Celebrating The DCEU

Now that Aquaman and the Lost Kingdom has been released in theaters the DC Extended Universe (DCEU) has come to an end. As Warner Bros.’ answer to the might Marvel Cinematic Universe, the DCEU has had many hurdles that it could not overcome during its ten-year run.  Frankly, it’s a minor miracle that it lasted this long. The issues facing the DCEU have been covered at length and basically, the overall tone of the cinematic universe was all over the place with some truly great films (and one TV show) and some horrendous films. Still, in spite of its problems the DCEU had a lot of merits, which should be brought up as we commemorate the DCEU.

Bold New Takes on Characters

Man of Steel, the first entry in the DCEU, immediately stood apart from traditional Superman films with its darker and more grounded approach to the superhero. This turned off many fans, but others welcomed the refreshing take on the character as it explored the alienation and uncertainty that Superman felt during his emergence as a superhero.

Other characters also had interesting interpretations such as Batman portrayed as a world-weary crusader coming out of semi-retirement and finding a new purpose. Aquaman was reimagined from a being a joke to a formidable warrior with the personality of a surfer dude on hyper steroids. Shazam! presented the title character as an immature teenager reveling in the body of a superpowered adult superhero—the ultimate fantasy for most teenage boys and girls.

Excellent Casting

One reason for the successful re-interpretations of the well-known DC characters was the casting. Henry Cavill was so great as Superman, that for many fans his version of the superhero overtook the classic Christopher Reeve interpretation as Cavill’s Superman felt so modern. Jason Momoa’s version of Aquaman turned him into a fun-loving badass.

While many were skeptical of the casting of Ben Affleck as Batman, the actor shocked everyone with a solid performance and now many feel Affleck did the best portrayal of the Dark Knight. Gal Gadot electrified audiences with her portrayal of Wonder Woman and established the Amazonian princess as an inspiring role model. Meanwhile, Margot Robbie infused Harley Quinn with so much manic energy and verve that it is difficult to imagine another actor taking over the role in future DC films.

Electrifying Live-Action Debuts

Many superheroes and villains from the DC comics made spectacular live-action debuts in the DCEU films. The most recent being Blue Beetle;even though the film flopped, it was widely acclaimed for its retro back-to-basics approach with origin superhero films. As mentioned above, Harley Quinn was a bonafide scene stealer whenever she appeared in films, and let’s not forget, the other members of her teams.

The films devoted to the Suicide Squad team introduced audiences to many different DC villains. Anyone tired of the Joker or Lex Luthor being featured in DC films rejoiced at colorful villains such as Captain Boomerang, King Shark, Rat Catcher, Bloodsport and Peacemaker. The debut of these characters fleshed out the DCEU, which did not over-rely on its trinity of legacy characters, i.e Superman, Batman and Wonder Woman.

Distinct Visions

It’s true that the overall tone of the DCEU was inconsistent thanks to Warner Bros. executives who interfered with the films. However, many times the films were injected with distinctive visions from its directors. Zack Snyder established a hyper-realized look to his films which were a hallmark of the early DCEU films. Love or hate the Snyder films, they certainly stood apart visually from other superhero films.

Other directors like James Gunn, James Wan, Patty Jenkins (at least with the first Wonder Woman), David F. Sandberg and Angel Medina Soto infused their films with bright and bold directions, which celebrated the comic book roots of the DC characters. The result was that many of the DCEU films were distinct from other superhero films. This is not a small feat given all the many recent superhero films.

Topnotch Productions & Iconic Scenes

With certain exceptions (see The Flash), the DCEU films have boasted topnotch productions and unforgettable special effects. Some films received notable awards for their productions, including an Academy Award for Best Makeup and Hairstyling for Suicide Squad and a Hugo Award for Best Dramatic Presentation, Long Form for Wonder Woman.  Many scenes, especially those from the Zack Snyder films, featured new and interesting depictions of superpowers, such as the epic airborne fights that took place in Man of Steel and when Superman first learned how to fly in the same film.

Several scenes from DCEU films were simply iconic like that moment in Wonder Woman when the title hero emerged from the trenches to fight enemy soldiers during World War I. Some other moments were just plain goofy and fun. A great example was a quick moment in Aquaman that featured an octopus playing drums (!). Then there was the madcap nature of The Suicide Squad, which allowed James Gunn to run wild with his imagination.

Despite the fact that many like to focus on the many issues the DCEU had, there was so much to celebrate about the films. In the time before the James Gunn reboot, Superman: Legacy, comes out, it’s a good idea to reflect on the contributions the DCEU films made to superhero films and give them another look.

José Soto

Coming Soon: The DCEU films ranked!

The Flash’s Stumble Signals The End Of The DCEU

This was not supposed to happen. Even though The Flash, the latest film in the DC Extended Universe (DCEU), had many delays and behind-the-scenes obstacles, the solo film debut of the superfast DC hero had a lot going for it. From over-the-top praise from early screenings and the return of Michael Keaton as Batman, the film was expected to perform well in the box office when it premiered last week. Yet, here we are with the film being a massive box office flop that could not even earn $70 million in the U.S. for its opening weekend and with even more dismal earnings expected this weekend. No mistake here, folks. The limping and wounded DCEU cannot be salvaged in any form because of the failure of The Flash.

It is all too easy to blame the failure of The Flash to superhero film fatigue, but that is just an easy answer. After all, Guardians of the Galaxy, Vol. 3, and Spider-Man: Across the Spider-Verse performed very well when they premiered earlier this year. So, what happened? It will take some time to determine what went wrong, but for now here are some reasons as to why The Flash was a dud in theaters.

Bad DCEU Reputation

Let’s face it, although the DCEU has had a few great films, too many of them had problems when it came to quality. After Shazam! In 2019, the DCEU films that followed, with the exceptions of The Suicide Squad and Zack Snyder’s Justice League, were ravaged by fans and critics. They also performed poorly in the box office, especially The Suicide Squad. In fact, the last DCEU film that was a bonafide hit was Aquaman, which was back in 2018. The recent failures gave the cinematic universe a poor reputation that caught up to it and left The Flash with an insurmountable obstacle.

Adding to the poor reputation was that The Flash starred Ezra Miller, an actor who has gotten into trouble for alleged criminal activities, a lot of it was violent. Ordinarily, Miller would have been and should have been fired from the role, but the film studio, Warner Bros. did not recast the role. Instead, the film proceeded with Miller continuing to play the title superhero because it was not financially feasible to restart production with another actor. Miller’s toxic behavior turned off many fans who refused to pay money to see the film since doing so would in a sense condone Miller’s actions.

Overhype & Missed Opportunities

With the recent failed DCEU films, The Flash was seen as the last, best hope for the DCEU. It had many hurdles to overcome, but the film’s team got through them. There was some hope for the film as early screening reactions were positive. Celebrities like Tom Cruise and Stephen King raved about the film. There was excitement over Keaton’s return and promises of cameos from past DC films and TV shows since the film dealt with the multiverse.

Unfortunately, while The Flash is one of the best DCEU offerings and a solid superhero film, it had its share of issues, such as its script. Without going too much into spoilers, why didn’t the Flash use his time travel powers to find out who killed his mother? Also, at the end of the film, it’s clear that the superhero did not learn the hard lesson about interfering with time based on what he did at the end.

Also, some of the special effects were downright awful. How bad? Arrowverse bad! Speaking of the Arrowverse, it is puzzling why the film did not feature an appearance by Grant Gustin, who played the Flash for several years on TV or even John Wesley Shipp, who played the superhero in the early ‘90s. In the TV version of The Flash, Ezra Miller appeared briefly and met the Grant Gustin version of the Flash. So, why wasn’t Gustin in the film?

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After We Say Goodbye To The Guardians Of The Galaxy

Guardians of the Galaxy, Volume 3 has proven to be a fitting and emotionally satisfying conclusion to one of the best trilogies in the Marvel Cinematic Universe (MCU). Still, while the film does conclude many character arcs it surprisingly presented us with new directions for these characters and the larger MCU that are worth speculating about. WARNING: Spoilers will follow about the film.

The Legendary Star-Lord

One of the biggest surprises from Guardians of the Galaxy, Volume 3 was the final post-credits scene. After a rather mundane scene with Peter Quill aka Star-Lord settling down to life on Earth with his grandfather, a title card pops up announcing that “The Legendary Star-Lord will return”. This was rather stunning. Throughout the film, there was a sense that Quill was approaching an emotional end to his time as the space-faring Star-Lord. He was first seen moping and drinking over the loss of his lover, Gamora (who was killed during Avengers: Infinity War), and his fellow Guardians pointed out that he still had family on Earth. During the film, he tries to rekindle his romance with an alternate version of Gamora (displaced from another timeline into the “regular” timeline), but she did not reciprocate the love because in her timeline she never knew him.

Throughout the film, Peter had to come to terms that his Gamora was gone and that it was pointless to continue his wooing her doppelganger. Frankly, it was refreshing that writer and director James Gunn did not try to put them back together since that development would have felt empty. Doing so also would have robbed the emotional impact of the original Gamora’s death. Peter’s acceptance that the current Gamora was not his lover reborn showed a level of growth and maturity for him. This was welcomed by fans because there have been complaints that while he is a goofy and endearing superhero, he came off as immature in some of his appearances. In reality, in this film he demonstrated that he was very crafty and mature during unexpected moments, such as when he and the team infiltrated that weird organic medical facility in space.

After nearly dying during the film’s final act, Peter decides to essentially retire as Star-Lord. He appoints Rocket Raccoon as leader of the Guardians of the Galaxy, and returns to Earth. But the implication that Star-Lord will return opens up lots of speculation about how this will come about. Chris Pratt, who plays Peter Quill, has stated he is willing to reprise the role at some point in the future. Most likely he will turn up in the upcoming Avengers films or he could wind up starring in a TV show or special that would be about his adventures on Earth. After all, the legendary Star-Lord cannot just spend the rest of his life eating cereal with his grandfather in Missouri. Maybe he will find a new love. Perhaps this person could be Kitty Pride, who was involved with him in the comic books—this could also be a way to bring in more mutants into the MCU. Or he could wind up being some kind of advisor or mercenary for the Earth-based forces that protect Earth from aliens. Or he could finally find a way to reunite with his Gamora in Soulworld, a realm where her spirit exists in, which was seen in Avengers: Infinity War. This would echo a development in the Marvel comics where at one point a deceased Gamora resided in this realm.

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Guardians Of The Galaxy, Vol. 3 Perfectly Concludes A Classic Trilogy

Filmmaker James Gunn finishes his tenure at Marvel Studios and the Marvel Cinematic Universe (MCU) with Guardians of the Galaxy, Vol. 3, the finale of his classic trilogy about misfit cosmic heroes.

Gunn has been able to maintain the same level of heart, humor and action throughout all three Guardians of the Galaxy film with the third film, and in some ways he elevated it with his MCU swan song.

Taking place years after the first two films and the events of the last Avengers films, Guardians of the Galaxy, Vol. 3 brings back all the loony and loveable heroes. Now the owners of Knowhere, a cosmic mining station made up of a dead Celestial’s skull, the Guardians are more administrators than intergalactic heroes. The film begins with a flashback origin of Rocket (voiced by Bradley Cooper), a cybernetically and genetically enhanced raccoon with genius-level intellect. This tragic origin story peppers the film throughout and underscores the emotional and physical pain that Rocket endures in his life. The origin features some of the most gut-wrenching moments in the film and elevates Rocket into a true hero.

After the flashback we are taken to Knowhere where we meet again the other Guardians. Their leader Peter Quill (Chris Pratt) has become a drunk because he is unable to get over the loss of his girlfriend Gamora (Zoë Saldaña), who was killed during Avengers: Infinity War. Adding to his misery is that another version of Gamora from an alternate timeline exists, but she does not have any feelings for him. As his fellow Guardians try to console him, they are attacked by Adam Warlock (Will Poulter), a golden, artificially created super-powered person. Though he is defeated by the Guardians, he gravely injures Rocket before he leaves them. The rest of the film focuses on the efforts of Quill and the other Guardians to find a way to save their friend. The other Guardians include the powerful but dim-witted Drax (Dave Bautista), Rocket’s BFF, the tree-like Groot (voiced by Vin Diesel), the empath Mantis (Pom Klementieff), and the cyborg Nebula (Karen Gillan). During their intergalactic journey, they soon cross paths with the insane geneticist and Rocket’s creator, the High Evolutionary (Chukwudi Iwuji), who has been hunting Rocket for his own diabolical purposes.

While the film continues the same irreverent tone as the previous entries in the trilogy, it does stand on its own due to its more mature atmosphere. The characters have grown since we first saw them in 2014 and are looking for something more with their lives. This was a rather unexpected and logical thing to do with the characters, because while they have become a family unit, they have to evolve and continue in their own journeys. The core characters, especially Rocket and Peter Quill, each have their own unique arcs and level of development, whether they have to deal with their painful pasts or prove they are much more than what others think of them. Rocket and Quill’s arcs have powerful and engaging arcs that form the heart and soul of the film and elevate it above standard superhero films. These character moments were richly satisfying and came to appropriate conclusions.

Unlike the other films, there is an intense feeling of dread and melancholy that pervades the film as the Guardians face their potential doom at every corner. Without giving anything away, there were many moments where I thought that was it for certain characters. This shows how intensely we’ve become attached to these plucky and quirky heroes. James Gunn skillfully exploits our feelings with each peril he throws at them.  What helps underscore this mood is that Guardians of the Galaxy, Vol. 3 is not as goofy as the other films, although it has its fair share of laugh-out scenes. That is alright. This film avoided the missteps of Thor: Love and Thunder where that film got lost in its over-indulgence of silly humor to the detriment of some of its subject matter. Guardians of the Galaxy, Vol. 3 succeeded where the last Thor film did not in that it treated much of its subject matter seriously and avoided inappropriate silliness.

While the High Evolutionary is the best villain the Guardians have faced in their films, he could have used more nuance, although Iwuji does a fantastic job in his performance as a callous and dismissive scientist with a twisted heart. His cruel actions towards his test subjects, including Rocket during the flashbacks, are a vivid and emotional presentation of one of the film’s themes about animal cruelty and the morality of using animals for scientific research. What the High Evolutionary does to Rocket and others makes us openly hate him. To be honest some of the scenes featuring the High Evolutionary’s test subjects may be too intense for some viewers. So be warned.

The other actors in Guardians of the Galaxy, Vol. 3 put in some of their best performances. You could tell they are very invested in their characters and knowing this film will be their final time playing the characters, they elevate their craft beautifully. What helps, of course, is that unlike many sequels, the characters are allowed to grow and evolve. Thanks to their performances and how the characters were written, by the time the film comes to its end many viewers will be openly crying, while the rest will pretend they have something in their eyes.

There are a few minor nitpicks with the film that are not really worth mentioning. Maybe Adam Warlock could have used more screentime, but so could have other characters like Kraglin (Sean Gunn), but they do get their moments to contribute and shine, and even give a hint of what is to come.

How does Guardians of the Galaxy, Vol. 3 compare to the others in the trilogy? Well, it is much better than the second film and is about on level with the first one, though they are both distinctly different from one another. Given its level of greatness, it is easily one of the finest MCU films, and the best one in recent years, aside from Spider-Man: No Way Home and Avengers: Endgame.  Given the recent missteps in the MCU, it is a joyful relief that the cinematic universe can still deliver a film that emotionally involves us.  

José Soto

Reaction To The New DCU Announcement

To be frank, it was best to wait a few days after the announcement from DC Studios’ head James Gunn about their new slate of DC Universe (DCU) films and TV shows. The immediate reaction for these types of announcements often run wildly until the news is fully digested. What was interesting about Gunn’s announcement was not the rage from fans of the ending DC Extended Universe (DCEU), but the large collective shrug from most.

There are many reasons for the various reactions, but the pervailing muted response has to do with the content of the upcoming DCU films and TV shows and that fans have been burned before with the intial announcement of the DCEU. When the first batch of DCEU films were announced last decade there was a lot to get fans super excited, especially with Batman v Superman: Dawn of Justice. Now we know how all that turned out. Some of the films were never made (with The Flash finally premiering later this year), while some released films failed to deliver. Then there is the fact that some of the more well-received aspects of the DCEU, namely actors like Henry Cavill and Gal Godot, will not be a part of the DCU. So, naturally the skepticism and outrage was expected.

But let’s face the truth: the DCEU was a failure. Blame the executives at Warner Bros.. Blame the producers, writers, directors and actors. Blame the unrealistic expectations and toxic fans. But the fact remains that there were too many missed opportunities and that Warner Bros. was too reactionary. Instead of trying to fix what was wrong with the DCEU, the film studios had a scattershot approach to their DC properties. They ignored what worked with the DCEU and doubled down on films and TV shows that featured DC characters, but were not connected to the DCEU. What made things worse for the cinematic universe was that non-DCEU films like Joker and The Batman were huge successes. More and more DC films and TV shows were greenlit that were not part of the DCEU, while the DCEU itself was left behind.

This was a mistake. Warner Bros. have the characters in a shared superhero universe that should have rivaled Marvel Studios and their properties. While this may please Marvel fans, the fact is that Marvel Studios needs healthy competition to keep them on their toes, and we were seeing the effect, as their recent films and TV shows were not as well received as earlier releases.

What could have been done to salvage the DCEU? Nothing, at this point. James Gunn took the right approach by starting over. But there should have been a complete reboot. Instead we are getting a TV show about Amanda Waller starring Viola Davis, who was prominent in the DCEU. Then there are reports that other actors from the DCEU like Ezra Miller will be a part of the DCU. Why keep Davis and Miller but not Cavill and Gadot? The latter two actors were very popular and turned in iconic performances as Superman and Wonder Woman. Unfortunately, while they were great in their roles they are too identified with the DCEU and nervous executives probably feared that keeping them in a new cinematic universe would be too confusing for the average moviegoer. Whatever.

On the other hand, to dismiss the DCU without seeing the final product is foolish. James Gunn is a very talented filmmaker who took the obscure Marvel Comics property Guardians of the Galaxy and made them beloved superstars. He also did this to a lesser effect with DC characters in his film The Suicide Squad and TV show Peacemaker.

Do some of the announced films and TV shows sound uninspiring? Sure. Who is clamoring for Waller or The Authority or Paradise Lost (sorry this last announced project seems too much like Game of Thrones)? Who the hell can replace Henry Cavill? Anyone trying to answer this should remember how many fans were attached to Christopher Reeve as Superman or bemoaned about how Brandon Routh was short changed. Who knows, maybe Cavill and Gadot will return at some point. It happened to Routh when he had the opportunity to reprise Superman in the Arrowverse version of Crisis on Infinite Earths. That is one crossover event that is begging to be redone properly by Gunn and his people.

It stinks that we have to wait until 2025 to see the first DCU entry Superman: Legacy, but until then we should be patient and see what happens. We should also be rooting for the DCU to succeed because if it falters like the DCEU then it will be a long time before such effort is made to create a live-action cinematic universe based on the beloved DC characters.