Spider-Man: Brand New Day Presents The Most Authentic Version Of Spider-Man Yet

Reeling from recent box office disappointments Marvel Studios brought out its big guns for the newest film set in the Marvel Cinematic Universe (MCU) with the latest Spider-Man film. After slightly over a year since we’ve had an MCU film, Spider-Man: Brand New Day is a return to form for Marvel Comics’ most popular superhero as the latest MCU Spider-Man film presents the character at his most authentic yet.

A common complaint about the MCU version of Spider-Man was that he was basically Iron Man, Jr. and his fawning over Iron Man, over-reliance on MCU references, and outer space trips did not help. This was done to differentiate the character from past versions of cinematic Spider-Men, but now that the character became his own independent solo character by the end of the last film, he was returned to the more grounded comic-book accurate version fans have come to love. Spider-Man/Peter Parker (Tom Holland) is now a lonely young man who scrapes by in a frugal existence and is solely devoted to fighting crime in New York City as your friendly neighborhood Spider-Man.

When Spider-Man: No Way Home, the last Spider-Man film, ended, a magic spell was cast that made the whole world, including his girlfriend MJ Watson (Zendaya) and his best friend Ned Leeds (Jacob Batalon),, forget that Peter Parker existed. This film deals with the consequences of that spell as Peter lives a solitary life in a decrepid rented attic working on upgrading his suit and fighting crime. An opening montage shows how for the past four years since No Way Home ended, Peter kept himself busy fighting assorted supervillains and helping the New York City police. In his down time, he monitors Ned’s social media feeds to keep track of him and MJ. During one incident involving a break-in at the federal detention center for the Department of Damage Control (DODC), Spider-Man goes to help the federal guards and encounters an unseen person (Sadie Sink) who can telepathically possess people, except him. His conflict with the person draws the attention of Frank Castle (Jon Bernthal), an uneasy ally of Spider-Man who is the murderous vigilante called the Punisher. Unlike Spidey, Castle has no inhibition in trying to kill the telepath while Spider-Man wants to try to capture her for the DODC.

As he grapples with this new enemy Peter learns that he is starting to evolve physically; he is able to shoot organic webbing, his senses become overwhelming enhanced to the point they nearly debilate him, and his strength and agility increase. Alarmed by his development, Peter seeks out Dr. Bruce Banner (Mark Ruffalo) for advice. Banner who is also the Hulk, has been able to keep his monstrous personna under control through an inhibitor that Peter hopes to duplicate to dampen his increased powers. At the same time, his intense loneliness drives him to eventually seek out MJ and Ned and try to find some way to reconnect with them. Naturally, all these plot lines converge with disastrous results as Peter has to find a way to come to grips with his emotional and physicaly plight while trying to stop the telepath.

Spider-Man: Brand New Day was directed by Destin Daniel Cretton, the same person who helmed Shang-Chi and the Legend of the Ten Rings and Wonder Man. Unlike the previous director, Cretton brings much needed energy to Spider-Man’s antics which now feels kinetic and literally off the wall. The camera never stops moving and presenting dynamic and colorful scenes that are filmed off kilter, which could be disorienting but better captures the mind set of our favorite wall crawler. Needless to say, it is the best filmed Spider-Man film. The fight scenes and the visceral web swinging are easily the best ever shown in a Spider-Man film. It felt as if you were there with him as he swung through the City that Never Sleeps. BTW, the look and feel of New York City feels authentic and adds to the grounded and frentic nature of the film. There are also many beautifully set up scenes that capture iconic images and covers from the Spider-Man comics that fit in well with the tone of the film and flows perfectly.

But what made the film so special was its emphasis on the emotional core of Spider-Man and the telepath who are both injured and fragile souls that are at odds with the outside world. The narrative is fast paced and holds your attention despite the film’s length.

Spider-Man fits in perfectly with the MCU as its references and characters don’t feel in-your-face unlike some of the previous MCU Spider-Man films. This time, we get a street level connection to the former Netflix Marvel TV shows, especially Daredevil and Daredevil: Born Again (and no despite our hopes Daredevil does not appear in the film), in the form of the Punisher. Both Holland and Bernthal have great chemistry together as their two characters oddly complement each other. Much of the banter and emotions they share are some of the best moments in the film and will bring a smile to your face.

All the actors were at the top of their game in the film. Tom Holland himself turns in his best performance as Peter/Spider-Man who is now more mature and downbeat but is still trying to find a way to connect in the world. The moments Holland has with Zendaya were so involving and feel so genuinely human, it probably helped that the two actors are married in real life! You can just empathize with Peter as he is anguished to know that MJ does not remember him or the love they once shared. It was very haunting and you can sense the distress coming off Peter in those moments.

Of course the film is not perfect. There are a lot of narratives going on which could have collapsed the film if not for Cretton’s steady hand and smart editing. Also, the storyline with the telepath sometimes takes away from the plight of Spider-Man and, without giving anything away, could be seen as just a way to set up other MCU projects, but it was very well done and engaging.

It’s hard to say where Spider-Man: Brand New Day would rank among the other Spider-Man films. It is arguably the best of the MCU Spider-Man films and rivals the early Sam Raimi films, though Spider-Man 2 is still the GOAT. Marvel Studios would be wise to retain Cretton for future Spider-Man films since he is a perfect fit for the superhero. Now on to Avengers: Doomsday!

José Soto

Spider-Man: No Way Home Is The Strongest, Most Emotional Spider-Man MCU Film

Usually the third film in a trilogy is considered the weakest entry even it it is a solid effort. The latest Spider-Man film in the Marvel Cinematic Universe (MCU), Spider-Man: No Way Home, proves otherwise and is actually the strongest entry.

Given the content of the film, it will be nearly impossible to discuss it without going into not just spoilers, but heavy spoilers. So, to be fair to anyone who has not seen this instant classic, this review will only cover broad generalities with more in-depth analysis to follow some other time. There will be some spoilers but only in the broad sense and covers what was revealed in the trailers.

Spider-Man: No Way Home picks ups immediately after the end of the previous MCU Spider-Man film, Spider-Man: Far From Home where Spider-Man’s (Tom Holland) secret identity of Peter Parker was revealed to the world. The aftermath of the revelation is devastating to Peter and those closest to him like his girlfriend, MJ (Zendaya), his best friend Ned (Jacob Batalon), and Peter’s Aunt May (Marisa Tomei).

The loss of privacy and the intrusive nature of the outside world eventually drives Peter to seek magical help from the sorcerer Doctor Stephen Strange (Benedict Cumberbatch). He asks Doctor Strange to cast a spell to make the world forget that he is Spider-Man, and the sorcerer agrees to do it. However, during the casting of the spell, Peter distracts Doctor Strange, which causes the spell to be corrupted.

The result is that Spider-Man villains from alternate film universes are brought to the MCU, in other words, the foes from the earlier, non-MCU Spider-Man films. These include Doctor Otto Octavius, aka Doctor Octopus (Alfred Molina), Green Goblin/Norman Osborn (Willem Dafoe), Electro/Max Dillon (Jamie Foxx), the Sandman/Flint Marko (Thomas Haden Church), and the Lizard/Dr. Curt Connors (Rhys Ifans).

Spider-Man quickly finds out that tackling with the not-quite Sinister Six and his decisions comes with severe consequences that not only imperil him and those around him, but the fabric of the multiverse itself. These developments force him to recognize that with great power comes great responsibility…and sacrifice.

Continue reading

Spider-Man: Far From Home Is A Winning Epilogue To The Infinity Saga

Spider-Man: Far From Home is the epilogue to the 23-film Infinity Saga or the final Phase 3 film of the Marvel Cinematic Universe (MCU). As such, the film is another winner for Marvel Studios and Sony Pictures, who still owns the film rights to the Marvel Comics superhero.

The film is solidly part of the MCU, as shown in its opening moments as the world is recovering from the events of the last two Avengers films. It was good to see the everyday reaction to Thanos’s snap and the sudden return of half of the world’s population, called the Blip in the MCU. For Peter Parker/Spider-Man (Tom Holland), the impact of the Avengers films weighs heavily on him as his mentor Tony Stark is no longer around. He feels the pressure of trying to be the next Iron Man while enjoying his normal teenage routines. The biggest thing on his mind, aside from his Spider-Man duties, is working up the nerve to tell his fellow high school classmate, MJ (Zendaya) that he likes her. The two of them, along with other classmates, spend most of the film in Europe on a school trip. While in the Old World, Peter is contacted by the clandestine head of S.H.I.E.L.D. Nick Fury (Samuel L. Jackson) to help Quentin Beck/Mysterio (Jake Gyllenhaal) with dealing with these giant elemental creatures that are attacking Europe. Beck is supposedly from a parallel Earth that was destroyed by these creatures and wants to prevent the same disaster from happening in the MCU Earth. Beck quickly earns Peter’s trust who then begins to confide in him all his doubts and fears. But as comic book fans know there is much more to Beck than he would have one believe.

Beck and Parker

The latest Spider-Man film is the quintessential summer film. It’s fun, exciting, humorous and moves at a brisk pace, particularly in the second half. At the same time, unlike most summer blockbusters this film has depth and engages you emotionally. All the actors are spot-on perfect in their roles and embody the characters they portrays. This especially goes to Tom Holland who has an earnest energy and nervousness that makes his Peter Parker very endearing. This portrayal of Spider-Man feels authentic and captures the essence of the beloved superhero. He makes mistakes, big ones, but his heart is in the right place. It’s why we root root for him. Meanwhile, Zendaya adds much more dimension and humanity to her role of MJ. Now, she is more personable while keeping her spunky and sardonic attitude that made her so funny in Spider-Man: Homecoming. She and Holland have a nice chemistry as a budding and sweet romance develops between the two young people, which works. It’s not as intense as with Andrew Garfield and Emma Stone in the The Amazing Spider-Man films, but their romance has a tender sweetness that offers a nice respite from all the fantastic effects and explosions.

Spidey and MJ

As far as Spider-villains go, Mysterio is certainly a fantastic entry into Spidey’s rogues gallery with a unique power set, comic-book accurate costume, and motivation. His background and purpose differs a lot from his comic book roots, but they fit in easily within the MCU and there are some great and surprising call backs to previous MCU films. His drive and presence in the film doesn’t quite match the depth and desperation of the Vulture in Spider-Man: Homecoming, but Gyllenhaal is just great in the role and injects a lot of passion into his role. The fight sequences between him and Spidey capture the spirit of their comic book encounters complete with the weird illusions that rival some of what we’ve seen in Doctor Strange.

mysterio

There are some issues with Spider-Man: Far From Home, namely the high school antics and gags. Unlike the previous film, here they fall flat many times, which is puzzling since director Jon Watts pulled it off so well in Spider-Man: Homecoming. With this film, the antics come off as unfunny distractions, though some gags hit the mark. Still, it is not a fatal flaw with the film, but for the next film, the filmmakers should consider retooling this aspect or getting rid of it altogether.

Right now, the future of the MCU Spider-Man films is uncertain because Spider-Man: Far From Home is supposedly the last Spider-Man film in the agreement between Marvel Studios and Sony. It would be a horrific shame if these films couldn’t continue and Sony took Spidey back because there is so much more that can be done with him.

This is clearly evident in one of the post-credits scenes that is an absolute shocker. Seriously, they cannot leave us hanging like they did. On another note, the other post-credits scene is equally as important because it heralds the direction that the MCU will take from this point on. Spider-Man: Far From Home both stands on its own as a winning Spider-Man film and as an coda to the wondrous 23-film MCU.

José Soto