Theme Park Wars: Spider-Man Vs. The Transformers

Usually, theme park wars are between two different theme park companies. In this case, however, the theme park war is within the same company: Universal Parks & Resorts. The contenders are two of its rides: The Amazing Adventures Of Spider-Man and Transformers: The Ride-3D.

The former ride debuted in Universal Studios’ Islands of Adventure theme park in Orlando back in 1999. It featured a revolutionary ride system that was part dark ride, part simulator that was developed by Universal Creative with vehicles developed by Oceaneering International. That system was so unique and kinetic that it wasn’t a surprise that the Spider-Man ride is still one of the most popular rides in any theme park.

The Scoop On Spider-Man

In The Amazing Adventures Of Spider-Man, riders donning 3D glasses board a vehicle called the Scoop that is used by the Daily Bugle newspaper company for newsgathering. Peter Parker’s (Spider-Man) boss J. Jonah Jameson assigns riders to board the Scoop to cover a breaking story concerning Doctor Octopus. The mad scientist is using an anti-gravity cannon to steal the Statue of Liberty with the help of other supervillains (Electro, Hobgoblin, Scream and Hydro-Man).

100_9890As these ride stories go, the Scoop and its passengers wind up getting caught in the melee between them and Spider-Man. Along the way, the riders are made to feel as if they’re actually in the pages of an animated comic book with huge screens that project 3D images as the vehicle constantly swerves wildly from scene to scene. Adding to the intensity of the experience are practical effects used that immerses riders into the adventure. The best example of that is where at one point Spider-Man is fighting with the Hobgoblin. First riders witness a large-screen 3D fight by a New York bridge between the two and the Hobgoblin tries to lob pumpkin bombs at the Scoop vehicle. Spider-Man catches one bomb and hurls it away before it can do any harm. But the Hobgoblin manages to throw one that explodes very close to the vehicle. Through the clever use of effects, actual flame erupts from part of a nearby wall which simulates the exploding bomb. The real heat from the blast makes elated riders feel like they’re part of the story.

It’s because of these immersions that the Spider-Man ride has remained so popular for so many years. Recently, the ride received an HD upgrade to make the 3D images sharper and more colorful. Part of that upgrade included slight changes to the characters, especially Spider-Man and Doctor Octopus who more resemble their cinematic counterparts. In addition, iconic comic book creator Stan Lee makes a few cameos in the ride itself as assorted civilians.

Ride The Transformers

The ride format from The Amazing Adventures Of Spider-Man was a unique hybrid that combined motion simulators, practical effects and 3D images into a wild dark ride. It’s so well thought of and successful, that it was only natural that Universal Studios would repeat the formula for another ride.

Transformers: The Ride-3D originally made its debut in Universal Studios Singapore in 2011 and later in Universal Studios Hollywood and most recently in Universal Studios Orlando. All three incarnations of the ride were instant hits with park goers.  Riders get to feel what it’s like to be in a high-octane Michael Bay special effects spectacular.

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The ride follows the storyline and characters of the film series, where the good Autobots are allied with the people of Earth against the evil Decepticons. As with the movies, both robotic groups are after their MacGuffin, the AllSpark, a cube-like object that can bring ordinary mechanical and electronic objects to life. One of the Autobots called Evac first has to retrieve the AllSpark from Decepticons who have stolen it. Then after recovering the AllSpark, it’s up to him to protect the object while Decepticons like Megatron and Starscream pursue him throughout a city. Being that riders are inside of Evac, who is the ride used in the attraction, they’re given front-row access to Evac’s efforts to safeguard the AllSpark from evil Decepticons. Good Autobots like Optimus Prime and Bumblebee aid Evac in his journey throughout the chaotic cityscape.

As the Evac vehicle zigzags throughout a city landscape to evade his enemies, the constant pitching, and jerking motions of the ride make the riders feel as if they’re actually being tossed about in the vehicle. Selling this illusion are the 3D effects from  large screens featuring gargantuan Transformers fights and the rough simulator motions from the vehicle. It can be said that being inside the Evac vehicle can be compared to being inside a vehicle that is undergoing a violent accident.

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Edge Of Tomorrow Leaves You On The Edge Of Your Seat

edge posterThe new Tom Cruise sci-fi action epic Edge Of Tomorrow turned out to be genuinely great surprise. Think Groundhog Day meets Starship Troopers meets HALO and that is what you get with Edge Of Tomorrow.

Tom Cruise plays William Cage, a hapless, deskbound soldier who is part of a military campaign to rid Europe from aliens called Mimics that have established a foothold on the continent and are spreading out to the world. Being that he is inexperienced, Cage is killed nearly instantly in a failed invasion of Mimic-held territory. Yet, because he was doused in the aliens’ blood, Cage wakes up the previous morning and relives the day. As the movie progresses Cage goes through the landing on an infinite loop, but each time he dies and is resurrected, Cage gains more combat awareness. This not only makes him a better soldier, but able to decipher how to defeat the Mimics.

EDGE OF TOMORROW

Edge Of Tomorrow is based on the novel All You Need Is Kill (the film’s original title) by Hiroshi Sakurazaka and is directed by Doug Liman. The director’s expert hand is clearly evident in the film as he keeps each repeated day from becoming tedious to watch. It’s actually kind of fun to see Cage dying from different ways and coming back. At the same time, the action scenes with the aliens are very intense and calls to mind the chaos of other war movies like Starship Troopers, Battle: Los Angeles and even Saving Private Ryan. The mech suits that Cruise and his co-star Emily Blunt wear are kind of goofy looking, but in reality are deadly and formidable weapons and it makes viewers wonder how Starship Troopers might’ve been like if the soldiers in that movie were adorned with mech suits like in Robert Heinlein’s novel. Well, now we have a good idea. An added bonus is that for the most part Tom Cruise does his own stunts and it pays off since it adds intensity and realism to his role. With this and other sci-fi films like Oblivion and Minority Report, Cruise’s presence in them and any future genre film has to be considered as a sign that the film is usually exceptional. As for Emily Blunt, she is definitely a supreme badass warrior woman in this movie and helps carry it.

????????????????????The trailers for Edge Of Tomorrow don’t do the film justice, and makes it seem like another typical, mindless summer action film. But it isn’t. It’s very clever and a real joy ride with fantastic special effects. Sadly, based on expectations and the timing of its release, Edge Of Tomorrow might get lost in the crowded summer movie schedule that already is favoring chick flicks and youth-oriented fare. Regardless of its scheduling and marketing hurdles, sci-fans are in for a mind-blowing treat and should go out of their way to see this extraordinary film.

Waldermann Rivera

How To Fix The Spider-Man Movies

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The Amazing Spider-Man 2 has been out in theaters for a month already. It’s made close to $500 million worldwide to date, so it’s a hit film. Yet, The Amazing Spider-Man 2 has raked in far less money than the previous Spider-Man movie. Despite all the advertising and marketing, the movie has been largely forgotten in this crowded summer movie season. That’s unbelievable for a Spider-Man movie, usually they’re big hits. Something went wrong with the film, and the fans noticed and word of mouth probably has had a hand in keeping the box office numbers down. It’s sad to say but the franchise, despite being rebooted two years ago, seems tired and talk about sequels and spin-off films get yawns from everyone.

The film had its good points, but on the whole, it was a mess and killed any good will towards the franchise. What can be done? Spider-Man is one of the most popular superheroes around, rivaling Batman himself. The character is still viable, but the filmmakers have gotten away from what made Spidey work. If they want to win back the fans and more importantly for the execs, the big box office numbers, the following things have to be done.

Story First

What sunk The Amazing Spider-Man 2 was its sloppy script. The film was loaded with too many time-filler subplots that don’t go anywhere and needless characters. It reminded me of that equally dumb Spider-Man 3 with all the extra characters who didn’t add anything to the story (looking at you Gwen Stacy) and moronic plot twists (so Sandman accidently killed Uncle Ben).

?????????????????????????????????Does anyone care about Peter Parker’s parents? A few lines of dialogue and one or two scenes could’ve wrapped up that plot thread. Then there was the way they tried to convince us that Peter and Harry Osborn were best buddies even though Harry was never mentioned in the previous film. It was just one of too many plot lines in the crowded movie.

What was worst was that the movie felt like an ad for upcoming spinoffs and sequels and that harmed the narrative flow and pacing of this film. It was like director Marc Webb set up a revolving door on the movie set just to introduce new villains, which leads to the next point.

Improve The Villains

The  film execs clearly didn’t learn the lesson with Spider-Man 3. That film was weighed down with three villains ?????????????????????????????????who didn’t get adequate screen time to develop them. The same thing happened here, but worse. Electro was largely a one-dimensional joke, and reminded me of the Riddler from Batman Forever, only Jim Carrey did a better job of portraying a nutjob than Jamie Foxx. His portrayal of Electro before his accident was so over the top and he didn’t gel with the other people around him. I get they were trying to make him a goofy outcast, but it was too much.

spidey and doc ockSeriously, the last great villain in these films was Doctor Octopus and that was ten years ago. I’m not sure why they can’t come up with a worthy villain for Spider-Man, but jamming in a bunch of them to please toymakers isn’t working. It’s a damn shame because Harry Osborn/Green Goblin was pretty decent in this film thanks to Dane DeHaan’s performance, but his time was limited. If they would’ve dumped Electro, Harry would’ve had the needed screen time for his story. Instead, we get a rushed intro of the Green Goblin popping out in the end and briefly fighting Spider-Man. He’s supposed to be his greatest enemy, why relegate him to an extended cameo? The Green Goblin should be the top villain in these films. In this crowded film, he wasn’t the only character to get shafted.

Get Spider-Man’s Supporting Cast More Involved

???????????????????????????????Aunt May was largely wasted in the new Spider-Man movie and that’s an atrocity. The filmmakers went out and hired Sally Field, an Oscar winner, to portray Peter’s aunt and she just gets lost in this film. The few precious moments she has only point out how she was criminally underused. In the comic books, she was involved in major plot lines. Often, Spider-Man was out risking his neck to save her or worrying about her. This was better shown in the last film where Peter brought home organic eggs in the end after saving the city, it was a quiet moment that illustrated his love and responsibility and it worked.

jjj2But Aunt May isn’t the only neglected member of his supporting cast. Flash Thompson, Peter’s nemesis and Spider-Man’s biggest fan was absent this time around and where the hell is J. Jonah Jameson who brings a different kind of headache to Spider-Man? Our web-swinging hero needs a foil and Jameson filled that role perfectly in Sam Raimi’s films. It seems like the producers and Marc Webb couldn’t figure out who should play the newspaper publisher after J.K. Simmon’s act and gave up. Why not just bring him back? It worked for the James Bond flicks when Judi Dench played M with two different actors portraying the famous spy. Any Spidey film should have Jameson hounding him in the public eye. Continue reading

X-Men: Days Of Future Past Is A Great Superhero Epic

X posterX-Men: Days Of Future Past is a return to form for the X-Men film franchise and it’s more than that. It rectifies the misfires made with the franchise since the film’s director Bryan Singer left it to do Superman Returns. But more significantly, Singer has delivered the best X-Men film to date, even eclipsing favorites like X2: X-Men United and X-Men: First Class.

????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????The fifth X-Men film (not counting the Wolverine solo efforts) is a loose adaptation of the classic Chris Claremont/John Byrne comic book story arc in The Uncanny X-Men #141-142 where mutants are facing extinction in the future and one mutant’s consciousness is sent back in time to prevent the mutant holocaust at the hands of giant Sentinel robots. The opening scenes in X-Men: Days Of Future Past take place in the grim, dark future where mutants are being mercilessly hunted down by advanced, adaptive Sentinels. In a desperate move, the consciousness of the fast-healing mutant Logan/Wolverine (Hugh Jackman) is sent back to the 1970s into the mind of his younger self, which begins a wild ride.

The film switches gears and has the audacity to introduce much-needed humor as Wolverine does a fish-out-of-water routine when adopting to the new timeline. In the 1970s, Bolivar Trask ???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????(Peter Dinklage) is a mutant-hating scientist who constructs the Sentinels. According to history, he is assassinated by the shape-shifting mutant Mystique (Jennifer Lawrence), which starts the chain reaction leading to the dystopian future seen in the film’s opening act.  Wolverine has to find a younger version of his mentor Charles Xavier (James McAvoy) and Magneto (Michael Fassbender) and convince the two men to put aside their differences and change history.

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X-Men: Days Of Future Past is genuine epic spanning across time and places with an intricate, but fast-moving story that is never dull. It’s so perfectly paced with exciting and tense sequences interjected with pathos and wry humor. There’s a smile-inducing segment where Wolverine, Xavier and Hank McCoy (Nicholas Hoult) recruit the speedster Quicksilver (Evan Peters) to break Magneto out of prison and he just steals the show. The way Singer demonstrated Quicksilver’s super-fast powers was so incredible to behold and fresh. It would’ve been easy to just show him as a streak, but Singer went the extra mile and showed his POV where the world around him slows to a standstill as he speeds up. This shows why Quicksilver is one of the coolest mutants and it’s too bad more time isn’t spent with him. His actions erases any complaints from haters and trolls who moaned about how dumb he looked in publicity shots. Of course, what elevates Quicksilver’s presence is how Peters played him as an ADD-addled, fun-loving type. Hopefully, he’ll pop up again in a future X-Men film and one can only speculate at this point on how Joss Whedon will present him in next year’s Avengers: Age Of Ultron.

X and WolverineAs with Peters, the rest of the cast elevate X-Men: Days Of Future Past by giving deeply emotional and captivating performances. This goes for major cast members like Jackman, McAvoy, Fassbender and Lawrence to those that had minor parts  like Ellen Page, Shawn Ashmore, Fan Bingbing, and Halle Berry. It was great to see the acting greats Patrick Stewart and Ian McKellen returning to their roles as the older versions of Xavier and Magneto. Also, there are surprising and most welcome cameo appearances by other mutants, which enrich this film and shows how Singer cares about the franchise and pays attention to its details.

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On the whole, unlike the other films, X-Men: First Class aside, this one felt like a true ensemble film and not just Wolverine And The X-Men. He does have a major part in the film, but he is not the only star, that is because the other actors get their moment to shine and Jackman portrays the famous superhero differently, he’s more in control of himself, more mature.

With this film, Bryan Singer takes firm control of the film series and heads it in a new and hopeful direction. It’s clear from watching the performances, the intricate storyline and all the Easter eggs with nods to other X-Men films that Singer is invested with the franchise. X-Men: Days Of Future Past can be seen as an apology of sorts from Singer for leaving the series. Thanks to his efforts, the film is at the same time a welcome superhero blockbuster that will leave many X-Men fans overjoyed.

José Soto

Godzilla Finally Done Justice By Hollywood

godzillaAlright people, the new Godzilla movie is so great that it makes you forget about the stain from the 1998 version!

It works on so many levels and left me feeling so satisfied and relieved that Hollywood finally got Godzilla right. That’s because of the director of Godzilla, Gareth Edwards. When making this film, he wanted to emulate the mood established with the classic Jaws. First have characters, then present inferred appearances by the monster, then fully reveal the monster in all of its glory. In this movie, we the audience only see parts of Godzilla at first, a fin here, a tail there. But don’t worry, when he’s finally revealed it’s a gasp-inducing moment! It’s a huge payoff. But more than that this really feels like a Godzilla movie or at least how Godzilla was like in his early movies.

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This version of Godzilla is a sort of quasi-sequel to the original 1954 classic and it pretends that the sequels that followed never existed. This film sticks to its Japanese origins, which is important and the creature looks and sounds like Godzilla. This Godzilla has his trademark atomic breath, but it’s white hot and his back fins glow before he fires as seen with the recent Japanese films. It’s works for Godzilla and there wasn’t any reason to change it. Gareth Edwards and the other filmmakers understood that it was important to deliver the gargantuan force of nature that defines the monster unlike the ’98 version.

What’s more they embellished the nature of Godzilla by the revelation that he is a part of a group of animals known as alpha predators that existed before dinosaurs and was raised in a primordial Earth bathed in radiation. So it makes sense that he is awakened in the 1950s when mankind started testing nuclear weapons.

GODZILLAThat’s just one of the many cool things about Godzilla. There are also the pounding Kaiju fights, which brought out gasps and applause from the audience I saw it with. Even the opening credits are stunning. The credits are supposed to appear like classified documents that are redacted, it helped set the dark, serious tone of the movie, which was best shown with the ominous HALO jump seen in the trailers. Edwards uses for that scene the same eerie chorus heard in 2001: A Space Odyssey and it’s very effective.

The characters themselves are decent and serve their purpose though there aren’t any breakout characters. But that shouldn’t deter anyone from skipping out on Godzilla. It’s a terrific monster movie thanks to its moody tone and its faithful interpretation of the King of the Monsters.

Steven L. Walterson