The Influence of Matt Fraction & David Aja On Hawkeye

As we’re getting ready to watch the upcoming Hawkeye on Disney+ in a few days, many Marvel Comics fans have noticed how much influence the acclaimed comic book Hawkeye had on the show.

Written by Matt Fraction and drawn by David Aja, Hawkeye debuted in 2012 and instantly stood out among the crowded comic book marketplace thanks to the minimalist art from Aja and Fraction’s take on the archer superhero.

Instead of having Clint Barton aka Hawkeye run around and shoot endless supplies of trick arrows, the series grounded the superhero and leaned into his everyman pesonna who had to deal with more mundane problems, more believable villains, and much more relatable to the average reader. This Hawkeye did not wear his silly purple outfit as he dealt with world-ending events, although he kept his purple color scheme with his civilian clothing. He had to grapple with local thugs and more importantly, he could be hurt. Just look at the aftermath of many of his battles in the series where he came away all bandaged up and beaten. Yet, unlike Daredevil, the archer was never dour. though he seemed to suffer from depression.

What made Hawkeye more identifiable and someone to look up to was that in the series he always looked out for the vulnerable little guy. For instance. in the first issue he finds out that the tenants in the building he lived in were terrorized by their landlords, the RussianTrack Suit Mafia. So, Hawkeye helped them out by buying the building and became a kind landlord who was right at home joining the tenants in a barbecue. Later in the issue, he came to rescue of one of the series’ most beloved characters, Lucky the pizza dog, who was cruelly treated by his owner, a member of the Track Suit Mafia. Hawkeye wound up taking the dog from the mobster and adopting him.

On a sidenote about Lucky, check out issue #11, which had the story “Pizza is My Life” and was told entirely from the point of view of Lucky. The way this was done was ingenious and inventive as Fraction and Aja used pictorgrams to illustrate the dog’s thought process as human dialogue faded in and out. The issue won an Eisner Award and it was well deserved. Thankfully, Lucky will appear in the TV series.

Another factor that made the series so memorable was Aja’s art which was very expressive, used bold lines and was similar to David Mazzucchelli’s art in Daredevil during Frank Miller’s “Born Again” story arc. The series used flat colors that conveyed mood and the emotional beat of the characters, which supported the series’ gritty tone.

Of course, what made the 22-issue run exceptional was the teacher/student relationship between Clint Barton and Kate Bishop. The scenes between the two were full of lively banter and quiet reflective moments that explored Hawkeye’s more vulnerable side. Bishop was a great foil to Barton with her spunky attitude and vigor. She was never afraid to call her mentor out when she thought he was in the wrong. Meanwhile, Hawkeye respected the young superhero and readily took her under his wing like he was a protective big brother or uncle. Together they made a great archery team and the way they coordinated their fighting styles was terrific thanks to Aja’s art which made expert use of small panels to convey intense action.

One of the more memorable fight scenes in the series was in issue #3, called “Beating the Odds”, and involved the two in a frantic car chase as they fled the Track Suit Mafia. Anyone who saw the recent preview clip of Hawkeye during the Disney+ Day event could tell that the car chase shown in the clip was inspired by the issue.

Be sure to check out the classic series run in the Hawkeye trade paperbacks which have the 22 issues of the Fraction/Aja run: My Life as a Weapon, Vol. 1, Little Hits, Vol. 2, L.A. Woman, Vol. 3, and Rio Bravo, Vol. 4. Or just pick up the collected works in a single volume. They’re worth every penny and are a nice way to see how classic run influenced the TV show.

Lucasfilm In Disarray?

Something is not right with Lucasfilm. It can be seen by the behind-the-scenes drama going on with the film studio once owned by George Lucas before he sold it to The Walt Disney Company nearly a decade ago. Another sign is the lack of solid information about their upcoming films and TV shows.

Lucasfilm has been mired in controversy for several years despite its early Disney-era success of Star Wars: The Force Awakens and Rogue One: A Star Wars Story. What is often overlooked with the latter film is that it had significant re-shoots which ultimately made the film a success. After that dilemma followed the film studio.

There was the heated reaction to Star Wars: The Last Jedi which sharply split Star Wars fans. Then the saga of revolving directors plagued Solo: A Star Wars Story and Star Wars: The Rise of Skywalker. With those two films the original directors were removed from the projects. Solo suffered greatly as the directors Phil Lord and Chris Miller were fired when filming was nearly complete and forced the film to be essentially redone from scratch.

Now that the final Sequel Saga Star Wars films have concluded nearly two years ago, there is little sign of new Star Wars films coming up. Of course, there are many Star Wars TV shows slated to stream on Disney+ and they are eagerly awaited. In fact, many rightly argue that the TV shows are what is keeping the franchise alive thanks to The Mandalorian, Star Wars: The Bad Batch and hopefully The Book of Boba Fett, which debuts next month.

The upcoming TV projects such as Obi-Wan Kenobi, the new season of The Mandalorian, Andor, and Ahsoka are eagerly anticipated, but we have little news about those shows. The recent Disney+ Day event which revealed many exciting Disney, Pixar and Marvel projects failed to deliver anything significant that was Star Wars related. Only a documentary about Boba Fett, cast interviews of the upcoming Willow TV show, and a sizzle reel for Obi-Wan Kenobi streamed on Disney+ while other studios rewareded subscribers with first looks at upcoming projects. What is confounding are rumors that there were Star Wars trailers and footage planned to be unveiled, but for some reason this did not happen. In the end, while the sneak peaks at other Disney properties were impressive, Star Wars looked threadbare on the streaming platform.

As for the films, there are more signs of trouble. The next Indiana Jones film was filmed and expected to come out next year, but has been bumped to 2023 with rumors of extensive re-shoots and revisions of the plot pending. This is alarming given the age of the film’s star Harrison Ford and declining interest in the film.

But the most disconcerting news came recently that director Patti Jenkins’ pet film project Rogue Squadron has been put on indefinite hold. Originally, the film was supposed to come out in 2023, but supposedly creative differences between the director and Lucasfilm derailed the project. Now, it is doubtful Rogue Squadron will ever be made. This is embarrassing for the film studio after all the hoopla they created last year when they released a video promoting Rogue Squadron that featured Patti Jenkins passionately talking about the film as she was shown next to a full-scale mock up of an X-Wing fighter. Talk about putting the cart before the horse!

That is not all, ballyhooed announcements of Star Wars films from director Rian Johnson and executive producers David Benioff and D.B. Weiss have led nowhere. What is next? Will the announced Kevin Feige-produced Star Wars film be shelved as well?

Many have pointed fingers and blame on Lucasfilm president Kathleen Kennedy. She has proven to be a somewhat controversial film executive who has enraged some fans and members of the alt-right. Despite the overreaction from some, she should accept the blame for the issues with the directors and the delays these events are causing because it is damaging the brand of Lucasfilm and its properties.

Given the image of Lucasfilm being in disarray, several fans have called for Kathleen Kennedy to be replaced by someone else, such as Jon Favreau, the showrunner of The Mandalorian. However, news has come out that Disney extended Kennedy’s contract for another three years. Surely, this demonstrates that the Disney executives have faith in Kathleen Kennedy, but can she turn things around? What convinced Disney that she deserved to continue running Lucasfilm? We have to hope that Disney’s continued faith in Kennedy is warranted because Star Wars as a film property sorely needs a win and there isn’t anything on the horizon. More importantly, Lucasfilm and Kennedy have to prove to fans that they can still deliver quality films and TV shows and time is running short.

“The Most Profound Experience I Can Imagine” William Shatner Goes Where Few Have Gone Before

On October 13, 2021, history was made as sci-fi melded with science fact when actor William Shatner became the oldest person to ever go into space onboard Blue Origin’s New Shepard suborbital launch vehicle.

At 90 years young, Shatner is, of course, best known for portraying Captain James T. Kirk, in the original Star Trek and the first seven Star Trek films. The resusable suborbital system was conceived by Amazon CEO Jeff Bezos as a means of commencing space tourism. Bezos invited Shatner to become an astronaut/passenger for the New Shepard’s second crewed voyage, which included three other astronauts/passengers.

Obviously Star Trek and sci-fi fans were excited by the news as finally William Shatner would be able to in a sense emulate the sci-fi legend, who voyaged through space as he commanded the starship Enterprise. Needless to say, what Shatner accomplished paled to Kirk’s feats. After all, the actor simply took a suborbital flight while Kirk traversed the galaxy as if it was nothing. Yet Kirk appreciated the situation he was in, to explore and witness what few or none have before. Now, Shatner, too, was able to have as what he said was “the most profound experience I can imagine.”

Originally the flight was to take place on October 12, but was delayed due to weather. During pre-takeoff, it was clear that William Shatner was nervous about his flight and made no secret about his ambivalence. Still, he went through with the flight and was taken aback by the experience.

The New Shepard launched from Blue Origin’s launch site in West Texas at 10:49 a.m. in a short suborbital trajectory that was similar to astronaut Alan Shepard’s first suborbital flight in 1961. The capsule that Shatner and the other three astronauts were in only remained in suborbit for about 11 minutes before it descended back to Earth. Still, that so-brief voyage left a grand impression upon Shatner and his companions.

Once he landed and was greeted by Bezos, William Shatner gave a moving and visceral description of his journey and how it deeply moved him. “I hope I can never recover from this. I hope that I can maintain what I feel now. I don’t want to lose it.” Shatner confessed as he recounted his short voyage 65 miles above the planet.

Some will argue that the event was a publicity stunt for the very rich and that the cost of the flight could have been better used down at Earth. But these trips illustrate the potential of space toursim and open it up to everyday people who are not scientists or engineers. William Shatner’s journey to where few have gone before was truly inspiring and an excellent way to boost space tourism. He pointed out that observing Earth from afar made him appreciate how fragile and beautiful our world is and how it should be cherished. He also added that everyone should experience to see Earth in a new way. Many other space voyagers described a similar feeling and how it made them protective of our planet. Perhaps if more people experienced what the very few have then it could inspire them to take measures to protect Earth.

Eventually, space tourism will become more affordable and attainable for many people to the point that it can become as routine as taking a flight on an airplane. Shatner’s experience and the way he eloquently described it are excellent ways to promote space tourism and inspire countless others.

So, what next? Will Patrick Stewart be invited for a future flight or antoher Star Trek actor? How about Mark Hamill, Sigourney Weaver, or any other prominent sci-fi actor? How about prominent sci-fi visionaries, such as George Lucas or James Cameron? It’s easy to imagine Cameron staying in orbit to film his next sci-fi blockbuster. They could, as Shatner demonstrated, be the best ambassadors to motivate others and who knows? Space tourism could soon become commonplace. Anyway, no matter what, it was a blast to see a small measure of science fiction becoming reality as we can now envision what it is like for Captain Kirk to be in space as the actor who helped create the character took that next step into the final frontier.

José Soto

Star Trek Turns 55

Yes, the classic sci-fi TV show that started the unbelievable Star Trek phenomenon turned double nickels this year. At 55, Star Trek continues to captivate untold numbers of fans. As any Trekker knows, the show has spun off into nearly a dozen TV shows (which includes Short Treks and the original animated TV show from the ’70s) and thirteen films.

There are many reasons for the enduring appeal and success of the Star Trek franchise. They include the captivating story lines and characters that serve as allegories for our current situation or are at least imaginative. The stories also offer a beacon of hope for humankind, that we will overcome our strife and spread out into the stars. Whatever the reason, Star Trek, despite its ups and downs, will continue to entrance fans and be a part of our culture for a long time.

To help celebrate the 55th anniversary of Star Trek, the streaming app Paramount+ presented a live celebration of the show and its spinoffs on September 8. This day is now known as Star Trek Day because the original TV show debuted on September 8, 1966. The Star Trek Day celebration featured many cast members and showrunners from previous, current and upcoming productions dedicated to Star Trek. The panel presentations featured actors from previous Star Trek shows who reminded the audience of the significance contributions their shows made to the franchise. These were followed up by beautifully performed live scores of each Star Trek show by Jeff Russo and his orchestra.

Probably the most anticipated highlight of the Star Trek Day event were the presentations of upcoming Star Trek TV shows such as Star Trek: Discovery, Star Trek: Prodigy, Star Trek: Strange New Worlds (which revealed its full crew lineup that includes Nyota Uhura, Christine Chapel and new characters), Star Trek: Lower Decks and Star Trek: Picard. The trailer for Star Trek: Picard unveiled that the second season will be time travel romp that partially takes place in modern times and was a delightful callback to Star Trek IV: The Voyage Home as the characters struggled to blend in with our times, Good luck with that, many of us are also struggling! It was announced that Star Trek: Picard has been renewed for a third season and premiere dates were given for a few of the shows.

But the most insightful panel was a celebration of the 100th birthday of Gene Roddenberry, the creator of Star Trek and Star Trek: The Next Generation. The panel, hosted by Wil Wheaton, featured Rod Roddenberry, George Takei, LeVar Burton and Gates McFadden. They all shared their personal stories of meeting Gene Roddenberry and how they worked with him. It was an excellent and heartfelt commemoration of Gene Roddenberry and his impact on Star Trek and our culture.

Even though the current Star Trek shows have their issues, their best aspects were highlighted and it was clear that the people involved with the shows were passionate about their work. It was heartening to see during the Star Trek Day event that the show that started 55 years ago continues to shine which is remarkable considering that most TV shows from that long-gone era have been forgotten. This includes TV shows that garnered more ratings than the original Star Trek.

The celebration was a welcome reminder that Star Trek will continue to live long and prosper.

José Soto

The Impactful Success Of Shang-Chi And The Legend Of The Ten Rings

Shang-Chi and the Legend of the Ten Rings, the latest film from the Marvel Cinematic Universe (MCU), defied expectations and debuted to a stunning $71 million take at the box office this weekend and has a combined total of $90 million over the four-day Labor Day weekend. This shattered box office records not just for the year but for the Labor Day weeken in general. Usually by this time of the year the box office becomes a dumping ground for films as the summer season winds down. But Shang-Chi and the Legend of the Ten Rings upended that,

Given the pandemic the success is stunning and portends to the eventual recovery of theaters. It also supports the idea that the current hybrid model of releasing a film at the same time as it is available for home streaming has a negative impact on a film’s box office take. Just look at the failure of The Suicide Squad and to a lesser extent the disappointing earnings for Black Widow. If a film is exclusively available in theaters and it is a high-profile film, it will do well. Not as well as it could have pre-pandemic but it still successful. Another good example is Free Guy, which performed much better than expected because it was a well-made film and you only could see it in theaters.

The key factor in the success of Free Guy and Shang-Chi and the Legend of the Ten Rings is that they were well received and had good buzz, especially with the MCU film which earned rave reviews. Not only that but the public is eager for new MCU content and Shang-Chi and the Legend of the Ten Rings offered something new for fans. Namely, that the film focused on persons of color, and explored a new side of the MCU. Given that this film and Black Panther performed well, expect future MCU to feature other persons of color such as Latinos. America Chavez will appear in the next Doctor Strange film and could be spun off into her own film. Maybe the Puerto Rican hero White Tiger could be the next hot property for the MCU. What is important for these films to succeed is quality, both Shang-Chi and the Legend of the Ten Rings and Black Panther demonstrated that people will go see a film if it is well made and exciting.

Aside from its merits, the success of Shang-Chi and the Legend of the Ten Rings has already had a positive impact with future films. Whereas Sony Pictures delayed the release of Venom: Let There Be Carnage to mid-October, the film studio has now moved up the film to October 1. There were rumors that Eternals might be delayed as well as Spider-Man: No Way Home until society recoverd more from the pandemic. We have seen the release dates for the upcoming Tom Cruise films Top Gun: Maverick and Mission: impossible 7 delayed to 2022 because of the pandemic. Those rumors for the MCU films, however, are unlikely to come to pass as more and more people are getting vaccinated and the case numbers should start to fall later this year. To date, the release dates for those films have not changed.

Of course, it will take a lot more time for theaters to achieve the earnings they enjoyed pre-pandemic, but recent releases like Shang-Chi and the Legend of the Ten Rings have shown that there is a bright future ahead for theaters and fans.