Scripts Needed

However, the first and most important step that needs to be taken is to devote more time to the scripts. Allow the writers to tell proper stories and DO NOT GO INTO PRODUCTION UNLESS THE SCRIPTS ARE COMPLETED TO EVERYONE’S SATISFACTION. This would largely take care of the problem of realizing a film is not working and having to do major retooling with it in post-production. This is why recent projects like Secret Invasion fared so poorly. It’s been reported that Secret Invasion had major overhauls and rewrites in the middle of its production, which is why the end product seemed so underdeveloped and rushed. On the other hand, look at two recent MCU successes: Loki Season 2 and Guardians of the Galaxy, Volume 3. Both productions had well-crafted scripts that were full of heart and flowed well. More importantly the stories logically reached their conclusions while servicing the characters. This is a major reason why both projects received so much acclaim and performed well.

Even though it is important to follow a certain narrative as dictated by the higher ups and to meet deadlines, the screenwriters should be given more autonomy with their scripts. It is also important at this point with the MCU to hire great writers who have a record of turning in terrific and solid screenplays.

The same should go with directors. This is a difficult task given that Marvel Studios is more hands on with their productions than normal. Still, the past has shown us that great directors like James Gunn and Ryan Coogler, and the Russo Brothers can work within the confines of an MCU production and deliver great films. Oftentimes, Marvel Studios hires relatively unknown directors who wilt under the pressure and demands of the studio and turn in mediocre films or TV shows. Marvel Studios has to make sure that the best possible directors are hired for their projects. If they want to go with lesser known (and cheaper) directors, have them feel their oats with some of the TV shows. Michael Giacchino is a prime example of this. Known only for his film scores, Giacchino blew everyone away with his directing duties in Werewolf By Night.

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Nov 18 2023

The MCU Woes, Part I: How Did It Get To This?

Given all the downbeat news lately about Marvel Studios’ Marvel Cinematic Universe (MCU), it’s pretty understandable why MCU fans are so alarmed. It was not that long ago when the MCU was an undisputed entertainment behemoth that could not do anything wrong.

Now, there have been noticeable tumbles with their projects, especially this year. Ant-Man and the Wasp: Quantumania underperformed in the box office, the Disney+ TV series Secret Invasion was widely derided and what was worse is that the recently released MCU film, The Marvels, is performing worse than the third Ant-Man film.

Then the behind-the-scenes turmoil further added to the impression that the MCU is falling apart. Reports have revealed that productions were rushed and reshot. This explained why many MCU films and TV shows felt so disjointed and undeveloped.

Another dilemma involved the actor Jonathan Majors who plays Kang the Conqueror and is slated to be the major villain in the next few MCU films. He was recently arrested for domestic abuse and Marvel Studios and its parent company, Disney, is struggling over what to do with Majors and the character of Kang because if he is found guilty this would disrupt any upcoming films or TV shows.

Then there is the issue of what direction should the overall MCU should take. In the first three phases of the cinematic universe there seemed to be a goal that the films were reaching towards. Although the Multiverse Saga has been introduced in the Phase Four and Five of the MCU, many films and TV shows have ignored the concept and as a result the overall narrative of the MCU seems aimless and less interconnected than previous films.

Adding to the disjointed and convoluted nature of the current MCU is that a lot of characters and storylines have been introduced but many of them have not been followed up. For example, what happened with the Eternals after the Celestials kidnapped half of them? What is the story behind the Hulk suddenly having a son? Will we ever see Hercules carry out his quest of vengeance against Thor? What happened to the symbiote fragment that was left behind in the main MCU by Venom? What happened with the crusade of the United States against aliens?

What happened behind the scenes was that most of the productions had their scripts drastically altered during filming, which led to a slapdash feel to the finished film or TV show. This in turn strained the special effects department who were forced to work under insane deadlines and resulted in horribly bad special effects that in some cases were tweaked after a film or TV show was released.

What was worse is that the MCU was such a victim of its own success that the higher-ups at Disney demanded more projects from Marvel Studios to pad out the roster of Disney+ inventory. The reason for this as many know was due to the launch of Disney+, which had few original programs, and the COVID-19 pandemic. Both incidents caused Disney to demand more productions to be launched on the streaming app since it was the only way to present the MCU productions during the outbreak of the pandemic. As a result multiple projects were put into production, even though the demand for some of them was questionable. Does anyone actually want to see an Ironheart TV show?

This stretched ability of Marvel Studios to deliver quality films and TV shows and people noticed. Productions were rushed in order to meet deadlines and were heavily reshot during post-production. This in turn not only drastically changed some plots but disrupted the narrative flow of the stories. The results were less than satisfying films and TV shows, though the quality of the MCU productions varied. Still for every WandaVision or Black Panther: Wakanda Forever there was a Secret Invasion or Eternals. Marvel Studios saw diminished returns for their projects, which became very apparent this year given how poorly Ant-Man and the Wasp: Quantumania, Secret Invasion and The Marvels were recieved.

So is all lost? Is the MCU headed in the same direction as the hapless DC films?

No, to both questions.

Marvel Studios has shown that it’s capable of putting out truly great films and TV shows. Just look at this year’s offerings of Loki and Guardians of the Galaxy, Volume 3. There is still demand and goodwill for upcoming MCU projects like the third Deadpool film and Avengers: Secret Wars. But more importantly, the film studio and Disney are being proactive and are addressing the situation. The best days for the MCU may still be ahead of us.

In a follow up post, we’ll look at what Marvel Studios can do to right the ship and point out how they are taking concrete steps at this moment.