2012 Doomsday Scenarios: Month Five

Sure we celebrate the exploits of our favorite superheroes on screen and print, but many comic book fans know about the dark side of having super powers. Whether they’re extremely powerful villains out to destroy the world or well-intentioned heroes who lose control over their powers, super-powered individuals are a world threat, at least in fiction.

Doomsday Scenario No. 8: Man and Superman

Of course, the real world isn’t threatened by superhumans. That doesn’t mean that it cannot happen sometime in our future. With advancements in bioengineering it is feasible to create super-powered humans, but that is a long way off. What is more plausible in the near future are new technologies to create battle suits like Iron Man’s. But that is another subject.

Who Watches Them? So what would happen if superhumans were to emerge? If artificially created for military use ala Captain America, this would set off a new kind of arms race as nations try to acquire their own super-powered operatives to keep up with rivals. Never mind trying to get nukes, having superhumans would give any country a definite edge. This theme has been explored somewhat in comic books and Captain America was a response to the creation of his enemy the Red Skull. In an obscure Epic mini-series called The One, the United States and the Soviet Union unleash superhumans against each other after nuclear weapons are made obsolete by an advanced entity. Also, who will keep them in check? Will the heroes in turn rule us as seen with the Squadron Supreme mini-series? It really becomes a case of “who watches the Watchmen?” as shown by DC Comics’ Kingdom Come and Watchmen or Marvel Comics’ Civil War. But even if the superhumans can be controlled what is their place in society? Can they fit in? It’s doubtful, since humanity tends to hate and fear what is different. Sadly, it is very easy to imagine a scenario where superhumans become ostracized; this will inevitably lead to conflicts between the superhumans and normal humans. The X-Men and its numerous spin-offs are perfect examples of this concept as the comic book mutants endured bigotry and hatred from humans. This hatred motivates villainous mutants like Magneto and frankly can anyone blame them for wanting to strike out against humanity? This ambiguity is what makes the X-Men comics so well-renowned. Is it possible to live harmoniously with superhumans? Well, humans have never been known to be the sharing type. It’s theorized that humanity drove Neanderthals to extinction from competition and humanity used its advantages to dominate the world. In that case, superhumans will have an edge over ordinary people and conquer or destroy us. Many supervillains try to do just that in comic books and movies.

With Great Power… Another worrying aspect are superhumans with incredible God-like powers. One of the Watchmenheroes, Dr. Manhattan was the only person in that world that possessed super powers and had the ability to destroy it. Lucky for them, he wasn’t interested in doing that and had complete control over his ability. Unfortunately, the same couldn’t be said for Solar.

Art by Barry Windsor Smith

He was a superhero that appeared in Valiant and Dark Horse Comics (having made his debut in Gold Key Comics) and had the power to manipulate energy much like Dr. Manhattan. During the course of his story it was revealed that he accidently destroyed his universe and wound up recreating it. The inability to control power was also shown in the classic X-Men storyline the “Dark Phoenix Saga” where mutant telepath Jean Grey is unable to reign in her growing powers and ultimately kills herself before she wound up destroying the Earth (this was also to atone for her destruction of an alien sun which destroyed an alien society). The endowment of such power on one person is very terrifying. The bottom line is that powers do bring great responsibility but staying in control is very difficult. In these instances, power does corrupt. This was seen earlier this year in the film Chronicle where a lonely teenager develops telekinetic powers and becomes dangerous despite his sympathetic background. Even Star Trek very early in its history explored the aftermath of developing super powers with its second pilot “Where No Man Has Gone Before” and of course, the famous episode “Space Seed” that introduced the genetic superhuman Khan. Then there is the Star Trek: The Next Generation episode “Hide And Q” where Commander Riker is gifted with Q’s vast powers and learns some harsh lessons. Seriously, if such people were to come into existence there isn’t any way to counteract them. Humanity and the world will be doomed or at the least changed radically. Thankfully, this isn’t going to happen to us soon. But these comic book tales and movies and TV shows should serve as a reminder to us about the ramifications of having super powers.

A Valiant Summer

Fondly remembered for their innovative comic books in the ’90s, Valiant returned to the comic book scene earlier this month with the release of X-O Manowar #1. The comic book about a Visogoth warrior who acquires an alien battlesuit and winds up in modern times quickly sold out its print run of 45,000 copies. The company has announced that there will be a second printing of X-O Manowar #1 for sale on June 20 featuring a new wraparound variant cover by Arturo Lozzi. But the comic book company isn’t resting on its laurels with X-O Manowar.

On June 6, Valiant will release a reboot of Harbinger (about people with psionic powers) followed by Bloodshot on July 11 and finally Archer & Armstrong (a semi-comical buddy book about a naive master assassin and an immortal being) on August 8. The company plans on concentrating their comeback with these four core titles but will eventually bring back its other heroes.

Fans may want to note that there are plans by Sony for a movie about Bloodshot. Given the runaway success of The Avengers and other recent superhero movies, it’s very likely that the movie’s development will be fast tracked. It helps that Bloodshot’s concept is compelling. In the original comic book released back in the ’90s, Bloodshot was originally a mobster called Angelo Mortalli who was in a sense reborn by having his mortally wounded body injected with nanites that gave him superpowers. These nanites, while giving him advanced healing, reflexes, and strength, have erased his memories, thus forcing him to re-discover himself.

In the reboot written by Duane Swierczynski and drawn by Manuel Garcia and Arturo Lozzi, Angelo’s origins are more nebulous as he and readers aren’t even sure of his real name. And the comic book has more of a military angle with Bloodshot partaking in dangerous, suicidal missions. The creators promise that the new Bloodshot will be action packed while evoking compelling military/spy mystery plots.

Bolstered by the success of X-O Manowar, Valiant hopes to complete its comeback with other titles. According to Valiant CEO Jason Kothari, “Valiant has never underestimated the resonance that its characters have with comic fans around the world. X-O Manowar #1 has already taken a lot of people by surprise, and with Harbinger #1, and Bloodshot #1 just around the corner, this is truly going to be a summer of Valiant.”

Lewis T. Grove

DC, It’s Time For A Justice League Film

OK DC, Marvel has thrown down the gauntlet. Look at the result: The Avengers film looks to be one of this summer’s biggest blockbusters-maybe the biggest one. The buzz and hysteria surrounding this film is phenomenal. Toys based on the film are selling well and other merchandise is getting hard to find. Marvel Studios took a gamble and were patient. They carefully nurtured the film properties, which increased awareness for their characters. For The Avengers, Marvel Studios managed to corral the actors originating the super hero roles (with the exception of Edward Norton who didn’t reprise Bruce Banner/The Hulk) and bagged a director (Joss Whedon) who is an unabashed fan. Well it paid off in a super way-an opening weekend draw of over $200 million isn’t anything to sneeze at. So now the question remains: when will DC and Warner Brothers get their act together and put out a Justice League film? We’re not talking about some animated or motion capture film but an actual live-action film featuring Batman, Superman, Green Lantern, Wonder Woman, The Flash and DC Comics’ other great heroes.

Honestly how difficult is it to pull off? Marvel managed to do it, and DC’s characters has had more film and TV exposure so it would be easy to generate enthusiasm for such a film. And Marvel’s efforts are quite considerable if one takes into account how their properties have been scattered among many Hollywood studios. Warner Bros. has owned DC for some time so the logistics of gathering all their characters into one film should not be difficult. Of course, the ideal would be to bring aboard the most recent actors who’ve played the super heroes like Christian Bale or Ryan Reynolds, but it’s not really necessary as seen with Mark Ruffalo taking over the Bruce Banner/Hulk role in The Avengers and Superman and Batman have been recast throughout the years.

It isn’t as if The Avengers sprung up out of nowhere. The first inkling about a film starring Marvel Comics’ heroes came about at the end of the first Iron Man film in 2008 and later that year with The Incredible Hulk. In those films and others since then put out by Marvel Studios there have been many Easter eggs for fans that showed a shared universe. Captain America’s shield was in the background during a scene from Iron Man, the spy organization S.H.I.E.L.D. turned up, Hawkeye and Black Widow made cameos (Hawkeye in Thor and Black Widow in Iron Man 2) and even the Infinity Gauntlet was shown briefly in Thor. The point of all this was that for four years, Warner Bros./DC and everyone in the world knew Marvel Studios was building up to an Avengers film. Yet DC and Warner Bros. didn’t do anything to match that concept. Their releases didn’t give any indication of a shared universe (the last time this idea was explored were vague railroad PA announcements for a train headed to Gotham City in Superman Returns). It was so simple and would’ve excited fans.

That’s not to say that they haven’t tried to bring the Justice League to life. Putting aside the incredibly awful 1990s TV show pilot and a simplified version of the team appearing informally in Smallville, Warner Bros. was close to producing a Justice League film in 2008. A script was commissioned, George Miller was hired to direct it and he was casting roles, in other words, Justice League was in actual preproduction. But the Writers Guild strike of that year gave Warner Bros. a chance to pause and ultimately kill the project.

Reportedly, the studio wanted to emulate Marvel’s pattern of releasing solo super hero films that would culminate in a Justice League movie. But as of this writing, there is very little evidence that they are working toward such a film.

One worrying factor about building up to a Justice League film is the recent track record of DC movies. Aside from the recent Batman films, Superman Returns, Green Lantern, Constantine, Jonah Hex and Watchmen have been box office disappointments. The Dark Knight Rises is a guaranteed hit but this can’t be stated for next year’s Man Of Steel. Superman has proven to be a difficult character to translate to the big screen unless the right director is chosen and The Man Of Steel’s director, Zack Snyder has had a spotty record at the box office. So if the new Superman film doesn’t deliver it could mean another long drought before Superman returns to the silver screen and could delay a Justice League film.

Christopher Nolan, the director behind the successful Batman reboot, was rumored to be in line for directing a Justice League movie but there isn’t anything concrete stated about that notion. What is troubling for some fans is that Christopher Nolan as said in interviews that he wishes to keep the worlds of the individual heroes separate from each other. So, as with The Dark Knight, there probably won’t be any acknowledgement of Metropolis or Central City in The Dark Knight Rises. Ditto for Man Of Steel, which he is producing.

This mentality is shared by DC Entertainment as well. Diane Nelson, DC Entertainment President, said to IGN back in 2010, “We do have a very different attitude about how you build a content slate. And it isn’t necessarily about connecting those properties together to build a single thing. We think we’ve got great stories and characters that will lend themselves to great standalone experiences.”

Perhaps after looking at how much money The Avengers is making and the film’s popularity, DC and Warner Bros. may change their mind.

Lewis T. Grove

The Avengers Changes Superhero Films Forever

Wow. The new movie The Avengers literally left me breathless and spent after seeing it. Marvel Studios needs to take a well-deserved bow for their efforts throughout the years that culminated in this film. Many had doubts regarding the ability to pull this endeavor off but they are quickly dispelled with The Avengers. It so profusely feels like the climax that had been building up for many years.

Marvel Studios clearly made the right choice with Joss Whedon as the film’s director. He has the filmmaking talent and perhaps, more importantly, possesses a clear love and respect for the Marvel universe and it shows onscreen. But this film isn’t some slavish fanboy production. No, Joss Whedon and the crew had an understanding of how the Marvel universe works, how the Marvel characters behave and how to translate that to the screen and entertain even non-Marvel fans. It is difficult to imagine anyone else achieving what Whedon did and The Avengers will make him a deservedly A-list director. (On a side note, hopefully he will have the clout now to do a Firefly revival. Hey, we can only hope!)

The Avengers jumps right into the action when demigod Thor’s (Chris Hemsworth) nemesis and brother Loki (Tom Hiddleston) arrives at an underground S.H.I.E.L.D. bunker and makes off with an otherworldly and powerful MacGuffin called the Tesseract (that’s the Cosmic Cube seen in many Marvel comics that grants unlimited power to wielders). After Loki escapes from the bunker, S.H.I.E.L.D. director Nick Fury (played by Samuel L. Jackson doing his usual tough-as-nails shtick) assembles a team of super heroes to help him retrieve the Tesseract and stop Loki’s plan to conquer the Earth.

Then the fun begins as beloved characters like Tony Stark/Iron Man (Robert Downey, Jr.), Steve Rogers/Captain America (Chris Evans), Thor, Dr. Bruce Banner/Hulk (Mark Ruffalo, replacing Edward Norton and Eric Bana), Natasha Romanoff/Black Widow (Scarlett Johansson) and Clint Barton/Hawkeye (Jeremy Renner) meet for the first time. In the typical Marvel comics manner, they don’t get along with each other and even come to blows. But they learn to get along and even respect one another just in time to confront Loki and his alien army.

The Avengers is an action-packed bonanza with fantastic characters and that’s before the climatic final third of the film. Taking place in New York City, the beachhead for Loki’s alien invasion, the explosive, multi-tiered battles on the streets and in the skies are simply spectacular. There have been some complaints over how low-budget some previous Marvel Studios productions have been, but here no expense was spared. But unlike some empty, big-budget films, the action was very fluid and easy to follow, but more importantly the audience cared deeply about the heroes as they fought the alien army. Each character, even some minor ones, had their moment to shine. The Avengers could’ve easily been dominated by one or two characters like Iron Man due to the actor’s charisma but Joss Whedon knows how to give the actors just enough time to make their contributions before moving on the next character or plot point.

This film has set new standards for super hero films. One can only wonder how the filmmakers will top themselves (a clear, audience-rousing hint is given during the end credits; Marvel fans will rejoice) or how other studios’ films can compare to this one. Marvel Studios would be wise to retain Whedon for the inevitable sequel or at least use him for other productions. BTW, stick around for the very end, there’s another post-credit sequence. Without giving anything away, it isn’t anything earth-shattering, but rather a cinematic equivalent of having a cigarette or a relaxing drink after being so pumped out by the movie.

José Soto

2012 Hallmark Ornament Highlights

Sure it’s after Christmas, but for us fans of Hallmark ornaments it’s a fun or frustrating time (depending on how successful you are in hunting) for bargains as genre-based ornaments go on sale for half off or more.

As we’re busy gobbling up 2011’s ornaments, let’s look ahead to this year’s ornaments. Most of them will go on sale sometime in July with the rest coming out in October. Incidentally, the full lineup of Hallmark ornaments won’t be officially revealed until this spring. But for now here are the known 2012 ornaments based on cool stuff we like. In other words, this ain’t about fuzzy elves or reindeer!

Star Trek

U.S.S. Enterprise NCC-1701-D

To celebrate the 25th anniversary of Star Trek: The Next Generation, Hallmark is releasing this replica of Captain Picard’s Enterprise. Collectors will know that this ship was produced in 1993. The difference between these two is that this one can be displayed on a stand (similar to Hallmark’s 2006 version of the original Enterprise) and is battery operated. Presumably it will feature lights and sounds; hopefully Jerry Goldsmith’s majestic score will also play when a button is pushed.

Dr. McCoy

The third in the Legends of Star Trek series. This figure of everyone’s favorite Starfleet doctor is a companion piece to the other entries in the series, Kirk and Spock.

Two Spocks Meet

Not sure what is the official title of this diorama. It’s a recreation of sorts (without the Star Trek delta shield logo in the background) of that scene near the end of the 2009 Star Trek film where the old Spock from the real universe meets his younger alternate self.

Star Wars

If you’re a Star Wars fan then this is your year. Without contemplating any convention exclusives, a total of five ornaments will be released by Hallmark. They include:

TIE Interceptor

Barely glimpsed in Return of the Jedi (but that’s nothing new when it comes to Star Wars merchandise), nonetheless it will be beautifully detailed as are most Hallmark ship ornaments.

Han Solo on a Tauntaun

From The Empire Strikes Back, Han sporting his winter duds on his soon-to-be doomed riding animal. For any non-fan, the animal is a tauntaun used as beasts of burden by rebel soldiers and personnel on the frozen world of Hoth. Han took this animal out at night to look for his friend Luke who…oh never mind, it looks neat! Trust me it will make a solid gift for a Star Wars fan and it won’t cost a lot either, probably selling for less than $20. Then again from looking at the fact that the ornament has a base which would fit batteries it could mean the price could be jacked up. But it’s still a good gift!

General Grievous

As a fan of this character from Revenge of the Sith and The Clone Wars cartoon, I’ve been hoping they would release this Jedi slayer, which if you’re into the villains of the movies, make a great addition to that collection or on your tree. (A fan can geek out by putting all the Star Wars villains together in one spot!) The cape and lightsabre are a nice touch. Too bad they didn’t have him with all four arms extended, but that would probably make the ornament even more fragile. Future editions can feature his raspy voice.

Darth Maul

This is Maul’s second ornament, the first one was released in 2000 a year after The Phantom Menace came out. Fortunately, the pose is different in this year’s model and not a re-issue with a new paint job. Those kinds of ornaments are reserved for convention to go on sale in the secondary markets for obscene amounts of money.

Lego Stormtrooper

Hot on the heels of the successful Lego Darth Vader ornament comes this one of the white-clad cannon fodder. Perhaps Lego droids or Yoda are up for 2013.

Waldermann Rivera

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