Top Ten Dystopian Films

soylent green elysium 2

Some of the best sci-fi films present dark futures depicting societal and social collapse. They serve as a warning to us with their vivid imagery of how things may go horribly wrong in the future. Dystopian depictions are a mainstay in sci-fi films with Elysium being the latest to feature a broken world thanks to humanity’s abusive and negligent ways. Keep in mind these are different from post-apocalyptic films where civilization has fallen due to war, alien attacks, and other catastrophes. Here are the best films of this sub-genre.

hunger games

10. TIE: The Hunger Games/V For Vendetta: In The Hunger Games, poor districts in Panem, a futuristic North American nation, are forced to send young people to participate in deadly games. Contrasting these backwards districts is the opulent and morally corrupt Capitol that seems like a futuristic Rome. That and the combination of the intrusive and empty media coverage of the games is quite a damnation of this future society. V For Vendetta is an adaptation of Alan Moore’s comic book mini-series about a future London ruled by a brutal, Orwellian regime that subjugates its citizens. V (Hugo Weaving) is a mysterious anarchist out to topple the despotic government via acts of terror and sabotage.

idiocracy 29. Idiocracy: Mike Judge directed this humorous look at our future that satirizes our current obsession with sex, violence and consumerism. In Idiocracy, unintelligent people are out-reproducing smarter people today. Eventually by the 26th century, the dim-witted will inherit the Earth as society declines due to stupidity and low-brow tastes. Their only hope lies with a modern-day soldier (Luke Wilson) with average intelligence who is frozen and revived into this dumb society.

8. THX 1138: George Lucas made his directorial debut with this film about a futuristic, underground society controlled thxby oppressive AIs. The stark, monochromatic production design added to film’s unnerving atmosphere. Robert Duvall stars as the title character, who along with other citizens, is kept in a passive drug-induced state of mind. One day, THX 1138’s drugs wear off, allowing him to feel emotions. When he fails to function properly in the cold, sterile society, he is arrested, but his new emotional state enables him to rebel against the system.

7. Escape From New York: Kurt Russell stars in John Carpenter’s classic tale of an America where crime is rampant and New York City has been turned into a penal colony for hardened criminals. Russell is Snake Plissken, a former vet-turned-criminal who is forcibly deployed into Manhattan to rescue the president of the U.S. (Donald Pleasance). Carpenter’s vision of a nightmarish New York alarmed many who were convinced the city was headed in that direction. Maybe they should’ve been concerned about Detroit instead.

6. Elysium: The world in Elysium is an overpopulated and polluted nightmare. Los Angeles in 2154 looks more like a third-world country with bombed out and decaying streets and shanty homes. Basic necessities like proper housing and healthcare are rare commodities. As in many of these dystopian films, the elite live in a separate, idyllic society; in this case an orbiting habitat. Even though Elysium has a heavy-handed message about the haves and have-nots, its harsh depiction of a ruined Earth will resonate with viewers.

walle 35. WALL-E: This animated classic from Pixar is about a lone robot cleaning up an abandoned and overly polluted Earth in 2805. For the first half of WALL-E there isn’t any dialogue as the titular robot explores the dun-colored and filthy landscapes. Somehow, WALL-E is able to experience emotions and appreciate the remnants of a now-gone civilization. Eventually he discovers humans, who have been taking refuge aboard a luxurious starship. But humans over the centuries have become morbidly obese and atrophied thanks to their too-convenient lifestyle provided by service robots. It’s up to them to learn to be fully human again.

4. A Clockwork Orange: Stanley Kubrick directed this bleak and desensitizing look at the nature of clockwork 2violent behavior and society. Its opening scenes, which featured tight, unnerving closeups of Alex (Malcolm McDowell), a young, vicious gang member are haunting. In the future, violent gangs freely roam the streets of London. Dosed on drug-laced milk, these gangs rob, rape and pillage without abandon. What was jarring and disturbing for viewers was the use of classical and Broadway-style music as these young thugs committed violent acts. Eventually, Alex is captured by authorities and is brainwashed to abhor violence with unfortunate results.

3. Soylent Green: The film’s shock ending overshadowed the bleak portrait of a future where overpopulation and scarce resources are strangling society. Despite Robert Thorn’s (Charlton Heston) famous last lines in the film, the rest of Soylent Green is compelling to watch. Resources we take for granted like food and living space are rare, while the streets of New York in 2022 are depressingly crowded and decaying. What’s really touching are Edward G. Robinson’s final film scenes. In despair over the true nature of the Soylent Green substance, his character chooses to be euthanized and is treated to hauntingly beautiful images of a once-pastoral Earth. These scenes still resonate to this day, as does Thorn’s warning to the ignorant masses.

children of men 22. Children Of Men: By 2027, humanity can no longer reproduce, causing a downward spiral for civilization as it becomes clear humanity will soon be extinct. Terrorism and anarchism are commonplace as disorder inevitably takes hold in society. Reminders of a more civilized time are spotted and add to the bleak tone since they reinforce the notion that humanity’s days are numbered. Clive Owen plays an embittered government bureaucrat who finds a cause to believe in. He encounters a pregnant woman who represents humanity’s best hope, and is forced to protect her from various radical factions. Children Of Men’s director, Alfonso Cuarón shot the film using a harsh, realistic tone that engages viewers and brings them into the action. This was best seen in the film’s third act, which takes place in a hellish refugee camp that is attacked by the British army.

blade runner

1. Blade Runner: Ridley Scott’s dystopic masterpiece proves that just because the future may have flying cars and cool neon lighting, it doesn’t mean it will be bright. Taking place just a few years from now (2019) in an overcrowded and drenched Los Angeles, Blade Runner wasn’t a simple shoot-em-up with Harrison Ford’s character chasing down evil androids. Blade Runner is rather an ambitious example blade runner 3of future noir combined with a moody, smoky atmosphere, ethereal score and ambivalent characters. In the film, Ford plays Deckard, a former cop drafted to hunt down rogue, illegal humanoids called replicants. While everyone in the film wonders if replicants have souls, the humans should’ve reflected about their own souls. Blade Runner resonated with so many not just because of the above reasons but for its intricate and crumbling cityscape. It almost seemed beautiful, even though it represented a world that had seen better days.

Lewis T. Grove

Elysium Is Neill Blomkamp’s Uneven Second Effort

elysium posterDirector Neill Blomkamp has returned after his triumphant debut film District 9 with his sophomore effort Elysium.

The film takes place in the year 2154 in Los Angeles and a giant orbital space habitat called Elysium. Earth is overpopulated and overpolluted, it’s a literal hellhole. Think of Brazilian favelos, mixed with dusty shantytowns and that is life on the planet. There’s little vegetation, rubble is everywhere and the landscape is overrun with desperate people. Meanwhile, life is idyllic up in Elysium. The habitat is a luxurious refuge for Earth’s richest elite with beautiful mansions, perfectly tended yards and gardens, and the best that money can buy. Including the best health systems that can rebuild damaged bodies and cure cancer. As expected, not everyone can afford to live in Elysium, even though everyone on the ruined Earth want nothing more than to go to the habitat.

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Elysium stars Matt Damon as Max Da Costa, a former criminal who wants to eke out an honest living as a laborer at a robotics factory. His ultimate dream is to be able to afford a ticket to Elysium. It takes an industrial accident to accelerate that ambition. Max is dying of radiation poisoning and like everyone  living on Earth, there is little that can be done to help him. Max’s only hope is to somehow make it to Elysium and its miraculous medical services.

In a desperate move, he offers his services to a local crime boss that he once worked for named Spider (Wagner Moura). One of Spider’s illegal activities is to try to ferry Earth citizens onto Elysium.  Usually, these efforts fail, thanks to the diligence of Elysium’s defense secretary Delacourt (Jodie Foster).  ????????????????She is willing to go to extremes to keep out riff raff from Earth, which includes having illegal shuttles shot out of Elysium’s skies. After the latest round of shuttles are destroyed, killing dozens of people, the president of Elysium (Faran Tahir) warns her that her job is in danger. Angered by the politician, Delacourt arranges for a coup to replace him by having the habitat’s computer system rebooted. She enlists the services of John Carlyle (Willaim Fichtner), the CEO of Max’s company, to develop a software program to carry out her coup. This program, along with other valuable data like bank codes, are stored in Carlyle’s brain.

Enter Max. Spider wants him to steal software information from any high-level executive’s brain to get rich. He has an exoskeleton and cybernetic implants surgically attached to Max, who targets Carlyle because he blames him for his dire situation. After shooting down Carlyle’s shuttle, Max is able to download Carlyle’s data, but winds up being targeted by Delacourt’s favored mercenary, a nutjob called Kruger (Sharlto Copley). This merc is a true sociopath, who reeks of barbaric lunacy. There hasn’t been a villain this insane or vicious on film since the Joker in The Dark Knight. Continue reading

Top Ten Utopian Films

Star Trek future London

One of the niftiest things about sci-fi films are the eye-popping portraits of the future. Most recently, audiences were floored by the breathtaking futuristic cityscapes seen in Star Trek Into Darkness. Keep in mind, that for dramatic reasons, things may not be perfect in these futuristic utopias. In fact, sometimes with these paradises there are significant drawbacks about them and the cost of paradise is often steep. Still, from flying cars to robotic servants, these films best showed how humanity can create a future to strive for.

Buck Rogers in the 25th century10. Buck Rogers In The 25th Century: A utopian vision inspired by late ’70s deco! The pilot for the TV show was shown in theaters before the proper series started. Tackiness takes on a new meaning in this future society with wise-cracking robots, skin-tight outfits and cheesy sets. But thanks to unfrozen astronaut Buck Rogers (Gil Gerard), things like disco, basic military tactics and boogying down make a comeback!

9. Gattaca: Imagine a future with Gattacamodern architecture from the 1950s, turbine cars and where you get all the social and employment opportunities just for being you. Yes, you can live out your dreams…as long as you’re genetically pure. It’s a haven for the one-percenters. For the rest of us created the old fashioned way, well, we’re shit out of luck. But that doesn’t stop Vincent Freeman (Ethan Hawke) from achieving his dreams in this tech noir thriller by passing himself off as one of the genetically pure.

I Robot8. TIE: I, Robot/Bicentennial Man: Both films dealt with the nature of evolving androids in the future. They featured sprawling and impressive skylines, servant androids, and nifty, futuristic vehicles. In lots of ways, life is the same as it is today in the films except with the technological advances. Life isn’t perfect and androids and robots must grapple with their civil rights. This is dramatically shown in I, Robot where the robots attempt a takeover. But overall, the futures in those films seem enjoyable.

Logan's Run apartment

7. Logan’s Run: More cheesy, ’70s-based, sci-fi trappings! Humanity’s remnants live in an underground city connected by a rail system, making it all look like something from Disney World’s Tomorrowland. In Logan’s (Michael York) futuristic society, life is pleasant and hedonistic with casual sex and drug use. No one has any cares except for their looks. The only drawback is that once you reach your thirtieth birthday, you’re euthanized.

6. Demolition Man: Welcome to San Angeles, a city rebuilt from Demoliton Man on patrolthe ashes of Los Angeles, San Diego and Santa Barbara. Along with clean streets and civil order, Taco Bell is the winner of the Franchise Wars and courteous behavior is strictly enforced. Also, crime is so rare that when a master criminal from our present (Wesley Snipes) is thawed out he creates chaos since cops in the future can’t cope. Enter John Spartan (Sylvester Stallone), a roguish policeman from the same time period, who is also unfrozen in order to stop him.

meet the robinsons5. Meet The Robinsons: Young inventor Lewis time travels to the year 2037, which is a time period heavily influenced by Tomorrowland. There, he meets the wacky titular family and contends with a mysterious villain from his past. Lewis also experiences a colorful world filled with curvy skyscrapers, genetically enhanced frogs, flying bubble cars, robots and even cloned dinosaurs. It’s a bit like The Jetsons, but much cooler looking.

4. 2001: A Space Odyssey: Unfortunately, most of the nifty innovations and tech showcased in that monumental 2001 part 2film weren’t available by the time the actual year of 2001 came along. That year would’ve been better if we had some of the inspiring developments depicted in Kubrick’s masterpiece like space planes, commonplace space travel, a moon base, and super-advanced AIs. On second thought, we’re probably better off without the super smart and neurotic AIs like HAL 9000.

Minority Report

3. Minority Report: Director Steven Spielberg worked with futurists to create a believable and probable future stocked with stupendous technologies and inventions. Sure we have no privacy and eroded civil rights in Washington, D.C., circa 2052 thanks to the PreCrimes police force led by Jon Anderson (Tom Cruise). But take a gander at Minority Report’s amazing depictions of the future. Personalized holograms for customers in stores, electronic papers, glass-based computers, jetpacks, and robotically controlled cars that can scale walls. It all makes that future seem bearable to live in.

Hill Valley BTTF Future

2. Back To The Future, Part II: What’s not to love about the optimistic future seen in this follow up to the first Back To The Future? Start with the cool-looking flying cars that clog skyways. You can convert your old cars to fly for just $39,999.95; it’s a steal! Next move on to dehydrators, holofilms, dust repellant paper, and hoverboards by Mattel (just avoid using them over water. All these innovations were part of a whimsical look at Hill Valley, CA, circa 2015. Even the clothing is uber cool–power Nikes with auto laces and jackets that adjust to your size! Worried about crime? No need to, with lawyers being abolished, justice is swift and efficient. Just watch out for those tranks, lobos and zipheads!

Starbase 11. Star Trek films Beginning with Star Trek: The Motion Picture and continuing most recently with Star Trek Into Darkness, Star Trek films have shown audiences pleasant and sometimes astounding images of our future. From Earth all the way to deep in the galaxy, humans have made san franciscoincredible social and technological advances. Gone are war, disease and poverty. Innovations like faster-than-light space travel, transporters, replicators and holodecks enrich humanity. The Star Trek films also displayed an Earth in the 23rd and 24th centuries that look clean and pristine. Take a look at the dazzling cityscapes of London and San Francisco in the latest Star Trek film. They set the bar for breathtaking and enviable views of the future. Of course, humans have to deal with Klingons, Borg and other alien bad guys. But with the likes of James T. Kirk (William Shatner, Chris Pine) and Jean-Luc Picard (Patrick Stewart), humanity can breathe easier. 😀

Lewis T. Grove

Comic-Con 2013 Highlights

Another Comic-Con at San Diego has come and gone, leaving many fans whetting their appetites over upcoming film releases, TV show premieres, comic books, etc. While the convention is supposed to be about comic books and related matter, the biggest news had to do with pending films and TV shows.

godzilla

Godzilla

Stealing the thunder in the early days of the convention was the immersive Godzilla Experience exhibit that gave convention goers a chance to see what the aftermath of a Godzilla rampage is like. Also, fans got a look at the new design of the famous Kaiju for next year’s Godzilla. Film director Gareth Edwards promises to deliver a true Godzilla movie unlike the abomination that came out in 1998. Reports are that the footage shown at Comic-Con allegedly captured the mood of the early Godzilla films.

dawn

Dawn Of The Planet Of The Apes

This anticipated sequel to Rise Of The Planet Of The Apes, 2011’s successful reboot of the Apes franchise, looks mighty interesting. A special teaser was put together for Comic-Con that showed an older and angrier Caesar (mo-capped again by Andy Serkis) in his ape camp meeting with human resistance fighters. Many were excited by the tease, which presented even more realistically rendered CG apes.

The Walking Dead

The people behind the very successful TV show The Walking Dead seem to have outdone themselves. At least, that is what it looks like with the riveting trailer for the show’s fourth season. We find Rick Grimes and his group of survivors dealing with the nitty gritty of life in a post-apocalyptic world. As usual with The Walking Dead, characters apparently die as shown in the trailer and the tension and thrills seem to be in overdrive.

Gravity

Many curious fans got a gripping look at thrilling and captivating clips from Alonso Cuarón’s Gravity movie. Featuring endangered astronauts played by Sandra Bullock and George Clooney, the movie looks incredible. Thanks to the clips, which showcase the director’s masterful long takes, anticipation has greatly grown for Gravity. This film was delayed from last year, but based on the clips, the wait may have been worth the delay.

Almost Human

J.J. Abrams’ Lost and Fringe may no longer be on the air, but his new TV offerings may make up for that. The most promising "Almost Human" Season 1TV show seems to be Almost Human, which had its pilot screened at Comic-Con. It stars Karl Urban as a cop whose partner is an artificial being in the near future. While the premise sounds formulaic, the pilot was very well received by those who viewed it.

Marvel & DC Movies

The biggest news and reactions were generated by the Marvel and DC movie announcements and previews. Arguably, the most intense and joyous reaction was from the announcement that the next Superman movie will team him up with DC’s other iconic superhero, Batman.

mutantsNot to be outdone, Marvel previewed footage, props and concept art from an impressive lineup of films like The Amazing Spider-Man 2, Thor: The Dark World, Captain America: The Winter Soldier and Guardians Of The Galaxy. Along with The Amazing Spider-Man 2, two other Marvel films generated a lot of buzz. One was the sequel to The Avengers with the announcement that the evil android Ultron will be the villain. The other film is the eagerly awaited X-Men: Days Of Future Past. Aside from shown footage and anti-mutant posters plastered all over the place, the spectacle of the entire cast appearing to promote next year’s film was noteworthy.

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Many comic book fans lament about the way that Comic-Con lost its focus on being about comic books. But at least, the films generating the most talk out of the convention are based on comic book properties. This illustrates how the characters in those comics have evolved past their traditional trappings into something larger.

DC & Marvel Throw The Film Gauntlets

ultron supebat

It’s clear that the comic book/movie titans DC and Marvel have thrown the gauntlets at each other at Comic-Con this weekend.

Both companies attempted to one-up each other with surprise announcements regarding their film franchises.

It all started innocently enough when the famous convention opened on July 17. Marvel hawked their upcoming comic book developments (remember those?), as well as the highly anticipated Agents Of Shield TV show. DC provided news on future comic book projects and celebrated the 75th anniversary of Superman with a tribute to Action Comics #1.

worlds finestThen the first bombshell was dropped yesterday. Warner Bros. and DC announced that the sequel to the film Man Of Steel will feature none other than the Caped Crusader himself, Batman! True, it’s not the Justice League film that fans are slobbering for, but it’s the next best thing, a live-action version of World’s Finest, the comic book series that teamed up DC’s most popular heroes. Seeing them on screen together was unwittingly foreshadowed in the Will Smith movie from a few years ago I Am Legend. A careful eye will spot in the movie a film poster that blends the two iconic symbols together as was done at Comic-Con.

Some may complain that Superman should be granted another solo film to develop his world. The success of Man Of Steel warrants that idea. But the problem is that DC and Warner Bros. are now in a race against the other big kid on the block. With the announcement, DC is acknowledging that they are competing against the Marvel movie behemoth, but in a different way. Rather than rushing out with a Justice League film to compete against the next Avengers film, or carefully building up the DC movie universe with references, DC chose a compromise. A Superman/Batman film allows for a new, re-imagined Batman to be introduced, while giving justified screen time to Superman. If they’re smart they should introduce elements and references to other DC characters to nicely set up the eventual Justice League film. Superman will get a chance to have another solo movie later on. There are also percolating, unofficial rumors about a Flash movie in 2016 and finally a Justice League film in 2017. To date, those two films haven’t been confirmed by Warner Bros. or DC.

spidey electro

One would think that Marvel would try to raise the ante of that announcement. And they did. At Comic-Con, the company lauded their upcoming releases, principally, a well-received presentation of The Amazing Spider-Man 2 film. In that presentation, they had Spider-Man, the character himself, make an appearance at the official panel for next summer’s film. Meanwhile, footage from the film X-Men: Days Of Future Past was shown and it whetted many attendees’ appetites. Other showcased films included Thor: The Dark World (Tom Hiddleston appeared in character as the villainous Loki), Captain America: The Winter Soldier and the eagerly awaited Guardians Of The Galaxy.

age ultornThe big reveal came when The Avengers director himself, Joss Whedon, presented a preview trailer for the 2015 sequel. No new footage was shown, just a montage of previous Marvel movies. But the end of that montage electrified everyone when the helmet belonging to the villainous android Ultron was unveiled, along with the film’s title: The Avengers: Age Of Ultron! For non-comic book fans, Ultron is an android created by Avengers member Hank Pym that went rogue and became one of the team’s deadliest foes. He was the featured villain in this year’s comic book mini-series event Age Of Ultron. This stunned many who were expecting the big heavy to be Thanos as hinted in the end of The Avengers. Ultron’s appearance in The Avengers: Age Of Ultron also indicates that the Marvel movie universe will be expanded significantly. This also cements the fact that while DC has two titan character franchises, Marvel has shown that they have successfully created a solid film universe. These films feature many middle-ranged characters that are now well-known properties for Marvel.

Many will argue over which of the two companies will be the winner in the new comic book movie war. The clear answer is that the fans will be the victors as they finally behold their wildest dream. Now if they could just get Spider-Man or the X-Men to appear in a future Avengers film! LOL

Lewis T. Grove