Category Movies

Jul 24 2022

The MCU Returns To Comic-Con

San Diego Comic-Con made a huge return this weekend after a couple of years of inactivity thanks to the pandemic. Demonstrating that life in geekdom was returning to normal were all the presentations by and appearances of countless companies and individuals for the genre properties we love.

The big news this weekend at Comic-Con was the bigger-than-exptected splash made by Marvel Studios about their upcoming properties. Marvel Studios President Kevin Feige appeared in Hall H of the convention and made several exciting announcements, which included the revelation that Phase Four of the Marvel Cinematic Universe (MCU) will end this year with the release of Black Panther: Wakanda Forever. By the way, the presentation for Black Panther: Wakanda Forever was quite emotional given the loss of Chadwick Boseman. However, the trailer released for the film was exciting with the reveal of Namor the Submariner and the Atlanteans.

Phase Five of the MCU starts next year with the release of Ant-Man and the Wasp: Quantumania on February 17, 2023, and concludes on July 26, 2024 with Thunderbolts (Marvel’s version of the Suicide Squad). Other films and TV shows, which will stream on Disney+, during Phase Five include Secret Invasion (spring 2023), Guardians of the Galaxy, Volume 3 (May 5, 2023, and by the way the leaked images of a baby Rocket Raccoon were adorable!), The Marvels (July 28, 2023), Echo (summer 2023), Ironheart (fall 2023), Blade (November 3, 2023), Agatha: Coven of Chaos (winter 2023), Captain America: New World Order (May 3, 2024), and Daredevil: Born Again (spring 2024). The last two entries were the most exciting announcements as the fourth Captain America will feature Sam Wilson (Anthony Mackie) who takes up the mantle of Captain America, while the new Daredevil TV series will have Charlie Cox resuming the title role he originated in the Netflix series. Fans have been teased about Daredevil with Matt Murdock’s appearance in last year’s Spider-Man: No Way Home, and even more enticed by his quick cameo in the latest trailer for She-Hulk: Attorney at Law. The She-Hulk series looks like fun, even though some of the CG still looks sketchy.

However, Feige was not finished. He announced the most important Phase Six MCU films, and the sixth phase will begin with Fantastic Four on November 8, 2024 and continue on and conclude with two Avengers films! Avengers: The Kang Dynasty on May 2, 2025 and Avengers: Secret Wars on November 7, 2025.

Of course, there are significant gaps in the release schedule for unannounced projects, which could go to future Spider-Man films or something to do with the X-Men. Keep in mind, that despite all the buzz going into Comic-Con there was not an official announcement that Deadpool would join the MCU and not a word was mentioned about possible followups to successful Phase Four properties like Doctor Strange or Shang-Chi. But more information will be revealed in the September 10, 2022 D23 Expo. Perhaps the cast and director of Fantastic Four will be announced by then or it will be revealed that the Russo Brothers will direct the new Avengers films.

When it comes to Spider-Man, aside from some details on the upcoming animated series Spider-Man: Freshman Year (which won’t take place in the MCU), there weren’t any annoucements by Sony Pictures, who owns the film rights to Spider-Man, about the future of the MCU Spider-Man. However, given the mammoth success of Spider-Man: No Way Home, a fourth MCU Spider-Man is inevitable, as are the future hot garbage Sony is filming like Kraven, El Muerto, and Madame Web.

Surely, there were other huge announcements at Comic-Con that did not deal with Marvel or the MCU, but they paled compared to Marvel Studios. It should be noted that Marvel Studios’ rival, Warner Bros. Discovery had a presentation about their DC film properties, which turned out to be a bit of a dud hampered with controversy. One of the big rumors going into Comic-Con was that Henry Cavill would appear or there would be an announcement that the actor would return to play Superman in either Black Adam or an upcoming DC Extended Universe (DCEU) film. But the actor was a no show, which melted the internet as furious fans lamented about this and the fact that the only involvement director Zack Snyder will have with DC properties will be an appearance in the animated show Teen Titans Go! The only revelations made about the DCEU were two trailers for Black Adam and Shazam! Fury of the Gods. But nothing about upcoming DCEU projects like Blue Beetle and The Flash. It’s a shame because both DCEU trailers were very well done. Perhaps if Warner Bros. Discovery puts out another DC Fandome with more and substantial announcements then all will be forgiven, but to date there is not any information about a DC Fandome for this year.

Getting back to Marvel Studios and the MCU, the announcements were expected, but a pleasant surprise when they were officially announced. What was unexpected was that the early films of Phase Five were anticipated to be part of Phase Four, which seems to have ended prematurely. This could be because of the mixed reaction to Phase Four and a decision could have been made to end it soon in order to give fans a sense of starting over with more alluring and crowdpleasing films and TV shows in the next phase. So, even though Phase Four of the MCU turned out to be a mixed bag, fans can put that behind and look forward to what awaits with Phase Five, Six and beyond.

Jul 16 2022

The Stumbles Of The MCU’s Phase Four

The toughest thing about being king of the mountain is staying there to paraphrase an old saying. Marvel Studios head Kevin Feige is certainly experiencing this now given the stumbles and headaches with Phase Four of the Marvel Cinematic Universe (MCU). The film universe devoted to the Marvel Comics heroes absolutely ruled the box office in the past decade with their interconnected films. Many memorable characters became part of our popular culture in a way not seen since the original Star Wars films. The MCU reached its zenith in 2019 with the release of Avengers: Endgame, as that film concluded the Infinity Saga. But since then, there are cracks in the once-invincible armor of the MCU as their recent entries in film and television streaming have had a mixed reaction from fans and critics.

The films and TV shows are successful as seen with most recently with Thor: Love and Thunder and Ms. Marvel. However, in the past an MCU entry would both be well received by fans, critics and profitable. But as seen with the most recent entries that is no longer the case. Thor: Love and Thunder was not as well received, but it is a genuine box office hit, while, Ms. Marvel received excellent reviews, but was the least viewed MCU TV show. This is nothing new with Phase Four of the MCU, which began when Black Widow was released in theaters and streamed at the same time on Disney+ in May 2021. Due to the pandemic and the availability of the film on home media, Black Widow did not make as much money as many of the previous MCU films and had a middling reception by critics and fans. As the pandemic eased and subsequent films were released exclusively in theaters, they performed better with Spider-Man: No Way Home becoming the biggest hit of Phase Four and acclaimed by fans and critics, alike. But most of the other film entries have proven to be controversial or derided by all.

Doctor Strange in the Multiverse of Madness is an excellent example as it was equally revered and derided, Some enjoyed the more viceral horror elements of the film, but others complained about the film’s content, the way certain characters were treated and so on. Others wanted to see more bizarre explorations of other dimensions and alternate takes of the MCU aside from the Illuminati. Basically, these critics felt the so-called Mulitverse of Madness did not live up to its name.

That leads to another gripe with the recent MCU fare. Before a film or TV show comes out, the speculation about who will appear in them goes overboard which will disappointment fans. This was evident with WandaVision when one of the TV show’s star promised an important character would appear in the last episode, leading to wild rumors that the X-Men would finally debut in the MCU, but this did not happen. Then there were all the supposed cameos for the second Doctor Strange film that never materialized. What is more infuriating are the reports that many characters were supposed to appear in these films and TV shows, but for one reason or another these appearances did not happen.

Here are some examples: Doctor Strange was supposed to appear in a cameo in WandaVision, Deadpool was supposed to pop up in a post-credits zinger in Doctor Strange in the Multiverse of Madness, director Sam Raimi was supposed to reunite with Tobey Maguire as the universe of Spider-Man was supposed to be visited in Doctor Strange in the Multiverse of Madness, Beta Ray Bill would finally debut in Thor: Love and Thunder, Werewolf by Night was supposed to appear in Moon Knight, and so on. Now, the speculation continues as Doctor Doom will supposedly make his MCU debut in Black Panther: Wakanda Forever and that Ben Grimm and Matt Murdock will turn up in She-Hulk: Attorney at Law. This speculation is a great way to generate interest but it is bound to disappoint many, no matter what. Of course, there have been notable and important cameos in the Phase Four films and TV shows, such as the characters from the Netflix Marvel TV shows turning up in Hawkeye and Spider-Man: No Way Home, Captain Marvel appearing in a post-credits scene of Ms. Marvel, and of course the appearances of several Marvel heroes like Reed Richards and Professor X in Doctor Strange in the Multiverse of Madness.

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Jun 30 2022

The Legacy Of E.T. The Extra-Terrestrial

Forty years ago this month, E.T. the Extra-Terrestrial was released in theaters and captured the collective hearts and minds of moviegoers everywhere in 1982. To say it was a cultural phenomenon is certainly an understatement, yet it can be hard to believe for those who were too young to remember or were alive at that time. That is because unlike other culturally relevant properties from that time period like Star Wars, Star Trek, Alien, etc. E.T. The Extra-Terrestrial did not have the staying power in our collective minds.

Regardless, the sci-fi film by legendary director Steven Spielberg is a bonafide classic that knows just how to hit a viewer in the feels. Spielberg was in top form (and remains so to this day) and received a well-deserved status as a master storyteller with his tale of a stranded alien being in the forests of California who befriends a lonely boy, Elliott (Henry Thomas). As Elliott introduces the being he calls E.T. to his suburban lifestyle and pop culture, he does what he can to keep E.T. hidden from the outside world while E.T. tries to contact others of his kind to rescue him. The film boasted many classic Spielbergian tropes and themes, such as a reverance for middle-class childhood while exploring family trauma, examing a magical sense of wonder about the world through the use of lighting, pop cultural references, and of course, those famously long natural takes that define a Steven Spielberg film.

E.T. the Extra-Terrestrial is a fairly simple tale about an unlikely interstellar friendship or as a sci-fi version of a boy and his dog tearjerker, but the film excels in emotion and Spielberg pulled out all of his skills to wrench our heartstrings. He was aided by an exemplary filmmaking team which included special effects guru Carlo Rambaldi, a deeply emotional script by Melissa Mathison, genuine acting by the cast, breathtakingly beautiful cinematrography by Allen Daviau, and John Williams brilliant score. The master composer won a well-deserved Oscar for the film as the film won several technical Oscars. Unfortunately, E.T. the Extra-Terrestrial failed to win the major Academy Awards like Best Picture or Director because by the time the awards ceremony came around, the allure of the film had worn off and the Academy instead bestowed the major awards to more standard fare like Gandhi. Go figure.

Perhaps if E.T. the Extra-Terrestrial had won the major awards it may have been more remembered these days. Another reason could be because the film was overhyped by media and in-your-face marketing and merchandising during that time and it finally burned out its good will after some time. It may be hard to imagine today but think of the constant merchandising of Star Wars, the Marvel and DC films, and Jurassic Park and picture that for one film that dominated the box office for 16 weeks straight. This is something that would be nearly impossible to pull off today in our fractured society. Many films released that summer in 1982 fared poorly because E.T. the Extra-Terrestrial sucked out all of the air from the competition. What is ironic is that many of those films are better remembered today and are considered classics in their own right. These include Blade Runner, Star Trek II: The Wrath of Khan, Tron, and The Thing.

Yet, another factor that probably impeded E.T. the Extra-Terrestrial’s legacy is that no sequel film or reboot was ever made to keep the film in the public consciousness. The closest instances it received for follow ups were a sequel novel by William Kotzwinkle called E.T.: The Book of the Green Planet, a well-received 2019 Xfinity commercial featuring a now-adult Henry Thomas, who is reunited with E.T., and then introduces the alien to his family, and a theme-park ride at Universal Studios Florida, Japan and Hollywood (the Hollywood and Japan versions closed down years ago).

As to why Spielberg did not adapt this novel or went ahead with a film sequel, the answer is that E.T. the Extra-Terrestrial holds a special place in his heart and he did not want to dilute it with follow ups. However, he did consider it. He and Mathison wrote a treatment in 1982 called E.T. II: Nocturnal Fears, which would have had Elliott and his friends kidnapped by evil aliens and E.T. rescuing him. But as we all know, Spielberg abandoned the idea and moved on to other projects. The last time E.T. was actually seen in theaters was when he and members of his race appeared in a gag cameo during Star Wars Episode I: The Phantom Menace.

Even though the film is not in the forefront of the public these days, it is still fondly remembered and still commands attention as seen with the positive word of mouth from the 2019 commercial and successful re-releases in theaters and home media. During its 20th anniversary the film was re-released and Spielberg altered the film with improved special effects, deleted footage and digitally altering a scene where federal agents who originally brandished guns and threatened E.T., Elliott and his friends, now had walkie-talkies instead. Spielberg has changed his mind about the alterations and encourages that only the original film be viewed.

With so many properties commanding our attention these days, it is so easy to overlook E.T. the Extra-Terrestrial, which would be foolish. The film is a cinematic wonder that should be required viewing for film buffs, genre fans and families. Simply put, E.T. the Extra-Terrestrial is a perfect showcase for the artistry and magic of Steven Spielberg.

Jun 12 2022

Jurassic World: Dominion Is A Thunderous Epic Conclusion

The final film in the second Jurassic Park trilogy, Jurassic World: Dominion, has been released to mixed to negative reviews, which is puzzling. Yes, it has its flaws, but on the whole, the film is a sprawling dino-epic that is a satisfying conclusion (for now) to the Jurassic Park films.

Jurassic World: Dominion takes place several years after Jurassic Park: Fallen Kingdom and we see the global impact of that film’s end where bioengineered dinosaurs were released into the world. Visually striking montages and imagery highlights a modern world forced to co-exist with the diverse prehistoric fauna. However, most of the larger dinosaurs have been captured and relocated to a private sanctuary in Europe run by Biosyn, a corrupt bioengineering company that is supposedly studying the dinosaurs to derive medical treatment for humanity. In reality, the company, which is run by Lewis Dodgson (Campbell Scott), have bred a giant prehistoric species of locust that they release which soon threaten the world’s food supply.

This comes to the attention of Ellie Sattler (Laura Dern), who recruits her former lover, the paleontogist Dr. Alan Grant (Sam Neill) to help her get to Biosyn’s headquarters in the dinosaur sanctuary to get DNA samples of the locusts in the facility. As the two make their way to Biosyn, the company sends out poachers to the Sierra Nevada region to kidnap Maisie Lockwood (Isabella Sermon), who is the first cloned human. She is hiding out in the snowbound forests with former raptor wrangler Owen Grady (Chris Pratt) and former Jurassic World theme park manager Claire Dearing (Bryce Dallas Howard). The trio soon learn that Blue, the raptor that Grady once wrangled on Jurassic World, is living nearby with her young raptor, which Lockwood names “Beta”. The poachers kidnap Maisie and Beta, which leads Grady and Dearing to Biosyn and their plot to control the world’s food supply with their locusts.

Colin Trevorrow returned to direct the finale of his Jurassic World trilogy and he certainly can deliver action-packed thrills and intense scenes involving high-speed chases and dino battles, as well as genuinely suspenseful moments. While some of the set pieces seem familiar such as humans stuck in a crumbling infrastructure and chased by vicious and hungry prehistoric predators, other scenes are truly inventive and capture the awe of seeing dinosaurs in our modern world as they rampage through cities and farms. For a moment early on, there was a threat that the film would be bogged down and overlong with the two plotlines headed by the OG and new heroes of the franchise, but thankfully Colin Trevorrow kept the action and plot moving briskly. The anticipated team up of both groups was well worth the wait when it finally happens. It was great seeing the original Jurassic Park heroes back together, which includes Ian Malcolm (Jeff Goldblum), who as always steals the show with his quirky, but charming speeches. Other characters from both trilogies make memorable appearances and the film has numerous Easter eggs and references to the previous films, which were fun to spot.

While it was great to see the old familiar characters, the true star of Jurassic World: Dominion were the dinosaurs themselves. In addition to the beloved species such as tyrannosaurus rex, velociraptors, dilophosaurus, and so on, this film introduces new and terrifying creatures like the giganotosaurus, who naturally duels with the t-rex from the previous films, dimetrodons (though they are not dinosaurs), and a the long-clawed therizinosaurus. The only complaint about these dinosaurs is that individually they do not get as much screen time as one would expect. Even Blue, the raptor from the other Jurassic World films does not appear a lot. For the most part, the prehistoric animals are presented as just that, animals. They are background material that move the plot forward without much personality. This means there are no unique standout terrors like Indominous Rex or Indoraptor who took on monstrous auras. By the way, it should be pointed out more accurate feathered dinosaurs do appear in this film. Still, in this world that has co-existed with dinosaurs, many people in the film have lost their sense of awe with the animals, which is a shame but inevitable. This is how it is with our society. Once something that is extraordinary becomes commonplace, that thing becomes familiar and taken for granted.

The film does have its faults such as some convenient plot holes. Seriously, it is hard to believe the surveillance at a high-tech headquarters would have allowed our heroes to pull off their deeds unnoticed. Then there is the now common complaint of deceptive marketing where trailers feature scenes that do not appear in the final film. Also, while for the most part the special effects were wonderful, there were a few instances were the CG was spotty, but to his credit Trevorrow actually uses live-action effects quite well. Of course, Trevorrow is no Steven Spielberg, but he definetely has made his mark on the recent films, which will be well regarded in the future when people start hungering for more Jurassic Park/World films.

Is this the actual end of these films? Most likely. The story has reached its logical conclusion as reflected in the final moments of the film, which impart a powerful and hopeful environmental message. For now, it is best to let the franchise rest for some time. They can either find some way to continue the adventures of a world where dinosaurs co-habitate all corners of the world with us or the franchise could be rebooted to present a more faithful and brutal adapation of the original source material. No matter what, to paraphrase Malcolm, the Jurassic Park films will find a way. Until then, we have a great batch of films to enjoy with repeat viewings, including Jurassic World: Dominion, which is a thrilling and thunderous epic of a finale to the Jurassic World trilogy.

José Soto

Jun 3 2022

Potential Directors 4 The Fantastic Four

The recent news that director Jon Watts left the upcoming Fantastic Four (FF) film by Marvel Studios was a big surprise for fans of the Marvel Comics property and apparently the film studio itself. Unlike Ant-Man and Doctor Strange in the Multiverse of Madness where the original directors of those films were replaced fairly quickly, it seems as if Marvel Studios is taking its time and keeping to its vest who the replacement will be. There are many possible choices and rumors of who will take over. The popular talk was that John Krasinsky, who appeared as an alternate version of Reed Richards/Mister Fantastic in the latest Doctor Strange film was the frontrunner and one reason why Watts left the project. But those rumors have died down since it is not clear that the actor will even be cast as the Marvel Cinematic Universe (MCU) version of Richards.

When choosing the replacement director for the Fantastic Four, the president of Marvel Studios,Kevin Feige, has to pick a solid director with a proven track record. Unlike some other MCU films, the Fantastic Four truly has to be phenomenal because the superhero team is one of Marvel Comics’ top properties and the previous vilm versions of the Fantastic Four have been major letdowns. So, Marvel Studios has to get this film right and cannot afford a misfire. The latest rumor has it that Feige prefers to have a proven veteran filmmaker tackle the film instead of an up-and-coming director. That makes sense because for every Joe and Anthony Russo, who blossomed with MCU films, there have been forgettable picks like Alan Taylor.

With that let’s look at some possible choices, which will include the latest rumored potential directors and some suggested possibilities for the Fantastic Four. Of course, bear in mind Kevin Feige may tap someone completely unexpected for the task.

John Krasinski

As noted above, Krasinski is considered the frontrunner for the job, at least among fans, given all the fan art of his casting and his directing resume. He has shown the ability to not only direct. but star in genre films, as seen with A Quiet Place and A Quiet Place, Part II. One hindrence is that the actor/director may not want to commit to a long-term film deal. At best, he may only star and direct one Fantastic Four film and hand off the directing duties to someone else for the sequels.

Bryce Dallas Howard

She is the latest rumored frontrunner for the directing task, and for the role of Susan Storm. Fueling the rumors are her recent acclaimed directing of the better episodes of The Mandalorian and The Book of Boba Fett. Currently she is set to star in and direct a remake of Flight of the Navigator, so this may prevent her from taking the job, but then again she may jump ship for a higher profie job.

Peyton Reed

The director of the Ant-Man films famously pitched a Fantastic Four film back in the noughties to 20th Century Fox that would have taken place in the 1960s and would have been a comedy. For some time it was rumored that the superhero team would debut in Reed’s upcoming Ant-Man and the Wasp: Quantumania, but that is doubtful since there has been no news or updates and the film’s release has been moved up to early next year. So there goes Reed’s chance to direct the FF, but, given his interest with the property and his MCU background, Reed would be a perfect choice.

Sam Raimi

After a long absence, the Spider-Man director made a superhero film comeback with Doctor Strange in the Multiverse of Madness where he proved he could still deliver an enjoyable superhero venture. His Spider-Man films were very whimsical and adventurous with the unique Raimi camera tricks that should go well with the FF. Plus, Bruce Campbell could cameo as the Impossible Man or some other comedic role!

Chris Columbus

Back in 1995, Columbus was attached to write and direct an adaptation of the Fantastic Four, but unfortunately left the project due to the astronomical cost for the special effects, which would have been difficult to pull off in that time period. The director has solid genre credentials, most famously with the early Harry Potter films, and should be considered.

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