Phase Four Of The MCU: An Assessment

Now that Black Panther: Wakanda Forever and The Guardians of the Galaxy Holiday Special have come out, Phase Four of the Marvel Cinematic Universe (MCU) has come to a close.

On the whole, Phase Four turned out to be a mixed bag for the MCU films and now TV shows that came out during the phase which started last year with the streaming of WandaVision. While some of the films and TV shows were well beloved and successful, others turned out to be huge disappointments, both critically and financially. Of course, the financial disappointments can be rightly blamed on the COVID-19 pandemic which kept filmgoers away from theaters. It should be pointed out that some of the MCU TV shows that streamed on Disney + were more popular, well received and watched than other MCU TV shows.

Given the mammoth success of the previous phases of the MCU, the diminished success of Phase Four may be surprising to some fans. However, this was inevitable given the lack of cohesion and direction of the phase, and the uneven quality of the efforts.

Hard Act to Follow

So what exactly happened? There are many reasons and theories but one thing to keep in mind is that it is impossible to remain on the top once you have achieved success. The MCU films were at the height of their success and popularity by the time Phase Three ended in 2019 with Avengers: Endgame and Spider-Man: Far From Home. Marvel Studios had a difficult challenge to maintain that level of success given that for the most part the overall story line of the MCU came to a definite conclusion with Avengers: Endgame. Sure, there were a few dangling plot threads, but if someone walked away from viewing the MCU at that point, there was a feeling of finality. What else could be done at that point with the MCU? Comic book fans knew that there were always new story lines after a successful comic book arc with new villains and threats, but the average moviegoer does not know that or even cares. Plus, the final films of Phase Three did not drop any hints of new threats to the MCU. The only significant plot thread that needed to be resolved was Spider-Man’s secret identity dilemma at the end of Spider-Man: Far From Home, which could have been unresolved due to squabbles between Marvel Studios and Sony Pictures.

Then there was the fact that the two most popular characters in the previous MCU films, Iron Man and Captain America, were written out of the MCU and would not return. Without those two headliners, there were not any clear successors to pick up the mantle and continue the momentum. The next choices to be the MCU flagship characters were problematic. Spider-Man and the Hulk are embroiled in legal obstacles as Marvel Studios does not own their film rights. Chadwick Boseman, who played Black Panther and was emerging as a breakout star in the MCU, unfortunately passed away. Meanwhile, Chris Hemsworth, who plays Thor, announced that he is stepping away from acting to deal with a recent diagnosis that he is predisposed to developing Alzheimer’s disease.

In other words, Phase Three was a hard act to follow.

Mixed Reactions & Executions

It did not help that the announced films and TV shows for Phase Four for the most part did not bring about the over-the-top anticipation and excitement that previous films did. The exception to that was the announcement that the tensions between Marvel Studios and Sony were resolved and that a new Spider-Man film would be released.

Let’s face it, no one was clamoring for an Eternals film yet it was given a big announcement. The characters were not even popular with comic book fans, yet they had a film while more popular characters that didn’t cross over to the live-action medium still did not have a film or TV show under development.

On the other side of the coin, it has to be considered that execution is very important. Even if a character is not popular, with the right filmmaker and creative team that character could be successfully presented on film or TV. Want some examples? Look at Guardians of the Galaxy, Ant-Man and Doctor Strange. Even Iron Man and Captain America have to included, as well. At the start of the MCU, Marvel Studios lacked the film rights to Marvel Comics’ most popular characters like Spider-Man or the X-Men. So, the film studio had to make do with what they had. They recruited topnotch talent who were able to deliver winning films. With Phase Four the execution of its films and TV shows was certainly muddled.

WandaVision was one of the most popular and successful entries in Phase Four, though it had its faults, namely its conclusion. The TV series set the template for other TV shows in that the final episode felt rushed and left viewers wanting more. It did not help that the episode was overhyped with undelivered promises of guest stars that ended up disappointing everyone.

The other MCU TV shows that followed had the same issue with executing the landing with one exception: She-Hulk: Attorney at Law. But that show had major issues and its reputation was probably salvaged by its final episodes.

Other TV shows were not as fortunate. Usually the first couple of episodes were finely executed and engaging, but the middle episodes were often a drag to watch before rushing towards its finales. Many of the shows only had six episodes, which was not enough time to flesh out the characters and plot lines.

One example to look at was Moon Knight. Just like its titular character, the show was schizophrenic. First it started off as a mystery about Marc Spector and the reveal of his costumed identity as Moon Knight. But midway through the series, the show abruptly shifted gears thematically and became a kind of Indiana Jones knock off with the hero running around Egypt and fighting thugs while finding a lost tomb. Then once that arc was over, Moon Knight turned into a metaphysical drama where the hero and the viewers wonder about reality. Finally in its last episode, the show rushed headlong into a series of fight scenes, some which featured dueling, gigantic Egyptian gods. It’s easy to understand why so many were put off by Moon Knight’s abrupt shifts in tone and story lines, and unclear thematic direction.

Lack of Focus and Direction

The issues with Moon Knight with its lack of focus and direction could also be seen with other Phase Four projects.

The first three phases of the MCU had a clear direction, with most of the films laying hints to what was to come. This meant that the films were interconnected, yet structured in a way that for the most part they could be viewed separately. Phase One of the MCU built itself up to the formation of the Avengers. Once it did, the final film of Phase One, The Avengers, gave us a hint of what was to come with the reveal of Thanos, who threatened Earth. With Phase Two, the Thanos threat became more prominent, yet stayed in the background as the second phase concentrated on growing tensions for the superheroes, while introducing new heroes and villains. Phase Three was the climax of the Thanos story arc, where the MCU heroes had to reunite after the Avengers broke up and confront the supervillain.  

From the very start of its films, Phase Four was shown to have lacked a clear direction. Black Widow was the first Phase Four film, but it took place during Phase Three and aside from a post-credit scene that tied to Hawkeye, did not present a direction for Phase Four.

The new threat of Kang the Conqueror was Phase Four’s answer to Thanos, but his looming threat was not as well defined as with Thanos. Introduced in Loki, Kang presented himself as a threat to time itself and the reason behind the fracturing of the Multiverse. Yet, the two MCU films and TV show that addressed the growing problem with the Multiverse (Spider-Man: No Way Home, Doctor Strange in the Multiverse of Madness, and What If…?) did not make any connection to Kang.

Meanwhile, the other MCU films of Phase Four were independent of this Kang threat. Shang-Chi and the Legend of the Ten Rings was an early Phase Four film that had a potential running plot thread about the nature and origin of the mystical bracelets adorned by Shang-Chi, but nothing came of this in the films and TV shows that followed. Eternals introduced the threat of the Celestials but that film seemed to have existed in another universe given the fact that by the end of that film a giant stone statue appeared in the ocean that would have wrecked the Earth’s climate. Yet, this was not mentioned in other films or TV shows (aside from an obscure Easter egg in She-Hulk: Attorney at Law). Nor has anyone on Earth reacted to the fact that a gigantic alien appeared over the planet at the end of Eternals.  

The films were not alone with the lack of continuity and cohesion. In The Falcon and the Winter Soldier, Sam Wilson became the new Captain America by the end of the show. This is a major deal, but subsequent films and TV shows did not reference this.

This probably would be forgiven if the fourth phase ended with a full reveal of Kang. Instead that will happen next year in Ant-Man and the Wasp: Quantumania, the first Phase Five film. In hindsight, it probably would have been better for Phase Four if it concluded with Ant-Man and the Wasp: Quantumania.

It seems as if the films and TV shows were presented out of order, which is frankly confusing. No viewer should have to go to supplemental materials or YouTube videos to figure out what was going on. One theory making the rounds online is that these films and TV shows actually take place in separate universes. This would explain the lack of continuity and cross-referencing with the projects. If this was the case, then the final film or TV show should have revealed this, so at least it would make better sense to viewers. But the more likely explanation is probably the difficulty Marvel Studios had with coordinating all these projects at once.

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DC Films’ Pending Comeback

It has become a bit of a running joke and a sore point for fans of DC Comics that the films based on the popular comic books have not been as well received as those from Marvel Studios.

For years, the films of the DC Extended Universe (DCEU) have had a mixed reaction from critics and fans. The result was a perceived lack of quality or consistency, which was quite frustrating as the potential for the films and various DC characters was squandered. Two examples are Superman and Batman. After their joint film Batman v Superman: Dawn of Justice turned out to be disappointing it seemed as if DC Comics’ owners Warner Bros. (now Warner Bros. Discovery) gave up on the two characters, especially Superman, and focused on DC films not set in the DCEU.

Then there were extensive behind-the-scenes production problems, the most recent and glaring were the issues behind The Flash and its star Ezra Miller. Other properites were announced then abandoned. These issues in turn gave the perception that properties from the DCEU were inferior or at the very least were inconsistent as the film universe lacked direction.

This will all change thanks to the hiring of James Gunn and Peter Safran who will take over the newly formed DC Studios. The duo promise to bring a creatve and consistent approach to the DC films, TV shows, animation and other media. While the non-DCEU films and TV shows will continue to be made, such as sequels to Joker and The Batman, the two film executives will have a firm hand on the DCEU films and TV shows. Needless to repeat to fans that the two are well known for their work in previous DCEU films such as Aquaman, Shazam!, The Suicide Squad, and Peacemaker.

Also worth mentioning is that Warner Bros. Discovery has had a change of heart when it comes to Superman. Henry Cavill who originated the role with the first DCEU film Man of Steel, has already reappeared in the DCEU with a cameo in Black Adam, and will star in a new solo Superman film.

Meanwhile, Ben Affleck, who played Batman in the early DCEU films is also slated to return and in fact will appear as the Caped Crusader in The Flash, Aquaman and the Lost Kingdom, and future DCEU films.

After the release of next year’s Aquaman and the Lost Kingdom, it is not clear what exactly lies ahead for DCEU films. At this point, all we can speculate on are reports of another Wonder Woman film being developed, as well as sequels to Black Adam and The Flash. But keep in mind that David Zaslav, the president and CEO of Warner Bros. Discovery has committed to developing a 10-year plan for the DCEU films. With the proven and talented guidance of James Gunn and Peter Safran, DC Studios will be quite successful with the effort.

It is an exciting time for DC fans, as the future holds a lot of promise for the DCEU. Now, if only we can get some kind of confirmation of a Green Lantern film…

Werewolf By Night Harkens Back To Classic Horror Films

The latest offering from the Marvel Cinematic Universe (MCU), Werewolf by Night, was just released on Disney + in time for the Halloween season. Werewolf by Night is actually a rarity these days, a television film and only about an hour, at that. More interesting is that like many projects in the MCU’s Phase Four, it is not the typical superhero slugfest. In fact, the film does not make any kind of overt connection to the larger MCU, but it ends up enriching the MCU with its solidly supernatural motif.

Filmed largely in black and white, the film follows Jack Russell (Gael Garcia Bernal), a so-called monster hunter, who arrives at a spooky manor and participates in a ceremonial hunt of a captured monster held in a maze in the manor’s grounds. The prize for finding the monster is a mystical stone called the Bloodstone that was once wielded by Ulysses Bloodstone, who died recently. During the hunt, Jack teams up with fellow monster hunter Elsa Bloodstone (Laura Donnelly), the estranged daughter of Ulysses Bloodstone. Jack is only interested in finding the monster, while Elsa wants the Bloodstone. During the hunt the two must deal with rival monster hunters and Jack’s hidden secrets.

Werewolf by Night, is surprisingly fun and spooky. It clearly harkens back to the old Universal classic horror films from the ’40s featuring Dracula, the Wolfwman and other famous monsters. But the film also has a grindhouse, 1970s feel with its graphic violence (muted by the black and white photography), it is probably the most violent MCU offering to date and is appropriate for this kind of project.

The film’s atmosphere is perfect for the story it tells and has the right amount of jump scares and thrills. The film could have benefited from a slightly longer length to flesh out the story and characters, but supposedly there was extra footage that was deleted because they were too comical and Marvel Studios is smarting over recent criticism that their projects are too comical. It would be a joy to see a followup to Werewolf by Night, as there is so much about Jack Russell and Elsa Bloodstone that we viewers are not aware of and there is a lot of potential with the those two. Also, it would be interesting to see how they fit in with the larger MCU, and the same goes for the third standout character in the film, Man-Thing. In addition to the Werewolf, the hulking, moss-covered monstrosity is perfectly comics accurate and imposing. The effects used to bring the creature to life were very impressive, in fact, it was clear most of the film’s budget was held back to benefit Man-Thing’s appearances. If anything, a Man-Thing spinoff film or series must be made.

As for the title character, he was obviously a person wearing monster makeup, but it was a refreshing throwback to the CG that has taken over. More importantly despite the low-tech approach to how he is presented, the monstrous Werewolf was very terrifying with his savage and animalistic fights.

Director Michael Giacchino creates a moody and dark atmosphere filled with shadows and a sense of dread, which is what made the old Universal horror films so beloved. His directorial debut is quite impressive given that he is best known for his distinct film scores (by the way, he also scored this film and his work was brilliant as always). Given the way he was able to bring out the scares and deliver a solid horror film, he should be seriously considered to direct the Blade film, given that Marvel Studios is now scrambling to find a director for that project. Werewolf by Night demonstrates that Giacchino has the skills to give us a great vampire film.

Unlike some misfires in Phase Four of the MCU, Werewolf by Night is a textbook example of doing something different that engages the viewers and unveals spooky new corners of the growing MCU.

José Soto

The Return Of Hugh Jackman As Wolverine In Deadpool 3!

The news lately about Marvel Studios and the Marvel Cinematic Universe has been a series of downers as fans have become frustrated by delays, non-announcements and disappointing films and TV shows. However, most were elated this week when Deadpool star Ryan Reynolds announced that not only was Deadpool 3 officially being made but that it would co-star Hugh Jackman returning to his iconic role as Logan/Wolverine.

This was very exciting news considering that Hugh Jackman’s last performance as the famous X-Men hero was in 2017’s Logan and the character died in that film. At the time Logan was released, Jackman announced that he would no longer play the role, which saddened many, but led to wild speculation about who would eventually replace him. This speculation went into overdrive when Disney acquired Fox Studios and the film rights to the X-Men characters in 2019.

One thing frustrating fans of the X-Men is that although Disney and Marvel Studios has had the film rights to the X-Men and associated mutants since 2019, very little was done with the characters. Not even the recent announcements about Phase Five and Six of the MCU revealed anything hinting at the X-Men or even mutants. Sure there have been some revelations that Ms. Marvel, Namor and possibly the Scarlet Witch are mutants in the MCU, but nothing else.

What also made the recent Phase Five and Six disappointing was that Deadpool 3 was not part of the announced MCU films and TV shows even though Ryan Reynolds had been quite vocal about wanting to reprise the role and reports he was in negotiations with Marvel Studios for a possble Deadpool 3.

Well, it turns out that our patience has been rewarded, as Deadpool 3 will begin filming for a September 6, 2024 release. Of course, sweetening the announcement was Jackman’s return as Wolverine. Just the announcement of a third Deadpool film was fine enough, but this added bonus is enough to make the film one of the most anticipated films coming out that year.

As to what would the film be about and how it would fit in with the MCU is anyone’s guess at this point. Reynolds confirmed that the Wolverine that appears in Deadpool 3 would be a separate variant than the one seen in Logan. This is similar as Professor X’s (Patrick Stewart) appearance in Doctor Strange in the Multiverse of Madness where it was fairly clear that even though Stewart played Professor X, the one seen in the film was different from the one featured in the Fox X-Men films. It is possible that Deadpool and Wolverine will appear in the Fox X-Men universe, which has conflicting continuity, and somehow crossover into the MCU. Perhaps the two will tour various universes in a loose adaptation of Deadpool: Merc With a Mouth. It is also possible that Deadpool’s time-traveling antics at the end of Deadpool 2 causes the deadly interdimensional incursions introduced in Doctor Strange in the Multiverse of Madness. Hopefully Deadpool 3 will actually turn out to be a superhero version of a cop/buddy film as Reynolds hinted because it would be hilarious seeing Wolverine playing a straight man to Deadpool’s zaniness.

There are questions about the Fox X-Men film universe though, namely will other characters from that film series appear? Will that film universe be destroyed in an incursion? Will Deadpool 3 serve as the swan song for the Fox X-Men film universe or will some characters become part of the MCU or take part in Avengers: Secret Wars? Deadpool himself is a definite character who will appear in that epic Avengers film. But the most important question is will Wolverine finally don a comics-accurate suit?

One thing to keep in mind is that while it is terrific that Hugh Jackman is reprising his role as Wolverine, his appearance just kicks the can down the road as to who will eventually play the character in the MCU. Not only that, but it keeps reinforcing the notion that only Jackman can play Wolverine, which will make the re-casting of the mutant superhero harder for fans to accept.

This dilemma is something to worry about for another time, and should not detract from our celebration of the news that Deadpool 3 is coming and Hugh Jackman’s Wolverine will be part of the package.

D23 Expo 2022: A Great Disappointment For Marvel

For some time, fans expected the presentation by Marvel Studios at this year’s San Diego Comic-Con (SDCC) to pale when compared to this weekend’s D23 Expo 2022. The last D23 convention was jammed with exciting announcements about Marvel Studios. Being that D23 is prepared by Disney and devoted to its properties, one would think all mind-blowing announcements and presentations about Marvel Studios would be revealed at D23 after this summer’s SDCC. For weeks, the rumors have been flying fast about pending casting announcements for upcoming Marvel Cinematic Universe (MCU) projects. Supposedly, Deadpool 3 was to be announced with a special appearance by Ryan Reynolds; Henry Cavill, Denzel Washington, Jodie Comer, and numerous actors were to be announced as being cast for several MCU films and TV shows; the cast for the Fantastic Four would be revealed. Did any of that happen? NOPE.

There weren’t any major, new announcements, except that Matt Shankman has been officially announced as the director of the Fantastic Four film, and Armor Wars has been re-confirmed as going into production. The Marvel Studios presentation consisted of films and TV shows that we knew about. We did get some casting announcements such as Ke Huy Quan appearing in the second season of Loki, and that Tim Blake Nelson will appear in Captain America: New World Order as the Leader, With that last revelation does this mean that the Hulk will appear in Captain America: New World Order? The Leader is a Hulk villain, after all.

We did learn that a lot of footage and trailers were presented at D23 about Black Panther: Wakanda Forever, Echo, Loki, The Marvels, Ant-Man and the Wasp: Quantumania, and Ironheart. Too bad, most of us cannot see them. Based on Twitter and other social media feeds by those lucky enough to have attended the presentation, the footage sounded great, but no one else could see the footage. All we received were TWO trailers. One for Secret Invasion, which has the look of a solid spy thriller, and Werewolf By Night, a one-shot film coming next month on Disney +. It is both surprising and concerning that Werewolf By Night will stream on October 7, less than a month from now, but it is only now we are seeing any footage. Honestly, the black-and-white trailer makes Werewolf By Night look very campy while evoking the mood of an old Universal horror film and a grindhouse film. But it could be good.

Perhaps the most intriguing news coming out of the Marvel presentation was the revelation of the Thunderbolts lineup. The Winter Soldier (Sebastian Stan), U.S. Agent (Wyatt Russell), Yelena Belova (Florence Pugh), Red Guardian (David Harbour), Taskmaster (Olga Kurylenko), and Ghost (Hannah John-Kamen). Basically, the lineup seems like a reunion of cast members from The Falcon and the Winter Soldier and Black Widow, plus a return of a villain from Ant-Man and the Wasp. So, no Abomination or Baron Zemo as everyone expected. Still, just the inclusion of the Winter Soldier is enough to get excited over the Thunderbolts.

As it can be seen, there wasn’t any announcements about other MCU projects. No news on Blade, Deadpool 3, zilch about the X-Men, not even anything on the Guardians of the Galaxy Holiday Special, which is supposed to be streaming in a few short months, or Guardians of the Galaxy, Volume 3. Keep in mind that an exclusive trailer for that film was shown already at SDCC. They could have at least released it to the general public.

Even if Disney could not show exclusive footage to the general public for their MCU projects, at least release an image. Let us see a better look at Namor or Kang! Releasing two trailers does not cut it.

On the other hand, the Star Wars presentation was better, with its highlight being the release of the trailer for the third season of The Mandalorian. With the Star Wars presentation, not everything was shown to the general public, but at least enough was released. Even the Disney animated films presentation from yesterday was more interesting.

Blame it on our unrealistic expectations and for giving in the hype and speculation, but aside from the few thousand people who attended D23, the Marvel Studios presentation was a disappointment for everyone else. This was the first live D23 since the pandemic and the excitement was wild, Disney could have made some exciting and surprising announcements on the level of Avengers: Secret Wars at SDCC, but nothing new was revealed. Overall, the Marvel presentation was almost as disappointing as the presentation by Warner Bros. about their upcoming DC films and TV shows at SDCC. Yes, that bad.

Disney definitely dropped the ball at D23 with Marvel Studios and the MCU. Hopefully, future conventions and presentations will improve, but we should temper our expectations and be realistic.