During the ’70s and early ’80s photo novels (sometimes called movie novels) were popular movie or TV tie-in book adaptations. Following the format of a comic book, these adaptations used picture stills instead of artwork to tell a story. Either word balloons or off-panel dialogue were used and the photo novels were an innovative concept that didn’t go for the traditional adaptation that were sometimes a chore to read.
In an age before the VCR or DVD or even the digital download these books were great for fans who wanted to relive in a small way the experience of watching their favorite film or TV show. And there were hundreds of stills that were never seen before. The best books were the large format adaptations of Alien and Outland since the larger book size meant the pictures were bigger. Of course, the trade off was the cover price ($8.95 for Alien as opposed to $2.95 for Star Trek: The Motion Picture!).
Sadly, as new technologies emerged and print costs went up these types of books were discontinued in the early ’80s, although one was made for The Blair Witch Project in 2000. Many knew something was amiss when the Star Trek II: The Wrath Of Khan photo novel came out in black and white. The obvious reasoning behind this move was to cut production costs while keeping the book at a reasonable price for consumers. While it featured terrific and rare stills from the movie, the thing wasn’t in color and not visually appealing.
On a side note, photo novels are still produced for online viewing. The BBC’s website has several for Classic Doctor Who stories. There are also fan-made and professional photo novels with original stories that are online for Star Wars and other properties. Comic book artist and writer John Byrne announced in June this year of his intent to make an original Star Trek photo novel.
There weren’t many photo novels produced (no Star Wars, darn it!) during its heyday, but they are great collectibles for anyone who can find them or unforgettable gifts for fans.
The list includes: Alien, Buck Rogers In The 25th Century (the pilot TV film released in theaters), Close Encounters Of The Third Kind, Outland, The Lord Of The Rings (the animated version), Invasion Of The Body Snatchers (the 1978 remake), The Rocky Horror Picture Show, Star Trek: The Motion Picture, Star Trek II: The Wrath Of Khan, The Incredible Hulk (TV pilot), Battlestar Galactica (the TV pilot), and assorted Star Trek episodes (“Amok Time”, “The Trouble With The Tribbles”, The Deadly Years”, among others).
I miss George Lucas. That is basically my reaction to the recent news and rumors of problems with the upcoming film Star Wars Episode VII. From the writer, Michael Arndt, being replaced with director JJ Abrams and Lawrence Kasdan (the writer of The Empire Strikes Back), to hints of tension between Lucasfilm and Disney about the film’s release date.
This is what I feared when Disney took over the franchise. Star Wars movies usually took three years to make and it was all that George Lucas and his company were focused on. Now it seems like Star Wars is just another piece in Disney’s massive empire. The idea of delaying the film to 2016 may seem like a long time to wait for some, but on the other hand it may not be such a bad idea since it feels like everything is being rushed. Abrams only recently finished Star Trek Into Darkness and now with a new script being written, there will be a limited amount of time to get the whole thing done by 2015 as Disney CEO Bob Iger relishes.
The other idea of having a new Star Wars movie every year makes all of this feel like these films will be churned out of a factory and will inevitably lead to people getting burned out on Star Wars. The anticipation for each new episode was part of the fun during the years between films. But with Disney and its shareholders demanding more profits this will not be allowed. See the glut of Marvel films as a reference. Lucas had his flaws but Star Wars was his life’s work and was solely concerned with it and the rich universe he created. This won’t be duplicated with whoever is running things now.
Getting back to J.J. Abrams, one has to question how committed Abrams is to this opportunity. It has also been rumored that he was reluctant to move to England to film the movie, which if true would be ridiculous. How many directors are out there that would swim to England just to have a chance to direct a Star Wars movie? These type of projects just don’t come around too often. Not to mention the problems several fans had with his Star Trek films that had plot holes all over the place. No doubt caused in part by the scripts. The fact that the Episode VII screenplay is now being rewritten does not inspire confidence except for Kasdan being involved. Having said all of this, I hope that Abrams can pull this out. I think he needs a strong producer to keep him on track and ensure that the problems that occurred in his other films are avoided. His first Star Trek film had nice visuals and good action sequences, so he does have some skill in that regard. He just can’t have free reign to do whatever he pleases, especially on a project of this magnitude. Disney is not going to change directors at this stage of development, so he is it for Star Wars Episode VII. Down the line, I would like to see someone like Alfonso Cuarón take a stab at these films. He has been receiving great reviews for his sci-fi film Gravity. Having that type of vision for a Star Wars film seems like a great opportunity.
Hopefully, Abrams and Kasdan can come up with a quality script and do justice to the Star Wars saga. That is just as long as Abrams doesn’t bring in his buddy writers. Maybe Abrams will ultimately deliver a great Star Wars film, and all this angst we fans are feeling will be for nothing. We’ll just have to hope for the best.
This past week, Dark Horse Comics released their latest Star Wars comic book mini-series simply titled The Star Wars. The comic is based on George Lucas’ original 1974 draft treatment for the first Star Wars film.
Looking through the first issue in this mini-series it becomes very clear that the first version of the monumental epic bears little resemblance to what wound up on screen three years later. Superficially, it’s the same basic premise: out in a distant galaxy a young Jedi fights for freedom against an evil empire. Only this young Jedi (or Jedi-Bendu as is the order’s rightful name) is called Annikin Starkiller. By the end of the first issue he comes under the tutelage of General Luke Skywalker, who in this version is more akin to the older Obi-Wan Kenobi seen in Episode IV, except he’s a revered military leader and not an old hermit.
The other important Star Wars character, Darth Vader, while dressed in black, doesn’t wear a helmet, though he still looks malicious. Thanks for that goes to the mini-series’ artist Mike Mayhew. Actually, Mayhew and writer J. W. Rinzler should be credited for presenting this intriguing alternate take on the famous Star Wars franchise. The Star Wars seems more like an updated version of the pulpy Flash Gordon or Buck Rogers newspaper strips. It really isn’t surprising considering that Lucas was inspired by those strips and, in fact, originally intended to direct a Flash Gordon movie.
The story is about an evil Empire, whose capitol is in Alderaan, that wants to conquer the last remaining free world Aquilae, which is where the nearly extinct Jedi are located. General Skywalker has to convince the ruling king in Aquilae to marshal forces to fight the Empire. Along the way, readers are introduced to a portly Bail Antilles, a teenage Princess Leia, and Skywalker’s old friend, Kane Starkiller, who is Annikin’s father.
The Star Wars can be daunting even for someone familiar with the Star Wars lore because it’s very complex. Actually, the comic does the same thing that the original Star Wars did for audiences back in 1977, which is to throw readers into the middle of a story taking place in unfamiliar territory and we have to learn about that universe along the way.
It can be offsetting for fans because it can be the blueprint for a reboot somewhere down the line that would be more controversial than the recent Star Trek reboot. This version of Star Wars could set fandom on fire just for its different take on the universe and characters.
But for now, fans can enjoy this new, radical take of Star Wars and ponder what might’ve been.
The highlight of any visit to a theme park for sci-fi fans are the sci-fi based rides and attractions. Whether derived from popular movies and TV shows or original creations, these rides and attractions feature top-notch effects and thrills and bring these fantastic worlds to life.
There has been some exciting developments regarding theme park attractions; notably Disney’s acquisition of the Star Wars franchise. Rumors are rampant that there will be a major expansion devoted to Star Wars in Disney’s Hollywood Studios. Meanwhile Universal Studios is celebrating their latest sci-fi attraction, Transformers The Ride–3D.
It may be thrilling to contemplate tomorrow’s attractions, but many memorable rides have stood the test of time despite featuring outdated technology. What made them classics were how well they were executed or captured the mood of a film or TV show. This list celebrates past and current rides and attractions that fire up the imagination.
Please note, rollercoaster rides were left off the list because frankly, theming most rollercoaster rides are a waste. When riding those vomit rides, riders are zipping by so fast and hard on the tracks that no one can properly view or admire the rides’ sci-fi trappings.
10. Borg Invasion 4D (Star Trek: The Experience): This attraction was basically a 3D movie but wrapped around it was an interactive storyline where guests visited a Starbase that came under a Borg attack. Guests were then “evacuated” by Starfleet personnel into an escape shuttle, which was the movie itself.
9. Dinosaur (Disney’s Animal Kingdom): Originally called Countdown To Extinction, the ride’s name was changed to its current title when the film Dinosaur came out in 2000. The premise is that a time-traveling jeep goes back in time to rescue an iguanodon, while the vehicle must avoid audio-animatronic dinosaurs, meteors and other dazzling effects. The herky-jerky ride is pretty rough but the sudden chaotic moves add to the excitement and suspense.
8. The Timekeeper (Magic Kingdom): The attraction was one of those Circlevision 360 movies Disney has all over Epcot’s World Showcase where standing audiences have a film played all around them. The Timekeeper was an android (voiced by Robin Williams) who transports the audience, Jules Verne and H.G. Wells throughout time. The finale that takes place in a futuristic Paris was simply stunning and immersed guests into a futuristic world.
7. Mission: Space (Epcot): According to some astronauts, this ride does a great job of recreating a rocket launch. Centrifugal forces do a number on riders enclosed in narrow, claustrophobic stations that simulate a spaceship being launched and escaping Earth’s gravity. Riders play specific parts as team members on their way to Mars. Mission: Space is so rough that a milder version of the ride had to be introduced.
6. Horizons (EPCOT Center): This long-gone pavilion at EPCOT Center was a nifty dark ride that showed how early visionaries viewed our future (with nods to A Voyage To The Moon). The latter part of the ride showcased families living in futuristic environments like onboard a space station. The finale allowed riders to choose from three different future environments (desert, ocean and outer space) to explore.
5. Back To The Future: The Ride (Universal Studios): Possibly the greatest old-style simulator ride of all time before innovations like 3D were added to these types of rides. Visitors at Doc Brown’s (Christopher Lloyd) Institute of Future Technology had to ride a modified time-traveling DeLorean to chase down another DeLorean driven by Biff Tannen (Thomas F. Wilson). Huge IMAX screens and especially rough rides added to the illusion that the vehicles were time-traveling to different eras.
4. Terminator 2 3D: Battle Across Time (Universal Studios Florida): The 3D effects in this attraction still hold up today and the pre-show presentation is fun to watch. What is interesting is that it is the final time that director James Cameron worked with the stars from Terminator 2: Judgment Day, Arnold Schwarzenegger, Linda Hamilton, Edward Furlong and Robert Patrick. In the attraction, a Cyberdyne Systems demonstration of their new primitive T-70 robots are interrupted by Sarah and John Connor, as well as the T-1000. Fortunately, the heroic T-800 Terminator comes to the rescue as the attraction seamlessly blends live-action and 3D effects.
3. The Amazing Adventures Of Spider-Man (Islands Of Adventure): This ride uses different technologies (3D, pyro effects, simulators, etc.) to create one of the most exciting rides ever. Riders board a news vehicle and encounter Spider-Man as he battles Doctor Octopus, Hobgoblin, Electro and others throughout New York City. Riders are literally thrown into the dizzying, aerobatic action when Doctor Octopus uses an anti-gravity rifle to elevate the ride vehicle over skyscrapers, as he and his cohorts battle Spider-Man. It’s all a wondrous blending of different effects that throws riders into the action. The way Spidey lands on the vehicle is still thrilling after multiple rides. The Spider-Man ride recently underwent an HD upgrade that adds even more eye-popping depth to the experience.
2. Star Tours: The Adventures Continue (Disney’s Hollywood Studios/Disneyland): This update of the original Star Tours keeps the simulator ride refreshing by offering several different scenarios. The premise is largely the same, riders visit the Star Tours station and board a Starspeeder vehicle. This time, the droid C-3P0 accidently becomes the pilot of the vehicle that captures the interest of imperial forces, who are looking for a Rebel spy onboard the vehicle. Sometimes Darth Vader himself tries to seize the vessel using the Force The Starspeeder narrowly escapes and takes off to safely deliver the Rebel spy through random locations. They range from the ice planet Hoth to the desert planet Tatooine. Another bonus is that the ride is in 3D, but Star Tours: The Adventures Continue is so great that it doesn’t need the gimmick.
1. Klingon Encounter (Star Trek: The Experience): It really is a shame that Star Trek: The Experience closed because not all fans were able to go to Las Vegas to experience the Klingon Encounter ride/attraction. Guests were seemingly transported onboard the Enterprise D as it comes under attack by rogue Klingons. Thanks to the faithfully recreated details of the ship, including the bridge, guests were made to feel as if they were actually onboard Captain Picard’s ship. The actors who interacted with guests as Enterprise officers helped sell this illusion, as well as the shuttle ride that concluded the attraction. No other ride or attraction went to this level to immerse a guest and make him or her feel as if they’re part of the storyline. Paramount or CBS should really try to bring this encounter back somehow–but they should pick someplace more compatible instead of Vegas.
Honorable Mentions: The original Star Tours (Disneyland), Body Wars (EPCOT Center), TheExtarTERRORestrial Alien Encounter (Magic Kingdom), E.T. Adventure (Universal Studios), Jurassic Park: The Ride (Universal Studios Hollywood), Buzz Lightyear’s Space Ranger Spin (Magic Kingdom), Transformers The Ride–3D (Universal Studios Hollywood), Honey, I Shrunk The Audience! (Epcot), and Men In Black: Alien Attack (Universal Studios Florida)
The rumors about who will appear in the upcoming Star Wars Episode VII are swirling faster than an TIE fighter spinning to its doom on an asteroid field after chasing the Millennium Falcon. There are reports that Mark Hamill and Harrison Ford will reprise their roles of Luke Skywalker and Han Solo respectively in the new film to be directed by J.J. Abrams. Carrie Fisher can’t be far behind to complete the triad.
With that, here at Starloggers, our contributors were asked which characters they would like to return in Star Wars Episode VII. These are their replies…
José Soto: Luke Skywalker and Han Solo are excellent choices, but you need Leia too so that the baton can be effectively handed off to the new generation of characters. While they’re at it, throw in Chewbacca, Admiral Ackbar and a force ghost appearance by Yoda. Oh, and don’t forget the droids!
C.S. Link: The droids, of course, you can’t have a Star Wars film without C-3P0 whining away and R2-D2 being the heroic droid/mobile Swiss army knife. Boba Fett would be nice, as well as Lando Calrissian and Chewbacca. They’re cool.
GEO: I would like J.J. Abrams to recast Luke, Han and Leia, just like he did with the Star Trek reboot. But at the end of the day, the must-have character to appear in Star Wars Episode VII should be Luke.
Jennifer Drucker: I’d love to see Princess Leia and Lando Calrissian again. Also, it would be great if the people making the upcoming film were to include Qui-Gon Jinn and Ewan McGregor’s Obi-Wan Kenobi as blue Jedi ghosts.
Annette DeForrester: Yoda’s my favorite Star Wars character of all time. Even though he died in Return Of The Jedi, Yoda can appear as a ghost. For the villains, Boba can stay in the sarlaac pit, but they should bring back the sith villains as evil ghosts.
Jim McLernon: They should include the droids, R2-D2 and C-3P0 since they appeared in all six Star Wars films. The rest doesn’t matter to me, but J.J. Abrams should just make sure the characters are well developed no matter who appears in the film.
Lewis T. Grove: Like everyone else I think the droids R2-D2 and C-3P0 must be part of Star Wars Episode VII. Just have them appear more worn and beat up, it would be a realistic touch. Also they should consider Obi-Wan Kenobi. Like the droids, he appeared in all six films and can provide a sense of continuity.
During the ’70s and early ’80s photo novels (sometimes called movie novels) were popular movie or TV tie-in book adaptations. Following the format of a comic book, these adaptations used picture stills instead of artwork to tell a story. Either word balloons or off-panel dialogue were used and the photo novels were an innovative concept that didn’t go for the traditional adaptation that were sometimes a chore to read.
although one was made for The Blair Witch Project in 2000. Many knew something was amiss when the Star Trek II: The Wrath Of Khan photo novel came out in black and white. The obvious reasoning behind this move was to cut production costs while keeping the book at a reasonable price for consumers. While it featured terrific and rare stills from the movie, the thing wasn’t in color and not visually appealing.
There weren’t many photo novels produced (no Star Wars, darn it!) during its heyday, but they are great collectibles for anyone who can find them or unforgettable gifts for fans.
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