Category Comic Books

Aug 12 2012

The Dark Side Of Spider-Man

Art by John Romita, Jr.

One of the biggest gripes from detractors of the film The Amazing Spider-Man is that it has a dark tone. They blame it on the film studio, which wanted to emulate the mood of the recent, blockbuster Batman films. These critics complain that the character isn’t dark and this new interpretation of Spider-Man doesn’t work for that reason.

However, if anyone looks at the entirety of Spider-Man’s comic books, it can be seen that the character has had dark moments. He isn’t always this light-hearted, happy-go-lucky wise guy that breezes through life. A closer look will show that often his world is bittersweet. Just as often as he loses while he wins. Spider-Man may win a climactic battle against the Green Goblin, but his alter ego Peter Parker faces eviction because he doesn’t have the money to pay rent.

Or the web swinger faces public hostility and derision from the police who consider him an outlaw. Usually, stories in the comic books portrayed him as being persecuted by trigger-happy policemen.

Then there are the tragic periods in Parker’s life.

Dark Origin & History

To start, in his debut story (Amazing Fantasy#15), his uncle is killed by a burglar and Parker learns at the end of the tale that he is responsible for his uncle’s death because earlier in the story, he

Art by Ross Andru

selfishly refused to stop the burglar during an unrelated robbery. It may not compare with the agony of the Punisher’s family being gunned down by mobsters but it’s not anything lightweight. Actually most superheroes have some kind of tragic catalyst that turned them heroic.

Throughout his history, Parker has endured many hardships since he’s become Spider-Man. Probably the worst, after his uncle’s death, is the killing of his girlfriend Gwen Stacy at the hands of the Green Goblin in The Amazing Spider-Man #121. This affected him deeply for several years and is a monumental event in comics because it was one of the first times that a main character’s loved one was killed and marked the end of the silver age of comics.

Going Too Far To The Dark Side

Spider-Man has gone through several grim, brooding periods. Some were rather forced and done to sell issues. This happened in the early ’90s after his supposedly deceased parents showed up alive and well from issues #366-389 in the first volume of The Amazing Spider-Man. At the end of that storyline, they were revealed to be robotic doubles sent by his deceased friend Harry Osborn (a.k.a. the second Green Goblin) to basically screw with Parker’s head. For several issues afterward, the web swinger lost it, he gave up on his Parker identity and ran around town emulating a dark hero like Batman. These issues were poorly written because they went overboard with his psychotic reaction. Unfortunately, this events led to the infamous Clone Saga.

There was also the infamous undoing of his marriage that was done using  a convoluted meeting with the demonic entity Mephisto in the storyline “One More Day”. Going completely against character, the creators had Parker make a deal with the devil to save his aunt with his marriage to Mary Jane being wiped from history as a price. This incident probably damaged Parker more than any other because it showed that by agreeing to deal with the devil he lost part of his soul. He seemed much less heroic. It didn’t have to be that way, the editorial board could have just had him get divorced and move on with his life, but they tampered too much with Parker’s integrity.

Memorably Bleak Moments

Art by Mike Zeck

But the character has faced dark events that were successfully told. Take the classic storyline “Kraven’s Last Hunt”,  written by J. M. DeMatteis, where his foe Kraven the Hunter defeats him, puts him in a death-like state and even buries him alive. Later Kraven assumes Spider-Man’s identity and becomes a twisted, violent version of the hero. Parker has to literally claw his way out of the grave and face his inner demons afterwards.

Then there was issue #36 of the second volume of The Amazing Spider-Man. Known as the  “Black Issue” it’s the one where Spider-Man dealt with the 9/11tragedy. There wasn’t anything cheery or fluffy about this story or the character. In fact, it showed how helpless and angry the superhero felt and it worked because since Spider-Man is more of an everyman character, it was easy to identify with him. We all felt like he did during that terrible day.

The web slinger’s bleakest moment was obviously when he died in Ultimate Spider-Man # 160. In the “Death Of Spider-Man” story arc, the Ultimate Universe version of Spider-Man fought desperately against his greatest foes and met his end after defeating the Green Goblin. It was one of the character’s most unforgettable stories. Thankfully, readers still have Peter Parker to root for in the regular continuity.

Art by Mark Bagley

Of course, not every storyline is bleak and dreary. The comic books balance the mood all the time with gritty stories like “Kraven’s Last Hunt” to more fun-filled yarns like “Spider Island” and even heartwarming ones like “The Kid Who Collects Spider-Man” (The Amazing Spider-Man #248). Actually DeMatteis’ Spider-Man tales often took on a philosophical and poignant bent with memorable stories like The Amazing Spider-Man: Soul Of The Hunter a sequel to “Kraven’s Last Hunt” and “A Death In the Family” (The Amazing Spider-Man #400). The bottom line is that throughout many tales, he faced many moral dilemmas and almost always rises to the occasion.

A Light Misconception

The general public has this misconception that Spider-Man is some kind of goody two shoes and that is largely due to how he is portrayed outside of comics. It probably all started during his first cartoon series in the ’60s and when he appeared in silly live-action segments of the kids’ program The Electric Company. Then whenever he appeared in other animated shows, the more grimmer stories couldn’t be used. This however led to lightweight shows like Spider-Man And His Amazing Friends.

Sam Raimi’s Spider-Man films also contributed to this lightweight perception. In the first two films, the character swings around New York yelling out “Wahoo!” with swooning fans cheering at him (a rare occurrence in comic books) and leaves behind perfectly typewritten notes saying “Courtesy of your friendly neighborhood Spider-Man”. The movies were enjoyable but felt cheesy at times. Things took a turn for the worst with Spider-Man 3 where the attempts to have the character go dark were as laughable as anything seen in the Joel Schumacher Batman films. This isn’t a slight against Raimi, his first two Spider-Man films are fun to watch. If anyone is to blame for this perception it could be the marketing people who want to make sure the character is kid friendly in order to sell more merchandise.

Regardless of marketing efforts, it was refreshing to see the character in a more realistic light during the recent movie which balances thing out. After all, like it or not, sometimes life is dark, even for Spider-Man.

Lewis T. Grove

Jul 28 2012

Top Ten Stan Lee Cameos In Marvel Movies

One of the highlights for any Marvel film are comic book creator Stan Lee’s often humorous cameos. Some are better and more memorable than others. These are his best appearances to date in Marvel superhero films.

10. Security Guard With His Partner, Hulk: One of the very few highlights in this film was seeing Stan Lee and Lou Ferigno together as security guards who pass by Bruce Banner. And he actually has lines to speak unlike earlier cameos (and screaming “Look out!” as debris falls in Spider-Man doesn’t cut it).

9. The Pickup Truck Driver, Thor: During a segment where New Mexico locals try to move Thor’s hammer, Stan tries using his pickup truck to loosen the mystic weapon out of the ground without any luck.

8. Man In The Park, The Avengers: In the film’s final moments there is a media montage with reporters interviewing New York citizens about the Avengers. Stan is park visitor who scoffs at the idea of the Avengers. In his too-short appearance he remarks, “superheroes in New York? Give me a break!”

7. Army Officer, Captain America: The First Avenger: Stan Lee plays an army officer at an awards ceremony for Steve Rogers. After Rogers is called to accept the award,  a diminutive official informs an announcer that Rogers won’t be attending. Stan mistakes this guy for being Rogers and comments, “I thought he’d be taller.”

6. Man Drinks Hulk Juice, The Incredible Hulk: Bruce Banner’s gamma-irradiated blood accidentally spills into a juice bottle in a bottling plant that is later drunk by Stan. He reacts immediately to the drink and mutters “wow.” According to reports in the film, the juice had quite a punch!

5. Stan Lee As Hef, Iron Man: Now is Stan supposed to be playing famous Playboy magnate Hugh Hefner or is he only mistaken for Hef because of his wardrobe and gorgeous entourage? The debate goes on with this funny scene where Tony Stark addresses him as Hef when Stark arrives at a function.

4. Willie Lumpkin, Fantastic Four: Stan Lee actually plays one of the characters that he helped create in the Fantastic Four. Only fans of the comic book will recognize Stan as the Fantastic Four’s lovable mailman Willie Lumpkin; in the cameo he delivers overdue bills to Reed Richards in the Baxter Building.

3. The Librarian, The Amazing Spider-Man: His most recent appearance is a very funny one. A heated battle between Spider-Man and the Lizard spills over into Peter Parker’s high school library. Stan Lee plays an oblivious librarian to the chaos behind him because he is listening to classical music on his headphones.

2. Stan Lee Tries To Crash A Wedding, Fantastic Four: Rise Of The Silver Surfer: Reed Richards and Sue Storm are holding a posh, invitation-only wedding in Manhattan. Stan Lee is prevented from attending by an usher because he’s not on the guest list. It was his funniest appearance and a recreation from Fantastic Four Annual # 3 where he and Jack Kirby aren’t allowed into the characters’ wedding.

1. Stan Lee Meets Peter Parker, Spider-Man 3: Peter Parker in the middle of swooning over himself early in the film encounters Stan as they both admire a news blotter on New York’s buildings about Spider-Man. He looks at Peter and tells him “I guess one person can make a difference. ‘Nuff said.” This is Stan’s best line spoken in these films and sums up a poignant philosophy that is at the core of his stories. Also, unlike other cameos it’s prominent and memorable.

On that note, one thing keeps glaring out with these cameos. Co-creators Jack Kirby and Steve Ditko aren’t featured anywhere in these films. Of course, Kirby is no longer with us but they could at least feature a landmark named after him. Wouldn’t it have been cool if the Thing passed by the corner of Yancy Street and Kirby Avenue? Or if Peter Parker attended the Ditko Art Exhibit? Something the filmmakers can think about for future films.

Check out this video that features Stan Lee’s cameos:

José Soto

Jul 21 2012

The Dark Knight Rises And Falls

Acclaimed director Christopher Nolan concludes his Batman film trilogy with an absolute triumph. Needless to say, I loved The Dark Knight Rises. It’s simply one of the best superhero movies ever made and more importantly a satisfying way to finish a Batman film series.

By this, what is meant is that The Dark Knight Rises gives a finality to the Batman story  that has not been seen in comics except perhaps for certain aspects of Frank Miller’s classic The Dark Knight Returns. In fact, Batfans will notice many similarities to The Dark Knight Returns at least in broader sense. That includes the idea of a retired Batman/Bruce Wayne (played by Christian Bale) making a comeback when his beloved city of Gotham is imperiled, then he gets defeated the first time out before regrouping and coming back to take out the foe that pummeled him the first time out.

Christopher Nolan’s film also utilizes aspects of the great “Knightfall” storyline where the villain Bane defeats Batman by wearing him out then crippling him. Bane may not seem an imposing or interesting foe to the larger public because the only film exposure non-comic book fans had of him was that awful Batman And Robin movie. But true fans will see the spirit of who Bane is in The Dark Knight Rises. Tom Hardy who plays the masked villain deserves a lot of credit for the way he made Bane such a distinct villain. Not only did he physically pump up his body impressively to resemble the muscle-bound foe but because parts of his face are covered, Hardy created a memorable voice villain. Bane’s voice has a deep cadence that makes him sound like an older man or officer used to ordering troops around. How does he compare to Heath Ledger’s Joker from The Dark Knight? Well, as great as Hardy is in Nolan’s third Batman film, Ledger created not only one of the greatest comic book villains on film but one of the greatest film villains of all time. Plus, viewers were able to see Ledger’s face and see more emotion than with Hardy.

As with all comic book adaptations, changes were made in The Dark Knight Rises. This was done with Bane regarding his origin. In this film, his background is tied to Batman, Ra’s al Ghul (Liam Neeson from Batman Begins returns to play him) and Ra’s’ daughter Talia (Marion Cotillard). Viewers will see a link between all four characters and see how their shared experiences transformed them into separate ways.

But Bane isn’t the only standout in The Dark Knight Rises. Other memorable characters include Selina Kyle (Anne Hathaway), John Blake (Joseph Gordon-Levitt), Lucious Fox (Morgan Freeman) and Alfred Pennyworth (Michael Caine).

Although Selina isn’t called Catwoman and her feline aspects aren’t as exaggerated as with previous film incarnations of Catwoman, the character works in context of the film. Some may wonder during the film why so much screen time is spent on Blake, a young cop and ally of Batman, but he provides the film’s most pleasant surprise at the end; his arc was a real crowd pleaser. Fox is in many ways the head or brains of the Batman franchise. It should be pointed out that Alfred, Bruce’s loyal butler, is the heart and soul of the Batman franchise. He warns Bruce not to confront Bane simply because Alfred fears Bane. He knows that Bruce isn’t a match for the hulking villain. This leads to a very emotional argument where Alfred tells him that Bruce has another option in his life that doesn’t have anything to do with darkness. Bruce can have a shot at a happy life, but the superhero won’t hear of it since he feels bound to fight Bane. At that point, having a happy life is an abstract notion. It isn’t until Selina comes into the picture that having a happy life seems possible, so she serves as a sort of catalyst. Sure Marvel’s The Avengers was the greatest and most exciting superhero movie ever made, but The Dark Knight Rises has a deeper emotional core.

And what great battles are featured in the film! Nolan pulls out everything here. The Gotham police, the National Guard, and even the air force come out to confront Bane and his army. It was all thrilling to watch. As were all the cool gadgets and vehicles Batman uses like The Bat, the new interpretation of the batwing flying craft. The Bat was an amazing sight, sort of like a flying tank with VTOL capability and well armed. Batman also uses a type of EMP gun which helped him travel stealthily throughout Gotham, it was ingenious!

Christopher Nolan created an effective bookend to his Batman movies. Whereas The Dark Knight seemed like a crime thriller, his third film feels more like a superhero film.  The end of Batman in this film means so many things in the context of Nolan’s Batman world, and The Dark Knight Returns provides multiple, satisfying resolutions. Anyone who is worrying about the third film curse can relax because he doesn’t let the fans down with this sendoff.

GEO

Jul 18 2012

2013 Hallmark Sci-Fi Ornaments

The Hallmark ornaments for this year just made their debut yet the company already announced some of 2013’s ornaments in the San Diego Comic-Con. Many of them look like must-haves for collectors and fans.

Star Trek

The U.S.S. Kelvin seen in the 2009 Star Trek reboot is the latest in Hallmark’s long line of Star Trek ship ornaments. It looks well detailed as their ship ornaments often are, but no details have been revealed on any special features. As with the other Star Trek ship ornaments, the Kelvin will light up.

After years of demands from vocal fans, Hallmark will finally produce a Scotty ornament. This one will be the fourth in the series “Legends Of Star Trek“. Reportedly, the ornaments in this series can be placed together to make up a scene from the show.

The coolest looking ornament is a mini diorama featuring Captain Kirk fighting with the reptilian Gorn (seen in the classic Star Trek episode “Arena”). It will feature dialogue from that episode and that exciting vintage Star Trek fight music (hopefully they pick the right score!). If only they included those iconic mountain formations too or Kirk’s handmade cannon!

Star Wars

To celebrate the 30th anniversary of Star Wars Episode VI: The Return Of The Jedi, Hallmark will produce several Star Wars ornaments that reflect that film. 2013’s Star Wars ship ornament will actually be of the two-legged scout walker that was shown prominently in Return Of The Jedi.

Additionally, a set of two Ewok ornaments will be available next year, one of which is Wicket who, of course, appeared in Return Of The Jedi. A limited editon ornament coming out in July will be of Boushh, but a super rare ornament of the rancor will be available in the 2013 Comic-Con.

 

The highlight of the Star Wars ornaments will be Jabba the Hutt. On the base of the sluggish gangster is C-3PO. Other ornaments in the series will include a Lego Yoda and Jango Fett in flight mode.

Superheroes

The usual superhero ornaments were announced at the convention. Look for a Spider-Man ornament that plays the ’60s theme song, an Iron Patriot ornament based on Iron Man 3 and several based on Batman. One of which will be the Adam West version of the Caped Crusader which could be the surprise hit of 2013. Other Batman ornaments will have him on the IP and spideybatpod as seen in The Dark Knight films, which will be limited, and the deadly flying batwing aircraft seen in The Dark Knight Rises. There will also be a Joker ornament based on Heath Ledger’s interpretation in The Dark Knight. The only other superhero shown in their display was Superman in a wimpy flying pose, based on Man Of Steel. Also look for ornaments based on The Hobbit, Harry Potter and believe it or not K.I.T.T the car from Knight Rider.

Waldermann Rivera

UPDATE **** We just learned that the Bat ornament from The Dark Knight Rises will be a limited edition ornament to be released for the 2012 Holiday season. Happy hunting! Also, some sad news for some but the Adam West Batman ornament has been pulled from this year’s offerings.

Jul 3 2012

The Amazing Spider-Man Reboot

It can be argued that The Amazing Spider-Man is the Spider-Man film for fans of the web-slinging hero. Frankly, it surpasses Sam Raimi’s trilogy in terms of special effects and that is not overly relying on CGI. The practical effects and stunt work really make Spider-Man come alive in a way that hasn’t been done before. The 3D is visually spectacular even the night shots. Pardon the pun but some shots of Spidey are truly amazing and look as if they were taken out of a comic book panel. Forget about alterations to his costume, the filmmakers captured the essence of Spider-Man.

But enough about the effects and look. The rest of The Amazing Spider-Man is a solid and welcome addition to Marvel’s superhero film roster. While director Marc Webb may not be as gimmicky and flashy as Sam Raimi was, he has an eye for character. He lets the quiet moments speak for themselves and knows how to show just enough of a character moment before moving on. The relationship that Peter Parker (Andrew Garfield) has with Gwen Stacy (Emma Stone) is the soul of the movie without going overboard.

Webb wisely uses this constraint in showing us other aspects of Parker. This results in the film not being as cornball or overly sentimental as Raimi’s Spider-Man films sometimes felt. Don’t worry, there aren’t any dance numbers! Garfield does an excellent job portraying him and his masked alter ego. He makes viewers and fans forget about Tobey Maguire with his constant moping and sad eyes. This Parker while burdened with responsibility is very proactive and as Spider-Man he cracks jokes, and behaves just like he does in the comic books. While this film has the hero constantly unmasked it actually works and one doesn’t mind.

As for the rest of the cast, they turn in fine performances with top honors going to Stone and Denis Leary (as her father police captain George Stacy). The captain’s obsession with trying to arrest Spider-Man is an engaging subplot that was never explored in depth before on film and deftly adds to Spider-Man’s headaches. BTW, Stan Lee has one of his very best and funniest cameos in the film that puts him in the same shot with his greatest creation.

The main villain in The Amazing Spider-Man as everyone knows is the Lizard a.k.a. Dr. Curt Connors (Rhys Ifans) a one-armed scientist with ties to his dead parents. The film links his creation to Spider-Man’s and it’s a complaint that goes back to many of these films (such as Batman) but it’s handled fairly well. Compared to the comic book version, Connors isn’t as sympathetic which is a detriment to the film. The Lizard may not be as great a villain as Doctor Octopus but he is still an imposing, formidable  character who puts Spider-Man through hell. Standing nearly eight feet tall with regenerative powers and a cunning mind he seems more like a smart Hulk mixed with Wolverine and a velociraptor from Jurassic Park. That’s a deadly combination.

The film does have faults: we didn’t need to see another origin sequence, which could’ve been handled with flashbacks; some plot developments are dropped too cleanly; the score by James Horner isn’t particularly memorable. But there are so many things that the filmmakers get right with this film because like Sam Raimi, they understand Spider-Man and it shows. So how does it compare to the previous films? Well it’s much, much better than Spider-Man 3 and arguably on par with the first Spider-Man. Despite Spider-Man 2’s flaws it was Raimi at his energetic best and a better film than The Amazing Spider-Man, but Spider-Man 2 set a high bar that is hard to top. It’s too bad Sony chose to release The Amazing Spider-Man so soon after Raimi’s trilogy ended. This is bringing about some unfair comparisons by fans of those films. But go in with an open mind and be prepared to be amazed.

José Soto