Sci-Fi Heads Of State

 

Romney? Obama? Who’s your choice for president? Would you rather choose someone else? Well how about these presidents and heads of state that have appeared in science fiction? Love them or hate them, they were memorable leaders.

The Despotic

Science fiction is probably the best vehicle for showcasing villainous presidents. Look at it this way, few will get offended with these fictional tyrants that star in cautionary tales that take place in dystopian times.

Take President Erwin Rexall in the classic Frank Miller/David Gibbons mini-series Give Me Liberty. Though not the main character in the comic book, his presence in lieu of his harsh policies had an impact on Give Me Liberty’s heroine, Martha Washington. An exaggeration of Ronald Reagan, Rexall was a far-right, callous man who cared little for the average American. His successor, Howard Nissen was the complete opposite, a far left liberal who turned out to be a drunken incompetent. Eventually Rexall has his brain implanted into a robot’s body and continued his presidency after Nissen was assassinated.

A more infamous president was Lex Luthor as seen in the pages of Superman. Holding the highest office in the land, allowed Luthor to be an effective thorn on Superman’s side. Adding insult was Luthor’s early popularity, though he didn’t do anything to prevent aliens from destroying Topeka, Kansas. Eventually, he fell from grace and power thanks to the efforts of several superheroes.

But more well-known despotic heads of state have been seen on film. The most recent one was Mr. Thompson in Atlas Shrugged, Part II. Played by Ray Wise, Thompson, although never referred to as the president, is the socialist head of state in the U.S. who implements unpopular reforms and mandates that strip away citizens’ rights. Another recent tyrant was President Snow (Donald Sutherland) in The Hunger Games. He wasn’t a prominent character in the book but appears in the film. Seemingly laid back, Snow actually has a sadistic demeanor.

One truly despicable despot was Greg Stillson in The Dead Zone. Based on the Stephen King book of the same name, the hero Johnny Smith discovers with his psychic powers that a local politician (played by Martin Sheen) will become a crazed president who unleashes a nuclear holocaust. The future scenes where he defies everyone’s pleas and launches nukes were quite chilling. The character also showed up in The Dead Zone TV series.

While the U.S. has had youthful presidents (keeping in mind that presidents in their forties like Kennedy or Clinton or Obama are considered young), there was Max Frost (Christopher Jones) in the film Wild In The Streets. A socially conscious and ambitious rock star, Frost manipulates politicians to pass a constitutional amendment that lowers the voting age and when a person can run for president. This allows the youthful rocker, whose in his twenties, to ride a wave into the White House where he becomes a dictator that banishes old people into re-education camps.

The Incompetents

Not all future presidents are dictators, many are just not up to snuff. There was President Chet Roosevelt (John Ritter) in the comedy Americathon where a bankrupt U.S. has to hold a telethon to raise cash. Then there was President Dwayne Elizando Mountain Dew Herbert Camacho in Idiocracy who leads an illiterate nation and is all about style but no substance. By the end of Idiocracy, it falls on the modern-day hero who winds up in that future, Joe Bauers a.k.a. Not Sure, to begin the re-education and salvation of American citizens by becoming president himself. But the most ill-suited president has to be Peter Sellers’ indecisive President Merkin Muffley in Dr. Strangelove.

Leaders On Television

There have been notable presidents or leaders in several sci-fi TV shows. For instance Lisa Simpson in The Simpsons was shown to be president sometime in the future in the episode “Back To The Future”. The most recent world leader was President Elias Martinez in The Event. Skillfully played by Blair Underwood, the president seemed unsure of how to handle the alien refugees the government was holding captive, but by the series’ end, President Martinez became more determined and decisive in protecting the U.S. and the world. The show Jack & Bobby took place in modern times but was framed by bookending commentaries by people in the future. One of the boys featured in the show grows up to become president years into the future. In the anthology show The Outer Limits, one episode “Trial By Fire” featured a newly inaugurated President Charles Halsey (Robert Foxworth), who unexpectedly has to deal with a first contact situation. An alien armada is on its way to Earth and Halsey has to decide if they are friendly or not. President Halsey is wracked with the knowledge that his decisions will severely impact life on the planet.

But the best known fictional presidents in sci-fi TV have to be Laura Roslin (Mary McDonnell) and Gaius Baltar (James Callis) seen in the remake of Battlestar Galactica. Roslin was the sole surviving member of the president’s cabinet following a surprise robotic Cylon attack on humanity. Although inexperienced, Roslin quickly grows into her role, becomes presidential and ultimately helps save humanity. Baltar on the other hand is more complex. Best seen as an enigmatic anti-hero, Baltar is responsible for the near extinction of humanity by the Cylons. There were broad hints that Baltar was insane but cunning and he aided the surviving humans. Eventually Baltar defeated Roslin in a presidential election and settled humanity on a habitable world. His presidency was unpopular especially after he surrenders humanity to an invading Cylon force.

Heroic Leaders

Not all presidents in sci-fi are evil or incompetent. Many were shown in a positive light and were even heroic. Roslin in Battlestar Galactica was heroic during her appearances in the show. Superman himself served as president of the United States in a fantasy “future” story in Action Comics Annual #3. Thanks to his diplomatic skills, Superman/Clark Kent has a successful presidency where he brings about world peace and lowers the deficit (thanks to some help from Aquaman, who dredges up sunken ships laden with treasure).

Another potential president was Steve Rogers. In the pages of Captain America # 250 he is approached to run for president of the U.S. but eventually declines. In the comic book What If Captain America Had Been Elected President? # 26, Rogers has a successful presidency, one of his major accomplishments being to make America energy independent. In the mini-series The Last Avengers Story, it’s stated that in the future Rogers becomes president of the U.S. but is apparently killed in his third term. Recently in The Ultimates # 16 the Steve Rogers in that universe is elected president of the U.S.

Other positive presidents seen in movies include Tom Beck (Morgan Freeman) in Deep Impact, who helps the U.S. and the world to recover from a comet strike, and the two Federation Presidents seen in Star Trek IV: The Voyage Home and Star Trek VI: The Undiscovered Country. It should be noted that Captain Jonathan Archer from Star Trek: Enterprise eventually becomes the first President of the Federation. But out of all these fictional sci-fi presidents probably the most heroic one  is President Thomas Whitmore from Independence Day. Patterned loosely on Bill Clinton, Whitmore is a young, beleaguered commander-in-chief who heroically leads the nation in fighting off an alien invasion. Although his military role in the final counterattack against the aliens is implausible it was heroic. Seriously, it is a stretch to believe that one of the few remaining world leaders will be allowed to fly a fighter jet to lead an attack on alien invaders. But he does give one heck of a rousing speech. So would any of these candidates earn your vote?

Lewis T. Grove

Spider-Man’s Greatest Moments, Part II

Continuing a look at Spider-Man’s highlight in the past 50 years, there are more aspects of Spider-Man that has made him one of the most endearing and popular superheroes ever created.

Unlikely Savior

Though Spider-Man isn’t the most powerful superhero, his pluck and penchant for being in the wrong place at the right time make for captivating stories. Many times these out-of-his-element tales often took place in the pages of Marvel Team-Up. Other times he was a critical element in some wide-reaching storylines and comic books. For instance, it can be said that he was the heart of the Civil War mini-series. While that story dealt with Captain America and his forces squaring off against Iron Man and his side, Spider-Man was trapped in the middle of the war and both sides. At first, he supported Iron Man’s side about registering superhumans and revealed his secret identity to the world (Civil War # 2). But by the time the mini-series ended, Spidey switched sides and paid a terrible price as he was ostracized and his aunt nearly lost her life.

In other storylines, Spider-Man turned out to be instrumental in taking out an overly powerful enemy. Marvel Two-In-One Annual # 2 had him and the Thing taking on Thanos, who wanted to destroy our sun, and was holding the Avengers prisoner. After the Thing was defeated by Thanos, Spider-Man, as usual, was plagued with self doubt that he was out of his league. However, he overcame his inhibitiosn and freed the Avengers to fight Thanos. That wasn’t all, he alone freed the spirit of Adam Warlock to defeat Thanos, which turned the tide of the battle. Throughout this story, the metaphysical entities Master Order and Lord Chaos claimed that Spider-Man was chosen by them to fulfill his destiny by doing these actions.

Recent stories have shown Spider-Man taking on a larger role in saving the entire world and more. Who can forget the time that he was endowed with the cosmic powers of Captain Universe? Possessing fantastic powers, he even punched the Hulk into orbit, Spider-Man was given the powers to fight the menace of the Tri-Sentinel (The Amazing Spider-Man # 329). The most recent one occurred in the “Ends Of The Earth” story arc in The Amazing Spider-Man # 682-687, but more memorable stories include those featured in The Amazing Spider-Man # 678-679 (“I Killed Tomorrow”) where Spider-Man time travels in a desperate attempt to prevent New York City’s destruction and in The Amazing Spider-Man # 48, 49 (Volume 2) and The Amazing Spider-Man # 500. That story (“Happy Birthday To Me”) had Spider-Man squaring off against the mystical foe Dormammu.

Spidey’s Deadliest Foes

One of the most remarkable qualities about Spider-Man is his large and colorful rogues gallery. Many villains have been introduced over the years and most of them are quite memorable. They include the Lizard, Mysterio, the Sandman, Electro, the Chameleon, the Shocker and the Kingpin. But two villains vying for the dubious honor as his deadliest foe are Doctor Octopus and the Green Goblin. Introduced waaay back in the early issues of The Amazing Spider-Man (issues # 3 and 14 respectively), these characters were instantly popular. While Doctor Octopus continuously plagues the Wall-Crawler (and has a major role in the upcoming 700th issue of The Amazing Spider-Man) the Green Goblin took the mantle fairly early as his greatest enemy. That was because he discovered Spider-Man’s secret identity (The Amazing Spider-Man # 39, 40). Those two issues revealed that he was Norman Osborn, the wealthy father of Peter’s best friend Harry. Afterwards, Osborn would use that knowledge of Peter’s secret identity to deadly affect over the years. This culminated in his killing Peter’s girlfriend Gwen Stacy in The Amazing Spider-Man # 121. Continue reading

Recast Daredevil

 

Bit by bit, Marvel Entertainment is reclaiming its film properties under their own Marvel Studios. The latest acquisition is the blind superhero Daredevil. As recently as this summer Fox, who had the rights to the Daredevil property, tried to greenlight a Daredevil reboot but were unable to pull it off.

Whether or not Marvel Studios will launch their own reboot remains to be seen, but it seems likely given Daredevil’s popularity. Obviously Ben Affleck and the original cast won’t reprise their roles so who would be the best choices to play Daredevil and his gritty supporting cast? These are some possibilities:

 Ben Urich: The hard-nosed Daily Bugle reporter and Daredevil ally needs to be portrayed by someone who exudes integrity and intelligence. Tony Shalhoub should be offered the role in a Daredevil reboot.

 Stick: Daredevil’s blind mentor and sensei who taught him how to fight and use his extraordinary senses was a genuine old bad ass. Many online fans have opined that Scott Glenn would make a great Stick and frankly they are correct.

Bullseye/”Benjamin Pointdexter”: The mysterious master assassin and skilled marksmen is Daredevil’s deadliest adversary. The best actor for Bullseye has to give off a psychotic, vicious presence. He is someone who can be terrifying with his nihilistic demeanor and ability to make anything into a weapon. Jackie Earl Haley, who played a rebooted Freddie Krueger and Rorschach in Watchmen, makes a perfect Bullseye.

 Kingpin/Wilson Fisk: Daredevil’s greatest and most insidious enemy is a rotund powerhouse and master crime lord. Michael Clarke Duncan was an excellent Kingpin in Daredevil, sadly he’s no longer with us so he cannot reprise the role in a Daredevil reboot. Among the many other choices left to play the Kingpin, Philip Seymour Hoffman is the top pick (assuming he’s willing to shave his head or at least wear a bald cap), the actor is large and can do menacing villains, plus he’s one of the best actors around.

 Elektra Natchios: As a master assassin and Daredevil’s conflicted lover, Elektra needs to be played by someone who is strikingly beautiful and athletic. The wrong choice will doom the character from the start. That is one reason many say the original Daredevil didn’t work. There are plenty of superb candidates out there but Olivia Wilde is a dead ringer for Elektra. Tron: Legacy showcased her talents, looks and athletic prowess so she can do the role in her sleep.

 Karen Page: At first seen as a traditional secretary who later became Matt Murdock’s girlfriend, Karen Page has had a tortured history in the comic books. She eventually fell from grace, became a junkie who sold out Murdock’s secret identity before finally being killed off. She’s a tortured soul who needs to be portrayed by an actress who is beautiful and can do pathos. Emilie de Ravin, as seen on Lost, can break ground by bringing Karen Page to life on the big screen for the first time.

 Foggy Nelson: Matt Murdock’s law partner and best friend, Foggy seemed like the comic relief sorely needed by the grim comic book. But the slightly overweight lawyer was written as a complex, sympathetic person and one of Murdock’s strongest allies, who was often there for him when times were tough. Foggy Nelson shouldn’t be played strictly for laughs; check out the extended cut of the original Daredevil to get an idea of how he should be portrayed. For that reason, fan favorite Greg Grunberg seen in Alias and Heroes is an excellent pick for Foggy Nelson.

 Daredevil/Matt Murdock: Casting the blind superhero isn’t an easy task. Directors can’t just go with any stud actor. The person to take over the role of Matt Murdock from Ben Affleck needs to present viewers with a man possessing inner toughness, while having a conflicted nature. At the same time, this actor has to be able to pull off the lawyer act, in other words, he needs to be believably smart and convicted. At one point, one of the assigned directors of Fox’s failed reboot was interested in Tron: Legacy’s Garrett Hedlund. Although he’d be fine as Murdock, a better choice would be James Badge Dale. For comparison check out his roles in 24 (he played Jack Bauer’s junior partner in season three), The Pacific and Lexicon. Dale has all the qualities needed to play Matt Murdock and Daredevil.

The following enemies while not as prominent as say Bullseye would still make interesting secondary foes in a Daredevil reboot. The right casting and writing would make them very memorable. Also, the evil ninja group The Hand must make an appearance at some point in a reboot.

The Gladiator/Melvin Potter: Dwayne Johnson

Mister Fear/Larry Cranston, Alan Fagan: Bob Odenkirk

The Owl/Leland Owlsley: Oliver Platt

The Purple Man/Zebediah Killgrave: Robert Knepper

Typhoid Mary/Mary Walker: Milla Jovovich

José Soto

Spider-Man’s Greatest Moments, Part I

Marvel is celebrating the 50th birthday of their flagship superhero Spider-Man. He’s come a long way since appearing on the last issue of a failing science fiction comic book, but the minute he was introduced in Amazing Fantasy # 15, he became a sensation. Helping to usher in the so-called Marvel Age of Comics, Spider-Man was and is still Marvel’s most popular and iconic superhero. Over the years, our favorite Wall-Crawler has seen his highs and lows when it came to his storylines. There are too many to go through here, so let’s just highlight some aspects of them.

Insurmountable Odds

A hallmark of Spider-Man stories are those where he faces incredibly tough situations or foes. What makes them so special is that Spidey isn’t the most powerful superhero, he can’t shoot beams out of his hands, he can’t even fly. This makes him more relatable to us and is one of the reasons why he is so popular. He’s had to go up against villains that clearly outranked him in power and how he perseveres against them gave us some of the most exciting and hand-wringing stories. Who can forget that two-issue battle against the Juggernaut (The Amazing Spider-Man # 229-230)? Spidey fought this desperate battle against someone who could take on the Hulk. The Wall-Crawler tried everything but couldn’t make a dent against Juggernaut. Still, he wouldn’t give up, and somehow he stopped the Juggernaut by luring him into a bed of wet cement. Then there was his battle with the former Galactus herald Firelord (The Amazing Spider-Man # 269-270), where he shocked the late-arriving Avengers with his sheer will power as he managed to knock out Firelord.

But the best story that showed how determined Spider-Man can be was in the classic comic book The Amazing Spider-Man # 33. In the previous issue, he fought against Doctor Octopus at an underwater base and was left partially buried under tons of rubble and debris with water flooding. Meanwhile, inches away lay a canister containing a cure for his Aunt May’s latest ailment. He spent most of the issue struggling to free himself but failing. He berated himself, resigned to failure. But he couldn’t accept defeat not with his aunt’s life on the line. Spider-Man motivated himself and carefully maneuvered his body to free himself just in time. It was the most dramatic moment seen in a Spider-Man story and copied by others.

Marvelous Team-Ups

Ever since the very first issue of The Amazing Spider-Man, our favorite Web-Head was shown to be an integral part of the Marvel Universe. In the first issue, Spider-Man tried to join the Fantastic Four and ever since, he has butted heads and teamed up with Marvel’s rich roster of superheroes. Some were interesting in that he had unusual pair ups (Howard the Duck, Frankenstein’s Monster, the John Belushi-era Saturday Night Live cast and even Superman in the classic cross-company story Superman Vs. The Amazing Spider-Man) or Spidey was way out of his element (Spider-Man Vs. Wolverine one-shot and Marvel Team-Up # 41-46 where Spidey time travels from the past and into the future).

The most natural friendship he’s had has been with Johnny Storm, the Human Torch. The two heroes tended to behave like college roommates and ranked on each other. Some of their best meetings included the Christmas-themed Marvel Team-Up # 1, Spider-Man/Human Torch #1-5,and most recently with FF # 17. The latter was a hilarious tribute to mismatched buddy comedies like The Odd Couple and Two And A Half Men, where Parker and Storm briefly live together with the expected disastrous results.

But Spidey’s best team-up stories were in J.M. DeMatteis’ run in Marvel Team-Up #111,112, 114-125, 126-133. In those comics, DeMatteis showcased his writing chops with fun, thoughtful, amusing and sometimes poignant yarns that were able to touch a reader’s  soul (Marvel Team-Up #119, 120, 127). The best part is that these issues can be found relatively cheap in comic bins. Continue reading

The Dark Side Of Spider-Man

Art by John Romita, Jr.

One of the biggest gripes from detractors of the film The Amazing Spider-Man is that it has a dark tone. They blame it on the film studio, which wanted to emulate the mood of the recent, blockbuster Batman films. These critics complain that the character isn’t dark and this new interpretation of Spider-Man doesn’t work for that reason.

However, if anyone looks at the entirety of Spider-Man’s comic books, it can be seen that the character has had dark moments. He isn’t always this light-hearted, happy-go-lucky wise guy that breezes through life. A closer look will show that often his world is bittersweet. Just as often as he loses while he wins. Spider-Man may win a climactic battle against the Green Goblin, but his alter ego Peter Parker faces eviction because he doesn’t have the money to pay rent.

Or the web swinger faces public hostility and derision from the police who consider him an outlaw. Usually, stories in the comic books portrayed him as being persecuted by trigger-happy policemen.

Then there are the tragic periods in Parker’s life.

Dark Origin & History

To start, in his debut story (Amazing Fantasy#15), his uncle is killed by a burglar and Parker learns at the end of the tale that he is responsible for his uncle’s death because earlier in the story, he

Art by Ross Andru

selfishly refused to stop the burglar during an unrelated robbery. It may not compare with the agony of the Punisher’s family being gunned down by mobsters but it’s not anything lightweight. Actually most superheroes have some kind of tragic catalyst that turned them heroic.

Throughout his history, Parker has endured many hardships since he’s become Spider-Man. Probably the worst, after his uncle’s death, is the killing of his girlfriend Gwen Stacy at the hands of the Green Goblin in The Amazing Spider-Man #121. This affected him deeply for several years and is a monumental event in comics because it was one of the first times that a main character’s loved one was killed and marked the end of the silver age of comics.

Going Too Far To The Dark Side

Spider-Man has gone through several grim, brooding periods. Some were rather forced and done to sell issues. This happened in the early ’90s after his supposedly deceased parents showed up alive and well from issues #366-389 in the first volume of The Amazing Spider-Man. At the end of that storyline, they were revealed to be robotic doubles sent by his deceased friend Harry Osborn (a.k.a. the second Green Goblin) to basically screw with Parker’s head. For several issues afterward, the web swinger lost it, he gave up on his Parker identity and ran around town emulating a dark hero like Batman. These issues were poorly written because they went overboard with his psychotic reaction. Unfortunately, this events led to the infamous Clone Saga.

There was also the infamous undoing of his marriage that was done using  a convoluted meeting with the demonic entity Mephisto in the storyline “One More Day”. Going completely against character, the creators had Parker make a deal with the devil to save his aunt with his marriage to Mary Jane being wiped from history as a price. This incident probably damaged Parker more than any other because it showed that by agreeing to deal with the devil he lost part of his soul. He seemed much less heroic. It didn’t have to be that way, the editorial board could have just had him get divorced and move on with his life, but they tampered too much with Parker’s integrity.

Memorably Bleak Moments

Art by Mike Zeck

But the character has faced dark events that were successfully told. Take the classic storyline “Kraven’s Last Hunt”,  written by J. M. DeMatteis, where his foe Kraven the Hunter defeats him, puts him in a death-like state and even buries him alive. Later Kraven assumes Spider-Man’s identity and becomes a twisted, violent version of the hero. Parker has to literally claw his way out of the grave and face his inner demons afterwards.

Then there was issue #36 of the second volume of The Amazing Spider-Man. Known as the  “Black Issue” it’s the one where Spider-Man dealt with the 9/11tragedy. There wasn’t anything cheery or fluffy about this story or the character. In fact, it showed how helpless and angry the superhero felt and it worked because since Spider-Man is more of an everyman character, it was easy to identify with him. We all felt like he did during that terrible day.

The web slinger’s bleakest moment was obviously when he died in Ultimate Spider-Man # 160. In the “Death Of Spider-Man” story arc, the Ultimate Universe version of Spider-Man fought desperately against his greatest foes and met his end after defeating the Green Goblin. It was one of the character’s most unforgettable stories. Thankfully, readers still have Peter Parker to root for in the regular continuity.

Art by Mark Bagley

Of course, not every storyline is bleak and dreary. The comic books balance the mood all the time with gritty stories like “Kraven’s Last Hunt” to more fun-filled yarns like “Spider Island” and even heartwarming ones like “The Kid Who Collects Spider-Man” (The Amazing Spider-Man #248). Actually DeMatteis’ Spider-Man tales often took on a philosophical and poignant bent with memorable stories like The Amazing Spider-Man: Soul Of The Hunter a sequel to “Kraven’s Last Hunt” and “A Death In the Family” (The Amazing Spider-Man #400). The bottom line is that throughout many tales, he faced many moral dilemmas and almost always rises to the occasion.

A Light Misconception

The general public has this misconception that Spider-Man is some kind of goody two shoes and that is largely due to how he is portrayed outside of comics. It probably all started during his first cartoon series in the ’60s and when he appeared in silly live-action segments of the kids’ program The Electric Company. Then whenever he appeared in other animated shows, the more grimmer stories couldn’t be used. This however led to lightweight shows like Spider-Man And His Amazing Friends.

Sam Raimi’s Spider-Man films also contributed to this lightweight perception. In the first two films, the character swings around New York yelling out “Wahoo!” with swooning fans cheering at him (a rare occurrence in comic books) and leaves behind perfectly typewritten notes saying “Courtesy of your friendly neighborhood Spider-Man”. The movies were enjoyable but felt cheesy at times. Things took a turn for the worst with Spider-Man 3 where the attempts to have the character go dark were as laughable as anything seen in the Joel Schumacher Batman films. This isn’t a slight against Raimi, his first two Spider-Man films are fun to watch. If anyone is to blame for this perception it could be the marketing people who want to make sure the character is kid friendly in order to sell more merchandise.

Regardless of marketing efforts, it was refreshing to see the character in a more realistic light during the recent movie which balances thing out. After all, like it or not, sometimes life is dark, even for Spider-Man.

Lewis T. Grove