Season Two Of Andor Proves It Is The Greatest Star Wars TV Show Of All

Andor just completed its second and final season on Disney + and it proved beyond question that it is the greatest Star Wars TV show ever presented. Some fans may complain that it is too slow or too adult or too unlike Star Wars, but they are missing the point. Andor demonstrates that Star Wars can be much more than action-oriented, near fantasy stories that are supposedly geared more to children. The IP is much more than that and Andor shows us the potential of what Star Wars can be.

The second season of Andor is broken up into three-episode arcs, with each arc taking place a year apart as the overall narrative counts down to the original Star Wars and Rogue One: A Star Wars Story. As each arc progresses, we get to see how the complex characters develop and grow.

Among the great things about Andor are its rich characters starting with the title character himself, Cassian Andor (Diego Luna), a spy for the burgeoning Rebel Alliance. In the early years of the rebellion against the Galactic Empire, Andor travels through many worlds on spy missions to undermine the Empire. But in his heart, even though he detests the Empire, he wants to retire to a quiet life with his girlfriend, Bix Caleen (Adria Arjona), who is suffering from PTSD after being tortured by the Empire in the first season. Sadly, as anyone who has seen Rogue One knows, that is not to be for Cassian. Knowing Andor’s ultimate fate and the impact he will unknowingly have in the fight against the Empire makes his personal growth so compelling. We see that he has grown as a character since the first season. Back then, he largely looked out for himself and only through tragedies did he join the Rebellion. When we see him throughout the second season, Andor is now a polished spy who could blend into several environments as he pulls off capers like stealing advanced Imperial TIE fighters or doing reconnaissance in the tragic world of Ghorman, as it becomes a hotbed for unrest against the Empire.

It turned out that the storyline in Ghorman, which continued through two arcs, was the centerpiece of Andor. We get to see a rich culture that seemed vaguely European and an obvious stand-in for France during World War II with amateur spies and rebels facing a hopeless situation against the Empire. What made matters worse was that the unrest on Ghorman was orchestrated by the Empire just to create a media narrative that the populace was full of terrorists just so the planet could be mined for a mineral needed for the Death Star battle station. The entire storyline was an unsettling mirror and a damning commentary for our current situation where people blindly believe whatever narrative government officials tell them and the misuse of media.

The two-part story arc of Ghorman culminated in the so-called Ghorman massacre in the seventh episode as many brewing subplots came to a head. Several characters had cathartic encounters with each other, notably the Imperial bureaucrat Syril Karn (Kyle Soller), who was obsessed with finding and arresting Andor that was like Inspector Javert chasing after Jean Valjean. While Syril is a sniveling and insecure man, his storyline is quite captivating and is a grounded look at how civilians live in the age of the Galactic Empire. He was basically a nobody who was needled by his mother and only wanted to move up in middle management. What made his story interesting was that we see that he slowly began to sympathize with the Ghormans and that he was being manipulated by his girlfriend Dedra Meero (Denise Gough), an Imperial operative who was equally ambitious.

Deedra herself was obsessed with learning the identity of who she considered to be the mastermind behind the Rebellion: a person she called Axis. This turned out to be none other than Andor’s recruiter and mentor Luthen Rael (Stellan Skarsgard), a master spy who runs an antique shop in the Imperial capital world Coruscant and helped fund and coordinate the intelligence network for the Rebellion. Skarsgard gave what is probably the performance of his career as Luthen, a morally complex and mysterious operative who has no boundaries and will use anyone and any means to defeat the Empire. That is incredible considering how perfect the performances are from the other cast members, starting with Luna.

Getting back to the Ghorman Massacre, the incident in the episode “Who Are You?” was very disturbing and hammers home how evil the Empire is; they really are space Nazis who should not be admired. This incident turned out to be a turning point not just with the Galactic Civil War but with the destinies of many characters including Andor. As mentioned before, Andor played a critical role in the early days of the Rebellion. In the second season his most important contribution was when he went to Coruscant and extracted Mon Mothma (Genevieve O’Reilly), one of the few senators who spoke out against the Empire after the massacre and ended up becoming the leader of the Rebellion. The episode “Welcome to the Rebellion” is where Andor extracts her from Coruscant and it was very intense and rousing, especially in the scenes where she gives her speech to denounce the Empire and afterwards when Andor has to get her to safety. What made everything so heartbreaking for Andor was how everything ended for him personally after he succeeded. These developments helped set him up for his situation when we saw him in Rogue One.

A remarkable thing the second season of Andor did was seamlessly connect to Rogue One. The final episode of the series “Jedha, Kyber, Erso” felt like a countdown as many story arcs concluded and featured characters that would show up in the film. The entire series helps us look at the film in a new way when it comes to Andor as we now understand the strife he went through in life and the level of sacrifice he made for the cause. One story line that was never resolved was that of Cassian looking for his little sister. As shown in the first season, the two siblings were separated as children and his search for her when he was an adult set in place his involvement with the Rebellion and his destiny. In one tragic sequence, in the last moments of the last episode, Andor is still dreaming about her, and he never will find out what happened to his sister. That is how life goes unfortunately.

Grounded moments like Andor’s bitter memories, the tragic deaths of beloved characters, the bitter sacrifices made by most characters, and how characters weave in and out of each other’s lives are what set Andor apart from most television shows. It’s a miracle that the show’s creators like Tony Gilroy were given the freedom and the budget to present this masterpiece. It is also unfortunate that we only got two seasons of Andor as it was originally planned for five seasons, one can only wonder how much greater the series would have been.

But perhaps it is for the best that Gilroy decided to conclude the series as it probably helped him, and the other creators to focus on the complex stories and had the budget to develop these impressive worlds with rich cultures. Yes, the entire production was of movie quality and captivating. It is not known if Lucasfilm will ever greenlight a TV series like Andor again, but it should. It would be great to see other series focusing on other Rogue One characters like Chirrut and Baze or even Bodhi. But we are fortunate that at least we had Andor, which is not only the best Star Wars TV show of all time but one of the greatest TV shows of all time.

José Soto

Daredevil’s Long-Awaited Return in Daredevil: Born Again

Most people agree that the original Daredevil TV show that streamed on Netflix was the pinnacle of superhero TV shows. Buoyed by powerful performances by Charlie Cox as the blind lawyer and superhero, Matt Murdock/Daredevil and Vincent D’Onofrio as his arch nemesis, Wilson Fisk/Kingpin, Daredevil was dark, gritty, and intense. Sadly, the show was cancelled by Netflix, and it would take some time before Marvel Studios resurrected the TV show and its characters in the newest Disney + Marvel Cinematic Universe (MCU) TV show, Daredevil: Born Again.

The main question fans of Daredevil had was whether the new TV show could measure up to the old one? The answer is yes, for the most part.

It is fairly well known that when Daredevil: Born Again was first announced, it was not clear if the original TV show was part of the MCU and it seemed as if it wasn’t even though Matt Murdock and Wilson Fisk appeared in properties like Spider-Man: No Way Home, Hawkeye and Echo. This was evident by the Kingpin’s portrayal in Hawkeye where he displayed previously unmentioned superhuman strength and wore more leisurely clothing. Not much was known about the original episodes of Daredevil: Born Again, except that it did not capture the spirit of Daredevil and Marvel Studios head, Kevin Feige, was not impressed with what he saw, which was reportedly more of a legal drama where Murdock didn’t wear his Daredevil costume until the sixth episode. So, Feige decided to retool the TV show by bringing in a new creative team, which filmed three new episodes and re-edited the original six episodes of Daredevil: Born Again.

Looking at the complete first season of Daredevil: Born Again it is very obvious that the episodes varied in quality between the revamped episodes and three episodes done by the new team. It’s not that the six original episodes were bad, they were fine, but they lacked the oomph and high standards of the original Daredevil that the newer episodes were able to match. This is not a knock against Daredevil: Born Again because it ranks as one of the best Disney + MCU TV shows. There is a lot to admire about it overall, and it is nearly perfect. It’s just frustrating that there were undeniable flaws with the season that prevent it from reaching the heights of seasons one and three of Daredevil (the second season had its issues). But it’s important to note that the first season of Daredevil: Born Again starts off powerfully strong and ends on a similar high note, which will continue with the second season.

There will be spoilers…

Continue reading

The Defenders’ Pending Return

Right now, we’re all basking in the joy that Daredevil has returned to TV with Daredevil: Born Again. What’s even more joyous is that not only is the character now firmly in the Marvel Cinematic Universe, (MCU) but the TV show is a direct continuation of the Netflix series, Daredevil, that streamed a few years ago. That may be obvious since the blind superhero is being played again by Charlie Cox and his villain, Wilson Fisk, has been reprised by Vincent D’Onofrio. But for a while, it was unclear if Daredevil: Born Again would be a soft reboot of the original series. However, that question has been answered by Marvel Studios and was shown with the additions of other cast members from Daredevil and other references and Easter eggs to the Marvel Netflix universe.

Aside from returning actors like Debra Ann Woll, Ayelet Zurer and Elden Henson, two notable references were dropped in the first episode of Daredevil: Born Again. During some conversation, Elden Henson’s character, Foggy Nelson, mentioned that he worked for the law firm, Hogarth, Chao & Benowitz, that was introduced in the Marvel Netflix series, Jessica Jones. The other reference was in a crowd scene taking place in Times Square during New Year’s Eve. In addition to MCU references like Rogers: The Musical and the Pym Van Dyne Foundation, we can spot an advertisement for Harlem’s Paradise, the underworld nightclub in Luke Cage that was eventually taken over by the title hero.

So, we can infer that the other Marvel Netflix heroes, Jessica Jones, Luke Cage and yes, Iron Fist, who made up the superhero team, the Defenders, are part of the MCU now. No more vague references to a “Big, green guy” or “the Incident” aka Loki’s alien attack on New York City. But this has not been officially verified by Marvel Studios, which as usual remains tightlipped about such matters. Remember they kept quiet about Matt Murdock (Daredevil’s civilian identity) appearing in Spider-Man: No Way Home for the longest time and pleasantly surprised fans when the blind lawyer turned up to represent Peter Parker. They also were mum before the Kingpin was revealed to be the main villain in Hawkeye.

As of now, all we have to go on are rumors from insiders that the Defenders will be part of the second season of Daredevil: Born Again. Kristen Ritter, the actor who portrayed Jessica Jones, was asked in recent interviews if she was reprising her role. She replied that she was available and willing to play the superhuman private detective. However, she has posted on social media that she has been at the gym, possibly to get in shape for the role. She also posted that she was traveling to New York City in late February of 2025 for unknown reasons. At the same time, filming for the second season of Daredevil: Born Again commenced in New York City last month. This could mean Ritter went to the city to film her scenes or it could be just a coincidence.

So far, there’s no word if Michael Colton and Finn Jones will reprise their roles of Luke Cage and Iron Fist, respectively, although Jones stated recently he wanted to return. However, given how negatively the TV show, Iron Fist, was received, it would be understandable if the role was recast in order to distance the character from the Netflix series.

It would be great for the Defenders to return to the world of Daredevil and be a part of the MCU. There were some plot threads that were left unresolved in the other Marvel Netflix TV shows that need to be addressed. For example, when Luke Cage took over the night club did he become a criminal? Did Iron Fist and his step brother finish their mystical quest in Asia? Also, a running plot line in Daredevil: Born Again is that Wilson as the mayor of New York City bans vigilantes; how does this affect the Defenders? Supposedly, this was to be part of the plot for the next Spider-Man film until Sony decided they want to continue playing with the multiverse, instead. Too bad, since Fisk was originally a Spider-Man villain, as was the Punisher. Involving the Defenders would better flesh out the anti-vigilante plot in Daredevil: Born Again and could adapt the events of the Devi’s Reign comic book mini-series that was devoted to Fisk’s term as Mayor and his anti-superhero crusade.

Speaking of vigilantes, the Punisher (Jon Bernthal) is part of the first season of Daredevil: Born Again and will have his own TV special next year. If he could get his own special then the Defenders should get their own specials or mini-series, as well. Just leave out the Hand as the adversaries and get better fight choreographers.

The MCU: Countdown To Doomsday

This week Captain America: Brave New World, the penultimate film of Phase Five of the Marvel Cinematic Universe (MCU), premieres in theaters. Then on May 2, Thunderbolts*, closes out Phase Five, with Phase Six beginning a few short months later with The Fantastic Four: First Steps. From there it’s a very short trip to next year with Avengers: Doomsday, the beginning of the end for the MCU’s Multiverse Saga.

For some MCU fans this conclusion comes as a relief given the checkered record with the Multiverse Saga. Unlike the celebrated Infinity Saga, which consisted of Phases One, Two and Three, the Multiverse Saga has been inconsistent in terms of quality and execution. A lot of blame has to go to the Disney executives who demanded that Marvel Studios crank out too many MCU film and TV projects before they were properly developed in a short amount of time. Naturally, this diluted Marvel Studios resources and personnel to the point that special effects studios rebelled against Marvel Studios for being overworked on their assigned projects. What was worse was that the results of the studios stretching themselves too thin became very apparent on screen. For every success like Guardians of the Galaxy, Vol. 3 and WandaVision there were colossal failures like The Marvels and Secret Invasion.

But what made the Multiverse Saga so unsatisfying was that many of the projects did not add to an overall storyline. Unlike the Infinity Saga, where many films contributed to a larger storyline, this was not the case with the films and TV shows of Phases Four and Five. It was evident that a larger story was not being developed properly and some projects that were supposed to advance it did not succeed. It got to the point that Marvel Studios had to do a radical course correct and change the main villain of the Multiverse Saga from Kang the Conqueror to Doctor Doom.

The reaction to Doctor Doom being the main villain of the saga received mixed results, especially after the revelation that Robert Downey, Jr. would play the Latverian dictator. This casting raised many questions about whether or not Doctor Doom was a variant of Tony Stark, the hero that Downey played in the Infinity Saga. Some claimed this was a desperate move by Marvel Studios and Disney to generate excitement and attention. Well, it probably was, but it looks to be working.

However, given the short period of time before Avengers: Doomsday, Marvel Studios has to get the ball going with Doom. Frankly, Marvel Studios should have taken steps by now to establish him. Looking at the release schedule for films this year there is this week’s Captain America: Brave New World, then Thunderbolts*, and finally The Fantastic Four: First Steps, which is the start of Phase Six. Normally, Doctor Doom is a major Fantastic Four villain and should have been the main antagonist in The Fantastic Four: First Steps but thanks to the poor reception of the villain in previous versions of the Fantastic Four, the new FF film had to go with another villain (Galactus). After that the next MCU film is scheduled to be Avengers: Doomsday.

Unlike Thanos, who was carefully teased over years in the Infinity Saga, it seems as if we’re jumping right into Doctor Doom. Being that he is the number one villain in Marvel Comics, Doctor Doom deserves more build up. At the very least he or his country should have been name dropped in recent projects such as Deadpool & Wolverine or What If…?

We’ll soon find out if he will be teased in a post-credits scene in The Fantastic Four: First Steps or even mentioned in Captain America: Brave New World. Hell, even an Easter egg or two will work at this point. It would be a missed opportunity of epic proportions if he is not even referenced in the Fantastic Four film because after that it would be difficult to try to set him up in the remaining MCU projects before the Avengers film. He can be referenced in Captain America: Brave New World since that film will set up the forming of a new Avengers team, and mutants for the next MCU saga. He can also be teased in Thunderbolts* but it’s anyone’s guess as to how. The same goes for the TV projects like Daredevil: Born Again, Ironheart, Eyes of Wakanda, Marvel Zombies and Wonder Man. Aside from Marvel Zombies, none of the TV shows would be a good vehicle to feature Doctor Doom.

Of course, Marvel Studios could surprise all of us and announce that another film will come out after The Fantastic Four: First Steps and before Avengers: Doomsday and it must feature the armored tyrant in some capacity. What could that film be? Doctor Strange 3? On the other hand, do not be surprised if the next Avengers film gets its release date changed because we haven’t heard anything concrete about the actual production and Marvel Studios has to get started very soon to meet the May 2026 release date. It would not be the worse thing if Avengers: Doomsday is delayed by a few months or even a year since this would not only allow the hype to grow for it but to better set it up with upcoming projects.

A Look Back At Star Trek: Voyager

It has been 30 years since the first episode of Star Trek: Voyager debuted, yet it is still fondly remembered today, especially when it is compared to many modern Star Trek TV shows. Let’s take a look back at Star Trek: Voyager as its 30th anniversary is celebrated.

Flagship Show

Star Trek: Voyager was the flagship TV show of the fledgling United Paramount Network (UPN) that launched on January 16, 1995, with the airing of “Caretaker” the pilot episode of Star Trek: Voyager. When the TV show premiered it was largely anticipated though many fans had reasonable reservations about yet another Star Trek TV show. After a decades-long drought, fans were inundated with TV shows starting with Star Trek: The Next Generation (TNG), which was followed by Star Trek: Deep Space Nine (DS9), and then Star Trek: Voyager. It was supposed to address complaints Paramount Pictures executives had about DS9 for straying too far from standard Star Trek.

Showrunner Rick Berman, who also ran TNG and DS9, was reportedly hesitant to produce another Star Trek TV show that would run concurrently with DS9. However, the Paramount Pictures executives were adamant about creating another Star Trek TV show that more closely followed the standard starship-visiting-planets formula to help launch UPN. Given this task, Berman and his associates sought to differentiate Star Trek: Voyager from other Star Trek TVshows.

A Lost Crew in Space

The premise was fairly simple, a starship called Voyager from the United Federation of Planets and Earth is flung to the far corner of the galaxy (the Delta Quadrant) with a crew made up of Starfleet officers and renegade Maquis freedom fighters (more on them later). With limited resources and on their own, the Voyager crew has to find a way back home while exploring on the side and encountering strange new worlds, yada yada.  

Kate Mulgrew starred as Captain Kathyrn Janeway, who commanded the Voyager and was dedicated to upholding Starfleet’s ideals while protecting her crew. At the time of her casting, there was a lot of hoopla and celebration because the main character of a Star Trek TV show was a woman. Other characters included the ship’s first officer, Chakotay (Robert Beltran), the leader of the Maquis and a former Starfleet officer, Tuvok (Tim Russ), the ship’s stoic Vulcan security officer, Tom Paris (Robert Duncan McNeill), a disgraced former Starfleet officer who gets his chance at redemption by serving as Voyager’s helmsman, B’Elanna Torres (Roxann Dawson), a half-Klingon Maquis member who became Voyager’s chief engineer, Harry Kim (Garrett Wang), a young Starfleet ensign on his first assignment, and the Doctor (Robert Picardo), a holographic medical program that performed the duties of the ship’s chief medical officer.

At the end of “Caretaker”, Voyager picked up two alien shipmates who are native to the Delta Quadrant and bring needed knowledge about the local space. They are Neelix (Ethan Phillips), a Talaxian drifter who ends being the ship’s cook and ambassador of sorts, and his girlfriend Kes (Jennifer Lien), an Ocampan who operates as the Doctor’s medical assistant and helps the program develop a personality. As the series progressed, it added Jeri Ryan to the cast as the former cybernetic Borg drone called Seven of Nine while Lien departed the series. Seven of Nine became the show’s breakout character thanks in part to the performance of Ryan as she served as the show’s version of Spock. In other words, a stoic outsider who questioned humanity while discovering her own.

Essentially, the TV show combined aspects of the original Star Trek and Lost in Space, and it worked for the most part. Yet, there was glaring issues with the TV show which turned out to be a harbinger for the creative drought the Star Trek franchise was beginning to suffer from at that time.

Continue reading