Category Speculation & Analysis

May 5 2012

The Avengers Changes Superhero Films Forever

Wow. The new movie The Avengers literally left me breathless and spent after seeing it. Marvel Studios needs to take a well-deserved bow for their efforts throughout the years that culminated in this film. Many had doubts regarding the ability to pull this endeavor off but they are quickly dispelled with The Avengers. It so profusely feels like the climax that had been building up for many years.

Marvel Studios clearly made the right choice with Joss Whedon as the film’s director. He has the filmmaking talent and perhaps, more importantly, possesses a clear love and respect for the Marvel universe and it shows onscreen. But this film isn’t some slavish fanboy production. No, Joss Whedon and the crew had an understanding of how the Marvel universe works, how the Marvel characters behave and how to translate that to the screen and entertain even non-Marvel fans. It is difficult to imagine anyone else achieving what Whedon did and The Avengers will make him a deservedly A-list director. (On a side note, hopefully he will have the clout now to do a Firefly revival. Hey, we can only hope!)

The Avengers jumps right into the action when demigod Thor’s (Chris Hemsworth) nemesis and brother Loki (Tom Hiddleston) arrives at an underground S.H.I.E.L.D. bunker and makes off with an otherworldly and powerful MacGuffin called the Tesseract (that’s the Cosmic Cube seen in many Marvel comics that grants unlimited power to wielders). After Loki escapes from the bunker, S.H.I.E.L.D. director Nick Fury (played by Samuel L. Jackson doing his usual tough-as-nails shtick) assembles a team of super heroes to help him retrieve the Tesseract and stop Loki’s plan to conquer the Earth.

Then the fun begins as beloved characters like Tony Stark/Iron Man (Robert Downey, Jr.), Steve Rogers/Captain America (Chris Evans), Thor, Dr. Bruce Banner/Hulk (Mark Ruffalo, replacing Edward Norton and Eric Bana), Natasha Romanoff/Black Widow (Scarlett Johansson) and Clint Barton/Hawkeye (Jeremy Renner) meet for the first time. In the typical Marvel comics manner, they don’t get along with each other and even come to blows. But they learn to get along and even respect one another just in time to confront Loki and his alien army.

The Avengers is an action-packed bonanza with fantastic characters and that’s before the climatic final third of the film. Taking place in New York City, the beachhead for Loki’s alien invasion, the explosive, multi-tiered battles on the streets and in the skies are simply spectacular. There have been some complaints over how low-budget some previous Marvel Studios productions have been, but here no expense was spared. But unlike some empty, big-budget films, the action was very fluid and easy to follow, but more importantly the audience cared deeply about the heroes as they fought the alien army. Each character, even some minor ones, had their moment to shine. The Avengers could’ve easily been dominated by one or two characters like Iron Man due to the actor’s charisma but Joss Whedon knows how to give the actors just enough time to make their contributions before moving on the next character or plot point.

This film has set new standards for super hero films. One can only wonder how the filmmakers will top themselves (a clear, audience-rousing hint is given during the end credits; Marvel fans will rejoice) or how other studios’ films can compare to this one. Marvel Studios would be wise to retain Whedon for the inevitable sequel or at least use him for other productions. BTW, stick around for the very end, there’s another post-credit sequence. Without giving anything away, it isn’t anything earth-shattering, but rather a cinematic equivalent of having a cigarette or a relaxing drink after being so pumped out by the movie.

José Soto

Apr 14 2012

The Feasibility Of Space Prisons

The premise in the movie Lockout has to do with the hero breaking into an orbital prison facility to rescue the president’s daughter. It sounds like a winner especially for movie executives out to make a quick buck; take an existing story plot about a high-security prison and shoehorn it into a science fiction world by having it take place in space or the future, etc. “It’s Escape From Alcatraz in space or Papillon in space!” they may cry out in excitement. Space prisons have popped up in science fiction books and movies and can be fun. However, the problem is that when examined the premise doesn’t make much sense.

The heart of the problem with a space prison is that of resources. Building and maintaining an orbital prison would be such a cost prohibitive drain of resources that it probably won’t happen. Imagine the public outcry when the costs of maintaining such a prison are revealed. Many today complain when they hear that inmates get “luxury” items like cable TV. People would argue that prisoners don’t deserve to have necessities like air, food and water. Never mind if a way is found to have those necessities replenish themselves on a station.  Our civilization has to be a lot more advanced than depicted in Lockout and other films like Fortress 2: Re-entry to provide these things, let alone effective and practical security measures. Another thing to consider is the safety of the planet. During Lockout, the prisoners take control of the station. At one point, there is the danger of the prison’s orbit decaying which poses the risk of re-entry. That’s tantamount to putting a prison complex within a nuclear power plant today. That is a recipe for disaster. It just wouldn’t be done.

Now once a civilization becomes a true space-faring one, then a space prison is feasible. Take the prison facility seen in the Star Trek: Voyager episode “The Chute.” The alien society that kept the characters Tom Paris and Harry Kim captive routinely traveled between planets and most likely were able to easily produce the bare elements needed for survival in such a place. Another twist is the prison asteroid, one of which was presented in The Twilight Zone episode “The Lonely.” In that episode Jack Warden plays a prisoner held in solitary confinement and literally has the world to himself.  One caveat with the asteroid is that in the episode it looked like a desert with an atmosphere. This begs the question of using resources to construct such a place for one prisoner given that in the show, the space-faring tech wasn’t very advanced. Then there is the notion of using entire planets as a penal colony as shown in the series Earth 2. Once again, why waste an entire planet as a prison? This makes little sense since in that show Earth was dying and the characters were trying to set up a viable colony on the penal planet.

As for us, don’t expect to be reading about orbital prisons anytime this century. Probably when we have regular transport between the planets in our solar system with viable, self-sustaining colonies will this idea come to fruition. Cool-looking prison breaks and with nifty effects and explosions will remain in books and films. The bottom line is that it is way cheaper and easier to just keep prisoners down on Earth.

José Soto

Jan 22 2012

George Lucas & His Retirement

It’s been all over the news lately that with the release of Lucasfilm’s Red Tails George Lucas plans on retiring from blockbuster, i.e. popular films. Lucas cites the hard time he had trying to get Red Tails financed by studios (before he wound up paying for most of the film himself) and hints at the bitter reaction from many fans over his Star Wars prequels. In a New York Times Magazine interview he states, “I’m retiring, I’m moving away from the business, from the company, from all this kind of stuff.”

But looking at this and other interviews, one can spot a loophole or two. He does not rule out a fifth Indiana Jones film, although the older Harrison Ford gets and the longer it takes for Lucas to approve a script the less likely that becomes. Then there is the Star Wars live-action series that he is still trying to get off the ground. That looks more likely since advancements in special effects will soon make it financially feasible for Lucas to produce film-quality episodes of his galaxy-spanning saga.

Actually, his so-called retirement isn’t exactly news. Back when Star Wars Episode III: Revenge of the Sith was released, Lucas said then that he wanted to move away from blockbuster films. And even further back when Return of the Jedi came out, he claimed back then he wanted to focus on small, experimental projects. For many fans still bitter about Jar Jar Binks and Indy surviving a nuke blast in a fridge that’s great news. Don’t let the door hit you on the way out George, they may be thinking. But to others this is sad news and cements the fact that there won’t be any future Star Wars films.

Then again, look at his earliest efforts, THX-1138 and American Graffiti. Many forget today that both films were quirky, experimental pieces of filmmaking but are rightfully considered classics today. That’s especially true with THX-1138 since even today the film is seen as an avant-garde film. Whereas American Graffit is seen as a more conventional film it actually helped introduce the storytelling narrative of the main characters going off on their individual tangents without a set plot. That is because this technique has been copied so many times since. So Lucas probably just wants to go back to his roots and make quieter, low-budget films. That’s fine, since he did a superb job in directing them and at this point in his career, being that he is set financially, he can now afford to do whatever he wants.

Oh by the way, don’t forget that along with THX-1138 his other early genre effort was a little-known film at that time about some kid running around in spaceships with aliens. Yes that was Star Wars, but it was considered to be a huge risk for 20th Century Fox and experimental. So don’t write George Lucas off just yet.

Lewis T. Grove

Dec 15 2011

Digital Comics Rising

It’s pretty obvious that the world of digital comics is expanding at a phenomenal rate. As tablets and smartphones become more commonplace it won’t be too long before the number of readers of digital comics could eclipse that of regular paper comics.

Companies like DC and Marvel sell digital downloads and even offer free downloads to sample their comics. And it’s very easy to download comics. Just download an app with Comixology, iVerse Media’s Comics + or even from comic book companies themselves. In fact, Marvel, DC, IDW, Dark Horse and others also offer free apps.

After downloading the apps, just sign up for a free account. Readers are taken to the sites’ main menu where they can buy comic books. There are literally thousands of titles to choose from, no more running around to different comic book stores to find that elusive issue that is sold out everywhere. A simple search button will yield instant results. At this point the sites don’t have complete collections but the library is growing so it won’t be inconceivable to have a complete collection of Fantastic Four digitally.

Once they’re downloaded, the comics go into the cloud so they can’t be lost even if you’re device is damaged. Anyone can go into a friend’s laptop or desktop and view their own comics. While comics can be read on traditional computers, reading them on mobile devices is the way to go becausenow the digital comics are as portable as regular paper comics. What’s more is that images can be enlarged to better appreciate the art and a simple swiping of fingers allows page turning to be easier than regular comics. Plus readers don’t have to worry about being careful with reading mint comics and the online comics don’t have any ads to skip over.

Before buying comics, readers are given a preview of a couple of pages to sample the comic. This can be a disadvantage to regular paper comics where a reader can conceivably skim through the entire issue before deciding to buy the comic. But many times, companies offer several-page previews or even an entire first issue which gives one a better idea of what they’re going to buy.

These free downloads are an excellent way to preview comics or characters. DC jumped at this opportunity by offering downloads of popular characters and calling them for example Flash 101, which offers origins and first appearances of characters, complete with cover galleries. It’s a great introduction for new readers and DC should use this concept more with their lesser known characters.  One can only wonder why Marvel isn’t doing this.

DC certainly has the edge when it comes to digital comics. It seems as if they wholeheartedly embraced the concept especially when they launched The New 52 earlier this year when they relaunched their titles on paper and digital on the same day. These digital comics revived DC’s sales, in fact, for September 2011 they were the only company to have reported a sales increase of 1000% that is simply incredible.

However, not all is perfect with digital comics. To really compete, digital comics must offer more for the same price. For example a paper comic is $2.99 or $3.99 and that is supposedly due to production and print costs. Then why are online comics the same price? Sure if one is patient, individual issues usually drop in price weeks later, but why should the costs be the same on the first day of issue? If companies are to charge the same price then incentives should be offered. This could include creator commentaries, scripts, galleries and sketches. The comics should have a toggle button pencil inks and even one to remove the word balloons so readers can really appreciate the artwork.

Companies need to take advantage of the interactive features that are possible with online comics. One thing that can be done is to include live, real-time reader comments and updates. This means that a reader can finish a book then be able to comment on the issue which will show up immediately in that book’s commentary section.

While currently downloaded comics offer suggested links to similar titles, the comics should offer a link to a superhero homepage, that is that homepage would explain who is the character, show maps and galleries and databases on characters and story arcs. In DC’s case, offer a link to their 101 introductions or include it with the initial download of a particular comic. Annuals should be annotated with sound f/x which could be an incentive to buy them.

Perhaps the Justice League annual, the deluxe edition, can have voice actors, CG effects, sound effects, original music composed and conducted for the annual; the penci/inlk/color/word ballon toggle, interviews with the editor, writer, artists, dropdown reader commentary (the letters page), link to the Hall of Justice where you can get a converged version of the 101s, like Superman 101 will present not only comics, but TV shows, animation, gaming, trailers, and movie versions. Also polls asking for opinions of a particular issue, character, or villain, etc.
 
Also, DC Universe online should converge with the New 52. And of course, any new mass media creation should be cross compatible with other media, meant to tie unto an integrated universe. 
 
They could have started with the Green Lantern movie and linked him with the future formation of the Justice League. DCUO could have merged the Ryan Reynolds GL into the game. That’s the big picture examples of how digital comics can further evolve.
 
Check out this video from the annual big idea conference TED, which stands for Technology, Enternatinent, Developers:
 
 
 
Here they show what an ebook can do. DC & Marvel really should exploit the best that tech has to offer to show that a superhero story can envelope a convergence of media.

There is still room to grow with digital comics. Perhaps some of these suggestions could be utilized to fully realize digital comics’ potential. In the end this could be what saves comics.

José Soto and GEO

Sep 20 2011

Meet The Alternate Star Wars Saga Cast, Part II

As this imagining continues about who Lucas would cast in the Star Wars movies if they were filmed chronologically, there is one important thing to consider. Most likely the films would’ve been completely different to the point that characters would change or even be written out altogether. There isn’t any way to accurately factor in how different the films would be. This is pure speculation under the premise that if the storyline remained exactly the same then so would the characters for the most part. As stated previously, there isn’t any way to know if Lucas would’ve gone for these picks or if the actors would accept the offers.

The Original Trilogy: Star Wars Episodes IV-VI

Luke Skywalker: Supposedly, Ryan Phillippe was a thisclose runner-up to play Anakin. So he was in Lucas’ mind. He has the acting ability to add more pathos and angst to Luke as he grows from a simple farm boy to a seasoned warrior throughout the trilogy. Then again Lucas may have hired Hayden Christensen and who knows how that would have turned out. But one actor to consider seriously is Shawn Ashmore, who appeared as Bobby Drake/Iceman in the X-Men films.  True he might’ve been a bit young but Luke was supposed to be an innocent farm boy with big dreams.

Han Solo: Thomas Jane has the good looks with a rakish demeanor, plus he’s a talented, underrated actor that could easily play a swasbuckling, rogue spice smuggler who redeems himself and wins a princess’ heart. Of course, a fan-favorite alternative would be Firefly’s Nathan Fillion, his character of Malcolm Reynolds has many of Han’s qualities but Jane looks a bit tougher, the kind of scrappy guy you want on your side during a fight. Also another Firefly alumni that could’ve portrayed a deadlier version of Han is Adam Baldwin.

Leia Organa: Selma Blair has the looks and scrappiness to play the princess-in-distress who can take care of herself in a blaster fight. Perhaps audiences would’ve been spared that goofy hairdo in Episode IV, then again remember those outlandish outfits that Padme wore in Episode I.  A viable and spunky alternative is Kelly Macdonald who, like Ewan MacGregor, appeared in the cult classic Trainspotting, so Lucas would’ve still hired someone from that film. Or Morena Baccarin, yet another Firefly alumni, could’ve played a more sultry and exotic Princess Leia.

Obi-Wan “Ben” Kenobi: It’s likely that Perry King or any other actor who originated the role back in the ’70s and ’80s would have been able to reprise it with the new trilogy. With that stated here’s a curveball of an acting pick: Sean Connery. The man was a legend by 1999. He has that regal yet tough demeanor with a compassionate undercurrent to pull off the role of an old Obi-Wan. This role might’ve prolonged his acting career by a few more years since it wouldn’t have led to him retiring after feeling disgruntled with Hollywood.

Darth Vader: Kurt Russell, who might’ve been picked to play Anakin in the early films, could’ve been persuaded to don a full suit with face-concealing helmet and play Vader. Maybe Ron Pearlman could’ve worn the suit? Otherwise, some unknown, muscular and tall performer would fill in the role. James Earl Jones would’ve done the voice as in the real world. If he wasn’t available then Lucas could’ve gone with Avery Brooks who also has a rich, booming and distinctive voice.

Lando Calrissian: Solid acting ability is just one reason why Blair Underwood is a lock for this role. It calls for someone that is a charming, good-looking,  former con man who is forced to turn against Han before joining the rebels in the end. The guy just looks like a hero! Another outside possibility is Terrence Howard who has many of Underwood’s qualities to play Lando.

Grand Moff Tarkin: Christopher Lee should’ve been able to play this role nicely. As seen most recently with Lord of the Rings: The Two Towers, Lee showed audiences why he makes a great villain with experience going back to the old Hammer films. Then again Lucas may have tapped Terrance Stamp for the role. He did appear as Chancellor Valorum in The Phantom Menace and could play cold, icy villain with his eyes closed.

Boba Fett: If Scott Glenn was cast as Jango then there’s no reason why he couldn’t play his offspring in the final films. That is if Boba had an expanded role in the final films. Otherwise, being that the character had a limited role, spoke a handful of lines and didn’t even remove his helmet, it’s probable that an unknown actor would’ve been cast instead.

Palpatine: Ian McDiarmid would reprise his role as the Emperor for the final two films. The makeup might be different. That of course depends on whether or not he originated the role with the Prequel Trilogy. Whoever else was chosen to play Palpatine could’ve continued playing him or John Noble, now seen on Fringe, could’ve done the part. That man can do twisted, calculating nemesis. Look no further than his role as Walternate in Fringe or Denethor in Lord of the Rings: The Return of the King.

 

Chewbacca: If that character made his debut in Episode III and Peter Mayhew played him then hopefully he would still play the Wookie in the later films. It’s hard to imagine someone else doing the part, maybe Brad Garrett? He is pretty tall, but he wouldn’t have any lines so who knows if he would’ve accepted. Perhaps Chewbacca would be played by some unknown actor. Then again Chewbacca and the Wookies may not have appeared in Episode III, meaning that he would be a CG creation. In that case only Andy Serkis or Doug Jones would be able to project their acting ability through the mo-cap process.

Wicket: Lucas probably would have the Ewoks rendered in CG and made them into a completely different race. Maybe a more formidable and believable a force to defeat the Empire’s stormtroopers. Otherwise Warwick Davis would play Wicket as he did in real life.

Yoda, C-3P0, and R2-D2: They would’ve been played by the performers who originally played them. Meaning Frank Oz, Anthony Daniels, and Kenny Baker, respectively. That’s because since all three characters appeared in the early films and in real life were performed in the ’70s and ’80s by these three men then logically they would continue doing the roles. One thing to note is that Yoda would have been a lot less active in the prequels due to f/x limitations. Hence, no crowd-pleasing lightsaber duels in the prequels. But Yoda may have survived long enough in the final film to confront Palpatine with a spectacular duel as he did in the final scenes of Episode III.

As for Jabba the Hutt, Admiral Ackbar, and Nien Numb, well they most likely would be CG creations instead of puppets or actors in heavy makeup. It would be interesting to see how they would’ve appeared in that case.

And just to goof around, let’s have Patrick Stewart  bridge the worlds of Star Trek and Star Wars and make a cameo appearance in Episode V as Lando’s aide Lobot!

José Soto