Adapt Stephen King’s Dark Tower Saga!

Given the success of the recent live-action adaptation of author Stephen King’s literary works. It is time to consider bringing his magnum opus, the Dark Tower Saga, to life on screen or TV.

Adapting the Dark Tower Saga has been attempted several times over the years at different film studios with topnotch filmmakers attached to such projects such as J.J. Abrams and Ron Howard. However, those efforts did not succeed until the film The Dark Tower, which came out in 2017. The film was directed by Nikolaj Arcel with Ron Howard co-producing and starred Idris Elba as the lead characer Roland Deschain and Matthew McConaughey as the Man in Black. It was intended to be the first part of a multi-epic saga that would expand into television as well as more films. Well that was the intention, as most King fans know the film was poorly received and did not do well in its release. So plans for any followups quietly faded away.

There are many reasons why The Dark Tower failed to click with audiences and critics but it mostly had to do with the truncated script that loosely adapted elements from the first Dark Tower book, The Gunslinger, and the third book, The Waste Lands. Being that the books are quite expansive with imagery and scenes that can be hard to adapt, it was inevitable that the screenwriters condensed the story and threw out many elements, characters and story beats that in the end displeased everyone. Simply put the film lacked the epic scale of the books, was hard to understand, and was largely unfaithful to the Dark Tower Saga.

Since the failure of the film, Amazon acquired the rights and tried to produce a new adaptation of the books without success. It’s really a shame because the rich storyline about a mythical gunslinger trying to save the multiverse as he travels through many worlds, including ours, is too good of a saga to pass up.

Recently, many dense properties that were thought to be too difficult to adapt like Dune, The Lord of the Rings, Foundation and even King’s mammoth novel It have been successfully adapted. What happened was that the right screenwriters, directors, producers and actors were able to create memorable adaptations of the sci-fi/fantasy epics. So there is precedent for creating great adaptations that are either faithful to the books or can successfully adapt the essence of those books.

As of now, the latest filmmaker attached to a potential film adaptation is Mike Flanagan. He has received praise for his directing of other Stephen King works Gerald’s Game, The Life of Chuck, and Doctor Sleep, and for his original horror TV series Midnight Mass. Flanagan intends to develop a television series based on the Dark Tower Saga and honestly, this is the best way to go given the sprawling nature of the books. One thing to consider about adapting the books is that they are multiuniversal and feature characters and elements from other King books such as The Stand, It, Insomnia and ‘Salem’s Lot. Right now, Flanagan has the television rights to the books but if he wants to include characters from It for instance, then the TV show would have to be produced by Warner Bros. since they own the rights to It and other King works (which are referenced in the TV show It: Welcome to Derry). Flanagan would face similar headaches with other King books whose rights are held by other studios.

It’s only a matter of time before the right person(s) come along and are able to craft a faithful adaptation of the Dark Tower Saga. The question is when will this happen. Perhaps soon if It: Welcome to Derry continues to impress audiences and critics as it wraps up its first season. Then film and TV studios wanting to put out the next Stephen King epic can seriously consider the adventures of Roland Deschain and his epic quest to find the Dark Tower and save creation.

Making The Perfect Stephen King Adaptation

One would think that adapting any of acclaimed author Stephen King’s literary works into a top-tier film or television production would be fairly simple. But it’s not. So, why is it so difficult to successfully adapt a Stephen King work? There are a few that can be considered, but it basically boils down to these two reasons.

Translation to Screen

While King is the master of prose when it comes to horror, fantasy, sci-fi, and non-genre subjects like crime, it is not easy to translate what he writes into a visual medium. Sometimes the dialogue which flows like water on page can come off as stilted and clumsy, especially if a character goes off on a rant. A narrative tool that King uses a lot is internal dialogue and narration to convey the characters’ thoughts. This technique is hard to pull off in visual medium where showing is prefered to telling.

Other times the prose is let’s just say a bit too much for a visual story. IOW, given the amount of screen time available in a film, putting TV aside, there is only so much material that can be adapted. Many of King’s best known works like It, The Stand or the Dark Tower books run over thousands of pages. Turning epic novels like those into two-hour plus films is nearly impossible. It is one of the main reasons why attempts to turn his classic novels like The Stand failed to make it out of the gate as a film despite many attempts because there was so much material to cut out that the result would be a poor adaptation of the source material. Just look at The Dark Tower film that came and went a few years ago. To most, the film was an ill-conceived attempt to adapt the multi-book epic about the Gunslinger Roland and his mythic quest across worlds and realities. What The Dark Tower did was give viewers a truncated sprinkling of Roland’s quest that left many feeling dissatisfied with an unfinished story.

The more successful adaptations like The Shining, Carrie, The Dead Zone, Cujo, Stand By Me (adapted from The Body), The Shawshank Redemption and The Mist were based on more typical novels that were just a few hundred pages. Also, in the case of The Mist, Stand By Me and The Shawshank Redemption, those were based on novellas which seem to be the perfect amount of story to translate into screen.

One viable option is to adapt mammoth epic novels into two-part films as was done with It. While the film versions of It differed in structure, the adaptations more or less captured the essence of the novel with the first film focusing exclusively on the main characters when they were children while the second film picked up the characters as adults when they confronted the evil entity Pennywise. This approach would work best for The Dark Tower Saga or any of King’s narrative which can be quite long and involving.

The other obvious option, which has been done to some success, is to adapt his works into television mini-series or shows. Some of the best examples include ‘Salem’s Lot, The Stand, 11/22/63, The Outsider and Nightmares & Dreamscapes. Adapting The Dark Tower Saga into this format is honestly the only viable way to present the expansive storyline and do it well.

The Skill of the Translators

One important reason as to why it is so hard to adapt Stephen King works is due to the quality and skill of the filmmakers and showrunners and scriptwriters. While many gifted behind-the-scenes creators successfully adapted King’s works like Stanley Kubrick, John Carpenter, Frank Darabont, Rob Reiner and Andy Muschietti, far too many inferior creators took a hand into mangling and ruining King’s classics. It is lamentable that someone like Steven Spielberg or Christopher Nolan or Scott Derrickson never helmed a Stephen King film (there were reports that years ago, Spielberg was involved in an adaptation of The Talisman, but that never came to be). Just think of how something like Under the Dome, Cell, and The Girl Who Loved Tom Gordon would have turned out if James Wan or Robert Eggers or Ari Aster were at the director’s chair with the projects.

But sadly as we know all to well, it is very difficult to line up the best writer, director, producer or actor to fit in with a King work of art. Reasons for this are all over the place and tend to be due to timing and budget. These days it is not likely that a studio can afford to hire Spielberg to take on a King book. There is also the possibility of dueling visions. A more high-profile director can and will take liberties with the source material much to King’s detriment. The most famous example was Kubrick’s version of The Shining, which King detested even though it is considered not only one of the best King adaptations but a classic horror film.

The same goes for television productions. All too often King’s works whether they’re long-form epics or short stories wind up becoming inferior TV shows or limited series. During the ’90s, the heyday of King TV adaptations, many of his more famous stories became big event TV mini-series with mixed results, but hardly any of them stood out as masterpieces. The best adaptations were for The Stand, although that limited series had its issues, ‘Salem’s Lot, which came out in the ’70s, It, and original productions like Storm of the Century. Other works like the more faithful adaptation of The Shining and The Langoliers failed to impress viewers. If only someone like Vince Gilligan or Terry Matalas could spearhead a proper TV adaptation of The Stand or The Dark Tower Saga.

Despite many failed attempts, the versatility and durability of Stephen King’s stories guarantee that eventually the right team will come along and created the best version of his works. This happened with the It films which were immediately better than the original TV mini-series and may happen later this fall when the second film version of The Running Man is released (being that is directed by Edgar Wright, there’s a decent chance it will outshine the original film). It has been possible to get cinematic masterpieces based on King’s works and it has happened, so it will continue to happen.

José Soto

Top Ten Stephen King Live-Action Adaptations That Should Be Remade

There have been countless live-action adaptations of Stephen King’s books and stories. Some are classics while others are best left forgotten.

Then there are the lesser or flawed adaptations that need to be remade. With some changes, these remakes could faithfully capture the true horror and thrills of Stephen King’s bibliography. The best example right now is It, which is the second live-action adaptation of the book and considered superior to the first adaptation. Now what other live-action adaptations of Stephen King’s works should be remade? Here are the candidates:

10. The Lawnmower Man Stephen King fans know all too well that the film adaptation did not have anything to do with King’s short story about a mysterious landscaper and his supernatural lawnmower, which would make an interesting film.

9. Dreamcatcher  – The Stephen King novel about old friends haunted by an alien entity was made into one of the most reviled Stephen King films. Still, the story and characters are interesting enough for another crack at a live-action adaptation.

8. The Langoliers The novella of the same name did not have enough material to warrant a mini-series as seen in the 1990s mini-series. This off-the-wall yarn about plane passengers dislodged from time would be better translated as a tightly edited film with a good F/X budget.

7. The Running Man The original film is best remembered for being a standard ‘80s Schwarzenegger action flick. A remake should better reflect the novel by casting an everyman type and ditching the original film’s revolution subplot as the hero tries to survive a deadly reality TV show in the future.

6. Cat’s Eye This anthology film from the 1980s doesn’t need a remake but deserves a sequel. The original adapted Stephen King’s short stories and worked them into a story surrounding a stray cat. A followup could simply adapt some more stories within the same framing device.

5. Cell Anyone caught the awful DOA adaptation that came out recently? Don’t bother. A properly executed film should be able to capture the disturbing essence of the post-apocalyptic horror tale about humanity turned into mindless killers due to a cell phone signal.

4. The Tommyknockers The mini-series was actually an underrated gem that could’ve used some sprucing up and a tighter pace. The story’s premise of aliens invading a small town is ripe for a terrific sci-fi/horror film featuring all of the novel’s thrilling and eerie elements.

 

3. Under the Dome The horrid TV series that ran for several summers was an injustice to the Stephen King book about a town cut off from the world. The story simply did not work as an ongoing series and deserves another shot as either a film or a mini-series.

Roland and Jake

2. The Dark Tower The film based on the epic Stephen King series of novels just came out and it already needs to be remade. The Dark Tower film left out so much from the epic novels that made them great. Thanks to its poor box office, plans for sequels are doubtful at this point. The best option going forward would be to forget about films and faithfully adapt the novels into several mini-series or an ongoing TV series on premium cable.

1. The Stand The mini-series based on the seminal Stephen King epic while competent, felt lacking. The Stand was hampered by TV network censors that worried that the post-apocalyptic story of plague survivors would be too much for audiences. Also, to be honest, The Stand meandered too much, which is a complaint about the unabridged version of the novel. A planned film trilogy was abandoned but talks continue for another adaptation. Whether as a new mini-series, films, or an ongoing TV show, The Stand must be remade and thanks to the success of It, this may happen.

Waldermann Rivera

The Dark Tower Film Adaptation Aims With Its Hand

After decades, we’ve finally gotten a live-action adaptation of Stephen King’s epic novels of The Dark Tower. Unfortunately, as many of us feared The Dark Tower is a pale and hollow adaptation. Actually it is not even a faithful adaptation (never mind the casting of Idris Elba as Roland the last Gunslinger, he was superb as the Gunslinger) but a mish mosh of the seven novels in the series. As you can expect, it is impossible to do the sprawling storyline any justice with a paltry 90 minute screen time.

For those who don’t know the background, The Dark Tower novels are about a lone, Jedi-like Gunslinger from another dimension who is pursuing his arch foe, the Man in Black. This bad guy  wants to destroy the mythical construct called the Dark Tower, a nexus point of sorts that connects and separates all the universes. Destroying the Tower will unleash chaos across dimensions and obliterate reality. Part Western, part fantasy, part sci-fi and part horror, the novels were some of King’s best works and actually revealed that all of the Stephen King works are interconnected. The wild and wonky storyline was complemented by memorable characters. Not just Roland but the small band of Earthlings from different time periods who join his quest. Too bad only one of them makes it into this film, young Jake Chambers (Tom Taylor).

Roland and Jake

Of course, it is unrealistic to expect this one movie to cover the entirety of the novels, but as an introduction to this rich mythos, The Dark Tower cannot adequately do it. There is a popular line in the books “I do not aim with my eye, he who aims with his hand has forgotten the face of his father. I aim with my eye.” This film commits the sin of aiming with its hand not its eye or heart. On the whole, the entire film is a barebones adaptation that lacks the nuance and for the most part, the epic scope of the novels. It does a just an average job of enticing viewers to want to learn more about Roland and his quest. We never feel the animosity Roland has with the Man in Black (Matthew McConaughey), who is not well developed. The film just moves along so quickly we don’t have time to absorb any of the information given to us. And with the rushed editing and running time, there isn’t enough in the film to win over non-fans or satisfy die-hard fans of the novels. In fact, many of them will be enraged with the missed opportunities and the thin surface details.

Idris Elba as Roland

This does not mean that the film is a disaster, but a rather frustrating watch because there are nuggets of wonder that struggle to get through the film’s banal tone. For one, the actors in the film are quite good and it has several fine moments. We get glimpses of why Roland is to be revered as he wields his guns with near-supernatural precision. For Stephen King fans, there are more than a few Easter eggs of his other works and overall, the film is not dull. It’s just that so little time is spent on these highlights because the film is so intent on getting from point A to point B and in the end, we cannot enjoy the ride. The bottom line is that fans know that the source material is rich and enticing and most of that is missing in the film. This is beyond annoying for fans who have waited so long after so many false starts for a film adaptation. These novels have such sprawling stories with off-the-wall imagery that they deserved a film or a film series that would adequately adapt them. Unfortunately, this film does not accomplish this goal and instead of being a monumental film experience it is just your standard summer film.

The sad thing about The Dark Tower is that it will wind up being forgotten and unlikely to be a hit film. Meaning, that it is doubtful that future films will follow that will better explore Roland’s world and his epic quest. There are plans for a TV show that will tie-in to this film but who knows if that will ever come and the film’s reception will probably mean that it will be a long time before fans get a proper adaptation.

C.S. Link and Lewis T. Grove