Category Reviews

Nov 22 2016

Take A Timeless Journey With The Latest Time Travel TV Show

timeless-poster

It seems like time travel TV shows are the rage lately. The latest one, Timeless, airs on NBC and it actually stands out from the pack. When looking at its premise, Timeless seems fairly formulaic in its premise: a trio travel through time to protect history from a villain out to change it. It’s what goes on each week on Legends of Tomorrow and many Doctor Who episodes. Yet, somehow Timeless manages to be refreshingly engaging, inventive and fun to watch.

Lincoln killed by FlynnThe credit for this largely goes to the scripts. The screenwriters took a tired premise and just ran with it. They actually address some of the challenges of time traveling and the preparation needed for it. For instance, before heading out on a mission the time traveling trio have to go to be properly attired and carry the right kind of currency. Then surprisingly, the show actually allows history to be changed and left altered at the episode’s end! In one episode, John Wilkes Booth never assassinated President Lincoln, instead that deed was done by the show’s antagonist Garcia Flynn (Gorin Visnjic) and it’s part of history now. In another episode the Hindenburg landed safely in New Jersey only to be destroyed later on.

timeless

Then there is the fact that two of the time travelers, Rufus Carlin (Malcolm Barrett) and Lucy Preston (Abigail Spencer), are disadvantaged in their temporal journeys by who they are. Rufus is African-American and winds up in less enlightened periods where he is liable to be treated as property, while Lucy, being a woman, is also looked down upon in the past despite her depth of knowledge. These characters are also imperfect with their own faults. While being a brilliant scientist and engineer, Rufus doesn’t have practical know-how in surviving, first aid and has to rely on the third member of the group, Wyatt Logan (Matt Lanter) a Delta Force soldier. The three don’t quite get along with each other let alone have a shared trust. And that is for good reason. Each of them have their own agenda.

Wyatt more than anything wants to find a way to use time travel to save his wife but is prevented from doing this. Adding to his bitterness is that Lucy’s sister was erased from existence after they came back from a time mission and now Lucy openly is operating to undo this damage. As for Rufus, he doesn’t find any joy in time traveling and would rather be behind a keyboard. But he is forced into the missions to spy on the other two by a mysterious and secretive group with their own agenda, which includes stopping Flynn.

This running conspiracy is a major flaw in Timeless. As imaginative and exciting as Timeless is, team timelessthe conspiracy arc is often trite and gets in the way. But lately it is adding to the show’s mythology and character motives. But the best development about this conspiracy is that it is making us viewers question whether or not Garcia Flynn is truly evil. He is on a quest to change American history in order to erase the existence of the group’s unseen, but nefarious leader, Rittenhouse. Flynn is doing this to avenge the death of his family at Rittenhouse’s hands. Adding to this unease is that Flynn carries a journal written in the future by Lucy and hints that she will ally with him down the road. So we can all hope that this Rittenhouse conspiracy will lead to something worthwhile.

timeless-travelers

Now adding to the enjoyment of Timeless is that the show isn’t afraid to do some real time traveling. In each episode the travelers go to distinctly different eras. From 1940s Germany to 1750s North America, the episodes reveal interesting tidbits about those time periods, and thankfully the production values are up to par when it comes to presenting these time periods. But most of all, Timeless is always entertaining and often leaves you hanging during the commercial breaks. It has room to grow, but hopefully as its title hints, Timeless will have time to fully live up to its potential.

José Soto

Nov 13 2016

Arrival Brings Non-Linear Food For Thought

arrival-poster

Arrival is the new sci-fi First Contact movie directed by visionary director Denis Villeneuve and stars Amy Adams as Dr. Louise Banks, a linguist recruited by Colonel Weber (Forest Whitaker) of the U.S. military to help communicate with newly arrived aliens. These aliens arrived on Earth in twelve giant spaceships that have taken up spots around the world and no one is able to communicate with them. What is at stake are rising tensions and paranoia due to the aliens’ arrival. As world powers grow more and more trigger happy, it’s up to Banks to find a way to break through the insurmountable language barrier between the two races before it’s too late.

louise-and-ian-arrival

 

In film, the First Contact scenario isn’t anything new and Arrival echoes aspects of past sci-fi films in this subgenre like Contact, Close Encounters of the Third Kind and The Day the Earth Stood Still. Arrival also borrows elements from films such as Signs and Interstellar in regards to the worldwide reaction to alien arrival and head-spinning scientific concepts. What sets Arrival apart from other films in the subgenre is its mature tone and exploration of the hurdles humanity would face in this scenario.

These beings that have come to Earth are genuinely alien. Without spoiling their appearance, what can be stated is that they aren’t the standard humanoids with bumpy foreheads. In fact, their appearance belies the fact that they came from an environment totally unlike Earth’s and that was quite refreshing to see. Also welcome, was that the focus of the film was not on alien invasion with evil E.T.s and heroics from the military. Rather the fundamental dilemma, the driving force of the film is how can we communicate with beings from a completely foreign environment without any relatable frame of reference. It is bad enough that we have trouble communicating with each other so how can this be done in a First Contact situation without leading to war?

arrival-aliens

Instead of going for pyrotechnics, Villeneuve sticks with this concept and the result is a slow burn of a film that delivers so much food for thought, especially in the final act. It’s a thought-provoking and wondrous journey thanks to Villeneuve’s careful direction and the cinematography. Every frame is carefully and beautifully staged to tell a story in a visual sense that quietly engages the viewer, while telling a personal story about Banks. Adams gives one of her best performances as her character feels the enormity of her task since she sees all around her the consequences of her failure to properly translate the aliens’ language.

alien-language

Without giving anything away, the last third of Arrival ramps up the tension while bringing forth high-brow concepts of non-linear time and how we perceive time in general. It should be pointed out in reference to the film’s tagline of why they are here, although this question is on the mind of many characters, the answer isn’t dwelled upon. Instead, the emotional climax of the film is on Banks herself and her own personal story, which has relevance to humanity’s plight in trying to establish a dialogue with the aliens.

For some, Arrival may be too slow moving, but it has a satisfying payoff for the patient viewer who does not go into the film expecting pyrotechnics or shoot-em-ups. This film is more serious and weighty without being pretentious. There is much to recommend about Arrival, from the performances from Adams, Whitaker and Jeremy Renner as Ian Donnelly, a physicist helping Banks, to Villeneuve’s strong directing and the visual look of the film. But the script by Eric Heisserer, which is adapted from the award-winning short story by Ted Chiang called “Story of Your Life”, is to be commended as well for taking audiences into unfamiliar territory and in examining how a First Contact situation between us and extra-terrestrial might actually play out.

Lewis T. Grove

Nov 7 2016

The Mind-Bending World Of Doctor Strange

doctor-strange-poster

Marvel Studios’ latest foray into the mega-successful Marvel Cinematic Universe (MCU) is Doctor Strange. Benedict Cumberbatch plays the title character, a former brilliant neurosurgeon who becomes a sorcerer after a reluctant personal journey.

strange-and-ancient-one

Basically, Doctor Strange is an origin story that introduces audiences to the sorcerer and his world. After a car accident shatters the nerves in his hands, Dr. Stephen Strange is desperate to repair the nerve damage so he can resume his shallow, entitled lifestyle. Think of a less charming version of Tony Stark before he became the heroic Iron Man. His desperation takes him to Nepal where he comes across a secret sect of sorcerers led by the Ancient One (Tilda Swinton) and her lieutenants Mordo (Chiwetol Ejiofor) and Wong (Benedict Wong). The sorcerers introduce Strange to the mind-bending reality of the multiverse with its indescribable dimensions and its evils. Their mission is one of seeking enlightenment and of guarding the Earth and our dimension from evil. In this case, the extradimensional being Dormammu and its disciple, Kaecillus (Mads Mikkelson) a former student of the Ancient One who embraced the dark side of sorcery and wants to learn the secret of immortality.

Doctor Strange would have been a standard coming-of-age origin story if not for the wildly trippy visuals and the performance by Cumberbatch. Once again Marvel Studios strikes gold with its casting in the pivotal role of the sorcerer, and remarkably enough with Swinton. With the latter, the casting choice is controversial because of the racial and gender-swapping nature being that the Ancient One in the Marvel Comics is an elderly Asian male. But Swinton does nicely in her critical role.

Twisting reality of Dr. Strange

The drawbacks to Doctor Strange have to do with a common complaint about most MCU films, namely the villains. There isn’t any depth to Kaecillus, he’s very one-dimensional and is upstaged late in the film by the gigantic visage of Dormammu, who should’ve had more screen time. Even there, the supposedly powerful foe was handled fairly easily by Strange. Other characters were hit or miss. Mordo had an interesting arc where his fundamental belief system is shaken to the core, while Dr. Christine Palmer (Rachel McAdams) was forgettable and didn’t have any screen presence or chemistry with her former lover Strange.

The story itself was serviceable but on the whole comes off as formulaic for an MCU film. It goes like this; unlikeable or self-centered main character gains super powers and undergoes an emotional journey as a reluctant hero before fully embracing his destiny as a full-fledged hero.

multiverse

Still, Doctor Strange is an entertaining MCU film that should be placed in the upper mid tier of the other MCU films thanks to director Scott Derrickson’s vibrant eye for colorful optics. There are many imaginative visuals and effects shots that have never been seen on the large screen. Stephen Strange’s forays into the multidimensional void are alone worth the price of admission, especially in 3D. Many shots perfectly mirror Dr. Strange co-creator Steve Ditko’s unique look, which is astonishing to behold in live action, while unnerving at the same time.

strange-fights

With this film, Marvel Studios has successfully introduced another novel and spectacular corner of the expanding MCU. Even though the script could have used some more work to match its eye-popping scenery, Doctor Strange is a welcome addition to the MCU and hopefully the good doctor/sorcerer will take an even greater role in it.

José Soto

 

Oct 25 2016

The Walking Dead Goes Too Far In Its Season 7 Premiere

negan

The following will contain spoilers from the season 7 premiere of The Walking Dead...

The question that we all wanted to know and not know has been answered this past Sunday with the season 7 premiere of The Walking Dead. That question being who Negan (Jeffrey Dean Morgan) killed among Rick Grimes’ (Andrew Lincoln) group. It turned out that the madman didn’t just kill one, but two beloved characters; Abraham Ford (Michael Cudlitz) and Glenn Rhee (Steven Yeun). Let’s be clear, this episode was brutal, raw and frankly, it went overboard in its portrayal of violence and depravity.

That isn’t to say that the episode “The Day Will Come When You Won’t Be” isn’t without its merits. abe-ford-killedTechnically it was well done, well acted, well shot; it emoted tension like you wouldn’t believe. But the  bottom line is while it was too gruesome, it had the air of a bad car wreck. You want to look away but can’t help but look. However, you often wind up regretting watching what was on the screen because it was so gratuitous to the point that it bordered on torture porn. Did we really have to see Negan repeatedly bash in Abraham and Glenn’s skull until mush was left? Sure, creator Robert Kirkman and the showrunners probably wanted to convey some message about helplessness and the ugliness of violence. The problem isn’t just the violent display of Negan’s sadistic violence, but what went on before and the presentation.

For months, we had to wait to find out who was Negan’s victim. The season 6 finale was overhyped (as was the season 7 premiere with all the images of Negan and his barb-wired bat Lucille) and we were all expecting to see Negan kill someone. But we didn’t. Instead we had to wait for months to find out that the reveal  largely followed what happened in the comic books. In The Walking Dead #100, Negan bashed in Glenn’s skull, but Abraham had been killed beforehand issues past. So “the Day Will Come When You Won’t Be” threw off viewers with Abraham’s death.

negans-choice

The only problem with that death was that it was very telegraphed in season 6 of The Walking Dead. Abraham has had a death wish for much of the season. He seemed aimless with little to live for. In the season finale though, he began to muse about a life where he can settle down…a dead (forgive the pun) giveaway in The Walking Dead that he is doomed. This happens to all characters who find a measure of peace (look out Morgan, you’re next), except Rick. Another clue was when he told his friend Eugene Porter (Josh McDirmett) that he’s come a long way and  become capable of taking care of himself. It was a way for the two men to say goodbye to each other and it was obvious by that small scene that Abraham wasn’t long for the world.

Continue reading →

Oct 6 2016

Luke Cage Is a Solid, But Uneven Entry in the MCU

luke-cage-takes-bullets

The newest Marvel superhero TV show to premiere on Netflix, Luke Cage, is a notable departure for the standard superhero TV fare. The question is does Luke Cage deliver the goods? Sort of, to be honest.

In trying to be different, the show falters in some important areas. Namely, in keeping up the momentum, the villains aren’t as compelling or as interesting as the other foes featured in Daredevil and Jessica Jones, and rarely does it feel as if Luke Cage (Michael Colter) is ever in real danger.

That is a problem with a superhero like Cage who is nearly invulnerable. Bullets bounce off him, his skin is impenetrable and he can shrug off attempted beatdowns from local thugs. Sure, it’s cool to watch Cage being all badass in his hoodie and walking in slow-mo as punks try mowing him down, but after awhile these scenes lack any sense of peril or urgency. luke-cage-and-popLater in the show’s run, the criminals start to up the ante with him and finally put him in danger, but it takes too long to get there. The show tries to get around this by putting people that he cares about in danger and that has mixed results. Sometimes we care about what happens to them, like with Pop (Henry Faison), a local barber who offers sage advice. Other times, we don’t.

Luke Cage is smothered with many colorful characters who are there to add mood and atmosphere, but the show goes overboard in trying to establish a so-called gritty tone that seems inauthentic at times despite the location shots and the constant use of 70s style background funk music. It tries too hard to set up a street-level atmosphere with callbacks to blaxpoitation films instead of providing a reason to keep watching the show. The other Marvel Cinematic Universe (MCU) shows on Netflix can be binge-watched without a thought, with Luke Cage, there isn’t that compulsion to find out what happens next. It all depends on how invested you are in the characters and Luke Cage should have been front and center the main focus and at times he isn’t so that is a concern.

cottonmouthA lot of screentime is spent on the show’s main adversary Cornell “Cottonmouth” Stokes (Mahershala Ali), a Harlem crime boss that crosses path with Luke Cage. The problem with Cottonmouth is that he just doesn’t come across as particularly menacing. He is weak and inept at times, always being concerned with another crime lord, his superior Willis “Diamondback” Stryker (Erik LaRay Harvey). Cottonmouth lacks the amoral sociopathic verve of Jessica Jones’ Kilgrave or the volcanic brutality of Daredevil’s Wilson Fisk. Then there is Shades (Theo Rossi), an annoying lackey for Diamondback that is always around Cottonmouth to remind him of what he has to do. Shades tries to come off as intimidating, but looks like a poser with these stupid sunglasses.

The show’s other characters were more interesting like Detective Misty Knight (Simone Missick), who nearly steals the thunder from Cage and is deserving of her own TV show. Hopefully we’ll see more of her in next year’s Iron Fist. Rosario Dawson reprises her role as the cage-and-night-nursenurse Claire Temple and is a welcome presence as she reminds us that this show is part of the MCU. Speaking of the MCU, to this show’s credit, it does not hit viewers over the head that it is part of the MCU even though there are tons of Easter eggs. Interestingly, the events from The Avengers still have an impact even though it is more subtle. The references do not feel intrusive nor give the impression that someone has to go and watch all the MCU films and TV shows.

As for Cage himself, Colter does a terrific job playing the title hero. He exudes a quiet nobility and steel fortitude and never descends into a cliché. His back story is actually different and fresh. Once a lawman named Carl Lucas, he was framed and sent to prison where he got his powers from a lab experiment. After escaping prison, he adopted the Luke Cage identity and tries to live a low-key life. But his powers call out a responsibility and duty to his community that he cannot ignore. The moments when he becomes a local legend were pleasing highlights.

luke-cage-picks-up-punk

By no means does this criticism mean that Luke Cage is a bad show; it’s a good, solid effort and isn’t unwatchable like Agent Carter or Agents of S.H.I.E.L.D. It’s just with all the talent behind and in front of the screen, it could have and should have been much better. Still, there is the hope that the next season, which is coming, no doubt, will work out the kinks and give us a better show.

T. Rod Jones