Category Movies

Jul 8 2013

The Superman Movies Ranked

superman i superman returns

For decades, the Last Son of Krypton has appeared in non-comic book media like books, cartoons, serials, and TV shows. His popularity and standing grew thanks to the film Superman in 1978. As a franchise, the Superman films experienced ups and downs ranging from epic masterpieces to the type of garbage seen in Mystery Science Theater 3000. Having viewed the films recently these are my rankings for the Superman movies.

1. Superman (1978): This film has stood the test of time and become a genuine classic. There have been many superhero films that have come since this one, but it still holds up today in spite of its dated special effects and other drawbacks.

whos got youSuperman has a sense of awe and majesty in some moments, namely, the first acts in the planet Krypton and Smallville. At times some scenes in Superman’s hometown seem taken out of a Rockwell painting. It’s these quieter moments that lend an ambience to what we are watching.

Once Superman grows up and moves to Metropolis, the movie becomes a hybrid of a romance, light comedy and adventure yarn. At these points, Superman/Clark Kent encounters colorful types like his love Lois Lane (Margot Kidder) and nemesis Lex Luthor (Gene Hackman), who is both an amusing and devious foe.

More than an origin story about Clark Kent growing up to be Earth’s greatest superhero, Superman is a loving ode to classic Silver Age comic books. Thanks goes to director Richard Donner’s respect for the source material and Christopher Reeve’s masterful performance as Superman/Clark Kent.

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2. TIE: Superman II (1981)/Man Of Steel (2013): I couldn’t decide which of the two films is greater. They both have their strengths and weaknesses, but they’re so different in style and execution. So determining which is better depends on the viewer’s taste and preference.

Superman II is very exciting and captivating with an engaging story. Kryptonian criminals come to Earth and create havoc while Superman, unaware of their activities, gives up his powers to be with Lois Lane. As fun as it is, Superman II unfortunately is littered with plot holes and conveniences.

For starters, how is it that Luthor gains entry into Superman’s Fortress of Solitude (some security!). How come Superman never learns about this? More importantly why is he so clueless about Zod and his cronies until after he renounces his powers? Why give up his powers? Just to dance in the sheets with Lois? Given the scope of his decision, it makes him seem kind of irresponsible and naive. Plus, the ending has an even bigger cop out than the first movie.

kneel before zod

Still, the performances by Reeve and Kidder are stellar whenever they’re together on screen. Terrance Stamp, Sarah Douglas and Jack O’Halloran are formidable and vicious villains with Stamp’s Zod displaying a sense of regality and pompousness. You’re just itching for Superman and these super jerks to finally get into it during the film’s last act. The battle in Metropolis is fun and exciting, even if it lacks the scope and effects shown in Man Of Steel. However, at least Superman showed more concern for the innocent civilians caught up in the melee, unlike Man Of Steel.

man of steel and lois

Producer Christopher Nolan and director Zack Snyder reinvigorated the Superman franchise with the epic reboot Man Of Steel. It’s a no-expense-spared spectacular with jaw-dropping and exhausting battle scenes that finally showcase the scale of Superman’s powers.

Many elements about Superman and his mythos are updated and feel refreshing. Henry Cavill does a fine job playing Superman/Kal-El/Clark Kent and echoes Reeve’s earnestness and humble nature. At the same time, Cavill makes the role his own as the role emphasizes Superman’s loneliness. We feel that he is an outcast who just wants to help out and find himself.

As Superman searches for his past heritage, MAN OF STEELGeneral Zod (Michael Shannon) arrives on Earth his small army of evil followers with the intent of capturing Superman and transforming the Earth into a new version of Krypton. Afterwards, Superman must not only contend with Zod and a mistrustful military, but with his dual heritage. There are many terrific quiet moments when he examines his humanity.

There are so many great things about the film but it has faults. Aside from common complaints about the music, the film needed tighter editing. It’s a long movie and it feels like one. Some fights seem to go on forever, leaving you wanting the whole thing to end already. Sometimes less is more as the saying goes. Continue reading →

Jul 4 2013

Mounting Pressure For A Justice League Film

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Now that Man Of Steel has proven to be a hit at the box office, demand has increased even more for a Justice League film. It’s unfair to Man Of Steel because the natural thing would’ve been for a sequel to that Superman film. It’s also unfair for the Batman franchise being that Christopher Nolan’s Dark Knight trilogy concluded last year. Normally, the focus on the franchise would have been on rebooting it not taking part in a team film.

What is driving the pressure for a Justice League film is the phenomenal success of Disney/Marvel’s film The Avengers. To say that The Avengers was a game changer isn’t a small statement. That film proved that it is feasible to present an entertaining, well crafted film that utilizes many characters from a shared cinematic universe. But it’s not unprecedented. Remember Universal Studios decades ago did this with their horror movie monsters fighting each other in films.

Lost Opportunities

Warner Bros. and DC should’ve gotten the ball rolling years ago and put references of the larger DC Comics universe into their DC films.

satelliteThey did put in very minor references in Batman & Robin (where Batman mentions Superman) and in Superman Returns (a PA announcement could be heard about a Gotham City train), but that was it. Christopher Nolan refused to have any mention of the other DC characters in his Batman films, so that opportunity was lost. Ditto with 2011’s Green Lantern. In Man Of Steel, Superman and Zod battle by a satellite that belongs to Bruce Wayne’s company, so that is a Batman reference. Plus, some there’s a blink-and-you-miss-it Booster Gold reference during a fight scene. Yet all this pales to Nick Fury’s surprise, substantial cameo at the end of Iron Man, which led to more Marvel Comics universe references in other Marvel films that culminated with The Avengers.

DC could go the same route but they don’t have the time. Fans want a Justice League film now. They’ve grown impatient with the studio’s glacial progress. Besides many higher ups in DC and Warner Bros. have stated that they don’t want to copy Disney/Marvel’s formula. Frankly, it would be the best thing to do, but with Disney/Marvel charging ahead and greenlighting films, Warner Bros./DC can’t afford to do that. It becomes a game of catch up and they’re way behind.

Nonetheless, many fans are going insane with the lack of communication from Warner Bros./DC on the status of the Justice League film.

This proves that they are taking this matter seriously and want to put out the best possible film. While there is pressure to make the film already, they don’t just want to rush out and slap something together. Given the failure of Green Lantern, Warner Bros./DC know they cannot alienate fans. Continue reading →

Jun 7 2013

Which Are Worse, Superman III & IV Or The Schumacher Batman Movies?

 

drunk supes and clark batman forever

The title says it all. While many comic book fans are salivating over the upcoming Man Of Steel movie, many of them want to forget not just Superman Returns but those horrendously awful Superman sequels from the ’80s, Superman III and Superman IV: The Quest For Peace.

On the flip side of that notion there are the Batman movies. Sure Christopher Nolan singlehandedly reinvented and salvaged the Bat franchise with his own take of Batman, but the sting of Joel Schumacher’s version of Batman in the ’90s is still felt.

Altogether these flicks nearly derailed each franchise and forced years-long moratoriums where no new Superman or Batman movies were available. With the Superman train wrecks it took nearly twenty years until a new Superman movie came out. But Superman Returns was a huge letdown and brought upon another drought of Superman flicks until this year. Batman recovered much quicker, his sabbatical from the movies only lasted seven years and his comeback flick Batman Begins set fandom on fire, culminating with The Dark Knight.

Still the nagging question remains, which of those films are worse? Let’s take a look, and start with Superman.

drunk supes

Super Duds

Before Superman III, Superman was riding high in popularity. Superman II was a huge success in the movies with its action-packed story about Kryptonian supervillains coming to Earth and Superman having to confront them. The end of the movie promised a Superman III, which excited many people. Unfortunately, the second sequel was doomed from the start. See, Richard Donner, who deserves credit for his masterful work on Superman and parts of Superman II had no input in the third Superman movie. Executive producers Alexander and Ilya Salkind had a feud with Donner and even fired him during production of Superman II. They turned to their buddy Richard Lester to complete that movie.

Now that they were running the show completely without Donner, they proceeded to ruin Superman by turning Superman III a comedy. It wouldn’t be as bad as it sounded if the movie was funny. Quite the opposite, it was moronic and embarrassing to watch. How bad was it? I put it on a few weeks ago when it was on cable to watch with my seven-year-old nephew. After a few minutes (right around that stupid scene where the traffic light figurines fight with each other), he told me to change the channel because “Superman III is dumb!”

supes gus gormanWhat is hard to believe is that there are actually defenders of this film who hail its dumb comedic bits, including Richard Pryor’s casting! Talk about misfires! Superman III heralded the downfall of Pryor’s reputation in the movies. Once the guy was seen as a comedic genius and had several hit movies under his belt. Then the poor comedian made a comment in a talk show about how he loved Superman II. Fate turned out to be cruel because the filmmakers behind the Superman films got wind of this comment and decided to put him in Superman III. It was a ballsy move, but it didn’t work. Pryor was known for his racy humor, which had to be toned down for the kid-friendly Superman film and instead he became a bumbling, unfunny buffoon in the movie. His character wasn’t much of a villain, just a misguided dupe forced to help an evil tycoon (Robert Vaughn), and of course, he helps Superman in the end. Ho hum.

Superman (and actor Christopher Reeve) took a break and didn’t appear again until the abysmal Superman IV: The Quest For Peace. By this time, the Salkinds washed their hands of the Man of Steel and sold him off to the schlocky film studio Cannon Films, famous for the zero-quality Chuck Norris and Charles Bronson action flicks.

The fourth film, the new filmmakers promised, was supposed to be bigger and better. Instead, the budget for it was severely slashed leaving an extremely cheesy mess. But the worst part was the script where Reeve supposedly had input on. Lord almighty. Superman gets rid of all the nuclear weapons without thinking of the consequences. But the movie doesn’t even cover that or have any serious discussions superman 4about that idea. The only thing that happens is that Lex Luthor (Gene Hackman) schemes with some generals and creates a sort of Superman clone called Nuclear Man (Mark Pillow). The two superhumans fight and talk in space(!) and Superman pushes the moon to create a solar eclipse to defeat him. It was strictly for kids. Alright I’m stopping. Let’s just say this wasn’t one of Superman’s better films and as much as people like to riff on director Bryan Singer for Superman Returns, at least that movie didn’t have gross scientific inaccuracies.

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May 29 2013

The Quicksilver Conundrum

quicksilver and petersThere has been a bit of a combination of both a cold and civil war when it comes to movies based on Marvel Comics characters. But lately things are heating up between movie studios and that’s best seen with the character of Quicksilver, the mutant superhero with superfast powers who is slated to appear in two competing movies: X-Men: Days Of Futures Past and The Avengers 2.

Here’s the background: before Marvel was acquired by The Walt Disney Company, Marvel sold the rights to many of its popular characters to different movie studios like 20th Century Fox and Sony Pictures, who co-produced them with Marvel Studios. That was the main reason characters didn’t crossover into other films. For example, in the Spider-Man films, you wouldn’t see a shot of Thor flying by the Daily Bugle’s windows.

Over time, Marvel Studios began regaining the rights to several characters, most notably the Hulk and Daredevil. These efforts kicked up into high gear after Disney acquired Marvel. The few remaining characters Marvel Studios doesn’t have the film rights to are Spider-Man, the Fantastic Four and the X-Men.

singer x

The studios holding the rights to those characters know a cash cow when they see it and are fighting to retain the rights to the characters. Just recently Sony Pictures adamantly swore that they will never give up the rights to produce Spider-Man films, while Fox toyed with the idea last year to give back the rights to the Silver Surfer and Galactus–two Fantastic Four mainstays, in order to keep the rights to Daredevil.

Trying to get the X-Men characters will be a big problem, which is why Marvel seemed content to let Fox continue making X-Men films. That was until director Bryan Singer’s announcement last week. As the director of the upcoming X-Men: Days Of Futures Past, Bryan Singer stated that he had cast Evan Peters to play Quicksilver for the movie. Fans were excited with this idea, mainly because Joss Whedon announced weeks earlier that the same character will be in the sequel to his blockbuster hit The Avengers.

whedonAt first, it seemed as if this was to be some kind of crossover between the two film franchises but no so fast. Both studios are denying this is an attempted crossover. In fact, while Peters will play Quicksilver in X-Men: Days Of Futures Past, Joss Whedon, after confirming last week that Quicksilver will appear in The Avengers 2, said that he is still casting the role. If any of the two announcements were meant for the other side to blink, well it didn’t work. So the feeling for now is that both studios will just have to share Quicksilver.

The reason for the ability of both studios to use Quicksilver is that while Fox owns the X-Men film rights, Marvel does have the right to use Quicksilver and his sister, the Scarlet Witch, in their films just as long as there isn’t any mention that they are X-Men foe Magneto’s children. Meanwhile, in the X-Men films it cannot be stated that the mutant siblings are members of the Avengers (as is the case in the comic books).

This is a real treat for fans who clamor at the idea of a shared universe of all the Marvel characters. They can enjoy two different incarnations of the same character and imagine that both films take place in different time periods. For now, a completely shared cinematic universe is impossible but this casting conundrum brings that dream one step closer to reality.

Lewis T. Grove

May 17 2013

Star Trek Into Darkness Continues J.J. Abrams’ Vision

trek 12 posterA valid criticism about the last Star Trek film was that it was too much like Star Wars with its emphasis on flashy special effects and high-octane action. This same critique is applicable to Star Trek Into Darkness, the latest entry in the long-running film series. But at least more of an attempt is made to make this film seem more like Star Trek.

How so? Concern is brought up on more than one occasion that Starfleet is becoming too militarized and that they should be explorers. By the end of the film, the main characters wholeheartedly embrace that concept based on their experiences throughout the film. In some ways, Star Trek Into Darkness is a battle for the soul of Star Trek and to try to go back to its roots. The film doesn’t always succeed in getting that point across, since it wants to revel in the big-action scenes that define the J.J. Abrams era of Star Trek. In fact, it’s best to think of this film as Abrams’ audition tape for directing the next Star Wars film.

spock kirk

Star Trek Into Darkness opens on an alien planet where angry, primitive natives are chasing Captain James T. Kirk (Chris Pine) and Dr. Leonard “Bones” McCoy (Karl Urban) after Kirk insulted them.

As the two men flee to their hidden starship, the Enterprise, the ship’s Vulcan first officer, Spock (Zachary Quinto) is trapped in an active volcano. He was trying to keep it from erupting using a cold fusion process. Once Kirk and McCoy make it back to their ship, Kirk orders a rescue of Spock. The ship is able to rescue the Vulcan but violates the Prime Directive when the natives see the advanced starship rise out of its hiding spot in the ocean.

kirk pike

When the Enterprise crew returns to Earth, Kirk is called to Starfleet’s headquarters by Admiral Christopher Pike (Bruce Greenwood). Expecting a lucrative assignment, instead, Kirk is berated for being too reckless and thinking rules don’t apply to him. Kirk is stunned to find out that his command is taken away for violating the Prime Directive and for not being ready to be a starship captain. This was based on Spock’s accurate report about the incident on the planet.

Kirk is justifiably incensed at his friend and starts berating Spock later before they attend a high-level meeting with Starfleet brass. This meeting is to discuss a recent terrorist bombing in London by a Starfleet operative named John Harrison (Benedict Cumberbatch), who has gone rogue.

The meeting is interrupted when Harrison shows up outside the building where the meeting is held in a fighter craft and fires weapons at the attendees. Kirk is able to stop the attack but Harrison beams away and one of the casualties is Pike. Investigations reveals Harrison’s current location: Kronos, the Klingon homeworld.

An enraged Kirk asks Admiral Alexander Marcus (Peter Weller) to be reinstated as captain of the Enterprise so he can pursue the terrorist. Marcus agrees and tells Kirk to go to the border of Klingon space and launch several long-range, prototype photon torpedoes at Harrison’s location to kill him.

photon torpedo

Later, the Enterprise has to drop out of warp space near their destination due to a malfunction. Kirk then takes a shuttle to Kronos with Spock and other crewmembers and are saved from Klingons by Harrison himself, who quickly surrenders to him.

Now a prisoner onboard the Enterprise, Harrison reveals to Kirk that his name is really Khan and that he is a genetic superman who was in cryo sleep for three hundred years in kahnsleeper ship along with 72 other superhumans. Starfleet discovered their sleeper ship and only Khan was revived. Marcus, anticipating an all-out war with the Klingons, wanted to utilize Khan’s superior intellect to develop advanced weapons and is holding hostage the other superhumans as leverage. Furthermore, Marcus wants to use the Enterprise and Harrison to instigate a war with the Klingons.

Kirk’s suspicions about Marcus are soon confirmed when a massive starship arrives armed to the teeth. It’s commanded by Marcus, who demands that Khan be turned over to him.

Star Trek Into Darkness is one of the most exciting films in the series thanks to J.J. Abrams’ directing. Like its main character, the film is brash, bold and in your face with wild and intense action scenes. Highlights include a thrilling chase of Khan in San Francisco by Spock that culminates in a heart-pounding fight, where Spock nearly loses his control. Another is when a crippled Enterprise falls towards Earth, the special effects of those scenes are just brilliant and dazzling. Expect an Oscar nomination for special effects.

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