Feb 1 2015

Still Skeptical About The Fantastic Four

As I’m getting ready to watch the Super Bowl (mostly for the trailers and commercials, I have no stake in the Patriots or the Seahawks), I keep thinking about the trailer for The Fantastic Four that was recently released.

Twentieth Century Fox released it I think to quiet all the complaining from the genre community about how we didn’t have any info (not even an official image) from the controversial reboot. Seriously, they needed to have done that for the longest time and I think some of the animosity towards the film can be blamed on the lack of marketing.

Anyway, looking around the Internet I keep viewing videos and reading articles stating how good the film looks and how we can all breathe easier knowing that director Josh Trank is going to deliver a superb film with a new take on the Fantastic Four.

Honestly, I wasn’t impressed.

When Fox announced the cast last year, I was very skeptical about the film right away from looking at the cast. And I still am. Yes, I do admit that the actors are well regarded like Miles Teller (for his role in Whiplash) and Michael B. Jordan. But as I said in my old post, these actors look too young. It’s undeniable that this reboot is taking its inspiration from the lackluster Ultimate Comics version of the Fantastic Four from last decade. In that version, the team was made up of young prodigies who travel to another dimension and get their powers by doing so. It didn’t work because that family dynamic from the original team was missing. Reed is supposed to be the distant father figure, Ben the grumpy uncle, Sue the mother figure and soul of the team, and Johnny being the young kid brother. I didn’t get that impression from the comic book and I don’t see it in this trailer.

Obviously, something like that can’t be shown in a teaser, but the team is made up of youngsters to attract the Twilight/The Hunger Games crowd and that is a big mistake. Why? This choice to go young undermines a basic core of what made the Fantastic Four work.

Another vital aspect missing or at least not shown in the trailer was a sense of wonder and good nature. Another reason why the Fantastic Four worked in the comics was for its light humor, fanciful sci-fi, and adventure. Those were missing in the trailer. Instead we were treated to a grim, dour and generic-looking sci-fi film that looks like it could’ve been directed by David Fincher. In past press releases, the filmmakers kept saying this film is supposed to have a more grounded and gritty approach, but that doesn’t work for the team. It seems like Trank and company wanted to copy the look and feel of Christopher Nolan’s Batman films. The film should’ve emulated Guardians of the Galaxy which gave off a fun, adventurous vibe. That would’ve being a better match. Perhaps Fox should’ve offered the film to James Gunn instead. While I’m at it, for all the complaints lodged at Tim Story’s Fantastic Four films at least they captured the essence of the team. It’s just that those films were doomed with bad casting, low budgets and weak scripts.

I’ll admit The Fantastic Four trailer is well shot and doesn’t look like a disaster, but it hit all the wrong buttons for me. I’m not excited about seeing this and I doubt I’ll go to the trouble of seeing it in a theater.

T. Rod Jones

Jan 20 2015

All Good Things Come To A Marvelous End

Today, it was announced at Midtown Comics in New York City by Marvel Comics’ Editor-in-Chief Axel Alonso and Executive Editor Tom Brevoort that the Marvel Universe will come to an end this May with the new Secret Wars mini-series.

In Secret Wars, segments of different Marvel realities, including the Marvel Universe 616 or the main universe that has been in existence for 75 years will be combined into a new planet called Battleworld. The Marvel editors claimed that from now on this Battleworld will be the new Marvel Universe. Fans of the regular Marvel Comics know that for some time the Marvel superheroes have been dealing with the “Incursion” events, that is where parallel worlds/realities have been colliding with each other. Now it’s the turn of Marvel 616 and the one from the Ultimate comic books as the two realities will smash into one another. The remains of these universes will join other universe segments on Battleworld.

This event can best be described as Marvel’s version of Crisis on Infinite Earths, the famous DC Comics mini-series that sought to eliminate the confusing amount of alternate realities into one single universe. All fans know that the Crisis event was the springboard for DC to revamp their superheroes and titles, which included John Byrne’s updating of Superman, among others.

We can only hope that Marvel has better luck in producing a more coherent universe than DC did. While the event was good on paper, there were many inconsistencies with many DC titles, which led to more mini-series events that tried to rectify this to no avail. Ultimately, DC was able to correct this and present a clean ending to their comics universe and start over completely with the Flashpoint mini-series and The New 52 reboot.

With the main Marvel Universe ending, this is undoubtedly a sad turn for fans of the Marvel comic books, but it’s a terrific way of starting over and clearing the plate. For some time, the Marvel Universe had become convoluted with too many characters and realities. Let’s look at the X-Men for example. There are so many different characters, many of which come from alternate futures and dimensions, that it’s daunting for non-regular readers to keep up with. How many storylines have there been in the X-Men comics where someone comes from the future? All these futures are different from one another! How can the future seen in “Days of Futures Past” be reconciled with a future seen in Wolverine: Old Man Logan? Simple, it’s impossible!

Then there is the mess Marvel made with Spider-Man in undoing his marriage to Mary Jane. Instead of just having the couple get a divorce, a convoluted story was made up (“One More Day”) where Spider-Man went completely out of character and made a deal with the Marvel equivalent of the Devil to save his aunt’s life. This led to a time-travel quirk where he never married Mary Jane and reality in the regular Marvel Universe was altered. The upcoming event “Renew Your Vows” is a good way to rectify this mistake as seen with the preview image of Spider-Man, Mary Jane and their daughter.

Speaking of Spider-Man, the recent Spider-Verse story illustrates how convoluted and crowded the Marvel multiverses have become with the many different versions of Spider-Man.

That is why the end of the Marvel Universe is a good way to streamline things and provide a jumping on point for new readers and lapsed fans who couldn’t keep up with the vast myriad of timelines. As with Spider-Man’s marriage, the clean slate allows for mistakes to be undone and to approach characters and stories with a new, fresh perspective. Then again, how long before alternate reality or future stories begin to come back? Let’s hope it will be a while.

For this year’s Free Comic Book Day event on May 3, Marvel will release free copies of Secret Wars #0 that will bring readers up to speed to the shattering event.

T. Rod Jones

Jan 2 2015

Fifteen Films To Look For In 2015

This year’s slate of genre films looks incredibly thrilling for fans. We have the return of Star Wars, the Avengers and many high-profile sci-fi wannabe epics, plus a slew of fantasy, horror and animated films. Of the many scheduled releases, these are the ones to look for in 2015.

15. Jupiter Ascending

This eye-catching space adventure film starring Mila Kunis and Channing Tatum can be either a magnificent comeback vehicle for the Wachowskis or another in a long string of flops for the directors after their early success with The Matrix. (Release Date: February 6)

14. Inside Out

Pixar is offering two animated films for 2015 and the first one out is about the emotions of a young girl being played out in her mind by distinct characters. Think of that old Fox show Herman’s Head for the younger crowd. (Release Date: June 19)

13. Project Almanac

Usually January is a dumping ground for inferior movies, and found footage films are now considered passé. But Project Almanac has an interesting premise: A bunch of young adults record their discovery of time travel and its negative repercussions. It could go either way. (Release Date: January 30)

12. Monsters: Dark Continent

Even though Gareth Edwards, the director of the first Monsters film, isn’t returning, he is still involved in this sequel that expands the premise of Monsters. Now the alien behemoths have spread throughout the world and this film chronicles a soldier looking for a comrade in monster-infested territory. (Release Date: February 27)

11. Terminator: Genisys

Fans of the Terminator films have been burned by the last two entries in the series. The production team behind this latest entry hope to start afresh with this semi-reboot/sequel that returns Arnold Schwarzenegger as an older version of the killer cyborg. The trailer was a bit offputting, yet somehow intriguing with the idea that the original timeline of the first film has been radically altered and combines elements of Terminator 2: Judgment Day with the original film. (Release Date: July 1)

10. The Hunger Games: Mockingjay, Part Two

The final film of The Hunger Games saga promises to deliver the ultimate confrontation between the young victor of the Hunger Games, Katniss Everdeen (Jennifer Lawrence), and the District 13 rebel forces against the tyrant President Snow (Donald Sutherland) and his armies of Panem. (Release Date: November 20)

9. Ant-Man

This film is probably a case of any publicity is good publicity. Ant-Man has always been an obscure superhero. The only interest in this film was due to director Edgar Wright’s involvement. Awaresness ratcheted up a thousand fold when Wright quit the film and Marvel Studios went through a very public search for a director, any director to take over. It’s easy to right off Ant-Man because of its behind-the -scenes headaches, but this is Marvel Studios, who were able to sell the just-as obscure Guardians of the Galaxy. (Release Date: July 17)

8. The Good Dinosaur

Out of the two Pixar releases for this year, this film seems the more interesting of the two. It’s about dinosaurs for Pete’s sake! And according to publicity material The Good Dinosaur takes place in world where the mighty giant reptiles never died off, making the film a rare alternate history film. Even though it’s had a troubled production, Pixar should be able to pull off another winner. (Release Date: November 25)

7. The Martian

Based on the book by Andy Weir. Ridley Scott directs this outer space survival tale starring Matt Damon as an astronaut stranded on Mars. Think of Survivorman in space or rather that underrated cult classic Robinson Crusoe on Mars, but with today’s scientific knowledge and special effects. Hopefully Ridley Scott might have better luck with The Martian than he did with Prometheus. (Release Date: November 25)

6. Chappie

Neill Blomkamp’s third film stars Hugh Jackman and is about a sentient robot finding his way in the world. From the bits shown in the trailer, Chappie might become the latest endearing robot to capture our human hearts in the mode of WALL-E or R2-D2. In any case, this film offers Blomkamp a chance at redemption after Elysium failed to match the success of District 9. (Release Date: March 6)

5. Mad Max: Fury Road

Everyone’s favorite futuristic Road Warrior is back! In the newest Mad Max film, the titular hero is now portrayed by Tom Hardy and is being directed by series creator George Miller. If what has been shown on the trailers is true, we’re going to be treated by the same high-octane road thrills that defined the original films and make the Fast and the Furious films seem pedestrian. (Release Date: May 15)

4. Jurassic World

Dinosaurs never get old on the silver screen! With that said, we’ve been itching for a return to Jurassic Park even though the last film, which came out in 2001, was a bit disappointing. Chris Pratt stars as a park warden in a perfected dinosaur theme park that has a front-seat viewing of dinosaur genetic experiments gone awry. (Release Date: June 12)

3. Tomorrowland

The newest film by Brad Bird is still a mystery at this point and the teaser released served only to bring up more questions and entice us even more. Bird has proven to be a phenomenal director and the imagery shown in the trailer were beyond entrancing. Fingers crossed that Tomorrowland will be as extraordinary and scintillating as the teaser, well, teased. (Release Date: May 22)

2. Star Wars: The Force Awakens

Yes, this latest Star Wars film is on the top of many anticipated lists for 2015. This is just based on director J.J. Abrams’ credentials and an exciting teaser trailer. But remember how we were all excited when the trailer for Star Wars Episode I: The Phantom Menace came out. Then there is the undeniable fact that Abrams has his critics, especially with his overuse of lens flares. And depending on one’s point of view this is the first Star Wars film not under the guidance of George Lucas. Putting all those reservations aside, it’s freaking great that we’re actually getting a brand new Star Wars films that takes its inspiration from the Original Trilogy. (Release Date: December 18)

1. Avengers: Age of Ultron.

The Avengers was as influential on superhero films as The Dark Knight and Superman. A large measure of thanks had to go to director Joss Whedon, who crafted a well-balanced character/action piece that was exciting, witty and plain fun. Avengers: Age of Ultron looks like it will take the route of other well-regarded sequels in adopting a darker tone. This came across with the trailer’s use of a chilling rendition of “I Got No Strings”, which accompanied despairing scenes of our distressed heroes as they faced off against the robotic Ultron, voiced unnervingly by James Spader. Also it’s been hinted that the film’s events will lead to 2016’s Captain America: Civil War, which pits superheroes against one another. The takeaway impression is that Avengers: Age of Ultron will not play it safe. (Release Date: May 1)

In addition to this list there are many more genre films currently scheduled for 2015. Some of the more interesting ones include Predestination (January 9–next week!), a time-travel piece starring Ethan Hawke; Seventh Son (February 6) features Jeff Bridges in a medieval knight story with fantastic monsters and witches; The Divergent Series: Insurgent (March 20), the sequel to last year’s Divergent is also an adaptation of Veronica Roth’s second Divergent novel and stars super popular Shailene Woodley; Home (March 27), Dreamworks Animation presents this sci-fi buddy comedy about aliens invaders; Ex Machina (April 10) marks the directorial debut of 28 Days Later writer Alex Garland in a tale about artificial intelligence; Pan (July 24) is a prequel to Peter Pan featuring Hugh Jackman; Pixels (July 24), Chris Columbus directs this sci-fi comedy about 1980s-era video game characters used by aliens to invade Earth; Poltergeist (July 24), a remake of the Tobe Hooper horror classic; Self/Less (July 31) stars Ryan Reynolds as a dying man whose consciousness is transferred into another body; Sinister 2 (August 21), the sequel to the surprisingly scary Sinister; The Maze Runner: Scorch Trials (Sept. 18), based on another popular young reader sci-fi book series, it’s the sequel to last year’s The Maze Runner; Victor Frankenstein (October 2), James McAvoy stars as the infamous scientist while Daniel Radcliffe plays Igor; The Jungle Book (October 9) is a live-action version of the Disney classic adaptation directed by Jon Favreau; Crimson Peak (October 16), a Gothic romance directed by Guillermo Del Toro; and Midnight Special (November 25) is a sci-fi chase film about a father and son who go on run after the son develops special powers.

José Soto

Dec 27 2014

Best Of 2014

Best Sci-Fi TV Show

Doctor Who got off to a rocky start for the new Doctor played by Peter Capaldi. But the show and the actor quickly found their footing and presented an eclectic and sometimes frenetic mix of the bizarre, silly and loftier themes. What helped where the imaginative scripts and Capaldi’s cutting performance as a more sardonic and mature Doctor, which was a good change of pace for Doctor Who.

Best Horror TV Show:

The Walking Dead continues to be one of the best genre shows on TV. This year saw the aftermath of the fall of the prison that scattered our heroes and introduced memorable characters. At the same time, The Walking Dead kept amping up the stakes with the Terminus cannibals and Grady Hospital storylines. It all ended with a feeling that no one is safe and nothing is secure.

Best Fantasy Show

Game of Thrones is the best produced show on TV right now with its topnotch production values, crisp dialogue and scripts, and superior acting. Many episodes stood out which dealt with the deaths of King Joffrey (Jack Gleeson) and Tywin Lannister (Charles Dance), the trial of Tyrion Lannister (Peter Dinklage) and the siege of the Wall. The only problem is that the show is now running out of original material since it has almost caught up to George R.R. Martin’s books.

Best Documentary/Reality Show

The Real History of Science Fiction, was a splendid look at film and TV science fiction fare with some nods towards literary works. Each episode of the mini-series was based on a certain theme like robots, time travel and of course space exploration.

Best Cancelled TV Show

Almost Human was a fresh and inventive sci-fi variation of the cop-buddy show thanks to terrific performances by Michael Ealy as an android cop and Karl Urban as his disgruntled human partner. The episodes were straightforward and entertaining as they explored the nature of having a soul and nifty future crimes.

Best Animated Show

Star Wars: The Clone Wars had a fitting final season that aired on Netflix instead of broadcast TV. While current fandom is content to put behind George Lucas’ prequel-based fare and all the attention is on Star Wars Rebels and next year’s Star Wars: The Force Awakens, the final episodes of Star Wars: The Clone Wars did an excellent job of expanding the Star Wars universe with its explorations of the Force and by providing a segue way to the films.

Best TV Character

Tyrion Lannister in Game of Thrones finally had enough of all the taunts and putdowns and the unjust charges laid on him. His epic courtroom rant in “The Laws of Gods and Men” saw him unleash his fury at those that wronged him including his father and this anger saw its culmination in the final episode of the season where he physically took out his rage on those that hurt him.

Most Missed TV Character

Beth Greene (Emily Kinney) on The Walking Dead was an underused character on the show. For the most part she was just known as the youngest member of the Greene family. But in recent episodes, Beth had matured and become self reliant which culminated in her final episode (and The Walking Dead’s midseason finale) where she was abruptly killed off. The death seemed pointless and enraged fans who were saddened by her death.

Best TV Villain

Slade Wilson (Manu Bennett) at first was a trusted partner of Oliver Queen (Stephen Amell) while the future Green Arrow was stranded on an island as seen in flashback scenes on Arrow. But in the second season, this former merc proved to be Queen’s most diabolical enemy as he re-entered the superhero’s life and systematically began to take Queen down in a smoldering bid of vengeance. Raising the stakes for Queen was that Wilson was superior in strength and skills and pushed our hero to the edge. Bennett’s performance as Wilson was so memorable that the Batman villain Ra’s al Ghul (Matt Nable) couldn’t compare.

Most Improved TV show

Agents of S.H.I.E.L.D. was a big disappointment when it first premiered in 2013 because of banal scripts and listless characters. However, thanks to Captain America: The Winter Soldier the show truly came into its own by wholeheartedly embracing the game-changing premise from that movie where Hydra had infiltrated S.H.I.E.L.D. Characters were killed off or did a complete 180 and the agents became fugitives while they struggled to defeat Hydra that seemed to be everywhere. Plus, the second season saw the show debut what will turn out to be an important component of the Marvel Cinematic Universe (MCU) by introducing the Inhumans.

Best Series Finale

Being Human, it was sad to see this American version of the British cult hit come to an end, but it ended quite well. All the story threads were wrapped up surprisingly well and the finale was bittersweet. A couple of the show’s characters died but had meaningful deaths with rewarding afterlives. Meanwhile, the surviving characters were given a conclusion where they were able to live happily and move on.

Best Sci-Fi Film

Guardians of the Galaxy highlighted a memorable year for sci-fi films. 2014 had some instant classics like Interstellar, Dawn of the Planet of the Apes and Snowpiercer, but Guardians of the Galaxy stood out over the rest. It was a fun throwback to pulpy space operas not seen since the original Star Wars trilogy. More importantly, the film had very endearing characters like Peter Quill (Chris Pratt) that made audiences care about them as they went about saving the galaxy.

Best Horror Film

Oculus stood out among current horror films that rely all too much on cheap and easy jump scares. This film, which starred genre favorites Karen Gillan and Katee Sackhoff, instead used psychological horror and mind games that always kept the audience guessing while delivering authentic and natural frights.

Best Fantasy Film

The Hobbit: The Battle of the Five Armies, Peter Jackson concluded his three-part adaptation of the Tolkien classic with wall-to-wall action and his now trademark sweeping scenes of battlefields and armies. Although, The Hobbit trilogy may not have the same punch as The Lord of the Rings films, it was still a memorable viewing experience. And The Hobbit: The Battle of the Five Armies was a fitting conclusion to Jackson’s final sojourn to Middle Earth.

Best Animated Film

The LEGO Movie, this year had some great animated films like How To Train Your Dragon 2 and Big Hero 6. But The LEGO Movie was the best surprise not because of its use of famous characters like Batman or it being a cross of Legos and stop motion animation, but due to its championing of imagination and creativity.

Best Superhero Film

Captain America: The Winter Soldier was a bold, exciting sequel that outshone the original and upturned the MCU with its revelation that S.H.I.E.L.D. the spy organization had been infiltrated by the evil Hydra organization. This, of course, forced our hero to go on the run as he tried to tear down the organization he once fought for while uncovering disturbing conspiracies. But the film also took time to humanize Captain America and reflect on his past. These simple touches are what made the film so memorable.

Best Superhero on Film

Captain America (Chris Evans) in Captain America: The Winter Soldier, once again demonstrated why he is arguably the greatest hero in the MCU and a true patriot who questioned the Big Brother methods of S.H.I.E.L.D. This in turn led him to be a man truly out of place in society fighting a lonely and dangerous fight as many supposed allies turned against him. More importantly, his heroic actions would unravel the MCU forever.

Best Film Characters

Hands down, Groot (voiced by Vin Diesel) and Rocket Raccoon (voiced by Bradley Cooper) stole the film Guardians of the Galaxy and were a big cause of that film’s success. Who would’ve imagined a year ago that two unknown CG characters would have so much heart and be so endearing to audiences?

Best Line in a Film

“I am Groot”

Best Performance Capture

Caesar the ape in Dawn of the Planet of the Apes was exceptionally brought to life by Andy Serkis in what is probably his best performance. Many times in the film, one easily forgot that Caesar was not an actual chimp but a performance capture/CG creation. Just give the guy an Oscar already!

Best Film Villain

Koba the ape (performance captured by Toby Kebbel) in Dawn of the Planet of the Apes was a hideous, chilling and conniving villain who’s undying hatred for humans brings about a war between the two species. He was the most memorable villains seen in genre films for 2014.

Best Use of 3D & IMAX In a Film

Interstellar showed that director Christopher Nolan is undeniably the master when it comes to filming genre efforts on IMAX. Meanwhile, Guardians of the Galaxy had unexpectedly terrific 3D effects thanks to director James Gunn who utilized the format to its best.

Best Trailer for an Upcoming Film

Avengers: Age of Ultron, is one of next year’s most anticipated films and the moody trailer for it ratcheted up interest. It gave us the cool effects shots, especially the Hulkbuster Iron Man suit in action, but it didn’t play it safe with its dark forebodings (broken Captain America shield anyone?) and that creepy rendition of “I Got No Strings” from Pinocchio. On a side note the other best teaser trailer has to be for Avengers: Infinity War, Part I & II, which aren’t due until 2018 and 2019!

Biggest Disappointment

The Amazing Spider-Man 2 suffered the same fate as the infamous Spider-Man 3. It had too many villains, characters, subplots and worst of all too much studio interference that mandated that this film be used to launch spinoffs in a clumsy attempt by Sony Pictures to create its own superhero cinematic universe. In the end, this mess has put the Spider-Man film series in doubt, let alone the announced spinoffs.

Best App

Star Wars Scene Maker was an app that allowed users to recreate scenes from the iconic original Star Wars. around. Or better it allowed anyone’s creativity to get going by allowing users to mix and match characters, weapons and vehicles and the best fun was seeing these setups come to animated life.

Best Video Game

Mario Kart 8 was a lot of fun to play and proved to be one of the best Mario Kart games ever made. Nintendo made this latest Mario game with incredible graphics, game play and delivering the simple joys that fans of the Mario Kart games have expected over the years.

Best Hallmark Ornament: 2014 proved to be a landmark year for genre-related Hallmark ornaments. There were so many great ornaments like the xenomorph from Alien, the shark from Jaws or the flying DeLorean from the Back to the Future films. It was actually hard to pick out the best genre ornament, but in the end the best ornament was the Yoda Peekbuster. What made it stand out was its motion sensor that warned peekers away from gifts placed under the Christmas tree as Yoda admonished his distinct Yodaisms.

Biggest News Item

In light of the recent calamities like super diseases, incompetent politicians, demagogues, and riots, entertainment genre news couldn’t compare. Still, there were a couple of news item that have had immediate ramifications, especially with the future of the Spider-Man film franchise. Those would have to be the announcements from DC/Warner Bros. and Marvel/Disney of a busy schedule of interrelated superhero films. Both camps’ culminations will include two-part Justice League and Avengers films. These revelation were very exciting and left other studios’ attempts at building their own cinematic universes in the dust.

Dec 16 2014

Requiem For A Spider-Man Reboot

As we all know, the latest buzz going around the ‘net has been about the leaked emails from Sony Pictures and in particular the future of the Spider-Man film franchise. We learned that Sony and Marvel Entertainment came agonizingly close to having Spidey appearing in 2016’s Captain America: Civil War and in other Marvel Cinematic Universe (MCU) movies. Additionally, the emails it’s clear that the Sony executives were up in arms over where to go forward with the franchise.

The Amazing Spider-Man 2 underperformed (and for good reason!) last summer in theaters and took a vicious beating from critics and fans over its convoluted script and having too many characters. The emails prove that Sony knows something is wrong with the franchise, and also demonstrate how they badly lack any creative solutions. Let’s look at their idea for an Aunt May film which would reveal her secret life. Really? That is one dumb idea. Why not have a kid-friendly film starring Ms. Lyons the dog? Then there was the notion of making an animated comedy film about Spidey. That would go over as well as that Broadway play. Or how about a movie about an unnamed female superhero? Sorry, but other film studios are coming out with high profile superheroines like Wonder Woman and Captain Marvel. Seriously, these kinds of ideas make the planned Sinister Six movie to be a brilliant move!

What’s worse is that The Amazing Spider-Man 2’s reception has cast a doubt on continuing the franchise to the point that the planned Venom movie is all but dead and now the likelihood of a Sinister Six film is in doubt. The fragile nature of these films underscore how much the Spider-Man film franchise is in trouble. Announcement after announcement fail to drum up any interest among fans or worse hostility. The only Marvel property that generates more hostility is next year’s Fantastic Four reboot. Smelling blood in the water, many fans are ripping apart the two recent Spider-Man films and a war cry has started for Sony to sell the film rights back to Marvel. That’s regrettable. The reboot had some good parts and shouldn’t be completely disregarded, especially the first film.

From Highlight To Casualty

What the reboot got correct is that the films moved away from Sam Raimi’s Silver Age-inspired films that were kind of goofy and a bit dated. The new Peter Parker, played excellently by Andrew Garfield, wasn’t a textbook nerd anymore. He was more of a loner, an outsider, and he seemed more modern. Peter was someone who had trouble connecting with the world around him until that famous spider bite changed his life. And the way Spider-Man was presented was just spot-on perfect. He was brash, wise cracking, nimble and at times it seemed like pages from a comic book were literally put on the silver screen without missing anything. Then there was the near-perfect chemistry between Peter and his love Gwen Stacy (Emma Stone). Some may wonder why Marc Webb, a director known for a romantic comedy – (500) Days of Summer – was picked to direct the rebooted films. Part of that had to be with the success he had with (500) Days of Summer, a genuinely funny and affecting movie that was a chick flick for guys. Webb was able to convey a moving romance between Peter and Gwen and they were the highlights of the rebooted films. However, other parts of the films had severe faults, like cartoony villains and haphazard editing, which is why it’s likely that Webb won’t come back for future Spider-Man films. Continue reading →

Starloggers

Observations, Reports & Remarks From Out Of This World & Beyond

Category Superheroes

Still Skeptical About The Fantastic Four

All Good Things Come To A Marvelous End

Fifteen Films To Look For In 2015

Best Of 2014

Requiem For A Spider-Man Reboot

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