Category Television & Streaming

Aug 13 2020

Farewell To Agents Of S.H.I.E.L.D.

The final episode of Agents of S.H.I.E.L.D. that aired last night marked the end of an era in Marvel Comics-related television fare. The show was the last TV show produced without the involvement of Marvel Studios guru Kevin Feige. Of course, there are a couple of other shows that are coming soon like Hellstrom and some animated fare, which are not spearheaded by Feige. But with Agents of S.H.I.E.L.D.’s conclusion a chapter has been closed in a time of shows not directly related to the Marvel Cinematic Universe (MCU).

Early Missions

When Agents of S.H.I.E.L.D. debuted in 2013, there was a lot of anticipation for it. After all, Joss Whedon, the director of the hit film The Avengers, created it and directed the pilot episode, but more importantly it was supposed to be set in the MCU. It did star Clark Gregg, who played S.H.I.E.L.D. agent Phil Coulson, a recurring character in the MCU films. The complication was that Coulson was killed off in The Avengers so a big mystery in the early episodes was how he was resurrected. There were numerous other connections to the MCU such as guest appearances by Samuel L. Jackson as Nick Fury, Jaimie Alexander as Sif, Maximiliano Hernandez as Agent Jasper Sitwell, Powers Boothe as Gideon Malick and a few other actors that appeared in the MCU films. Not to mention, the early seasons of the show were directly connected to MCU films, notably Captain America: The Winter Soldier and Thor: The Dark World.

However, many viewers came away disappointed with Agents of S.H.I.E.L.D. in that many episodes were bland, unimaginative and did little to satisfy the cravings for the MCU between films. That was not entirely the fault of the show’s producers. It turned out the show was the victim of a turf war between Kevin Feige and the head of Marvel Entertainment, Ike Perlmutter. The two men often clashed over the direction of the MCU and while Feige was in charge of the films, Perlmutter handled the TV shows and other media. As we all know, Feige ultimately was allowed to directly control Marvel Studios and the MCU without having to report to Perlmutter and Agents of S.H.I.E.L.D. began its slow divorce from the MCU.

Tenuous Connections

Even before the schism fans complained about how the show was never referenced in the MCU films. Meanwhile, for a time it seemed as if Agents of S.H.I.E.L.D. namedropped whenever it could every single MCU character or incident. It was clear any connection to the MCU was a one-way street.

Still, despite its missteps, Agents of S.H.I.E.L.D. did find its legs and made the most of its tenuous connection to the MCU. This was best seen during the latter half of its first season which tied-in with Captain America: The Winter Soldier and that film’s plotline of the S.H.I.E.L.D. spy organization revealed as having been infiltrated by the terrorist organization Hydra. Agent Grant Ward (Brett Dalton), one of the core characters in the show, was revealed to be a Hydra agent and the show fully dealt with the ramifications of the film’s events.

A major story line that was supposed to be carried over into the films was with the Inhumans. Originally, Ike Perlmutter wanted a film made based on the characters since he wanted these superhumans to fill in the role of the mutant X-Men. At this time, Marvel Entertainment did not have the film rights to the X-Men and Permutter did not want to promote them in the remaining media. Thus, characters who were Inhumans popped up in Agents of S.H.I.E.L.D. and took on prominent roles. It went so far as to retroactively make another major character, Daisy Johnson (Chloe Bennett), to be an Inhuman (the Marvel superhero Quake). But once Feige was allowed to go his own way, he dropped any plans for an Inhumans film and the show was left holding the bag.

While this was frustrating, this gave the show the opportunity to find its own voice. It wholeheartedly embraced the Inhumans plot point and then embarked on season-long arcs that allowed the show to shine. It introduced other characters from the Marvel Comics such as Ghost Rider, Mockingbird, the Hive and the Aborbing Man, and they were well received by fans. At one point, Ghost Rider was to be spun off into a new series but those plans were cancelled.

Arguably its best arc was during its fifth season when Coulson’s team was hurtled into a future where Earth was destroyed and the remnants of humanity were slaves of the alien Kree. A new character Deke Shaw (Jeff Ward) a scruffy, goofy, Peter Quill-type character was introduced and became part of the team after he and the agents returned to the present to prevent Earth’s destruction. Another interesting character that joined the team was Enoch (Joel Stoffer), a Chronicom anthropologist (a race of alien androids). He was perpetually fascinated with humanity and the actor’s befuddled and whimsically befuddled mannerisms were often the highlights of episodes.

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Jun 22 2020

Michael Keaton Returns As Batman?

Well this is a big surprise: Michael Keaton is in talks with DC and Warner Bros. Studios to reprise his role as Bruce Wayne aka Batman in the upcoming DC Extended Universe (DCEU) film The Flash. Even more surprising is that this version of Batman will be the same version seen decades ago in the original Tim Burton films, Batman and Batman Returns.

Of course, the big question among fans is how is this possible? There is already a Batman (portrayed by Ben Affleck) in the DCEU that does not mesh with the continuity of the Burton films. The best and most likely answer has to be the appearance of the Keaton Batman must be due to the Flashpoint event shown in the DC comics and The Flash TV show where Barry Allen aka the Flash runs fast enough to time travel and changes history, In this story, Barry Allen prevents his mother’s murder and his reality changes. This event led to last decade’s reboot of the DC Universe, the New 52.

This event could be used to allow the Flash to travel through different realities or the multiverse as shown in the Arrowverse crossover event “Crisis on Infinite Earths”, which aired earlier this year and where the TV version of the Flash met the DCEU incarnation played by Ezra Miller. There are already rumors the film will show that encounter from the viewpoint of the Miller version of the Flash. In fact, the Burton Batman universe was briefly seen in the crossover event during a montage in the first episode. Perhaps the Flash will be visiting other multiverses in a much higher scale *meaning a larger production budget that can afford cameos by A-list actors) than seen in the TV event. It is unknown what will be the extent of Keaton’s appearance but it’s unlikely he will have a huge role but will hopefully be more than a glorified cameo. This also gives validity to the fan theory that The Flash will be used to rewrite the DCEU and replace certain actors and retcon what has happened in previous DCEU films, just as Flashpoint rebooted the DC Universe in the comic books.  However, there are also rumors that the Keaton Batman will appear in other DCEU films in a similar connecting fashion as Agent Coulson or Nick Fury did for the MCU films. Exactly how this will pan out if this Batman will be the original Keaton Batman remains to be seen.

On the other hand, this may not come to pass and either the Keaton Batman will play a small role in an altered reality that mentors the Flash or Michael Keaton may change his mind or someone else will be tapped to fill in the role. Is Christian Bale willing to talk to Warner Bros. about this? Even seeing George Clooney as Bruce Wayne for a cameo would be awesome! It would be terrific if other big name actors who played DC heroes in the past could appear in The Flash. This would be perfect for Ryan Reynolds to come back as Green Lantern and leave a better impression with the role or if the film could somehow incorporate elements from the Christopher Reeve Superman films. 

The important thing to remember is that this is supposed to be a film about the Flash, not the DC multiverse. As long as director Andy Muschietti keeps the focus on Barry Allen and his story (and if the film actually gets made) then the film will be a phonemenal presentation of the Scarlet Speedster as he meets the other wondrous characters in the DC multiverse.

 

Jun 14 2020

Crisis With The Arrowverse TV Shows

Lately, headlines announced some issue or another befallen one Arrowverse TV show after the other, and this gives the impression that  the Arrowverse TV shows are in trouble. It seems collectively, the superhero shows hit their peak earlier this year with the crossover event “Crisis on Infinite Earths”, and things largely went downhill from there.

This is just a broad generalization, some of the Arrowverse TV shows are doing fine, namely Black Lightning and Stargirl, but there is a sense that these superhero shows have run out of steam and feel dated.

The Hood

Arrow, the show the live-action DC superhero TV universe is named after, concluded its eight-season run earlier this year, just as it had found renewed energy. The reason the show ended was because the main actor who played Green Arrow, Stephen Amell, wanted to leave to resume a more normal life. For anyone, who doesn’t know, these shows are filmed in Canada, which requires the cast and crew to be away from their families. Arrow was justly celebrated when it ended, but there were questions of how the the Arrowverse would continue without its flagship show. Other shows like The Flash have eclipsed Arrow in terms of popularity and ratings, but the Arrowverse still seems empty without Green Arrow stalking around in the dark alleys telling bad guys “You have failed this city!”

Older, remaining Arrowverse shows such as The Flash, Legends of Tomorrow and Supergirl are running low on creativity. For the most part, the episodes and scripts are bland and uninspiring. The Flash ended its season with its main character no longer having his natural powers and his wife trapped in another dimension. But it was so dull and shrug inducing. The Flash has had problems in recent years with coming up with engaging villains and story arcs. For too long, the show relied on evil speedsters, but the new batch of villains are just blah. Then there is the undeniable fact that the actors seem bored and going through some drama, which will be covered shortly. It is just a shame, given the excitement most fans felt for the show and its lead character after the thrilling encounter between the TV version of the Flash with his DCEU counterpart during “Crisis on Infinite Earths”. The crossover event was supposed to provide a new spark of creative energy but very little has happened aside from some Flash villains being reimagined and not very well; although Lex Luthor’s revamping in Supergirl was interesting.  At the very least the meeting between the two Flashes rekindled interest in the upcoming movie version of the Flash.

Legends of Tomorrow is a mere shadow of its initial premise: C-list superheroes who time travel to get some respect. That is still there somewhere but it has been buried lately in these nonsensical magic-related plots and most of the original cast is gone. Some of the replacements are not very compelling, though to its credit Legends of Tomorrow does a decent job of being goofy and funny. Some episodes are very humorous and the show wisely figured out long ago not to take itself too seriously and embraced its comedic tone. However, other shows like Doom Patrol overshadowed Legends of Tomorrow by being quirkier and more insightful superhero shows.

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May 13 2020

Top Ten Sci-Fi Vacation Spots

Sigh, the summer is almost here and we cannot enjoy it, much less think about a vacation. One thing for sure is that after this crisis is over the last thing anyone will want to do with time off from work is have a staycation! While most vacation hotspots are unavailable right now it’s always fun to dream of an ideal place to visit. But nevermind places like Aruba or Disney World or cruises, think big, out-of-this-world big. Let your imaginations and dreams go wild as you consider these sci-fi vacation spots. Sure, they’re not without problems; ahem, like out-of-control androids, malfunctioning cruise ships or rampaging dinosaurs. However, these prime vacation spots will ease tired minds or excite anyone seeking a vigorous adventure.

10. Carillon (Battlestar Galactica “Saga Of A Star World”):

Imagine you’re a weary war refugee and need a resort planet with people to welcome you with open arms, food, drink and great chances to win fortunes. Look no further than Carillon and don’t mind the fact that the indigenous Ovions only want to wine and dine you in order to fatten you up for their children’s menu.

9. The Avenue Five (Avenue Five“): 

Want to book a voyage on an interplanetary cruise ship with five-star amenities and breathtaking views of Jupiter? Be sure to book passage onboard the Avenue Five. Commanded by the famously heroic Ryan Clark, this is the ship for you. It’s posh, elegant and can get you back to Earth after a rugged adventure in just three years…more or less.

8. The Fhloston Paradise (The Fifth Element):

So the Avenue Five with its faulty equipment may not be your thing. How about a magnificent, state-of-the-art space cruise ship that takes leisurely anti-g sails on alien oceans? For entertainment the ship features charismatic blue aliens that sing opera! And hey, you may get a chance to help Korben Dallas save the universe!

7. Naboo (Star Wars Episode I and II):

Forget about that so-called vacation world Canto Bight with its morally ambiguous entertainment. Now, this a planet of royal luxury! Verdant plains, magnificent waterfalls, and majestic Mediterranean-like architecture are just some of the highlights in your trip to Naboo. Just don’t mind those pesky Trade Federation android armies or those underwater Gungans.

6. The Axiom (WALL-E):

Ahh, gluttony, hedonism and instant robotic service at your fingertips are on board the Axiom. Make sure to run a few laps around the giant vessel’s jogging track or you’ll wind up looking like its permanent residents. Otherwise enjoy the advanced resort and spa, take in spectacular galactic sights and lend a hand to a certain beat-up little garbage robot, who’s out to save humanity.

5. Time Safari (A Sound Of Thunder):

Go anywhere in time with the Time Safari. The most popular temporal destination is the prehistoric past where guides on marked above-ground trails help you hunt down a vicious tyrannosaurus rex just before its natural death. Please make sure not to leave anything behind, not even footprints, and don’t step on any butterflies.

4. Westworld (Westworld):

The Delos Corporation’s amusement park also features Medievalworld and Romanworld, but Westworld is the most memorable spot to visit. For a mere $1,000 per day, you can indulge yourself in your most primal desires. Have a shootout (and win!) with gunslingers, do some hard drinking and bar fighting or spend time with a lovely partner. Don’t let those recent glitch with the human-looking androids to keep you from visiting. Cowboys aren’t your thing? There are plenty of other time periods and locales like Shogunworld, WarWorld, Fantasy World, and more.

3. Jurassic World (Jurassic World):

Located on Isla Nublar, this is a must-visit theme park that blows away all the others. For anyone tired of fake-looking audio-animatronics, Jurassic World has actual, living dinosaurs! Resurrected after millions of years of extinction thanks to genetic engineering, these gigantic beasts are a wonder to behold for the young and old. Visitors can view them in their natural habitats from the safety of perimeter fences and rugged jeep vehicles. Back at the park’s facility take a behind-the-scenes tour of how these reptilian giants were recreated. Or indulge yourself with top-notch amenities, petting zoos, and be sure to visit the gift shops and restaurants.

2. The Amusement Park Planet (Star Trek “Shore Leave”):

Located in the Omicron Delta system, this planet’s highly advanced facilities can literally create your ideal dreams just by scanning your thoughts. Want to get even with the school bully? Here’s your chance to find him and give him a beat down! You can also be a part of imaginative fairy tales, fight a samurai, evade dangerous wildlife, or spend time with the person of your dreams. Just be mindful of your thoughts.

1. Risa (Star Trek: The Next Generation “Captain’s Holiday”, and other Star Trek shows):

This is the resort planet that everyone talks about and visits. No wonder Risa is the most relaxing of sci-fi vacation spots. From Captain Archer in the 22nd century to Captain Picard and the Deep Space Nine crew in the 24th century. Why would so many people visit Risa? Well, imagine a planet with a plethora of white-sand beaches, luxurious resorts, rich gardens, outdoor activities, nightclubs, perfectly controlled weather and unforgettable twin sunset views. Risa is the best spot in the galaxy for couples wanting to get away from it all and for amorous singles. Here’s a travel hint for vacationing singles looking for romance: be sure to have a Horga’hn statue ready.

Here is a bonus. If these sci-fi vacation spots are out of your price range or you are unable to travel, why not visit a local Rekall and live out the wildest adventure in the comfort of a lounge chair through Rekall’s innovative memory implants? You don’t have to leave your locale and can have your pick of the ideal vacation spot on Earth, Mars or anyplace else.

Any of these places and options would be ideal vacations for all of us.

May 4 2020

The Final Season Of Star Wars: The Clone Wars Concludes

Star Wars: The Clone Wars has had many homes from Cartoon Network to Netflix and now Disney+. Focusing on the adventures of the Jedi Anakin Skywalker (Matt Lanter), his apprentice Ahsoka Tano (Ashley Eckstein), Obi-Wan Kenobi (James Arnold Taylor) and assorted characters from the Republic Era, The Clone Wars was widely acclaimed for its enriching storylines that fleshed out the prequel films. They added much needed context to the films and in some ways improved them and fully realized George Lucas’ vision for the prequel era. The show was canceled shortly after Disney acquired the Star Wars property and apparently wanted everyone to forget the prequels and anything related to them existed. However, the love for Star Wars: The Clone Wars refused to go away and finally, a new season was produced and began streaming earlier this year on Disney+. The seventh and sadly final season of the animated classic series concluded on May the 4th. Yes, it probably was timed to stream on the unofficial Star Wars Day, and it was a grand way to celebrate the day.

Essentially, the season is broken up into three story arcs. The first one told the story of a platoon of clone troopers that are sort of misfits from the clone army in that they have distinctive characteristics. These troops nicknamed the Bad Batch prove themselves in battle as clone commander Rex (Dee Bradley Baker) searches behind enemy lines for his lost comrade Echo. The second arc follows Ahsoka after she left the Jedi order in season six and how she falls in with two sisters who run into trouble with the underworld of Coruscant. This allowed Ahsoka to see a different way of how the Jedi are seen by the downtrodden. This arc directly leads to the final one which was the best of the three.

While not a perfect season, it does wrap up many lingering plot threads from the previous seasons and leads up succintly with the final Star Wars prequel film, Star Wars Episode III: Revenge of the Sith. The standout episode of the final arc was the penultimate episode “Shattered”, which takes place at the same time with Star Wars Episode III: Revenge of the Sith. In the episode and the finale, we get to see another side of the infamous Order 66 and how Ahsoka escaped from being killed when the order was given.

As thrilling as the final episodes were, they took on a distinctly ominous tone that differed from the rest of the show. Even the opening intro departed from the norm by eschewing the triumphant score of The Clone Wars, its opening opening pseudo quotes and bombastic opening narrator. Instead, the final four episodes flow seamlessly together as if they were an actual feature-length film. Throughout the final episodes there was a sense of disquieting unease and dread which paid off as Order 66 was executed and everything Ahsoka believed in fell apart. The final arc elevated the season and made it stand up there with the best of what the previous seasons offered.

As can be guessed, Ahsoka was the true main character in this season while Anakin and Obi-Wan were mostly guest characters. The only other characters who had important roles in this season were Rex and Maul (Sam Witwer), who displayed an impressive range as a villain. He demonstrated in the episodes that he is not only a complete powerhouse of a villain (and one of the best Star Wars foes) but a tortured and complex character as he too, was betrayed by his beliefs as Ahsoka was.

While the stories in these final episodes were fine, it is too bad, the showrunners did not finish the Utapau-based episodes that were never completed the original sixth season of The Clone Wars. Yes, we can see them on StarWars.com, but it is puzzling why they were not finished. On another note, the seventh season episodes were so well-made it boggles the mind why Disney did not commission more episodes to be produced. More of them would have fleshed out the season, which felt a bit abrupt.

It is a bit odd seeing this final season come to life. The original run of Star Wars: The Clone Wars opened with a story about Yoda and ended with the diminutive Jedi Master Yoda and ended with him in the classic episode “Sacrifice”. For the longest time, “Sacrifice” was the series finale and a fitting one, as Yoda realized that the Clone Wars were irrelevant as opposed to bringing balance to the Force and the hope for the galaxy was in the future. Now that has to be discarded with the more downbeat “Victory and Death” episode that focused on Ahsoka and her disillusionment with her former mentor and all that she stood for. In many ways, “Shattered” and “Victory and Death” served as complementary pieces to Star Wars Episode III: Revenge of the Sith and its pessimistic outlook. However, unlike that film, which provided in its final moments a sliver of hope for the future and in “Sacrifice”, “Victory and Death” is missing these types of optimistic scraps. That would have to come later with Star Wars: Rebels.

All in all, it was great to watch these final stories of Star Wars: The Clone Wars; they will certainly please fans as they embellished and elevated the Star Wars prequels.