Independent Comics Are The Way Forward

The two big comic book companies, DC Comics and Marvel Comics, rule the comic book market and have done so for decades. But their reign right now is largely due to inertia and for decades comic book fans complained about the Big Two and the saturation of the market with superhero comics. It seemed as if it would be that way for a long time…and it still is at this point. However, this status quo is overdue for a shakeup and it is probably going on right now with independent comics.

To the outside world, what captures the headlines are the latest (non) developments with superheroes, like someone dying and coming back to boost sales, a newly relaunched title with a brand-new number one just to flood markets with variant covers, and so on. Also, back issue sales are still dominated by older superhero titles and will continue to do so. But what has captured fans’ attention has been the proliferation of independent comics from various publishers that for the most part don’t feature superheroes but cover a wide range of subjects. From straight horror to sci-fi to fantasy to crime dramas, there are actually a wide selection of comic books in your local comic shops (LCS) or available digitally. Many non-fans and casual fans are understandably surprised at the many choices available of comics to read and enjoy.

Right now the hot comic is Mark Spear’s Monsters, a beautifully drawn comic put out by Keenspot that features many classic monsters in painted art that evokes Alex Ross but with Spears’ own unique style. Other popular comics include Feral, Geiger, Monstress, A Vicious Circle, Invincible, Conan the Barbarian, Saga, Eight Billion Genies, The Infernals, Something is Killing the Children, Local Man, Transformers and G.I. Joe. None of these titles are superhero-based, except for Invincible, Local Man, and maybe Geiger. The latter is more of a post-apocalyptic tale of a radioactive loner/warrior, while Local Man is a fresh grounded take on Image Comics’ superheroes. Yes, Transformers, Conan the Barbarian, and G.I Joe are based on popular IP, but they are not based on superheroes.

What’s an even more interesting development is that movie and TV studios are turning more and more to comic books not based on superheroes to adapt as they see the potential in the stories. There have been successful film and TV adaptations of non-superhero comics like The Walking Dead, Road to Perdition, 300 and Sin City, but be prepared for an onslaught of even more adaptations. Right now, there are efforts to adapt Eight Billion Genies and Something is Killing the Children, which at the very least would make great animated films.

Of course, not every independent comic is a winner, not all the concepts pan out or their stories peter out after a few issues, but there are many more titles to choose from and more will come. Right now, Image is arguably the leader when it comes to non-superhero comics, with other publishers rising such as Dynamite Entertainment, Dark Horse Comics, Boom! Studios and IDW Publishing. Originally, Image began with superhero comics that to be honest were sup par and most of them are no longer around. But Image took a chance with writers and artists who were able to present their own unique visions and stories and it paid off well for the publisher and comic book fans.

Sure, the LCS and online catalogs are flooded with superhero titles from DC and Marvel, but more and more, a shopper will see that there is much more product in the comic book medium to choose from. Even if at some point in the future, Marvel or DC falter, which won’t happen for a long time, other publishers will take over and dominate the market with either their own superheroes or better yet, other genres. The groundwork is already in place and eventually the independent comics will overtake the superhero genre. Independent comic books today offer something for every taste, which is a sign of a healthy medium that will be with us for a good while.

Handling FOMO During The Comic Book Speculator Boom

Comic books have risen recently in popularity thanks to their crossover appeal in live-action media. What is spurring the boom is that as mainstream properties from Marvel Comics and DC Comics are being shown on screen, film and TV studios are mining other comic book properties, not just obscure Marvel and DC characters but those from independent comic book properties.

As properties like The Walking Dead, Invincible, Sweet Tooth, Locke & Key, The Umbrella Academy and The Boys have captured the imagination of television and streaming audiences (along with lower-tier mainstream characters like Scarlet Witch or Black Lightning), these studios have found a treasure trove of characters and stories to adapt. This in turn has made many of these titles increase in value among comic book collectors and speculators. Meaning the prices for key issues have exploded.

A good example of this situation is with Boom! Studios’ Something is Killing the Children, a horror title that only debuted in 2019, yet its first issue commands a price of roughly $1,000 for a near-mint copy. Other hot titles which are increasing in value include The Department of Truth and Saga.

The value of previously insignificant mainstream titles or issues increased significantly as characters or storylines were adapted. A recent example is with The West Coast Avengers, particularly its original middle run by John Byrne that introduced a white version of Vision and a dark version of Scarlet Witch. Both of whom wound up on the hit TV show, WandaVision. That TV show also led to a huge price increase for Fantastic Four #94, which was the first appearance of Agatha Harkness, the major villain of WandaVision.

For collectors who wish to pick up newly important issues or speculators looking to buy low and sell high, this has created a mad scramble to find these books and it’s a textbook example of FOMO. Among collectors that stands for Fear of Missing Out on obtaining an issue before it becomes too expensive. Many collectors have horror stories of passing up titles then regretting their decision as those books too off in value.

Thanks to the speculator boom and relevance of live-action comic book properties, FOMO has gripped the comic book community hard. But fans should not give in to FOMO. How important is it to have that particular title unless you want to make a quick profit? Those sold-out issues always get reprinted or are available for downloading, so for a true fan who wants to complete a run, these are alternatives.

It’s also important to keep in mind that the value of these titles often has peaks and valleys. Sure, some titles like The Walking Dead still command high prices, but the average costs for the first issue these days is only a couple thousand dollars. Back during the heyday of the title and the TV show, the first issue of The Walking Dead often sold for nearly five figures. That is enough to help pay for a new car!

As seen with the above example, once the hype dies down so will the prices and many times tey plummet to the point that the key issue becomes affordable. Consider The Avengers #55, which was the first appearance of Ultron. Back when Avengers: Age of Ultron premiered that issue was unobtainable for the average collector. Today, it can be bought for under $100, and that is for a decent copy. Another example is Marvel Premiere #15, the first introduction of Iron Fist, which was undervalued for a few years because of how poorly the Iron Fist TV show was received. Now is a good time to buy that issue and it should be soon as speculation has reared its head that the character will re-appear again in live action some time in the future.

A more recent and glaring example is Jupiter’s Legacy. There was some hype and speculation with that title since it was going to be adapted into a TV show, but that show was not well received and cancelled after one season. Right now, anyone trying to sell their copy of Jupiter’s Legacy #1 is lucky to sell it for cover price.

So, there is no reason to give in to FOMO. If a title like Something is Killing the Children becomes too expensive, let it go and stop obssessing over it. If you have to read the story get the trade paperback, read it online or borrow a friend’s copy. The key is to be patient, eventually the prices will settle and if you’re lucky you will find a copy you can afford to buy. More importantly, just enjoy the hobby.