Star Trek As It Approaches Its 60th Anniversary

As Star Trek celebrate Star Trek Day and commemorate the 59th anniversary of the famous sci-fi TV show, it is important to reflect on the state of the Star Trek franchise and where it is going as it soon approaches its 60th anniversary.

Star Trek has had its highs and lows throughout the decades in terms of popularity, cultural relevance and quality with its glory years arguably being during the 1990s. After the franchise took a forced hiatus in the mid 2000s, a comeback was attempted with the reboot film Star Trek (2009). The film did well and was popular but a significant number of fans did not appreciate director J.J. Abrams attempt to turn the franchise about space explorers, noted for its thought-provoking plots, into a more simplistic shoot-em-up space adventure that emphasized action and explosions over nifty plots and character developments.

The reboot film franchise came to an end nine years ago with Star Trek Beyond, which did not perform well in theaters, though its tone was more of a throwback to the original TV shows and films. Since then, there have been many failed attempts to produce a fourth film featuring the cast of the reboot films, but none have succeeded and that franchise is now essentially dead. Or is it?

Meanwhile, Star Trek returned to its TV roots in 2017 with the debut of Star Trek: Discovery, a prequel series to the original show that streamed on the app CBS All Access (later renamed Paramount+). Now, while the TV show ran a respectable five seasons and spawned another prequel spinoff, Star Trek: Strange New Worlds, as well as additional Star Trek TV shows, Star Trek: Discovery wound up being divisive among fans. Many complained about the storylines and the characters, with more conservative fans being outright hostile to the show’s featuring of non-heterosexual characters. It did not matter. In this day and age of toxic fandom where cynical content creators are more interested in clicks and views, any iteration of Star Trek would have received scorn.

Right now, Star Trek is at a bit of a crossroads. Its parent company, Paramount Pictures, is undergoing a merger and the fate of the franchise is unknown with many rumors flying around as to its final fate. But there are many reports that the bigwigs at Paramount are bullish on Star Trek and want to continue with the franchise. The question remains is how will it continue? As of now, the only currently streaming Star Trek TV show (Star Trek: Strange New Worlds) will come to a conclusion after its fifth season (the fourth season is currently filming while the third season will complete streaming new episodes this week). After that, a new TV show Star Trek: Starfleet Academy will stream in early 2026, while a sitcom set in the world of Star Trek is in development. Who knows if that comedy will ever see the light of day or even generate any laughs if it comes to fruition.

There are other pitches for Star Trek TV shows, including a prequel series based on a young James T. Kirk, which will be a sequel to Star Trek: Strange New Worlds and would star Paul Wesley reprising the role of Kirk. The show has been tentatively titled Star Trek: Year One and would be about Kirk’s early days as the starship Enterprise captain. Meanwhile, Scott Bakula, the star of Star Trek: Enterprise is involved in a pitch for a show that would take place years after Bakula’s show and feature his character as the president of the United Federation of Planets. Unlike other Star Trek shows, this one would not be a show about exploring worlds but have a political slant more akin to Star Trek: Deep Space Nine. Then there is the fan-favorite idea of Star Trek: Legacy, which would be a sequel to Star Trek: Picard, specifically its popular third season and be about the adventures of the crew of the Enterprise-G. It has been pitched in the past, but so far, Paramount has not shown interest in pursuing Star Trek: Legacy.

Regarding films, there are still plans to produce a fourth film set in the Abrams reboot universe with directors and writers coming and leaving the project. Then Paramount recently announced another film will be produced that will feature all-new characters and situations. That actually sounds interesting but as of now, we have no definite information.

Given all that, there are not any concrete plans for Star Trek TV shows or films aside from the Academy show, which is a bit concerning given that the 60th anniversary is under a year away. You would think Paramount would have something concrete in production. Some of the ideas noted above are interesting and even if they don’t end up as TV shows they can at least become limited series or TV films, just better executed than the hot garbage Star Trek: Section 31. One thing to consider is that 2026 will be a celebration of the original Star Trek, not its sequels and films, and there are three remaining cast members from the original show. Aside from a standard documentary/retrospective, maybe Paramount can find some way to involve William Shatner, George Takei and Walter Koenig in some kind of new Star Trek production. The only limits are time, money and more importantly, imagination. Here’s to boldy going 59 years strong.

William Shatner Reunites With Leonard Nimoy For One Last Time In 765874: Unification

There have been numerous fan-made and unofficial Star Trek shorts and films made throughout the years that celebrated the legacy of Star Trek. Some of the more memorable efforts featured the actual actors from the Star Trek TV shows who reprised their famous roles. The latest effort, 765874: Unification, stands out from the rest not just for its production values or topnotch CGI special effects, but because it stars William Shatner in what will most likely be his final performance as Captain James T. Kirk as he reunites with the late Leonard Nimoy as Spock.

Directed by Carlos Baena, 765874: Unification is produced by the VFX studio OTOY in conjunction with the Roddenberry Archive and was released on the heels of the 30th anniversary of the film Star Trek Generations. It serves as a bookend or an epilogue or a post-credits scene to that film as it finally shows us Kirk and his best friend Spock reuniting after their deaths. It is also a sequel of sorts to OTOY’s previous short film, 765874: Regeneration, which featured Leonard Nimoy as Spock reacting to the death of Captain Kirk.

Taking place in the afterlife, moments after Kirk died in Star Trek Generations, the film stars Shatner and Sam Witwer as Kirk, who is jaw-droppingly rendered with CGI and live-action performances. Basically, Kirk wanders through a heavenly afterlife that is similar to what he experienced in the Nexus from Star Trek Generations. During his journey, he comes across many people from his life including Saavik (reprised by Robin Curtis who was digitally aged into an old woman). The film also features numerous Star Trek Easter eggs and characters such as Gary Mitchell (reprised by Gary Lockwood in a performance that was obviously rendered through CG), who plays a role in guiding Kirk during his first moments after his death.

Eventually, Kirk encounters the alien Starfleet officer Yor, who was briefly featured in the Star Trek: Discovery episode “Terra Firma”. For anyone who hasn’t seen that episode, it was revealed that Yor was originally from the Kelvin Universe (the alternate reality where the J.J. Abrams’ Star Trek films take place in) and was stranded in the Star Trek Prime Universe until his death.

As Trek fans know, Spock (as portrayed by Leonard Nimoy) was stranded in the Kelvin Universe and remained there until his death of old age (as noted in Star Trek: Beyond).

Yor serves as a conduit for Kirk to enable him to crossover into the Kelvin Universe. In the final moments of 765874: Unification, Kirk appears at the deathbed of Spock as the two old friends silently watch the sun set with the promise of a new adventure awaiting the both of them in the afterlife.

Aside from the nearly perfect special effects, what made the film stand out was its lack of dialogue, aside from a brief voiceover by Kirk taken from Star Trek II: The Wrath of Khan. But words were not necessary, Shatner and Witwer were able to convey genuine emotions as Kirk explores the afterlife filled with wonder and surprise.

Still, the special effects are just amazing and feature the best use ever of de-aging and CGI to render Kirk as we last saw him in Star Trek Generations and as the more youthful version of the starship captain seen in the original series. The only times the effects falter are in two shots where Kirk walks awkwardly in profile. But other than that bravo to OTOY for their work!

Yes, the use of CGI to bring Spock back to life (through CG and a live-action performance by Lawrence Selleck) and de-aging Shatner and others is controversial for some. But for others, this film is a fitting tribute to the brotherly bond between Kirk and Spock that spans time, space and life itself. Afterall, death cannot destroy relationships or bonds.

More importantly, the short film is a love letter to Star Trek fans, especially those who still appreciate the older more iconic iteration of the sci-fi franchise and have fond memories of those early films and TV shows. After so many years, it feels great to see these two Star Trek legends together for one last time.

Needless to say, whether or not it’s official or canon, 765874: Unification finally gives us the opportunity to say farewell to these two characters as we see the Shatner and Nimoy versions of Kirk and Spock have a final performance together. Using the afterlife as the vessel for their unification is an appropriate and dare say, logical, way to close this chapter of their existence and the landscape for their next great adventure.

José Soto

The Five Nights at Freddy’s Movie Spoiler Talk!

The long-awaited live-action movie version of the classic online game Five Nights at Freddy’s or FNaF has excited fans. Unlike critics who do not understand the FNaF franchise, fans recognized how faithful the movie was to the franchise while developing its own identity. With that, it’s time for SPOILER TALK about the Five Nights at Freddy’s movie! For anyone who has not seen the FNaF film yet, you’ve been warned…

Touching upon an issue brought up earlier with my review of Five Nights at Freddy’s, some things should’ve had a little more explanation than they were given. The main reason I say this is because fans have a general idea of some characters and ideas, but to someone else, it’s a complete mystery that makes them think “Okay? So, what?” The prime culprit of this issue is none other than Golden Freddy. Sure, his spirit is very present in the movie, but the animatronic is only seen for three scenes and is never elaborated upon. That leaves me with many questions: how did he get to Abby’s house? Why is he so withered? Even if I have a general reason as to why, HOW is he still functional? Although he is only seen for two minutes, he still looks very good, and I’m very happy with the practical effects (no surprise there!).

To talk about cameos and Easter eggs, I am happy with the people they brought on! We all knew CoryxKenshin would be in the movie, playing as the taxi driver, but no one expected MatPat as a waiter, as he convinced us that the filmmakers treated him dirty. Both cameos were hilarious and I’m sure they’re both very happy that they were able to be included. The self-proclaimed “King of FNaF”, Markiplier, unfortunately had a planned cameo, but ultimately could not film a scene, as it conflicted with the filming of his own movie that is coincidentally also based on an indie horror game, Iron Lung. Talking about Easter eggs, I was genuinely shocked to see references to Five Nights at Freddy’s history in the movie. Sparky the Dog, the franchise’s first ever, fan-made hoax character had a diner named after him and possibly even an animatronic suit to himself. MatPat’s name tag also had “Ness” on it, which is a golden reference to one of his theories based off two whole different franchises where he argues that Sans from the indie game Undertale, was actually a Nintendo character named Ness from the Earthbound series. Only Scott Cawthon would be able to reference both another indie horror game AND Nintendo at the same time! I also really loved the opening credits for the music and the pixel art. They were both PERFECT for FNaF’s general vibe!

Let’s talk about secrete characters in this movie. Emma Tammi confirmed a couple of weeks ago in an interview that there was a character in the Five Nights at Freddy’s movie who was not seen in any promotional material. That begged the question, who was that character? I genuinely do not know which character it specifically was, as there were multiple featured characters. I have a list of possible characters she could’ve been talking about.

Shadow Freddy, who was seen in a hidden YouTube video made an appearance in the movie as the suit that babysitter Max gets stuffed inside after dying. I must admit I’m a little disappointed that he didn’t get any story relevance, but I probably should’ve expected that, as it probably would’ve been too early for him. Another character was Sparky the Dog (or possibly Fetch, the fan base is still working that part out). Yes, Sparky wasn’t seen in any advertising, but I think Emma would’ve been talking about a character that was important to the story, so this leaves me with two more culprits who I was able to predict in my last essay!

Balloon Boy was only seen on one of the children’s drawings, but we didn’t know if he actually would’ve made a physical appearance in the movie. Luckily, we now know the answer is yes, he appears as a troll character in the form of a mini figurine. Ironically, he was probably the character with the scariest jump scares in this entire movie, which only fuels my hate-fire for him. The last culprit, who still seems to be a mystery, is the Puppet, or sometimes referred to as the Marionette.

We have speculated that she would make an appearance in the movie, as she was the one to give the children the gift of resurrection after they were killed by William Afton, but it seems like she wasn’t included in the movie. That is until people noticed at the end of the amazing end credits that the same cryptic voice that would spell words in the FNaF 2 mini-games was included in the movie and spelled out something. I couldn’t make out what it said myself, but after close examination, (and Peacock’s subtitles), we know that it spelled “C-O-M-E F-I-N-D M-E”. As this was being spelled out, fans noticed the familiar theme of her music box playing in the background, implying the Puppet is directly speaking to Mike, prompting him to find her. This isn’t the end of this manhunt, however. After going through the movie, fans started noticing in certain scenes that you could barely make out shapes in the backgrounds that look very similar to the Puppet. The Puppet may be in the movie, but she is lurking in the background, usually on the ceilings.

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The Potential Of Star Trek: Legacy

Fans are still swooning over season three of Star Trek: Picard and for good reason. Not only did it feature the long-awaited reunion of the cast of Star Trek: The Next Generation (TNG), but it was bursting at the screen’s seams with Easter eggs and references to most of the previous incarnations of Star Trek TV shows and films. More importantly, instead of wallowing in Member Berries, the third season actually set up a potential spinoff—Star Trek: Legacy. *Warning for those who have not seen season three of Star Trek: Picard, there will be spoilers from here on out.

During the third season of Star Trek: Picard, we were introduced to Jack Crusher, who turned out to be the son of Jean-Luc Picard. In many ways he was a lot like his father but with a rakish bent as he seemed more comfortable acting independently and living a pirate-like lifestyle. Perhaps this is how Picard was like in his younger days. In some ways, Jack had more of the swashbuckling demeanor of James T. Kirk (more on him soon). Yet he had an intellectual and empathic side that echoed his father. In a sense he came off as an authentic child, who has elements of both his parents with unique personality traits gained from experiences the parents never had. Jack quickly became a fan favorite and has enough personality and development to return in future Star Trek spinoffs. This was very clear at the end of the final episode of Star Trek: Picard when he joined Starfleet and was posted on the Enterprise-G as special counselor to the captain.

The third season also introduced several other characters, some of which were bridge officers of the Titan-A (later rechristened the Enterprise-G). The one standout was Sidney La Forge, the Titan-A’s helm officer and daughter of Geordi La Forge. She soon formed a friendship with Jack with hints of something more to develop. It was fun seeing the two scions interacting with each other, which foretold great adventures to come if the powers that be at Paramount Pictures greenlight a Star Trek: Legacy. Obviously the two characters would be some of the central characters of this show.

Two other characters that could headline the show would be Captain Seven of Nine a.ka. Annika Hansen, and her first officer Rafaella “Raffi” Musiker.  Most fans know that Seven debuted on Star Trek: Voyager before becoming a regular on Star Trek: Picard. Raffi is the only remaining original character from Star Trek: Picard to remain a part of the show after the other original characters were written out after the second season of the show. Even though they are not the children of past Star Trek characters they in a sense would carry on the legacy of Star Trek: Picard. Perhaps other past Star Trek: Picard characters like Sohji Asha (Data’s daughter) could return and continue the theme of legacy.



Another character that could return is Captain Liam Shaw. Yes, he was killed off in the penultimate Star Trek: Picard episode “Vox”, but he quickly became a fan favorite. While he was very surly and dismissive towards our favorite TNG characters especially Picard and Will Riker, he was actually the voice of reason. He was more cautious when it came to his ship, the Titan-A, and the safety of his crew, which conflicted with the daring decisions made by Picard and Riker that threatened the Titan-A and crew. More often than not he was willing to call out Picard on his decisions and his arguments usually had merit. What made him more dimensional was the revelation that he was a survivor of the Battle of Wolf 359. He clearly was still suffering from that incident where the cybernetic race called the Borg decimated a Starfleet armada. This also explained his animosity towards Picard since Picard was assimilated by the Borg and helped them defeat Starfleet. In as sense this also explains his antagonistic relationship with Seven since she is a former Borg. Shaw was a great character and it was too bad he was killed off. However, Terry Matalas, the showrunner of the third season, has hinted that there is a way for Shaw to return in the Star Trek: Legacy show. Being that this is Star Trek, there are dozens of ways to do this: clones, time travel, cold storage, Seven’s Borg nanoprobes, even Q could easily bring Shaw back.

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Lucasfilm In Disarray?

Something is not right with Lucasfilm. It can be seen by the behind-the-scenes drama going on with the film studio once owned by George Lucas before he sold it to The Walt Disney Company nearly a decade ago. Another sign is the lack of solid information about their upcoming films and TV shows.

Lucasfilm has been mired in controversy for several years despite its early Disney-era success of Star Wars: The Force Awakens and Rogue One: A Star Wars Story. What is often overlooked with the latter film is that it had significant re-shoots which ultimately made the film a success. After that dilemma followed the film studio.

There was the heated reaction to Star Wars: The Last Jedi which sharply split Star Wars fans. Then the saga of revolving directors plagued Solo: A Star Wars Story and Star Wars: The Rise of Skywalker. With those two films the original directors were removed from the projects. Solo suffered greatly as the directors Phil Lord and Chris Miller were fired when filming was nearly complete and forced the film to be essentially redone from scratch.

Now that the final Sequel Saga Star Wars films have concluded nearly two years ago, there is little sign of new Star Wars films coming up. Of course, there are many Star Wars TV shows slated to stream on Disney+ and they are eagerly awaited. In fact, many rightly argue that the TV shows are what is keeping the franchise alive thanks to The Mandalorian, Star Wars: The Bad Batch and hopefully The Book of Boba Fett, which debuts next month.

The upcoming TV projects such as Obi-Wan Kenobi, the new season of The Mandalorian, Andor, and Ahsoka are eagerly anticipated, but we have little news about those shows. The recent Disney+ Day event which revealed many exciting Disney, Pixar and Marvel projects failed to deliver anything significant that was Star Wars related. Only a documentary about Boba Fett, cast interviews of the upcoming Willow TV show, and a sizzle reel for Obi-Wan Kenobi streamed on Disney+ while other studios rewareded subscribers with first looks at upcoming projects. What is confounding are rumors that there were Star Wars trailers and footage planned to be unveiled, but for some reason this did not happen. In the end, while the sneak peaks at other Disney properties were impressive, Star Wars looked threadbare on the streaming platform.

As for the films, there are more signs of trouble. The next Indiana Jones film was filmed and expected to come out next year, but has been bumped to 2023 with rumors of extensive re-shoots and revisions of the plot pending. This is alarming given the age of the film’s star Harrison Ford and declining interest in the film.

But the most disconcerting news came recently that director Patti Jenkins’ pet film project Rogue Squadron has been put on indefinite hold. Originally, the film was supposed to come out in 2023, but supposedly creative differences between the director and Lucasfilm derailed the project. Now, it is doubtful Rogue Squadron will ever be made. This is embarrassing for the film studio after all the hoopla they created last year when they released a video promoting Rogue Squadron that featured Patti Jenkins passionately talking about the film as she was shown next to a full-scale mock up of an X-Wing fighter. Talk about putting the cart before the horse!

That is not all, ballyhooed announcements of Star Wars films from director Rian Johnson and executive producers David Benioff and D.B. Weiss have led nowhere. What is next? Will the announced Kevin Feige-produced Star Wars film be shelved as well?

Many have pointed fingers and blame on Lucasfilm president Kathleen Kennedy. She has proven to be a somewhat controversial film executive who has enraged some fans and members of the alt-right. Despite the overreaction from some, she should accept the blame for the issues with the directors and the delays these events are causing because it is damaging the brand of Lucasfilm and its properties.

Given the image of Lucasfilm being in disarray, several fans have called for Kathleen Kennedy to be replaced by someone else, such as Jon Favreau, the showrunner of The Mandalorian. However, news has come out that Disney extended Kennedy’s contract for another three years. Surely, this demonstrates that the Disney executives have faith in Kathleen Kennedy, but can she turn things around? What convinced Disney that she deserved to continue running Lucasfilm? We have to hope that Disney’s continued faith in Kennedy is warranted because Star Wars as a film property sorely needs a win and there isn’t anything on the horizon. More importantly, Lucasfilm and Kennedy have to prove to fans that they can still deliver quality films and TV shows and time is running short.