Category Reviews

Oct 25 2016

The Walking Dead Goes Too Far In Its Season 7 Premiere

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The following will contain spoilers from the season 7 premiere of The Walking Dead...

The question that we all wanted to know and not know has been answered this past Sunday with the season 7 premiere of The Walking Dead. That question being who Negan (Jeffrey Dean Morgan) killed among Rick Grimes’ (Andrew Lincoln) group. It turned out that the madman didn’t just kill one, but two beloved characters; Abraham Ford (Michael Cudlitz) and Glenn Rhee (Steven Yeun). Let’s be clear, this episode was brutal, raw and frankly, it went overboard in its portrayal of violence and depravity.

That isn’t to say that the episode “The Day Will Come When You Won’t Be” isn’t without its merits. abe-ford-killedTechnically it was well done, well acted, well shot; it emoted tension like you wouldn’t believe. But the  bottom line is while it was too gruesome, it had the air of a bad car wreck. You want to look away but can’t help but look. However, you often wind up regretting watching what was on the screen because it was so gratuitous to the point that it bordered on torture porn. Did we really have to see Negan repeatedly bash in Abraham and Glenn’s skull until mush was left? Sure, creator Robert Kirkman and the showrunners probably wanted to convey some message about helplessness and the ugliness of violence. The problem isn’t just the violent display of Negan’s sadistic violence, but what went on before and the presentation.

For months, we had to wait to find out who was Negan’s victim. The season 6 finale was overhyped (as was the season 7 premiere with all the images of Negan and his barb-wired bat Lucille) and we were all expecting to see Negan kill someone. But we didn’t. Instead we had to wait for months to find out that the reveal  largely followed what happened in the comic books. In The Walking Dead #100, Negan bashed in Glenn’s skull, but Abraham had been killed beforehand issues past. So “the Day Will Come When You Won’t Be” threw off viewers with Abraham’s death.

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The only problem with that death was that it was very telegraphed in season 6 of The Walking Dead. Abraham has had a death wish for much of the season. He seemed aimless with little to live for. In the season finale though, he began to muse about a life where he can settle down…a dead (forgive the pun) giveaway in The Walking Dead that he is doomed. This happens to all characters who find a measure of peace (look out Morgan, you’re next), except Rick. Another clue was when he told his friend Eugene Porter (Josh McDirmett) that he’s come a long way and  become capable of taking care of himself. It was a way for the two men to say goodbye to each other and it was obvious by that small scene that Abraham wasn’t long for the world.

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Oct 6 2016

Luke Cage Is a Solid, But Uneven Entry in the MCU

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The newest Marvel superhero TV show to premiere on Netflix, Luke Cage, is a notable departure for the standard superhero TV fare. The question is does Luke Cage deliver the goods? Sort of, to be honest.

In trying to be different, the show falters in some important areas. Namely, in keeping up the momentum, the villains aren’t as compelling or as interesting as the other foes featured in Daredevil and Jessica Jones, and rarely does it feel as if Luke Cage (Michael Colter) is ever in real danger.

That is a problem with a superhero like Cage who is nearly invulnerable. Bullets bounce off him, his skin is impenetrable and he can shrug off attempted beatdowns from local thugs. Sure, it’s cool to watch Cage being all badass in his hoodie and walking in slow-mo as punks try mowing him down, but after awhile these scenes lack any sense of peril or urgency. luke-cage-and-popLater in the show’s run, the criminals start to up the ante with him and finally put him in danger, but it takes too long to get there. The show tries to get around this by putting people that he cares about in danger and that has mixed results. Sometimes we care about what happens to them, like with Pop (Henry Faison), a local barber who offers sage advice. Other times, we don’t.

Luke Cage is smothered with many colorful characters who are there to add mood and atmosphere, but the show goes overboard in trying to establish a so-called gritty tone that seems inauthentic at times despite the location shots and the constant use of 70s style background funk music. It tries too hard to set up a street-level atmosphere with callbacks to blaxpoitation films instead of providing a reason to keep watching the show. The other Marvel Cinematic Universe (MCU) shows on Netflix can be binge-watched without a thought, with Luke Cage, there isn’t that compulsion to find out what happens next. It all depends on how invested you are in the characters and Luke Cage should have been front and center the main focus and at times he isn’t so that is a concern.

cottonmouthA lot of screentime is spent on the show’s main adversary Cornell “Cottonmouth” Stokes (Mahershala Ali), a Harlem crime boss that crosses path with Luke Cage. The problem with Cottonmouth is that he just doesn’t come across as particularly menacing. He is weak and inept at times, always being concerned with another crime lord, his superior Willis “Diamondback” Stryker (Erik LaRay Harvey). Cottonmouth lacks the amoral sociopathic verve of Jessica Jones’ Kilgrave or the volcanic brutality of Daredevil’s Wilson Fisk. Then there is Shades (Theo Rossi), an annoying lackey for Diamondback that is always around Cottonmouth to remind him of what he has to do. Shades tries to come off as intimidating, but looks like a poser with these stupid sunglasses.

The show’s other characters were more interesting like Detective Misty Knight (Simone Missick), who nearly steals the thunder from Cage and is deserving of her own TV show. Hopefully we’ll see more of her in next year’s Iron Fist. Rosario Dawson reprises her role as the cage-and-night-nursenurse Claire Temple and is a welcome presence as she reminds us that this show is part of the MCU. Speaking of the MCU, to this show’s credit, it does not hit viewers over the head that it is part of the MCU even though there are tons of Easter eggs. Interestingly, the events from The Avengers still have an impact even though it is more subtle. The references do not feel intrusive nor give the impression that someone has to go and watch all the MCU films and TV shows.

As for Cage himself, Colter does a terrific job playing the title hero. He exudes a quiet nobility and steel fortitude and never descends into a cliché. His back story is actually different and fresh. Once a lawman named Carl Lucas, he was framed and sent to prison where he got his powers from a lab experiment. After escaping prison, he adopted the Luke Cage identity and tries to live a low-key life. But his powers call out a responsibility and duty to his community that he cannot ignore. The moments when he becomes a local legend were pleasing highlights.

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By no means does this criticism mean that Luke Cage is a bad show; it’s a good, solid effort and isn’t unwatchable like Agent Carter or Agents of S.H.I.E.L.D. It’s just with all the talent behind and in front of the screen, it could have and should have been much better. Still, there is the hope that the next season, which is coming, no doubt, will work out the kinks and give us a better show.

T. Rod Jones

Aug 21 2016

Stranger Things: A Tribute To Classic ’80s Sci-Fi and Horror

Stranger Things Poster

Summer TV series, especially genre ones, have been hit or miss in terms of quality. Sadly, many often fall into the miss category (see Under the Dome and Zoo as examples). But Stranger Things streaming this summer on Netflix is definitely one of the best TV series to come out in a summer season.

Will and Mike Stranger ThingsTaking place in a small Indiana town during the ’80s, Stranger Things is an homage to all the memorable sci-fi and horror tales from that period. Many critics are comparing it to early Steven Spielberg films but that isn’t a fitting description. This series is darker, less whimsical and a better comparison would be to an early Stephen King novel that has had a superior live-action adaptation. Then it throw in elements of the lower-grade genre efforts from that time but executed better and a soundtrack that would fit in nicely with a John Carpenter film. It may sound like a mish-mash but it works. The reason why is that despite its ’80s trappings and callbacks to films and stories from the era, Stranger Things has a timeless and unique feel.

The eight-episode series begins when a boy, Will Byers (Noah Schnapp), disappears after a night out with his buddies. A mystery develops as other characters try to find out what happened to Will. But we, and his mother Joyce (Winona Ryder), learn that he is actually trapped in a dark, parallel dimension and stalked by a flesh-eating monster without a face. As this happens, his friends Mike Wheeler (Finn Wolfhard), Dustin (Gaten Matarazzo) and Lucas (Caleb McLaughlin) meet a strange and quiet girl known only as Eleven (Millie Bobbie Brown), or El for short. It turns out she is an escapee from a nearby government facility run by Dr. Brenner (Matthew Modine) that has been developing her telekinetic and telepathic powers to enter the same dimension Will is trapped in. These experiments opened up a gateway between the two dimensions and the monster that threatens Will is now also preying on our side. Naturally, Dr. Brenner and his associates don’t have her best interest at heart and are pursuing her as she hides out with the boys.

Stranger-Things-Lucas-Dustin-Mike-Eleven

 

One of the reasons why Stranger Things works so well has to do with the characters and how they are portrayed. This is critical in the case of the children. Their performances seem genuine and their dialogue is authentic. By listening to them, it doesn’t feel like some adult wrote their words. If any of the young performances were sub-par, the series would’ve tanked. But thankfully, these young actors were well chosen especially Brown and Wolfhard. El says little but is very expressive and tortured while experiencing life outside the facility. All the while, El displays an appropriate childlike response to the outside world.

Joyce Byers and Company in Stranger Things

Other standout performances include Ryder as Will’s distraught and determined mother and David Harbour as Chief Hopper, a broken disgruntled sheriff who finds a path to redemption as he gets drawn into the mystery of Will’s disappearance. Other young performances that deserve shoutouts are Natalie Dyer as Nancy Wheeler and Charlie Heaton as Will’s older brother Jonathan. Aside from the stock evil government types, the characters are not one-dimensional. They have flaws and quirks but rise to the occasion when the time comes.

And there is plenty of meat for genre fans in this story. El confronts monster Stranger ThingsOwing thanks to classic sci-fi films from that time like The Thing, Alien and The Fly, Stranger Things delivers actual jump scares and gross out moments and the monster is disgustingly original and disturbing. The people behind the show (The Duffer Brothers) wisely kept its appearance vague until the final episodes and its full revelation won’t disappoint horror and sci-fi fans. Finally, Stranger Things has many Easter eggs and tributes to classics from that time that would delight fans of Star Wars, The Thing and more, but it doesn’t go overboard. With that said, the series isn’t perfect. Although its characters and dialogue are fresh and above average, the same can’t be said for some of its plotting. At times there are contrivances and certain developments are too familiar. Still, the series on the whole is enjoyable and hits its goals.

At eight episodes, the series took the right amount of time to tell its story while dropping hints of further developments. At the same time, not every question is answered so hopefully a second season will be commissioned because the warmly familiar and disturbing worlds of Stranger Things are worth revisiting.

Lewis T. Grove

Aug 6 2016

Suicide Squad: An Energetically Wild Entry In The DCEU

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Suicide Squad is the latest DC Extended Universe (DCEU) film and continues the story of a world coming to terms with people possessing extraordinary powers or meta humans as they are called. The U.S. government responds to Superman’s status (not going there with spoilers!)  by creating a task force of super criminals to combat any paranormal events that team suicide squadoccur with meta humans at the root of it. This task force led by government official Amanda Waller (played well by Viola Davis) is sent to combat a group of creatures created by a mystical witch named Enchantress (Cara Delevingne) who double crosses the government as she was meant to be a part of the squad. We follow this group as they trek across Midway City, which is under attack by these beings. During their journey, we see their motivations and interactions with each other, which I found to be enjoyable.

As the latest DCEU entry, this film is much different in tone than Batman v Superman: Dawn of Justice with its energetic visuals and soundtrack. Also, it focuses on a large number of characters who are villains in the DC universe. What this movie shares with its predecessor is negative reviews from film critics, but as with Batman v Superman: Dawn of Justice, I think these reviewers are off base.

Margot Robbie as Harley Quinn

 

Suicide Squad works in showcasing the crazy side of the DCEU, with fan favorites like Harley Quinn, who is played very well by Margot Robbie as a psychotic bad girl. She is the Joker’s girlfriend, but also carries her own weight as a truly crazy villain that is also highly unpredictable. Speaking of the Joker, while his screen time is on the short side, Jared Leto does a great job as a Joker who is a sadistic gangster determined to get his girl out of prison and back on his side. The glimpses we get of him will definitely whet the appetite of fans and create a big anticipation for his next appearance in the DCEU, which will hopefully be in the forthcoming Batman solo movie. Other well known characters include Batman villain Killer Croc (Adewale Akinnuoye-Agbaje) and Deadshot (Will Smith), who emerges as the de facto leader of the group. Rounding out the group are Captain Boomerang (Jai Courtney), who has an encounter with The Flash which was nice to see, and Diablo (Jay Hernandez) who plays a pivotal role in the group later in the film. Non-Squad characters include U.S. Special Forces agent Rick Flag (Joel Kinnaman), who escorts the villains on their mission and ensures their loyalty, and his bodyguard Katana (Karen Fukuhara).

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We see in interesting flashbacks the background of each of the villains and how they ended up in prison . The best one featured Harley and the Joker being chased by Batman (Ben Affleck), which is something that fans have wanted to experience on the big screen for ages. Batman’s brief encounter with Deadshot is also a thrill and serves to show an expanding shared universe that these movies are creating. While the action scenes can get hectic, the movie also doesn’t take itself too seriously with musical montages appearing when different characters get their screen time. This is also different from the somewhat somber tone of both Man of Steel and Batman v Superman: Dawn of Justice, and it is not a bad thing. While I enjoyed the serious take on superhero stories from the previous films, the fact that this universe also has an irreverent side to it makes it seem larger and more varied which is just like the real world. Different places have different people and will not feel the same. This should be the case in a shared universe as well.

Jared Leto as JokerI would like to have seen more of the Joker and what he was doing while the Suicide Squad was rampaging through the city. Leto’s performance was that good, comparable to Heath Ledger’s take of the Clown Prince of Crime. He was advertised a lot for the film and is the most interesting of all the DC villains. Interesting enough, he displayed more affection for Harley Quinn than he did in the animated series. I also wanted to see some interaction between Killer Croc and Batman, but the two did not cross paths in this movie. It is mentioned that Batman chased Croc out of Gotham but sadly that is not shown. I think they may be saving all of this for Batman’s solo film, which is rumored to take place in Arkham Asylum and include all of the Caped Crusader’s foes.

Suicide Squad lineup

Overall, I had a good time watching this film and would definitely like to see a followup that expands on this group of DC baddies taking on whatever is thrown their way. The ending does seem to imply that their adventures will continue in some fashion, and the mid-credits scene helps to set up the Justice League movie as well as hint that the two groups will have some interaction in the future. Here’s hoping that will happen. Regardless, Suicide Squad is another solid entry in the growing DCEU lineup and I continue to look forward to the next films coming out next year. They include Wonder Woman and Justice League, both of which had interesting trailers in Comic-Con and will hopefully add more pieces to the DC movie universe. Suicide Squad is indeed a unique piece of it.

C.S. Link

Jul 22 2016

Star Trek Beyond Pushes Past Other Treks In A Thrilling Ride

Star Trek Beyond poster

The latest Star Trek film, Star Trek Beyond, is unlike other Star Trek films, but shares many qualities of the best of them. It is a fun thrill ride that has heart and character development and takes audiences along into a grand adventure.

The way this film is different than other Trek films is that it takes place in deep space, nowhere near Earth and all the trappings of the Federation and nearby space. No Klingons, Romulans or other familiar trappings that have started to stifle Star Trek, even the reboot films. Star Trek Beyond feels completely original because it doesn’t try to ape lines and scenes from other films and in doing this the film feels very fresh and is the jolt that the franchise needs.

kirkAt the same time, this film pays respectful homage to the original Star Trek and especially Star Trek: Enterprise. To explain how would spoil too much of the film’s plot.  Star Trek Beyond takes place in the third year of the Enterprise’s five-year mission. Captain James T. Kirk (Chris Pine) is feeling burned out in his job and is thinking of taking on a new challenge. Soon after, the Enterprise arrives at this magnificent Starbase called Yorktown, which is more like a floating city or colony unbound by gravity. The scenes that show off the splendor of the Yorktown base are jaw dropping and is unlike anything seen in most films and bring to mind many literary sci-fi orbital cities.

Enterprise attacked by swarm

An alien woman in a spaceship arrives and asks for help rescuing her crew past a nearby nebula. The Enterprise is sent through the nebula and on the other side is attacked by swarm-like ships. Quickly, the small ships overwhelm the Enterprise and actually rip it apart. This forces Kirk to evacuate the ship and this splits up the main cast, who take refuge in a nearby planet. Separately, the bridge crew struggle to survive and stay one step ahead of the alien swarm. With most of the ship’s crew captured by the aliens on the planet, Kirk has to find a way to marshal his resources to free his people and defeat the aliens. Splitting up the main characters is a good move since they’re given their standout moments. An interesting thing to note is that the cast looks noticeably older now but fit the iconic roles better because of this factor. It is much easier to buy these actors as the characters they’re interpreting.

As usual, Karl Urban steals the film with his dead-on Jayla, Spock and McCoyimpersonation of the late DeForest Kelley doing Dr. McCoy. He gets most of the funniest lines and his scenes with Spock (Zachary Quinto) allow the two characters to bond and echo the classic banter between Kelley and Leonard Nimoy. Other stand out characters are Scotty (Simon Pegg) and his alien ally Jaylah (Sofia Boutella) who rescues Scotty on the planet. Jayla is full of fire and is a breakout character in the Star Trek films. The villain in this film, the aliens’ leader Krall (Idris Elba), is one tough foe who is after an alien artifact that was on the Enterprise. But what makes him stand out is his backstory, which makes him one of the most unique Star Trek villains on film or TV.

On the whole, Star Trek Beyond is consistently fun to watch and goes a long way to validate the reboot in ways that the past two attempts did not.

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At the same time, the film took time out to have some quiet character related moments that add heart and nuance. It was very welcome and overall strikes a good balance with the flow of the film. Do not be put off by the first trailer which did not represent the film’s tone at all. Anyone involved with that trailer should not be allowed near another Trek film because of the way it gave the wrong impression about Star Trek Beyond. It needs repeat viewings to confirm that this is the best of the three reboot films and one of the better entries on the whole. After some shaky summer releases Star Trek Beyond is just what was needed. It’s a terrific and reverential way to celebrate Star Trek’s 50th anniversary thanks to its characters, their interactions, and a non-stop sense of adventure.

José Soto