Category Movies

Aug 7 2014

Marvel Wins The Movie War…For Now, Part One

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Sorry DC Comics fans, but with the runaway success of the recently released Guardians Of The Galaxy film and the announcement that the upcoming film Batman v. Superman: Dawn Of Justice won’t directly compete with the third Captain America film, it’s pretty clear that Marvel Entertainment has won the Comic Book Movie War over its rival DC Entertainment.

DC’s Early Success

For years DC was at the apex of comic book-based films thanks to Superman then Batman dominating the box office. Marvel wasn’t even a contender; it was consigned to bargain-basement FFshlock efforts like Captain America, The Punisher and Roger Corman’s The Fantastic Four, which wasn’t even released. It seemed like Marvel just couldn’t get its act together and was floundering with its attempts to put something out into theaters much less TV. Meanwhile, DC had solid hits with its flagship heroes and films that although were flawed, were generally well received.

supe lexDC’s advantage was that it was (and is still) owned by the studio giant Warner Bros., which had the deep pockets to finance the superhero films. This was why the Superman and Batman films looked so good. In their day, they had big budgets with big-name stars, directors and the best special effects and production people working hard to put out quality efforts. The best Marvel could muster was getting Dolph Lundgren to star as the Punisher.

Fans asked for years where were the big-budget adaptations of Marvel’s best heroes? While Batman tore through theaters where was Spider-Man? Well, Marvel was just a comic book company then that went through many owners who didn’t know a thing about expanding into other media, specifically film and TV. Then there was the legal mess over who had the rights to produce a Spider-Man movie that was only resolved a couple of years before Spider-Man. By that time, Marvel had gone through bankruptcy and in order to raise money sold their coveted properties to different film studios. That is why properties like the X-Men, the Fantastic Four and Spider-Man aren’t made by Marvel Studios today.

Double-Sided Victory

Despite their overall success, DC still had some chinks in their movie armor. For every rousing Superman II or Batman there were undeniable stinkers like Superman III or Batman & Robin. Worse were truly abysmal films like Steel and The Return Of Swamp Thing that not only failed in the box office, but sullied the reputation of superhero films.

batmanDC Entertainment didn’t fully capitalize on the success of the Batman and Superman films. Yes, they did push forward TV adaptations of the Flash and Superman, but they should’ve concentrated on making quality films of their other properties. Instead they pooled all their efforts into Batman, which made sense since he’s their most popular superhero. But the problem with that approach is that when a Batman film falters it affects the rest of their line. And this is what happened with the release of Batman & Robin in 1997. That film strayed far from the winning dark and gothic formula that director Tim Burton used in the first two films and instead was a throwback to the campy 1960s TV shows. That silly approach used by director Joel Schumacher irked many fans who felt that Batman was a dark and serious hero and putting him in goofy situations was undignified. At the same time, DC was floundering with their attempts to reboot the Superman film franchise after the pitiful failure of Superman IV: The Quest For Peace back in the 1980s. A lull existed for DC superhero films that lasted from 1997 until 2004 when the DOA Catwoman was released. DC wouldn’t get back on its feet until the following year when Christopher Nolan’s reboot Batman Begins was unleashed.

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That film’s success did come with a price. Chiefly that Nolan’s unique and grounded Batman universe couldn’t have any ties to the rest of the DC universe. Hence no mentions of Superman, Wonder Woman, etc. Not even their home cities seemed to exist in Nolan’s dark and brooding world where costumed beings didn’t have true superpowers. As good as that was for the Batman films, it meant that DC couldn’t use them to introduce other heroes. That’s not to say they didn’t try expanding. There was almost a Justice League film made. George Miller was supposed to direct it and a cast was set, but the 2007-2008 writer’s strike ended that dream. Then everyone knows about Superman Returns and Green Lantern, two highly anticipated films that failed and left DC’s expansion efforts stillborn. Unfortunately, as these two films floundered Marvel Studios began its ascension.

The first few films based on Marvel properties were huge hits with the public and fans, some decried how they ignored fundamentals in core concepts. For instance, as Hugh Jackman became a big star for his portrayal of Wolverine, many complained that he was too tall and good looking. Others griped about why Spider-Man all of a sudden had organic webbing and never invented web-shooters. Then there were the misfires that were forgotten in the wake of the successes of Spider-Man 2 or X2: X-Men United. Those included Daredevil, Hulk and Ghost Rider. Continue reading →

Aug 1 2014

This Summer’s Best Film: Guardians Of The Galaxy

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Guardians Of The Galaxy is the perfect embodiment of the summer film. It’s fun, exciting, explosive, and it has the right balance of humor, action and drama. It’s also a big risk for Marvel Studios who until this time produced relatively safe  adaptations of their superhero comic books. Guardians Of The Galaxy doesn’t feature any big-name heroes and it can’t be considered a superhero film but a straight up space opera. Fortunately, Marvel Studios pulled it off in a spectacular way.

peter quilOne of the many reasons why Guardians Of The Galaxy works so well is due to its main character Peter Quill (Chris Pratt). He is cut from the roguish Han Solo/Mal Reynolds cloth, but with a huge helping of John Crichton thrown into the mix and a pinch of Indiana Jones. We’ve seen his type before, a bumbling, lovable thief/smuggler, who is looking for the next big score, but in the end decides to do the right thing. Even though his character type is familiar, Peter connects with us thanks to Pratt’s sincere and goofy performance and his surprisingly deep emotional makeup. The script (by director James Gunn and Nicole Perlman) takes time to show elements of his past, which explains Peter’s motivations and behavior.

Abducted from Earth as a young boy, Peter, who goes by the moniker Star-Lord, lives a scoundrel’s life in the galaxy while listening to oldies pop music on his vintage Walkman.  When Guardians Of The Galaxy begins, he breaks into an abandoned temple on an alien planet and steals an orb that is coveted by very powerful factions. The worst being Ronan (Lee Pace), a proud Kree warrior who is aghast that his race is now at peace with a rival space power, the Nova ????????????????????????????????????????????????????????????????????????????????????????????????????????????????????Empire. He wants what is inside the orb, an Infinity Stone, a MacGuffin that grants its user deadly power to destroy. Fans of the Marvel Comics know that it’s part of the gem set used to form Infinity Gauntlet, used by the evil madman Thanos to cut a path of destruction across the universe. Ronan is just a lackey of Thanos (who is briefly played by Josh Brolin), and is tasked to retrieve the stone. Over time, Ronan decides to defy Thanos and use the stone to destroy Xandar, the home planet of the peaceful Nova Empire. Continue reading →

Jul 27 2014

Comic – Con 2014 Highlights & Observations

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This year’s Comic-Con didn’t have any big, surprise revelations that brought down the convention halls, like last year’s announcement of Batman v Superman: Dawn of Justice. Nonetheless, there were many scintillating news that came out of the convention that made many drool and envious that they weren’t there to witness the announcements…or see the exclusive trailers and footage.

Dawn Of The Justice League

It’s funny how pumped up people are for Batman v Superman: Dawn of Justice and it’s not coming out next year! Warner Bros. and DC Comics may want to reconsider their release schedule of May 2016 and put this film out sooner. While next summer and December are already covered by guaranteed blockbusters, there are plenty of other months where Batman v Superman: Dawn of Justice will completely dominate the box office like Captain America: The Winter Soldier did this past April.

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What brings out this feeling with us here at Starloggers is that based on the fact that there is footage out about the movie, it seems as if it’s close to being complete. Those shots of Batman on the rainy rooftop decked out in full armor and a visibly angry Superman up in the sky facing him were just electrifying. Apparently, director Zack Snyder took the essence of Frank Miller’s classic The Dark Knight Returns and translated it to screen. As a bonus, the reveal of Gal Gadot in her Wonder Woman outfit was just a perfect bonus; an Amazonian warrior brought to life!

Avengers: Age Of Ultron & The Marvel Cinematic Universe

Unlike Batman v Superman: Dawn of Justice, there hasn’t been any photos or footage leaked over next summer’s eagerly awaited sequel to The Avengers. The same went for Ant-Man. Reportedly, the crowd predictably went bonkers over the exclusive footage shown for Avengers: Age of Ultron. In the clips shown, the attendees saw Iron Man’s Hulkbuster armor, footage of the heroes fighting Ultron and a haunting image of Captain America’s broken shield.

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What helped whet the appetites for fans around the Internet and at Comic-Con were the beautiful posters showcasing each individual Avenger fighting Ultron and his android army. The full poster that has all of them put together is sure to be a sought-after item.

The news that actor Patrick Wilson dropped out of Ant-Man may have reminded some of the behind-the-scenes production headaches plaguing this film. Still, the production is pushing on with their promotion and hopefully Marvel Studios will have another winner in their hands.

The film studio is so confident about Guardians of the Galaxy, that they announced that the film’s director James Gunn will return to direct the sequel, which has a firm release date in July 2017.

The Absentees

While Marvel Studios confidently showcased their upcoming films, it was noticeable that Twentieth Century Fox didn’t have anything to show for next summer’s Fantastic Four reboot. It’s obvious that the studio and the production team behind the much-maligned reboot is feeling sensitive and protective over the film in response to the negative feedback from many fans. No matter how you look at the situation, it doesn’t bode well for the film. But it may wind up winning over fans in the end.

There were other films being released next year that weren’t represented as well. The biggest one was Star Wars Episode VII, which if something was shown might’ve eclipsed the Marvel and DC presentations. Also MIA was Brad Bird’s highly anticipated and mysterious Tomorrowland . Not seeing anything from Star Wars wasn’t a surprise since the film is still early in production, but it’s a missed opportunity for Tomorrowland because there is a lot of curiosity over the film. But Star Wars fans didn’t walk away empty handed: the full-length trailer for the animated TV series Star Wars Rebels made its debut at Comic-Con and it looks terrific.

Other News

Despite the lack of big, headline-making announcements, there were some that had merit. Take for example the news that Legendary Pictures plans to release a prequel to King Kong that takes place on the mighty ape’s homeland, the dinosaur-packed Skull Island. Then there was the pleasant surprise for fans of Star Trek: Deep Space Nine when it was announced that Alexander Siddig (Doctor Bashir) is joining the cast of Game of Thrones. Also noteworthy were the news that the Batman villain Ra’s al Ghul will be a major nemesis for the next season of Arrow and Bobbi Morse a.k.a. Mockingbird will be part of the returning Agents of S.H.I.E.L.D.

Of the many trailers for movies and TV shows, one that caught everyone’s attention was that of next year’s Mad Max: Fury Road. From looking at the footage, it seems clear that director George Miller has returned to the high-octane roots of the Mad Max franchise. It’s a welcome thought since that futuristic anti-hero has been absent from the screens for too long.

That wraps up what we thought of Comic-Con 2014. We already cannot wait for next year’s convention. BTW, check our Background Noise and Facebook pages for any links (once we find them) to leaked footage or photos themselves of Avengers: Age of Ultron and any other highly anticipated film.

Jul 18 2014

Harry Potter’s Diagon Alley Opens At Universal Studios Orlando

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The big news regarding theme parks of course was the July 8 opening of Diagon Alley, the new expansion of The Wizarding World Of Harry Potter in Universal Studios Orlando. Based on the popular Harry Potter book and film series Diagon Alley is an immediate hit with parkgoers and Harry Potter fans. The newest land added to Universal Studios Orlando consists of the hidden wizarding alley found in London, England. Adorned with cobblestone streets and maze-like alleyways and streets, Diagon Alley boasts several shops and as the centerpieces Harry Potter And The Escape From Gringotts ride and the Hogswarts Express train that connects Universal Studios Orlando with Islands of Adventure.

After the runaway success of Islands of Adventure’s The Wizarding World of Harry Potter, an expansion was fastracked by Universal Resorts. But instead of just encroaching the faithfully recreated Hogsmeade village into other areas of Islands of Adventure, the innovative idea of putting the expansion into Universal Studios Orlando was utilized instead.

Expressway To Both Parks

100_2309The expansion can be found next to Disaster! at the area where the old Jaws ride was located. Visitors coming to the area will first see a replica of a section of modern-day London complete with a train station that leads to the Hogwarts Express and the magical Knight Bus featured in Harry Potter And The Prisoner Of Azkaban. To gain entry to the train ride, you need a two-park ticket otherwise you are forced to remain in Diagon Alley and vice versa. The train itself is a perfect rendition of the one seen in the Harry Potter films and can accommodate large amounts of passengers.

Once assigned to a roomy cabin, the first thing that strikes the eyes is the passenger-side window that is actually an HD screen showing a brick wall with steam rolling about. On the aisle-side of the cabin, the windows are frosted. After the train leaves, passengers can look out the window and see the London cityscape and surrounding suburbs, but with signs of the malicious Dementors afoot. Meanwhile on the aisle-side of the cabin, silhouettes of Harry Potter and other characters are seen walking back and forth. At one point the Dementors invade the train who are seen as silhouettes, but are quickly dispelled.

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After a few minutes the train reaches Hogsmeade (and shortly before, Hagrid himself appears outside the window striding a flying motorcycle) allowing passengers to disembark onto Islands of Adventure. If you want to go back to London and Diagon Alley, you have to leave the station (which is next to the twin rollercoaster ride Dragon Challenge) and get back on line with your two-park ticket handy. On the way back to London, passengers will witness magical creatures like the hippogriff and centaurs trouncing around the forest surrounding Hogsmeade. Either route provides a nice, comfortable ride between the parks. The character silhouettes and the passenger windows certainly add an interesting touch to the experience. Even though it isn’t an E-ticket ride, Hogswart Express is a novel way to transit the parks. Continue reading →

Jul 11 2014

Dawn Rises Above Other Planet Of The Apes Films

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The newest Planet Of The Apes film, Dawn Of The Planet Of The Apes is a direct sequel to the surprisingly great and captivating Rise Of The Planet Of The Apes. That film introduced audiences to the wonder of Caesar (mo-capped by the great Andy Serkis), the first speaking, super intelligent ape and his struggle against humanity. That strife continues with this new film that takes place ten years after the last one. Anyone who saw the last movie knew that in the wake of Caesar’s simian uprising, a genetically engineered virus accidently began to spread throughout humanity and this new movie shows us the aftermath of the pandemic.

Half the human population is gone, but remnants of society are struggling to rebuild. Dawn Of The Planet Of The Apes takes place in a ruined San Francisco, where a colony of humans plan to use a dormant hydroelectric dam to restore power to the broken city. What the humans didn’t realize is that a burgeoning civilization headed by super intelligent apes (consisting of chimps, gorillas and orangutans) occupies the land where the dam is located.

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During a scouting trip, a group of humans led by Malcolm (Jason Clarke) encounters the apes. A tense standoff ensues that is ended when Caesar commands the humans to leave the primeval forest. Back in San Francisco, the leader of the colony, Dreyfus (Gary Oldman) wants to take an army and decimate the apes, but Malcolm recognizes Caesar’s intelligence and reason. He manages to buy time from Dreyfus to return to the forest and negotiate for permission to work on the apes’ land and reactivate the dam. Malcolm and his group return and manages to convince Caesar that they are peaceful and so the ape leader allows them to work on the dam, though he is very distrustful towards the humans.

There is a thick tension that hangs throughout this film as audiences wait for the fragile peace to break. But there are moments of quiet contemplation and reverence as Malcolm and the humans connect with Caesar and many of his apes. Of course, while many humans, especially those in the city, strongly dislike the apes, so too, do many apes harbor hostility towards the humans. Leading this contingent is the brutally ugly Koba (Toby Kebbell), who was briefly seen in the last film as a victim of lab experimentation. Koba with his ghastly scars has an unquenchable hatred towards humans and as Caesar’s second-in-command, cannot fathom why the simian leader is so lenient towards the humans. Shockingly enough, this distrust also extends to Caesar’s own son Blue Eyes (Nick Thurston), who provides an intriguing sub plot where he grapples with his own feelings towards humans. This is part of a spiritual tug of war between Caesar and Koba, as the latter ape uses deceit to bring Blue Eyes to his point of view. Continue reading →