Tomorrowland Is A Whimsical Place

tomorrow poster

Tomorrowland is a bright, sometimes wondrous spectacle that shines in spite of its flaws. Thanks for that goes to director Brad Bird who continues to demonstrate why he is one talented director. Tomorrowland has so many fantastic merits: acting, cinematography, special effects and it’s a fast-moving adventure that celebrates optimism. With all it has going for it, it’s unfortunate that a sometimes pedestrian script grounds this film at times, particularly in its final act.

Tomorrowland begins with the story of Frank Walker (George Clooney), who as a child attended the 1964 World’s Fair in New York. Disney fans will delight with these scenes, which are a fond tribute to the genius of Walt Disney as the basis of well-known theme park rides are presented. At the fair, he meets this mysterious young girl called Athena (Raffey Cassidy) who gifts him with a pin that has the Tomorrowland symbol on it. That pin turns out to be an entry way of sorts to another realm where a beautiful, futuristic city is located.

casey

Then the film jumps to the present and introduces the other major character Casey Newton (Britt Robertson), a teenage girl living in Cape Canaveral who laments about the demise of NASA and the pessimistic nature of our world. She is baffled that so many people around her, including her father, have given up on their dreams and she’s rebellious as a result. Later, she comes into possession of the same kind of pin that Frank received years ago. Only this time whenever she touches it, Casey is transported to the outskirts of Tomorrowland, the same future city that Frank visited as a youth. Her visit to this whimsical place are some of the most moving and stirring scenes that will delight sci-fi fans. The city is reminiscent of the same futuristic locale featured in the animated film Meet the Robinsons as it features nifty flying vehicles, fantastic robotic workers, gleaming skylines and people zipping through the skies in jet packs. The city is an actualized version of the Tomorrowland section in the Disney parks and it’s a hoot to behold. This is one of the best utopian places ever featured on film.

As joyous as is her visit, it abruptly ends. Determined to go back to Tomorrowland, Casey soon meets Athena, who is still a young girl. The two of them set out to meet Frank, who is now a bitter recluse having been exiled from the future city years ago. Impeding their journey are teams of fake-smiling androids with the same plastic demeanor of a theme-park workers, who pursue them across the country with deadly ray guns. When Casey and Athena finally encounter Frank in Upstate New York, the mystery of Tomorrowland is revealed, as well as the fact that our world is imperiled. It turns out that the only person that can avert disaster is Casey herself and time is against her.

For most of the film’s running time, Tomorrowland is a captivating ride with many unexpected twists and turns just like a theme-park ride. The film is a good example of the journey being more interesting than the destination. That is because once the film actually gets to that city the script starts to come apart with lazy exposition and going overboard with the message Brad Bird and company try to present. That is unfortunate because the message about hope and casting aside cynicism is something that we all need in these times. Tomorrowland champions the themes of innovation, imagination and hope, but it should have been more stirring with its delivery. Talented as Brad Bird is, the lauding of these ideas doesn’t feel natural in its final act when its crucially needed. What doesn’t help is the revelation of the film’s villain, who lacks real teeth and a too-convenient explanation of what is going wrong. It felt very tacked on and robs Tomorrowland of the tension and mystery it was building towards.

more tomorrowland

Still, Tomorrowland does a fine job of involving viewers in the story of a youthful optimist and an older cynic. Casey’s journey is engrossing and full of adventure, but what truly resonates is that through her and Athena Frank learns to dream again..and to hope. It’s that message about hope that resonates with Tomorrowland and gives one reason to look forward to the future, and to work for an optimistic vision.

Lewis T. Grove

 

 

 

Mad Max Delivers A Fury Of Action

Director George Miller makes a triumphant return to the post-apocalyptic desert wasteland of Mad Max in the fourth installment of that pulse-pounding saga. Mad Max: Fury Road now stars Tom Hardy as the sullen, scarred highway loner “Mad” Max Rockatansky and he is the same embittered road warrior as in the previous Miller films.

joeAt the start, Max is captured by a bizarre cult called the War Boys led by Immortan Joe (Hugh Keays-Byrne), a hulking tyrant with long, flowing white hair and a chilling breathing mask adorned with horse teeth and vacuum pipes. During his captivity Max is swept up in an escape by Imperator Furiosa (Charlize Theron), who flees the cult’s territory with a souped-up War Rig along with Immortan Joe’s prized Wives­: nubile young women he enslaved solely for breeding. From there it’s a frenzied pursuit caper with Furiosa in her rig frantically outrunning her former leader’s outlandish armies and their tripped-out vehicles.

fury road

As with the other Mad Max films, there isn’t a tremendous amount of plot. Basically the heroes have to get from point A to point B and avoid the bad guys. Max is still haunted by his past and uncaring about Furiosa’s dilemma at first, before allowing his heroic side to emerge. But Mad Max: Fury Road is still an outlandish, adrenaline-fueled action film! What makes this exciting film so fantastic is its simple nature and ability to deliver the pulsing goods. Astounding practical guitar playereffects and stunts, plus a non-stop pace add to this exhilarating viewing experience. Then there are the many off-the-wall images like a hellish guitar player that is used to spur on the War Boys and terrify the enemy with a flame-shooting electric guitar. Other moments include the sickening sight of women used as cows to pump milk or men used as mobile blood banks. Those along with long-sweeping vistas of imposing desert lands enforce the notion that hell has come to this future Earth.

FURY ROAD

Interestingly, the film isn’t afraid to slow things down once in a while because these moments allow the audience to know and care about the characters. One of the more interesting people in the film is Nux (Nicholas Hoult), a War Boy that was obsessed with capturing Furiosa and the Wives, but winds up fighting for them instead. More importantly, Hardy is a worthy successor to Mel Gibson, the original portrayer of Max. It’s a relief to see that the character is in good, stoic hands with Hardy. That is because Max is able to exhibit his savage and noble heart in the heart-pumping climax where he and Furiosa have their final confrontation with Joe and his army.

FRD-22003.JPG

Given all of its fast-moving and engaging merits, Mad Max: Fury Road is as terrific as The Road Warrior and in some ways better. That’s because it harkens back to the good old-fashioned action/car chase films from the ’70s and ’80s, while delivering something more tangible.

Waldermann Rivera

Avengers: Road To Civil War & Infinity

cap vs iron man

First of all, anyone who is reading hasn’t seen Avengers: Age of Ultron should stop reading and see the film because some spoilers from that film will be covered. With that warning out of the way, let’s go over the ramifications of the newly released film.

Just like Captain America: The Winter Soldier, Avengers: Age of Ultron has proven to be a pivotal film in the ever-growing Marvel Cinematic Universe (MCU). By the film’s end, the status quo of the superhero team has been irrevocably changed symbolized by a new lineup. But more importantly, the seeds for future films in the MCU have been planted or nurtured. Specifically, the next Avengers films, Avengers: Infinity War, Parts I and II, Thor: Ragnarok, Black Panther, and next year’s Captain America: Civil War.

A complaint lodged against Avengers: Age of Ultron is that it spends too much time setting up these future films, but as one of the final films in Phase Two of the MCU it needed to set up strangePhase Three with its many references and subplots that weren’t intricately involved with the film’s main storyline. In fact, some have griped that more Easter eggs weren’t dropped, namely having cameos by Spider-Man, Doctor Strange, Ant-Man, and Captain Marvel (who was supposed to be briefly introduced but dropped at the last minute). In reality, the film followed the mode of modern comic books that have many references to other titles, especially during big events. But never mind these gripes, looking ahead, one can’t help getting excited by the prospect of what is to come.

Comes The Civil War

After this summer’s Ant-Man, the next major event in the MCU will be the third Captain America film. It’s to be a loose adaptation of the classic comic book mini-series, Civil War, that came out last decade and forever changed the Marvel Universe. In that story, Iron Man and Captain America become bitter enemies with each other and formed factions that battled each other. It all started in the wake of a 9/11-type tragedy that had the public demanding that super-powered beings be held more accountable. This culminated in the passage of the Superhuman Registration Act and with the two heroes taking opposing viewpoints about the law and arms against one another.

Kevin Feige, the president of Marvel Studios has stated that the film won’t be a strict adaptation of the mini-series, “So this will be Civil War based off all the other films you’ve seen up to this point, particularly Winter Soldier and Age of Ultron…Something happens. It has made the governments of the world say ‘we need to have some oversight of these guys.’ It’s not about the secret identity thing, as much as it is about, overall, who reports to who.”

iron capWhat will exactly happen? We can only speculate at this point as we wonder the following: Will the Winter Soldier be involved in some incident that leads to the Civil War? Or perhaps the film’s villain, Baron Zemo will orchestrate events to bring about chaos and the Civil War. It seems that Captain America: Civil War will be as deep and exciting as its predecessor with mature themes while delivering the big thrills. And it promises to be one of the bigger epics in the MCU.

But wouldn’t it have made more sense to make this an Avengers film instead? To have a war, one needs an army and presumably both camps will have its supporters, hence a large group of characters at least for a solo superhero film. Already, Robert Downey, Jr. will reprise his role as Iron Man/Tony Stark. It’s been announced that the film will introduce Black Panther and Spider-Man (making his MCU debut). Other featured heroes include Black Widow, Hawkeye, Falcon, Scarlet Witch, War Machine, Ant-Man and Vision. The coming film runs the risk of being too bloated with characters and a story that needs more time or additional films to satisfactorily tell its core story. But the film is in good hands with Anthony and Joe Russo directing it. Continue reading →

Avengers Come Of Age With Ultron

a2 poster

Eye-popping. Action-drenched. Dazzling. LOUD. Explosive. Those are words that come to mind when thinking about Avengers: Age of Ultron. That is because this sequel to The Avengers is a true visual feast. That isn’t to say that Avengers: Age of Ultron tops the original, it doesn’t, but viewers will have an unforgettable time at the theaters watching it.

Joss Whedon returns to the director’s chair with this sequel that reunites most of the original cast including Robert Downey, Jr. as Tony Stark/Iron Man, Chris Evans as Steve Rogers/Captain America, Chris Hemsworth as Thor, Mark Ruffalo as Bruce Banner/The Hulk, Jeremy Renner as Clint Barton/Hawkeye and Scarlett Johansson as Natasha Romanov/Black Widow. Like any worthwhile sequel, Avengers: Age of Ultron introduces new, exciting characters like Vision (Paul Bettany), Scarlet Witch (Elizabeth Olsen), Quicksilver (Aaron Taylor-Johnson) and the malevolent android Ultron (James Spader).

Avengers in forest

After a kinetic opener where the Avengers take out an enemy base in Eastern Europe, they encounter two super-powered people who are antagonistic towards them. One of them, the Scarlet Witch, has mind-altering powers and influences Stark to retrieve Loki’s scepter from the base. In the last film, this weapon was wielded by Thor’s errant brother Loki and it’s powered by one of the immensely powerful Infinity Stones featured throughout the Marvel Cinematic Universe (MCU).

Back in New York, Stark and Banner QS capdecide to use the scepter’s power to help them create a genuine artificial intelligence. Their efforts fail, but once they leave the lab, the program becomes sentient and assumes the Ultron identity in a damaged Iron Man drone body. The problem is that Ultron’s programming of performing Stark’s directive of bringing about world peace has been corrupted. Now it wants to eliminate humanity. The AI goes viral and spans the world, perfecting its physical body and carrying out its planned extinction event as the Avengers struggle to catch up to Ultron and defeat it. As this plays out throughout the film, we see shifting alliances, inside looks of our heroes, and the emergence of new heroes.

ultronAvengers: Age of Ultron is a very busy film, sometimes too busy. There are so many plot points and character developments that things get lost in the shuffle at times. It rushes through plot developments that needed more nuance like the creation of Ultron. The moment it becomes self aware it is automatically evil. There are attempts to explain why Ultron wants to kill humanity but they’re hollow and don’t resonate. Another example are the development of Quicksilver and Scarlet Witch. Too much exposition explains their background and their evolution feels rushed. Then there are moments when the film is about to go off the rails with its nods to the larger MCU and in setting up other films. Sometimes it feels organic, like Stark and Rogers’ growing antagonism towards each other, which will culminate in next year’s Captain America: Civil War. Other times they feel tacked on and clumsily shoved in like Thor worrying about his own dilemmas that will be concluded in his next film. These diversions while interesting don’t allow this film to stand on its own because this film shines when it’s concentrating on its own merits.

With all this going on, things get lost in the shuffle and aren’t dwelled upon. The film struggles to juggle all these visionnew characters and servicing the old ones. It is too bad more time wasn’t spent on the Vision, the best new character thanks to Bettany’s sympathetic performance. However, some much needed time is devoted to Avengers who didn’t have much screen presence the last time around. This applies to Barton as we find out that he actually has a wife and family and this revelation makes him much more endearing to us as the point is driven home that he is the most vulnerable Avenger. Also, it was interesting to see that Captain America has by now emerged as the true leader of the team and has more of a screen presence than Iron Man.

As action-packed and fast moving as it is, Avengers: Age of Ultron lacks the original’s oomph and sense of wow. The novelty of seeing our favorite superheroes coming together isn’t there obviously, but it does its best to carry on. Usually it succeeds in dazzling the audience but it gets bogged down with its flaws.

hulk vs hulkbuster

Putting that aside, Avengers: Age of Ultron is very exciting and worth watching in theaters. Many of the special effects and action scenes are inspired and breathtaking like the part where Iron Man battles the Hulk in Africa or when Captain America and Black Widow confront Ultron and his drones in South Korea. It’s commendable that this isn’t just your typical empty summer film. It has heart and character thanks to topnotch acting. Joss Whedon knows how to raise the stakes for our characters in the final arc where Ultron finalizes his machinations and there’s a feeling of desperation and fatality among the Avengers. We care about these characters and by the end of the film the status quo has been upset and that’s a good thing. Like the comic book this film is based upon, things are always evolving with the Avengers, which will make things feel fresh in upcoming films.

avengers age of ultron cast

Despite its faults Avengers: Age of Ultron is a fitting and exuberant conclusion to Phase Two of the MCU and sets up the next chapter in the growing MCU.

José Soto

Coming Soon: Summer Films 2015

iron man, cap thor

The summer movie season is about to kick off this coming weekend with the release of Avengers: Age of Ultron. The sequel to the hugely successful film The Avengers is just the start of a deluge of eagerly (and not so anticipated) genre films due to be released this summer.

Will this be a summer to remember like in 1982 or 1984 or more recent summers like 2008 or 2012? That will be decided in the near future, but for now here’s is my personal ranking of films that I look forward to.

Avengers: Age of Ultron – From looking at early reviews, it appears that this sequel suffers from Iron Man 2itis, where too much time is being spent on setting up future films in the Marvel Cinematic Universe (MCU). Putting that aside, this film looks terrific and a Marvel fan’s dream film. Let’s hope it does a better job of setting up future films than Iron Man 2 or The Amazing Spider-Man 2 and that we come away with happy memories of the Marvel Comics heroes stomping on rogue androids.

Jurassic World – I’m a dinosaur junkie, I admit it. Put rampaging dinos and hapless human prey on a film and I’m there. Jurassic World may not top the original classic Jurassic Park but the trailers look fantastic. And despite what some gripers may say, I dig the idea of Chris Pratt using tamed velociraptors to take on the big, bad dinosaur baddie. Seriously, I just love that scene of him riding his motorcycle with his dinosaur companions running alongside like prehistoric attack dogs.

raptor dogs

Tomorrowland – What I like about this film so far are two things. One it’s not a sequel or reboot but something original. Two, being that I have no idea what’s it about, I was blown away by the visuals of a girl discovering a futuristic city. The added bonus is that Brad Bird is directing this film, which is good enough for me.

Ant-Man – I don’t care about Edgar Wright leaving the project and all the production headaches. Honestly, I think Wright’s films are way overrated and him walking away from Ant-Man weeks before filming was to start was no big loss. The first trailer was, let’s face it, underwhelming. But I was sold with the recent trailer that showcased that goofy and exciting throw down between Ant-Man and Yellowjacket, featuring the threat of Thomas the Tank Engine!

Maggie – This film came out of nowhere and caught my eye. Arnold Schwarzenneger as a father trying to protect his teenage daughter who is becoming a zombie. It sounds like a ludicrous Arnold actioner from the early ’90s, but I liked the serious tone of the trailer that features Arnold as more of an everyman type. At this point, I’d rather see this than the latest Terminator film.

Mad Max: Fury Road – George Miller who directed all the Mad Max films returns after too long with the latest entry of our favorite post-apocalyptic warrior driver. The loony visuals from the trailers embellished with bombastic music is a great throwback to the classic ’80s action flicks.

Self/Less – I just love a good, solid science fiction film with a baiting premise and expert execution. Ben Kingsley is this dying guy who transfers his consciousness into a healthy body (Ryan Reynolds). As expected, all isn’t as it seems when evil corporations and past life pathos come into the fray.

Poltergeist – The trailers were surprisingly creepy and made me interested in this remake of the Tobe Hooper horror classic. There’s a lot of skepticism with recent remakes of classic genre films like Robocop or Total Recall. And for good reason because they seemed unnecessary and didn’t bring anything new to the table. So…I hope Poltergeist will have a different fate.

poltergeist

San Andreas and Mission: Impossible – Rogue Nation – These last two films aren’t strictly genre fare, but they look exciting! And if you think about it, they are borderline sci-fi with those life-like masks that are a Mission: Impossible standard and San Andreas’ premise of the “Big One” finally happening in California.

Other genre films scheduled for this summer include Terminator: Genisys, Inside Out, Sinister 2, The Man From U.N.C.L.E., Fantastic Four, and Pixels. IMHO these films do not interest me and will probably blow, but I wouldn’t mind being proven wrong

T. Rod Jones