The Dark Knight: Setting The Standard For Superhero Films

The-Dark-Knight-Standing-Before-a-Burning-Gotham
This year will mark the 10th anniversary of The Dark Knight hitting theaters and setting a new standard. It became the highest grossing superhero movie of all time and while this record has since been surpassed, the film is still widely regarded as arguably the best comic book film ever made. The Dark Knight was highly anticipated before it came out, as director Christopher Nolan’s well received Batman Begins showed a new interpretation of Batman on the big screen. It was an origin film that had a Batman universe in a very realistic setting as if taking place in the real world. This first movie ended with a tantalizing hint of the Caped Crusader’s arch nemesis the Joker. Seeing the clown prince of crime in this realistic setting was something fans were very eager to see. When actor Heath Ledger was cast in the role, there was some blowback, but stories of his intense preparation for the role, and his unfortunate death before the premiere of the film changed this perception and led many fans to look forward to what his take on the character would be like. The results of his performance and of the film itself blew audiences away.
The movie portrays a tense showdown between Batman and the Joker, who sets in motion a plan to take over Gotham City by uniting all of the criminal gangs in Gotham under his leadership. Heath Ledger’s Joker was both psychotic and brilliant, with a scarred smile carved into his face and war paint-like makeup that gave him a nightmarish look. How he manipulates both the Gotham City public, police and criminals while setting up the downfall of Batman and his alter ego Bruce Wayne was something to behold. Christian Bale played both Batman and Wayne very well and showed true conflict while he attempted to protect the love of his life Rachel Dawes (Maggie Gyllenhaal) and try to take down the crazed anarchist who seemingly wants to destroy everything he holds dear. This conflict included supporting a potential rival for Rachel’s affections, in Gotham District Attorney Harvey Dent played by Aaron Eckhart. Dent’s crusade against crime was something Batman supported but this also put the DA in the crosshairs of the Joker, who is eventually able to push Dent over the edge and force him to become his evil and twisted alter ego Two-Face.
Nolan’s ability to balance out the idea of a comic book hero like Batman with a gritty crime drama is something that makes The Dark Knight a great experience. The movie begins with an intense and foreboding atmosphere as a bank is robbed by a gang of crooks and one of them ruthlessly guns down his compatriots. It is revealed to be the Joker, and this intensity stays with you for the rest of the film as the Joker starts his rampage against the underworld and broadcasts executions on TV and has judges blown up in their own cars. Batman comes to see what he is dealing with and realizes he will have to go to great lengths to stop this madness. This would come to include having to spy on all of Gotham and violating everyone’s privacy; losing Rachel in tragic circumstances due to a fiendish bait and switch by the Joker; and eventually taking the fall for the death of Harvey Dent and going on the run as a hunted fugitive.
batman and joker the dark knight
Even a decade later, The Dark Knight is seen as the standard by which superhero films are held to. Whenever there is a great genre film, it is said to be the “Dark knight” of its kind. While the follow-up film The Dark Knight Rises didn’t quite live up to its predecessor, the trilogy as a whole is still seen as one of the best to have come out in recent times. The film increased Batman’s already very high popularity and reestablished the character in cinematic terms after the less-than-enthusiastic reception to Batman & Robin from 1997. It took eight years for DC and Warner Bros. to bring Batman back to the big screen with Batman Begins in 2005, and the huge success of The Dark Knight put Batman back on top and brought success unseen since the first Batman film in 1989 that was also a huge hit for its time.
the dark knight classic
It seems very appropriate that Batman would work well in this realistic setting since his character is somewhat more grounded than other superheroes. He has no super powers and neither do most of his villains. His main concern is stopping violence in Gotham City and bringing down crime bosses. This fits in well with a less fantastical type of superhero film. That’s not to say that other kinds of comic book films with Batman don’t work, since there have been other movies with him that are more like traditional superhero movies and are really good. It’s just that The Dark knight is an excellent blend of both worlds. Because of this, the film will be remembered well beyond these first ten years.
C.S. Link

Ant-Man And The Wasp Is A Lighthearted MCU Entry With Big Laughs, Adventure And Sight Gags

Ant-Man and the Wasp is the sequel to the better-than-it-should-have-been Ant-Man and the first Marvel Cinematic Universe (MCU) film after Avengers: Infinity War. Following the somber feeling from that epic MCU film, Ant-Man and the Wasp is a welcome lighthearted film.

Paul Rudd reprises his likeable role of Scott Lang/Ant-Man, a former thief and fledgling superhero who dons a special suit that lets him control his size. Due to his actions in Captain America: Civil War, Scott Lang is under house arrest, which explains why he didn’t appear in Avengers: Infinity War.

He is contacted by his former lover, Hope Van Dyne (Evangeline Lily), and her father, Dr. Hank Pym (Michael Douglas), for help in rescuing Pym’s wife, Janet (Michelle Pfeiffer). As seen in the first Ant-Man during a flashback and this sequel, Janet used a similar suit like Scott’s to shrink down to subatomic levels and was lost. In Ant-Man, Scott shrunk down to this level but was able to return to our realm and it turns out he has a some kind of link with Janet.

What’s impeding his efforts to help out the Pyms are his complications from his house arrest, dealing with criminals who want to steal the shrinking tech and a mysterious figure called the Ghost (Hannah John-Kamen). The last character was affected from exposure to the quantum realm and now phases in and out of reality like her namesake. So, now the Ghost wants to steal the tech herself to cure her affliction, and is the primary antagonist.

Honestly, the villains are the main problem with this film. They come off as more like annoyances or obstacles than genuine threats. The film tries to make the Ghost somewhat sympathetic, but it’s hard to feel anything for her. As for the thugs (led by Walton Goggins), they are just one-note villains who do not seem very imposing. This is quite disheartening considering that the MCU films have lately featured interesting foes. It seemed like Marvel Studios was taking to heart the criticisms about the MCU villains being weak, but now this film is a setback in that regard.

It’s a shame because the sequel did not need these villains. At its heart, Ant-Man and the Wasp is a fast-paced rescue film with lots of laughs. Much of that humor comes from Paul Rudd’s comedic timing and the scene-stealing Michael Peña, who returns to his role of Luis, Scott’s friend and ex-con. Peña is a breath of fresh air and livens up most of the scenes he appears in. Many scenes with him and Rudd are hysterical and frankly, an entire film could be made with just the two characters interacting with each other.

The other actors also do well with their roles like Paul Rudd, who is a natural choice for playing the slightly silly everyman type. Lily’s Hope Van Dyne more than proves that she is a powerhouse of a hero and we’re left wondering why did it take so long for her to appear as the Wasp in the MCU. A lot of gravitas is added by Douglas, and in smaller roles Pfeiffer and Lawrence Fishburne as Pym’s former colleague.

There are many enjoyable features in this sequel. It moves briskly, exudes adventure, wild sight gags, and as noted before, is quite funny. It’s just too bad that the filmmakers felt the need to shoehorn in the weak villains. They took time away from the narrative flow and the rescue efforts. Also, we don’t see as much of the quantum realm as we would have liked. This mysterious and fascinating reality was teased in Ant-Man and it deserved to be explored more given that it may factor in the next Avengers film.

Perhaps if a third Ant-Man film is produced more time could be spent in the realm. One thing that is worth pointing out is that the stature of Ant-Man has certainly increased since his first outing. He has now become an established hero in his own right within the MCU.

Other than that Ant-Man and the Wasp is a refreshing and goofy pallet-cleanser for the MCU. Some may consider this film to be an inconsequential filler, but it’s a big-hearted change of pace for fans looking for some escape this summer.

Lewis T. Grove

The Pixar Films Ranked

Now that Incredibles 2 has been released, Pixar AnimationStudios has twenty full-length films in its library. This is a good number to rank the Pixar films. Bear in mind that these animated films are among the best films ever made and even those that rank at the bottom have their moments. Be sure to comment below on how you would rank the Pixar films, which are universally considered the gold standard with animated films these days.

20. Brave

It was neck and neck between this and Cars 2 for the bottom spot.  What made Brave earn this spot was that ultimately the story was dull and came off as a generic Disney princess-proves-herself yarn we’ve seen too often. The hair animation was nice, though.

19. Cars 2

This is possibly the most unwanted sequel in Pixar’s history. The only thing going for the first sequel to Cars is its above-average animation, but the story about ‘Mater caught up in a spy caper is strictly aimed at kids who won’t know any better.

18. Cars 3

The third film in the Cars trilogy has some good moments about making comebacks and passing the torch for the next generation. Although the animation is up to Pixar’s loftiest standards, Cars 3 cannot shake the stigma of being an unwanted sequel to one of Pixar’s lesser efforts.

17. The Good Dinosaur

It seems as if Disney (and Pixar) has a hard time coming up with a memorable dinosaur film. How hard can it be? This film about a dinosaur and his pet human boy was interesting to watch but it lacked the special Pixar touch. What’s worse is that there isn’t anything remarkable about this film.

16. Cars

This can be considered Pixar’s first misfire, but that is unfair. Cars is not a bad movie, it’s just that it didn’t knock it out of the park as previous Pixar films have done. It’s an enjoyable film though its underwhelming plot about a hotshot racecar finding himself in a backwater town was lifted straight from Doc Hollywood.

15. Monsters University

The prequel to Monsters, Inc. (and the first Pixar prequel ever done) presents the unasked for tale of how the leads Mike and Sully first met as college roommates. It’s a fun watch, and much of the humor was aimed at children, but its message about accepting your limitations in life came off as a downer.

13. Finding Dory

The sequel to Finding Nemo is a worthy followup that further explores the enchanting underwater world and the popular characters from the first film. We also meet great new characters, and overall it’s a fun film with some tender moments, though its message about animal captivity is a bit too-on-the-nose.

13. Monsters, Inc.

The fourth Pixar film introduced a fascinating world of monsters that was quite hysterical at times. The highlights of the film were the voice acting by John Goodman and Billy Crystal who had great chemistry and timing. The relationship between Sully and the human girl “Boo” was simply adorable and would melt any cynic’s heart.

12. A Bug’s Life

The sophomore effort from Pixar kind of got lost among all of Pixar’s other offerings. This is because the animation is a bit rough by today’s standards and other films better captured fans’ hearts. Still, A Bug’s Life is a splendid tribute to Seven Samurai (or The Magnificent Seven) with a great score.

11. Ratatouille

This animated film stood out from the others with its ode to the art of cooking. It’s an unusual tale about a rat that wants to become a great chef which may not resonate as well as other Pixar films. But it’s beautifully animated and the themes about perception and artistry are well executed.

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Jurassic World: Fallen Kingdom Delivers Dino-Sized Thrills & Scares

jurassic world fallen kingdom poster

The latest film in the Jurassic Park films, Jurassic World: Fallen Kingdom, has finally been released here in North America. Many of the reviews have been downright negative and nasty, and honestly, for the most part, it’s undeserved. The fifth Jurassic Park film is an exciting and suspenseful film that adds to the film series.

Taking place three years after Jurassic World, the latest sequel follows up on the disaster that befell the live-dinosaur theme park, Jurassic World. Now abandoned, the park and the island it is on has been overtaken by dinosaurs. However, the island has an active volcano that threatens the lives of the dinosaurs. A worldwide debate opens up over whether or not to save the endangered animals. Some believe nature should take its course and drive the dinosaurs to extinction again while others have taken up the cause of the dinosaurs.

own and claire and indoraptor

An obvious homage to Jurassic Park

One of that movement’s leaders is Claire Dearing (Bryce Dallas Howard), former operations manager of Jurassic World. She is approached by a Eli Mills (Rafe Spall) who represents Benjamin Lockwood (James Cromwell), a former partner of Jurassic Park’s creator John Hammond. Lockwood wants to evacuate the dinosaurs to an island sanctuary and enlists Claire’s help. She in turn recruits her ex-boyfriend, Owen Grady (Chris Pratt), a former raptor wrangler. Once they get to the island, the volcano erupts and as shown in trailers that revealed too much of the film’s plot, they are betrayed by Mills. He only wants to evacuate the dinosaurs to sell them on the black market and has also spearheaded the creation of a new hybrid dinosaur, the indoraptor. Now it’s up to Owen, Claire, and a couple of colleagues to stop Mills’ plans.

jurassic world fallen kingdom

All hell breaks loose in Jurassic Park: Fallen Kingdom

For the fifth film in a film franchise, Jurassic World: Fallen Kingdom is surprisingly fresh and exciting. It has plenty of thrilling and suspenseful scenes, as well as some unexpected heart-breaking moments. One thing that sets it apart from the other films is that it brings up the notion of whether or not these prehistoric animals have rights. They were artificially created so are they entitled to be protected as an endangered species? The film presents both sides of the argument fairly and it leaves you conflicted. You see the majesty of these creatures, but know that they should not be alive now. Is it right to share our current world with them? Why defy nature again? Some of these messages get lost in the action and dinosaur action, but they stay with you nonetheless. Then an unusual twist comes up with Lockwood’s young granddaughter, Maisie (Isabella Sermon), that adds a new wrinkle to the film series.

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After Solo: Does Star Wars Recover After Its First Stumble?

solo and chewie at bar

We Star Wars fans have a right to have a bad feeling about what is going on with Star Wars.

It was not supposed to be like this. A Star Wars film comes out in theaters and dominates the box office regardless of how good it is (see the prequels). Then we’d all pour over it as anticipation builds for the next film. Instead, Solo: A Star Wars Story has turned out to be a box office disappointment and now the talk right now is how Star Wars recovers, which is unusual.

Take into account that Solo: A Star Wars Story debuted at number one and still holds that position in its second week. Also, it earned over $100 million during the Memorial Day weekend, consider that Ready Player One earned far less than that in its opening weekend, yet it is considered to be a success.  But  Solo cost much more money to make, had the coveted Memorial Day weekend slot and it’s a Star Wars film. They’re supposed to equal instant cash for Disney and Lucasfilm.

But here we are, the film is underperforming and everyone is wondering what went wrong and where does Lucasfilm go from here. It’s a shame since Solo: A Star Wars Story is actually a great film, much better than its predecessor, Star Wars: The Last Jedi.

The Unfortunate Perfect Storm

Actually, the previous Star Wars film and its reception are a major reason for Solo’s woes. While Star Wars: The Last Jedi was a huge hit in theaters and with critics (who gave Solo mixed reviews) it was a flawed and controversial film that deeply divided Star Wars fans. Putting aside those that loved it for its bold departure, many griped about the film’s narrative faults, uneven pacing, and poorly written characters. Unfortunately there is also a sizable amount of close-minded idiots who complain about new Star Wars films because they are more socially diverse. You know the kind, they probably voted for Trump and wish things would go back to the good ol’ days. These vocal fans have called for a boycott of  new Star Wars films and sadly took out their anger on Solo. Right now they are crowing in videos and blogs about how they alone caused Solo to fail. Talk about delusions of grandeur! They are not the only reason for Solo’s struggle, but they are a factor.

Other fans who rightfully disliked The Last Jedi for legitimate reasons felt burned by Lucasfilm and knew about all the production headaches of Solo: A Star Wars Story. These fans felt that the new film would disappoint them and opted to not rush out on opening weekend to see it.

Then there is the formidable competition out there. Avengers: Infinity War is a huge juggernaut that is still having an impact in ticket sales. Meanwhile, Deadpool 2 came out a week before Solo and mined viewers away. Originally the film was to come out in June, but given Solo’s troubled production, 20th Century Fox probably smelled blood in the water and decided to compete with Solo: A Star Wars Story and it worked.

Also, keep in mind that movie tickets are not cheap and many made hard choices over what to see. The two superhero films have strong word of mouth and this had a negative influence on the Star Wars film.

On a related note, others have stated that the film was released too soon after the last Star Wars film. However, if this is true then why is Marvel Studios releasing three films a year?

Marketing also has to share the blame. It was quite sparse for Solo with the running joke for months being the lack of trailers until a handful of months before its release. Simply put, Solo: A Star Wars Story faced a perfect storm that was worse than Han Solo’s Kessel Run.

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