Category Television & Streaming

Jan 16 2025

Star Wars: Skeleton Crew Is An Unexpectedly Fun Star Wars Adventure

When Star Wars: Skeleton Crew was first announced to stream on Disney +, few fans could muster any excitement for it. The only thing of note about the TV show was that it was co-created by Jon Watts, the director of the recent Spider-Man films. What did not help was that very little was known about it except that it involved children. Most fans were quick to write off Skeleton Crew as a kids show on the level of those Spy Kids films. Well, imagine everyone’s surprise when the TV show turned out to be much, much better than expected.

Star Wars: Skeleton Crew tells the story of four children living a typical suburban lifestyle on the planet of At Atin who end up getting much more than they anticipated when they set out to inject some adventure into their lives. The show centers on Wim (Ravi Cabot-Conyers), a boisterous young human boy who hangs out with his best friend Neel (voiced by Robert Timothy Smith), an elephantine boy. Together, the boys go through the usual trivialities in their dull suburban lives. Wim dreams of adventure but is slated to become a bureaucrat like his father (Tunde Adebimpe) and every adult on the planet.

One day, the two boys meet two young human girls, the headstrong Fern (Ryan Kiera Armstrong) and the quiet KB (Kyriana Kratter), the latter who is a cyborg. The four find a buried starship and accidently activate it, which then takes off and leaves At Atin with the children onboard. They soon get lost in space, unable to navigate their way back home, as the ship’s pilot, the pirate-like droid SM-33 (voiced by Nick Frost) takes them to a space pirate outpost. Once there, the pirates take an interest in the children after they use a rare form of currency called dataries which is highly prized in the galaxy. The dataries are a commonplace on At Atin where they are minted, and it is revealed that the planet is nearly mythical to the outside galaxy. After getting into trouble with the pirates, the children and SM-33 meet the final member of their ragtag crew, the pirate Jod Na Nawood (Jude Law), who is Force sensitive and promises to get the children home in exchange for a reward.

Throughout the episodes, the skeleton crew avoid mishaps and stay on step ahead of pirates as they desperately search for a route back to At Atin. But many questions are raised in this TV show, such as why is At Atin hidden? Who is Jod exactly? Was he a former Jedi?  It is revealed several times that he has numerous names such as Dash Zentin, Crimson Jack and Mad Captain Silvo and has run afoul of numerous people they meet on their journeys. The children and the audience are constantly wondering if Jod could be trusted because of his constant lying and mysterious motives. These questions and many others are what help make Star Wars: Skeleton Crew such a pleasant and engaging adventure.

In addition to the many questions, the TV show has a genuine and natural sense of adventure that never talks down to the audience. Even though it primarily features children, the TV show is not a kids show. Think of it more in the tune of Stranger Things, or The Goonies, or Steven Spielberg’s films from the 1980s that featured children but could be enjoyed by everyone.

What also makes Star Wars: Skeleton Crew so distinctive is that while it is set in the Star Wars universe, it isn’t beholden to the primary stories set in that universe. There is never any mention of the Skywalkers, the Empire and the Jedi are for the most part considered to be myth. Unlike say, Ahsoka, where you had to know what happened in Star Wars: The Clone Wars and Star Wars: Rebels, anyone can easily follow Skeleton Crew with little or no knowledge about the greater Star Wars universe.

As with other Star Wars productions, Star Wars: Skeleton Crew has cinema-quality production, special effects and other technical merits which elevate the TV show. The early scenes in At Atin perfectly evoke the humdrum, yet ethereal aspect of those 80s Spielberg films. Anyone could sympathize with Wim and the other children, who are bored in their comfortable lives and want something more. In many ways, the TV show emulates aspects of The Wizard of Oz and Treasure Island with its tale of youngsters swept up in a grand adventure with its own unique take.

Another important feature with the TV show and why it works, are its characters. They are all interesting with distinct personalities and backgrounds. Plus, the people the skeleton crew meet throughout the show are also as engaging. One standout was the owl-like Kh’ymm (voiced by Alia Shawkat), a Yoda-like associate of Jod that does not trust him. Then there is SM-33, he perfectly emulates a scraggy pirate with his speech patterns, his wobbling gait and code of honor. SM-33 steals many scenes and is easily one of the best droid characters featured in any Star Wars production. And yes, his name is a play on Smee, Captain Hook’s right-hand man in Peter Pan.

Jude Law was also a standout in the show as Jod and instantly became one of the most intriguing Star Wars characters ever. We want to root for him as he seems like a more devious version of Han Solo or Lando Calrissian but with a harder, deadlier edge. At the same time, his actions and words make us and the children hesitate in trusting Jod He is a true anti-hero and the less said about him in this spoiler-free review the better.

Of course, Star Wars: Skeleton Crew would not have worked if the children were not engaging or well portrayed. This was a difficult task for the show makers but they pulled it off with the casting and direction. The children are not know-it-alls. They make many mistakes, they get scared, they have insecurities, they act like the way children would probably behave in that situation. In other words, their behavior and vulnerabilities in this coming-of-age story were believable.

Star Wars: Skeleton Crew (and Star Wars: Andor) has proven how rich the Star Wars universe has become. It’s regrettable, that it has not had stronger streaming numbers. It deserves a second season or at least the characters should reappear in another Star Wars project. It is easy to see that these children would probably grow up to become members of the Resistance in the Sequel films and beyond. Perhaps word of mouth will help the show later, but we’ll see. Thankfully, we can enjoy these eight episodes of Star Wars: Skeleton Crew over and over again with our families.

José Soto

Jan 5 2025

Top Ten Most Anticipated Films & TV Shows

Aside from the fact that the year 2025 means that this century is now 25 percent complete, this year promises many great genre films and TV shows for our enjoyment. Here is the list of the most anticipated films and TV shows for 2025. But note that as always, some of the projects listed will either be delayed to another year or turn out to be hot garbage and/or won’t necessarily be among the best films or TV shows when the year is complete. With that, let’s check out what 2025 has in store for us.

Films

10. Predator: Badlands

The film Prey turned out to be a great surprise as it jumpstarted the Predator franchise. The director of Prey, Daniel Tracthenberg, returns with a fresh new premise as the new film is told from the point of view of the Predator.

9. Jurassic World: Rebirth

The Jurassic Park/World franchise starts off with a new premise and cast as dinosaurs have become an endangered species. Calamity ensues (as always) when humans try to gather genetic material from the last remaining dinosaurs on an island.

8. Sinners

Black Panther Director Ryan Coogler teams up again with actor Michael B. Jordan in a horror yarn featuring vampires. Jordan plays a dual role as troubled twin brothers who return to their hometown only to discover a deadly evil waiting for them.

7. How to Train Your Dragon

While the idea of adapting beloved animated classics into live-action films has run its course, looking at you Disney, the trailer for this film looks great. It captured the look and tone of the original film from DreamWorks Animation, so let’s hope the film will turn out to be as great as the animated classic.

6. Captain America: Brave New World

The first film of the Marvel Cinematic Universe (MCU) for 2025 would have been more anticipated if not for the unsettling and continuous reports about constant reshoots and poor reactions from screenings. The trailers look great, especially with Harrison Ford playing the Red Hulk and Anthony Mackie’s Sam Wilson fully embracing the legacy role of Captain America. In any event, we’ll see in a few weeks.

5. Thunderbolts*

At first, this loose adaptation of the Marvel Comics anti-superhero team seemed like a poor MCU knockoff of the Suicide Squad. What gave this impression was the lineup of the team of supervillains forced into servitude by the U.S. government. Unlike the comic books, the team is made up of the MCU’s lesser-powered characters. But the interplay among them as seen in the trailers was amusing and could be the highlight of the film.

4. 28 Years Later

The creative people behind the first film, 28 Days Later, return for the third film in the British “zombie” apocalypse film franchise which is set…28 years after the first film. Being that the original director, Danny Boyle, is back, this film should be as tense and horrifying as the original classic. There are many questions about what has happened to the world after the Rage Virus has decimated it or what happened to the main protagonist from the first film since Cillian Murphy will return, but it’s not clear in what capacity.

3. The Fantastic Four: First Steps

After so many flawed live-action versions of Marvel Comics’ First Family, Marvel Studios finally has creative control over the property. The new version of the famed superhero team/dysfunctional family promises to be more faithful to the spirit of the comic books that launched Marvel Comics. A lot is riding on the success of this new Fantastic Four film for the MCU and Marvel Studios because the team will be pivotal players in the MCU’s Multiverse Saga and due to the involvement of the studio’s president, Kevin Feige, to ensure the film’s success.

2. Superman

Filmmaker James Gunn formally launches the rebooted DC cinematic universe with his version of the Man of Steel. Superman promises to veer away from the dark and maligned version of Superman seen in the failed DC Extended Universe. This version of Superman will go back to its optimistic comic book roots and once again serve as a beacon of hope and justice in our world, and lord knows we need someone like Superman now. Superman must be well received, and its chances are high thanks to the talented Gunn fresh from the success of his Guardians of the Galaxy trilogy.

1. Avatar: Fire and Ash

Never underestimate filmmaker James Cameron. He is a truly gifted and imaginary film auteur who has immersed audiences with his past films, including the first two Avatar films. Despite the complaints about the simplistic nature of the Avatar films, they are very immersive thanks to groundbreaking special effects and 3D technology. These aspects helped elevated Avatar and Avatar: The Way of Water into event films that were very popular. Cameron will continue this immersion into an alien world with the third film, Avatar: Fire and Ash, as it further explores the verdant moon of Pandora, the continuing fight against human invaders and has the main characters encountering an evil tribe of Na’vi.

Notable Mentions:

Ash; The Black Phone 2; Companion; Elio; The Electric State; Five Nights at Freddy’s 2; Frankenstein; The Gorge; The Last Battleship; The Legend of Ochi; Lilo & Stitch; Love Me; M3GAN 2.0; Mickey 17; The Monkey; Planet Gliese; Presence; The Running Man; Star Trek: Section 31; Tron: Ares; Wolf Man; Zootopia 2

TV Shows

10. A Knight of the Seven Kingdoms

This third series set in the world of A Game of Thrones looks very engaging with its rich production as seen in clips and its premise about a wandering knight and his squire in the land of Westeros.

9. Peacemaker

The super violent super soldier from DC Comics was portrayed to great comic effect by John Cena, He will reprise his role for the second season with episodes written by James Gunn, who will also direct at least one episode.

8. It: Welcome to Derry

The infamous fictional Maine town of Derry featured in many of Stephen King’s literary works is the setting of this Max series that zeroes in on the evil influence of the malicious entity Pennywise.

7. The Last of Us

The second season of the acclaimed adaptation of the video game continues its story of Joel and young Ellie, survivors of the apocalyptic fungal pandemic that devastated the world. What is not known is if the series will continue to be as faithful to the game as it progresses.

6. Alien: Earth

Noah Haley writes and directs the first TV series based on the Alien franchise. Little is known about this prequel to the original film, other than it involves a ragtag group of soldiers dealing with a deadly threat to our planet after the alien xenomorphs arrive on our planet.

5. Severance

The horrors of the modern office workplace take an even more macabre turn in the second season of Severance. Adam Scott returns as Mark the employee of the mysterious Lumon corporation that erases the memories of its employees each time they go to and from work. The second season should answer many burning questions about Lumon and deepen its mystery.

4. Stranger Things 5

The Stranger Things saga comes to an epic conclusion with its fifth and final season. It has been a couple of years since the last season of Stranger Things, but the talented cast and crew of the popular ode to ‘80s sci-fi/teenage films will be able to pick up where they left off and conclude the show’s storylines. Fingers crossed that it can defy trends and be able to stick the landing with its final episodes.

3. Star Trek: Strange New Worlds

Captain Pike, Spock and the rest of the first crew of the starship Enterprise return in the third season. Thankfully the first episode of the season will conclude the cliffhanger thread that left us screaming at our TV screens when the second season concluded. The rest of the episodes should be able to continue to evoke the adventurous spirit of the original Star Trek with fresh, modern stories as the characters explore strange new worlds.

2. Andor

What set Andor apart from the typical Star Wars fare was its more mature and grounded tone with ambiguous characters and complex situations that fully fleshed out the Star Wars universe. The second and final season of the acclaimed Star Wars TV show about the conflicted Rebel spy Andor (Diego Luna) will lead directly to the classic film, Rogue One: A Star Wars Story. Andor’s second season should be just as complex and mature as the first and continue to set the bar not just for Star Wars but sci-fi TV shows in general.

1. Daredevil: Born Again

The best Netflix Marvel TV series is revived for Disney + and returns many of the beloved actors from the original series starting with Charlie Cox as the blind lawyer/superhero, Matt Murdock/Daredevil, and Vincent D’Onofrio as the evil crimelord Wilson Fisk, who is now the Mayor of New York City. Initially there was some trepidation about the direction of the series as it supposedly strayed from the gritty tone of the Netflix TV show, but Kevin Feige corrected course and had the series reshot nearly from scratch. The result should be a superhero TV show that matches or exceeds the standards of the original Daredevil, which is still considered one of the best superhero TV shows.  

Notable Mentions:

Batman: Caped Crusader; Black Mirror; Doctor Who; Eyes of Wakanda; For All Mankind; Gen V; The Handmaid’s Tale; Invincible; Ironheart; Marvel Zombies; The Sandman; Wednesday; Win or Lose; Wonder Man; Your Friendly Neighborhood Spider-Man; Zero Day

Dec 31 2024

Top Ten Films & TV Shows Of 2024

2024, as with previous years, provided some wonderful and imaginative sci-fi, fantasy and horror films and TV shows, which were quite memorable. Here are the best films and TV shows that came out in 2024, many of which took everyone by surprise. Feel free to comment with your own choices.

Films

10. Sonic the Hedgehog 3

The third film in the Sonic film franchise fully embraces its video game lore with its colorful characters and their engaging backstories. As usual, Jim Carrey stole the film with his performance, as wells as Keanu Reeves who voiced the fan-favorite Shadow.

9. Late Night With the Devil

David Dastmalchian shined in this found footage horror film that took the guise of recordings from a broadcast of a 1970s late-night talk show. The film was genuinely creepy and disturbing as the show’s host, Jack Delroy (Dastmalchian), cameto grips with the realization that the occult-themed episode of his show had unpleasant connections to his own life.

8. Furiosa: A Mad Max Saga

George Miller directed one of his finest films ever with an intense origin story about the breakout character from Mad Max: Fury Road. Anya Taylor-Joy was simply perfect as the younger version of Furiosa, who navigates her way through a brutal post-apocalyptic world overrun by vicious gangs and extreme car chases throughout barren deserts. It’s a Mad Max world at its best.

7. Alien: Romulus

The Alien franchise rightfully returned to its horror roots with this entry that takes place in a claustrophobic space station swarming with alien xenomorphs hunting down the main characters. Even though a lot of the material was familiar and had callbacks to the other films, Alien: Romulus was fresh and inventive with its back-to-basics approach.

6. Nosferatu

The latest remake of the classic German silent horror film version of Dracula was genuinely creepy and disturbing. Director Robert Eggers has emerged as a true master of film horror with his version of Nosferatu that fully utilized disturbing sounds, eerie shadows, dark cinematography and an overall unsettling atmosphere that will keep you up at night.

5. Civil War

This is one of the most disturbing recent films to be released due to its subject matter of a near-future civil war in the United States and its ramifications. While the choice not to explain what caused the war and its apolitical stance may not satisfy everyone, this approach allowed director Alex Garland to focus on the cruelty and insanity of war and its impact on modern-day society. The film was also a powerful and cringe-inducing war film that ramped up intensely in the final act with a distressing, yet pulse-pounding battle in Washington, D.C.

4. A Quiet Place: Day One

The third film in the A Quiet Place franchise, was a prequel that chronicled the early days of the alien invasion that devastated the Earth and brought it to a silent standstill. The film had the smarts to introduce new characters and a new setting which was a terrifying location for the invasion: a noisy New York City that could not help but attract the deadly alien creatures that murder anyone making sounds. Lupita Nyong’o and Joseph Quinn were outstanding as two misfit survivors trying to reach the home of Nyong’o’s character while avoiding the aliens. Their personal stories were the heart of the film and set the template for future installments.

3. Deadpool & Wolverine

The fourth-wall-breaking Merc with a Mouth (Ryan Reynolds) teamed up with everyone’s favorite X-Man (Hugh Jackman) in a violent and humorous road/buddy trip throughout the multiverse. As the sole film release from Marvel Studios’ Marvel Cinematic Universe (MCU) for the year, Deadpool & Wolverine had a lot riding on it given the fact that recent MCU films have struggled. Fortunately, the film delivered a funny and entertaining romp that both serviced the grand MCU plotline about the multiverse and was a love letter to the now-defunct Marvel films from 20th Century Fox.

2. The Wild Robot

Arguably DreamWorks Animation’s greatest film, The Wild Robot is a heartwarming and beautifully animated adaptation of Peter Brown’s novel about a service robot in the future that was stranded on an island populated by animals that distrusted her. Over time, she gained their trust as she adopted and raised a young goose and befriended many of the animals. At the same time, the robot began to develop sentience and emotional attachments to her companions, especially her adopted child, who she must raise and protect.

The Wild Robot was surprisingly engaging with its themes of parenthood, friendship, environmentalism, and empathy. It is too bad that this will be DreamWorks Animation final in-house film since the company has proven it can deliver genuine animated classics as it did with The Wild Robot.

1. Dune, Part Two

Director Denis Villeneuve concluded his grand adaptation of Frank Herbert’s classic sci-fi epic novel about political and religious machinations and war in the distant future. Dune, Part Two actually adapted the second half of the novel and it was a wise decision to split the novel into two films since it allowed Villeneuve the time to fully explore the intricacies of the distinct human cultures across the universe.

While the film was wide-sweeping and bursting with glorious production values and effects, at its core, Dune, Part Two, focused on the burden of its main protagonist, Paul Atreides, who unwillingly became the messianic leader who leads the inhabitants of the desert world called Dune in a holy war. Any viewer could empathize with Paul’s struggle as he faced his destiny despite his doubts about his actions as he sought vengeance for his father’s death and freedom for his adopted people.

Dune, Part Two is a true cinematic epic that demonstrates once and for all, the validity of a solid sci-fi story being successfully adapted into a cinematic masterpiece. The film also establishes that Villeneuve is a true master of sci-fi films who has the bold vision needed to undertake such an adaptation.

Noteworthy Mentions:

Abigail; Beetlejuice Beetlejuice; Elevation; Flow; Ghostbusters: Frozen Empire; Godzilla x Kong: The New Empire; IF; Inside Out 2; Kingdom of the Planet of the Apes; The Substance; Transformers One; Venom: The Last Dance

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Dec 14 2024

Yes, Mary Jane, There Is A Santa Claus: Sony Ends Its Spider-Man-Related Cinematic Universe!

Now that Kraven the Hunter is crashing with critics and fans, and at the box office, Sony Pictures had to admit defeat and throw in the towel.

Given the failure of its recent films related to Spider-Man, but not featuring the Marvel Comics hero, Sony decided to discontinue producing these kinds of films. Instead, it will focus on films and TV shows that actually feature Spider-Man himself. Yes, Mary Jane, there is a Santa Claus, since St. Nick and whatever powers-that-be have answered fans prayers. For too long, many of us saw Sony butcher many legitimate Marvel characters with ill-conceived films starring characters that are associated with Spider-Man.

This all started with Venom, which was released in 2018, and turned out to be a huge hit in theaters. Ever since Sony had the film rights to Spider-Man the film studio only released films starring the character, which were successful. But seeing how successful Marvel Studios was with their Marvel Cinematic Universe (MCU), Sony sought to expand beyond Spider-Man and produce films on characters, namely villains, that were associated with Spider-Man. Never mind that many of these characters won’t work without Spider-Man or at least have a defined connection to him. The Venom films worked largely due to actor Tom Hardy and the passion he infused into his role and the character was strong enough to carry his own films. But Madame Web? Why didn’t Sony just do a Spider-Gwen film? That character is very popular in comics and was a breakout in the two animated Spider-Man films.

As we know, the poor reaction to their more recent Spider-Man films led Sony to reach a deal with Marvel Studios and lend the character to Marvel Studios. The caveat was that the superhero could not appear in live-action in projects not associated with Marvel Studios’ MCU, though this has been disputed by a report from Variety.

The Spider-Man films taking place in the MCU were huge successes, but Sony could not be content with that. So, they decided to crank out films that did not feature Spider-Man, which is how we got Venom. Despite its big success, not everyone loved it. But Sony did not care, they saw the box office returns and were convinced they could duplicate that success. Turns out they couldn’t.

Aside from the Venom films and the animated Spider-Man films, Morbius, Madame Web and now Kraven the Hunter were colossal bombs. The films were so embarrassingly bad that they became the subject of many goofy memes and outright tarnished the reputation of Sony’s Spider-Man-related films. It’s no wonder Sony decided to veer away from these Spider-Man-related films. They just had to, it did not make any financial sense to continue to do so.

This does not mean that Sony will not produce anymore Spider-Man films. Production will start next year on the next MCU Spider-Man film, and its TV project Spider-Man Noir is nearly complete, and work is underway for its next animated Spider-Man film, Spider-Man: Beyond the Spider-Verse. That is for the best, honestly.

By not wasting time and resources to produce mediocre films that no one asked for, Sony can now focus all its talent and resources on producing high-quality Spider-Man films and TV shows, which were great to begin with. If any characters introduced in those films prove popular enough, then Sony can produce a spinoff film or TV show with the help of Marvel Studios.

Or they can negotiate with Marvel Studios to allow them to feature a non-MCU Spider-Man in their non-MCU films. That was one of the biggest letdowns with the Venom films. We never got to see Venom confront Spider-Man, his arch-nemesis, who only appeared in a brief cameo in Venom: Let There Be Carnage. It would not be too confusing for the regular public and fans to differentiate between two or more versions of Spider-Man to exist at the same time. This has worked well with the animated Spider-Man films and Warner Bros. has shown that different versions of Batman and his related characters could exist simultaneously, as well as their other DC heroes. Besides this would be a great opportunity to let previous Spider-Man actors like Andrew Garfield to reprise their roles without coming up with a convoluted multiverse storyline.

Even though many deride these Sony Spider-Man films and lament that Disney/Marvel Studios does not own the film rights to the character, there is a rationale for Sony to hold on to him. If Spider-Man were to revert to Marvel Studios, he would be joining a crowded slate of characters who would be vying for time and resources. Just look at how long it has taken for there to be a followup to Captain America: Civil War and the last Iron Man solo film was over ten years ago. Most likely Spider-Man would just play a guest star in other films. At least with Sony, Spider-Man and his world will receive the attention he deserves, and now the studio will focus on crafting some top-tier superhero films and TV shows. Maybe in the not-too-distant future Kraven will be properly introduced as an S-tier villain in a Spider-Man film, which could lead to an adaptation of the classic comic book story, “Kraven’s Last Hunt.” That would be great.!

Nov 13 2024

The Penguin Revels As One Of The Best Comic-Book-Based TV Shows

When the Max limited series The Penguin was first announced, many dismissed it as an unnecessary venture and a half-hearted attempt to expand the crime-infested world of Gotham City as seen in the 2022 film, The Batman. In other words, a production more akin to Gotham or the worst of the defunct Arrowverse TV shows than a cinema-quality presentation. Well, as we now know, The Penguin pleasantly surprised everyone and turned out to be one of the best current TV shows and one of the best comic-book-based TV shows ever.

Colin Farrell reprises the role he originated in The Batman as Oswald “Oz Cobb, a two-bit mobster with lofty ambitions to become a major player in the criminal underworld of Gotham. In the film and the start of the TV show, Cobb is a low-level member of the Falcone crime family, which was left ruined by Batman at the end of the film. During the premiere episode of The Penguin, Cobb (who is derisively nicknamed the Penguin by other mobsters because of his disfigured face and limp) impulsively seizes on an opportunity to rise in the ranks of the crime family. However, because he is derided by the Falcones, Cobb sets out on his own with the help of his young partner Victor Aguilar (Rheny Feliz) to violently create his own criminal empire in the neglected slums of Gotham City.

Cobb’s main antagonist in the series is Sofia Falcone (Christin Milloti), the misfit daughter of the head of the Falcone family. She was recently released from Arkham Asylum and seeks to find her place in her family’s criminal organization. But, like Cobb, she is dismissed by the organization and then takes measures to seize control of the organization while plotting revenge against Cobb. In the past, Cobb was her driver and confidante, but he betrayed her to her father to rise in the ranks of the organization after she told Cobb of her suspicions about her father murdering prostitutes. Her father framed her for the murders he committed and has her sent to Arkham for inhumane treatment.

As the two central figures in the TV show rise to power, it is not long before their mutual antagonism towards each other erupts into a deadly gang war for control over Gotham’s criminal underworld.

There are so many reasons why The Penguin is so great. Let’s start with the smart writing that takes great pains to develop and humanize the characters with compelling back stories. This doesn’t mean that we root for the Penguin or Sofia. They are bad people with twisted outlooks in life and who commit heinous acts. For example, in one episode Sofia callously murders most members of her own family while flashbacks revealed her torturous ordeal in Arkham, which made her sympathetic until she acted on her worst impulses. With Oz, we see his troubled past and his supposedly loving relationship with his mother, Francis (Deidre O’Connell). At first it seems to be a tender relationship which conveyed a more vulnerable side to Cobb. But by the end of the series, we come to see how twisted he was even as a child and how his blackened and greedy heart gave him a perverse view of life and his relationship with his mother that borders on the oedipal.

The production is also above par for a TV show and is seamless with The Batman as it evokes the grimy and gritty look of the film. As with the film, Gotham is a seedy, decaying urban hellhole which clearly divides the affluent from the downtrodden. In the mean streets of Crown Point, Cobb’s old neighborhood, the mobster begins his rise to the top of the affluent criminal underworld as he revels in his lower class roots in order to attract economically and socially oppressed allies like Victor. It is not necessary to have watched the film, though some events from it are referenced, most notably the flooding of Gotham that took place at the end of The Batman, which had a severe impact on the life of Victor.

While Cobb and Sofia are the main characters with complex backgrounds, the show also gives Victor well deserved time with his own back story. But in his case, the young criminal is much more sympathetic and vulnerable to the point that he became the heart of the show. Feliz’s acting was as brilliant as Farrell’s and Milloti’s. We find ourselves rooting for Victor and fearing for his safety as his innocence slowly ebbs away as he is exposed to the criminal world of Oz Cobb. It becomes troubling to watch Victor descent as he becomes more and more entrenched since we want him to come out of this partnership with Cobb in one piece.

Still, the stars of the show are Farrell and Milloti. The characters they play share many similarities as disregarded misfits forced to fight their way to the top. As evil as they are, we can’t help but be riveted by their stories. The two actors are certain to at least get Emmy nominations for their work. At the very least, the makeup in this TV show will win awards as it uncannily transformed Farrell into a heavyset, disfigured creature that is unrecognizable.

Of course, as flawless as the makeup is, it would not mean anything without Farrell’s captivating performance that echoes Tony Soprano, Vito Corleone and Robert De Niro’s gangster roles. Like those famous celluloid gangsters, the Penguin is a gruff, brutal thug but displays surprising moments of humanity. What was tragic for Cobb is his realization towards the end of the series that his emotional attachment to others is a vulnerability to him. His reaction at the end of the final episode to this realization cements the Penguin as a truly evil man and elevates him to one of Batman’s greatest villains. In fact, the way the Penguin is shown in this series gives argument for him being an even greater villain than the Joker thanks to his fleshed out and involving back story.

At the time of this writing, The Penguin is supposed to be a limited series that sets up the upcoming sequel to The Batman. Does this mean that the mobster will be the main villain of that film? Who knows, but the Penguin deserves to be the main foe and it would be a mistake to relegate Cobb to a minor presence in the film. Regardless of that, a second season is very warranted since Cobb is such a fascinating character and worth exploring some more. If not, then there are plenty of other members of Batman’s rogue’s gallery that could receive similar treatment, although the current rumor is that a TV show featuring the Joker is being considered. That would be a mistake because we have had two solo films about the Clown Prince of Crime and Batman has a rich roster of foes that deserve their moment in the harsh spotlight as the Penguin has received.   

José Soto