Category Comic Books

Apr 18 2022

Big Changes Coming For DC & The DCEU

This past week Discovery officially took over Warner Bros. and its properties including DC Comics and DC Entertainment. After doing so, the company (rebranded as WB Discovery) announced they were radically overhauling DC Entertainment and its superheroes, specifically their films and TV shows including those of the DC Extended Universe (DCEU). Even though there have been very successful DCEU efforts like Aquaman and Peacemaker, other releases did not exactly hit the high bar when it came to box office sales or critical/fan reception (Wonder Woman 1984). The goal of the restructuring is to make the DCEU genuinely competitive with the Marvel Cinematic Universe (MCU).

This would mean that a head honcho would be hired to oversee the production of DCEU films and TV shows in the same manner that Marvel Studios president, Kevin Feige, does with the MCU. This also implies that the DC films and TV shows will be more coherent and less disjointed, while some once-prominent properties will get more attention. In fact, WB Discovery stated that Warner Bros. allowed top tier properties like Superman “languish” to the detriment of the DCEU and DC.

The Snyderverse and Stalled Efforts

Frankly, the coming changes are a much needed shot in the arm for DC and the DCEU, which has lacked a strong visionary leader. Previous leaders like Walter Hamada, Geoff Johns and Zack Snyder proved to be unable to present a clear direction for their films. Only Snyder came the closest to presenting a vision that was coherent. Unfortunately, Snyder is also a film director and when his Batman v Superman: Dawn of Justice did not impress critics and fans, and Justice League failed to reach the success of The Avengers, he was ushered out of the door by Warner Bros. and the DCEU that he helped create basically fell apart. Part of the problem with Zack Snyder being in charge with the DCEU (or the Snyderverse as some fans called the early films) is that although Snyder is a gifted director, what was needed to oversee the films was a producer in the mold of Kevin Feige. A producer is tasked with the production of films or TV shows and brings a guided vision to entire productions. Directors are focused on individual films first and bring their own stamp to what they film. It is not possible given a director’s schedule to expect him or her to oversee the vision of several films at once.

Even before Snyder’s exit, projects were stalled after big announcements, while conflict occured with many actors and filmmakers. Directors and writers joined and left projects. Then there were the casting headaches Warner Bros. faced from the fact that Henry Cavill, cast as Superman in the Snyderverse, was for all purposes, dismissed to the outlandish and criminal behavior of Ezra Miller, whose film The Flash has not even come out yet. Then there is the fact that The Flash was in perpetual development hell for the longest time as directors and writers exited the film left and right. Now, there are rumors that Miller will be fired from his role and in his situation it would be easy. Since The Flash deals with the title hero time traveling and alternate universes, just reshoot the ending to replace Miller with a new actor. Even Grant Gustin from the TV version of The Flash would be a better choice, although that casting may be too confusing for some.

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Apr 4 2022

Morbius: When Trailers Deceive Us

By now, most of us have heard about Morbius and how it wildly differed from what the trailers promised. Namely, solid connections with Spider-Man or even the Marvel Cinematic Universe (MCU). But what we got was downright deceptive.

For some time now, there have been grumblings by filmgoers and fans about how what was shown in trailers never showed up in the final films. Some recent examples include the famous charge of the heroes in the first trailer for Avengers: Infinity War, which prominently showed a very large and angry Hulk charging along with the other Avengers and allies. But as we saw in the film, the Hulk only appeared briefly in the film’s opening moments and the scene of the charging Avengers was nowhere to be found.

Another example was in the recent Spider-Man: No Way Home which digitally removed the other Spider-Men taking part in battling the many foes or alternate scenes with Doctor Strange that did not make it to the final film.

A big reason for these deceptions is because of spoilers. A decision was made for Spider-Man: No Way Home to keep the revelations about the other Spider-Men a surprise, even though this was the worst kept secret in Hollywood. In another case, for a trailer for Thor: Ragnarok, the God of Thunder was shown in channeling electricity with two eyes flaring with energy. However, when this happened in the film, Thor by this point, lost an eye while battling Hela.

Another reason for the deception is not that the films were intentionally deceiving viewers but rather the clips in the trailers failed to make the final cut of the films. This points to what probably happened with Morbius.

In the trailers for Morbius there were several scenes establishing the existence of Spider-Man in the world of Morbius. A great example is that clip of Morbius walking past a poster of Spider-Man with the word “Murderer” sprayed over the poster. This led to wild speculation if this film took place in the MCU given Spider-Man’s predicament or in the non-MCU Spider-Man films where the character underwent a dark chapter that we have not seen.

There were also a couple of scenes showing Adrian Toomes/Vulture (played by Michael Keaton) interacting with Morbius, which led to more speculation. But alas, none of this happened or was seen in the final film, which had zero Spider-Man connections until the post-credits scenes. Without going into spoilers, these scenes did not make any sense.

Obviously, eager Spider-Man fans were sorely disappointed by the final cut of Morbius. The question remains is how long will film studios and their marketing departments continue to deceive filmgoers? Yes, the audiences have to consider that usually when a trailer is released the film has not been completed, so they cannot expect to see every shot in a trailer to show up in a film. They also have to consider that studios want to leave some surprises for fans. But to outright tease connections to the world of Spider-Man and the MCU and deliver nonsenscal post-credit scenes is an insult to fans. What will happen is that fans will eventually tune out trailers and the enthusiasm for these films will diminish, and this could ultimately impact the box office. Being that this is the thing that matters most to film studios, they have to take heed about how they burn fans with deceptive trailers.

Mar 14 2022

The Batman Is A Powerful, Gritty Look At The Dark Knight

The latest live-action incarnation of DC Comics’ most popular superhero, The Batman, was eagerly awaited by fans and for good reason. Director Matt Reeves promised his version of Batman would actually used his detective skills like in the comics and his film would be more of a gritty crime noir piece. For the most part, Reeves succeeded and delivered one of the most powerful Batman films of all time.

Taking elements from the film Se7en and the comic book mini-series Batman: The Long Halloween, The Batman takes place during the second year of Batman/Bruce Wayne’s (Robert Pattinson) war on crime. As the film starts, a terrifying serial killer called the Riddler (Paul Dano) is killing the rich elite of Gotham City and exposing their dark secrets. This includes crooked politicians and police officers alike. Batman and his only ally in the police department, Detective James Gordon (Jeffrey Wright), work together to capture the Riddler by solving his enigmatic clues before he claims his next victim.

Batman’s detective work leads him to the seedy, underworld empire of crime boss Carmine Falcone (John Turturro) and the criminal elements working for him, such as Oswald Cobblepot (Colin Farrel echoing Robert DeNiro in a fat suit) and Selina Kyle (Zoe Kravitz who redefines sultriness with her version of Catwoman). Their interactions expose many secrets about Gotham, including uncomfortable revelations about Bruce Wayne’s parents. At the same time, Batman starts questioning his vengeance-fueled crusade to rid crime from Gotham as he realizes the Riddler’s macabre vendetta is a dark mirror to his cause.

Unlike previous Batman films, The Batman is more grounded and gritty. Believe it or not, it feels even more realistic than the Christopher Nolan films. Gotham itself is shown to be a bleak and dreary locale without redemption and Matt Reeves revels in exposing it to the audience. Almost all the characters have dark elements in their souls and are tremendously conflicted. Batman most of all, who is at his core, a tragic figure. He is clearly emotionally damaged by the murder of his parents…thankfully this film did not bother to show us yet another version of his origin. Instead, it focuses on the aftermath of their deaths as Bruce has to learn to move past the idea of vengeance and find a more noble vision within himself.

Seeing Batman portrayed as a quiet and intimidating vigilante at odds with the police and displaying his cunning intelligence as he solves riddles was a novel approach and harken back to Batman’s Golden Age crime story roots. Pattinson does a fine job as the determined Caped Crusader and the gaunt Bruce Wayne. Unlike other versions, this Bruce Wayne is a true social recluse who has not yet adopted the outward identity of a charming billionaire playboy and it was an interesting take on the character.

The other actors were also striking in their roles, with Kravitz, Dano and Wright standing out. Dano’s horrifying take of the Riddler is truly chilling and rivals the best portrayals of the Joker. Speaking of the Joker, there is an unnecessary cameo of the Joker in the film which was distracting. We did not need to see the character and his appearance demonstrated one of the film’s weakness.

As powerful as it was, The Batman was bit too long in length, being nearly three hours long. Matt Reeves could have easily trimmed off fifteen or twenty minutes because the film dwelled too long on the intricate subplots of various villains and the corrupt elements of Gotham’s elites. Honestly, the material with the Riddler more than held up the film and those side stories were not needed. It was obvious these elements were put in to set up future films.

Regardless, from the excellent acting to the beautifully haunting cinematography to the thrilling fight scenes, The Batman is quite a neo noir achievement. It is not for everyone, especially younger children and those seeking a light-hearted superhero romp. But The Batman is one of those few films that makes you want to see again and again to discover something new with each viewing.

José Soto

Mar 6 2022

Top Ten Unused Batman Villains For Future Films

With the release of Matt Reeve’s The Batman, which features three main Batman villains (The Riddler, The Penguin, and Catwoman), it’s time to take a look at some unused antagonists of the Dark Knight who either have never been seen in live action or have only appeared on the various TV shows featuring Batman and/or the Bat Family.

10. Hugo Strange

This character is more of an intellectual threat to Batman. A psychologist and evil genius, Dr. Hugo Strange runs Arkham Asylum, but uses his intellect to commit crimes while under the guise of trying to reform criminals. Batman always sees through this and stops his plans, but Strange’s abilities and access to Arkham’s most dangerous villains allows him to evade justice many times. His appearance in the Gotham show was a highlight and he would make a great antagonist in any Batman film.

9. Solomon Grundy

Solomon Grundy is rather large, super strong villain that is basically a zombie who was resurrected in the swamps of Gotham. He appeared in the television show Gotham, as well as the various animated shows and is a great bad guy for Batman to deal with. Showing up in a grounded Batman film would be strange, but would give it a good horror movie feel and play on our fears of unknown creatures in the dark.

8. Killer Croc

This character had a prominent appearance in Suicide Squad, but didn’t interact with Batman onscreen. I liked this portrayal of Croc and would be happy to see him appear again, especially going up against Batman in the sewers of Gotham City. His gruesome reptilian look and super strength makes him a real threat to the Caped Crusader and like Solomon Grundy, evokes fears of unknown creatures in forgotten places. His appearances in Batman: The Annimated Series and other shows are always great to see.

7. Calendar Man

A criminal who kills according to the dates and significant holidays of the calendar, this villain had a great appearance in the animated movie The Long Halloween with his Hannibal Lecter-like presence while being questioned by Batman in Arkham Asylum. Batman was trying to find out about murders being committed during holidays, and turned to him for insight. Having something like this in live action would be great to see and would fit Matt Reeves’ take on the Batman universe, with his version of the Riddler being portrayed in The Batman as a serial killer trying to take down Gotham City and expose its many secrets.

6. Ventriloquist

Another unique villain, the Ventriloquist is a meek gangster named Arnold Wesker who can only commit crimes while having a dummy, named Scarface on his hand who has a violent personality and rules his gang through fear. His appearances in Batman: The Animated Series werememorable and showed an interesting split personality similar to Two-Face. The audience was kept guessing as to who was really at the center of the Ventriloquist’s schemes, the mild mannered Wesker, or the hot tempered Scarface and it would be fun to see in a film.

5. Mad Hatter

Jervis Tech is a demented villain is obsessed with the Alice in Wonderland story and is frequently shown to be determined to live out the book by kidnapping his would-be Alice and forcing her to partake in his bizarre rituals, and commit crimes using mind-control hats. Obviously, Batman always has something to say about that, but had to deal with the Mad Hatter’s insanity and overcome Tech’s schemes. Having this kind of villain in a film would be a strange but interesting take in a Batman film.

4. Clayface

A shapeshifting villain that uses his sludge-like appearance to mimic anyone he wants, Clayface has caused all kinds of problems for Batman, and his morphing attributes would be nice to see on the big screen. His ability to create various weapons with his arms evokes the T-1000 from the Terminator series and was something that was used to great effect in Batman: The Animated Series, but to date hasn’t been attempted in live action.

3. Man-Bat

This unusual villain is literally the flip side of Batman. Dr. Kirk Langstrom is a scientist who develops a serum that turns him into a huge bat-like creature that terrorizes the skies of Gotham City. Man-Bat has the distinction of being the villain that appears in the very first episode of the classic Batman: The Animated Series and is a unique take on the were-wolf mythos. Bruce Wayne eventually befriends Langstrom and helps him overcome his curse by developing a cure, but the threat of the Man-Bat reemerging is always in the background. Having a massive bat-creature duking it out with Batman on various rooftops would be thrilling to see on the big screen.

2. Deathstroke

With only a brief cameo at the end of Justice League, this master mercenary/assassin known as Slade Wilson has been a match for Batman. Deathstroke was supposed to be in the now-defunct Ben Affleck-directed Batman solo film as he battled Batfleck in Arkham Asylum. His deadly skills and mastery of weapons are shown to great effect in the Titans series as he divides the team from within, pitting them against each other and nearly destroys them in his quest for vengeance. Deathstoke also had a famous role in Arrow and became that show’s best villain. He has recently appeared in his own animated film and it would have been great to see him go up against Batfleck, but hopefully there is a future for him in any further Batman films.

1. Red Hood

The classic story “A Death In the Family”, which shows Jason Todd aka the second Robin being killed by the Joker, resulted in the emergence of a resurrected Todd as the anti-hero/villain the Red Hood. He terrorizes criminals using lethal force and goes after Batman due to his outrage at the fact that Batman let the Joker live, even after being responsible for Todd’s death. This emotional tale is told in the excellent animated adaptation Under the Red Hood and is also seen in a different form in the HBO Max series Titans. It would be great to see this adapted into a theatrical form since it strikes at the core of Batman’s code of ethics and his battle to control his demons while contrasting this with the Red Hood as a Punisher-like vigilante, who goes over the line trying to clean up Gotham City.

Batman has an iconic rogues gallery. While the most famous ones have been portrayed many times in films, there are many more that show the variety of villains that exist in his universe. Some are more serious and deadly, while others are more fantastical, but all of them are interesting characters that would be great to see in any big budget Batman film, including a sequel to The Batman.

C.S. Link

Feb 20 2022

Peacemaker Joyfully Revels In Violence And Silliness

Peacemaker is the first TV show set in the DC Extended Universe (DCEU) and streams on HBO Max. It’s also a spinoff of The Suicide Squad and follows the further adventures of the idealogically fanatic superhero Peacemaker/Chris Smith (John Cena), who was rightly left for dead at the end of the film.

After been rescued and hospitalized by the U.S. government group A.R.G.U.S., as seen in the post-credis scene of The Suicide Squad, Peacemaker is recruited by that group’s black ops team to fight alien creatures who inhabit host human bodies and are called Butterflies because of the way the aliens appear.

The black ops team is made up of an eclectic group of goofy or over-the-top violent characters including the deadly and tough A.R.G.U.S. agent Emilia Harcourt (Jennifer Holland), John Economos (Steve Agee), an insecure tactical support agent, Leota Adebayo (Danielle Brooks), a new A.R.G.U.S. recruit who becomes good friends with Chris, and their exasperated mercenary leader Clemson Murn (Chukwudi Iwuji). An unofficial recruit is Adrian Chase aka the costumed Vigilante (Freddie Stroma), an overeager sociopath who looks up to Peacemaker and fashions himself as Peacemaker’s best friend. But that is actually Peacemaker’s pet bald eagle, Eagly.

As the group carry on their mission to eliminate the Butterflies, they learn a lot about each other and gradually earn each other’s trust, respect and even friendship. The one person who is most affected by the experience is Chris himself who begins to question his extreme jingoistic view of life and even becomes likeable.

In The Suicide Squad, the Peacemaker was a real jerk, a total D-Bag, and when he was supposedly killed off, hardly anyone mourned him unlike the other characters. But the TV show went to great lengths to humanize him and it paid off. Yes, he is still a jerk who is too cocky, but we learn that beneathe that false bravado hides a wound psyche and the emotional center of Peacemaker.

The TV show is written by James Gunn, who also directed most of the episodes. Much of the success of the show is due to the film director who reinvented the Suicide Squad and presented a possible new direction for the DCEU. As always, Gunn demonstrates his twisted filmmaking skills thanks to his well-written characters and fast-moving scripts, which keeps surprising viewers. All the actors are especially good in this show and bring an extra dimension to their characters. Cena was the best surprise with his role because of the way he is able to show different levels to his character.

As is James Gunn’s forte, Peacemaker excels at its level of cheekiness, graphic violence, and its overall raunchy nature. This is certainly not a show for the kids to watch, but DCEU fans will love the jokes, Easter eggs, and stylized action. There are a few cameos by DCEU characters that actually work and add to the show’s enjoyment. Fans of hair and glam metal bands will love the soundtrack which is peppered generously with many songs. The standout song used in Peacemaker is, naturally, Wig Wam’s “Do You Wanna Taste It” and it fits so well with the show’s hysterical dance number in the opening credits.

Be patient with the first episode or two as Peacemaker settles in and establishes the characters and situations. While it and the main character may be off-putting, by the second or third episode, viewers will get wrapped up and engaged with the bizarre and irreverant nature of the show as the characters are actually changed by their adventures.

After dealing with the inane Arrowverse, Peacemaker comes at the right time as the DCEU now thankfully is represented in the TV medium and it can herald a new era for DC-based TV shows.