Doomed Patrol

This past week, HBO Max announced that their streaming series, Doom Patrol and Titans, were ending once their fourth seasons conclude later this year. These two TV shows are based on the DC Comics and originally streamed on the now-defunct DC Universe app before they were carried over to HBO Max.

The news of the series concluding has upset many fans, especially those of Doom Patrol. With its four season, Doom Patrol will surely go down as one of the most bizarre DC TV shows or movies to come out. It centers on a groups of superhero misfits who were given their “powers” if you want to call it that by scientist Niles Calder (Timothy Dalton) in his quest to protect his daughter Dorothy (Abi Monterey), who can bring her imaginary friends to life. His tampering resulted in certain damaged individuals who gained strange abilities. 

This includes Cliff Steele aka Robotman (Brendan Fraser), a man whose brain was placed in a robot body that is not very maneuverable. His background as an absentee father shows him trying to make amends by bonding with his daughter and grandson with mixed results. Rita Farr (April Bowlby), a movie star from the past whose exposure to toxic gas changes her molecular structure to that of gelatin giving her the name Elasti-woman, also has emotional issues with regards to her mother and her failed movie career. This is a common theme in the show with the characters all having issues with their pasts and trying to overcome this. Larry Trainor (Riley Shanahan), Negative Man, is no exception who was a former fighter pilot who bonded with a negative energy entity after a plane crash disfigured him. He also deals with child abandonment issues with his own child and his father, as well. Vic Stone (Joivan Wade), Cyborg, was turned into a half-man, half-machine colossus by his scientist father after a car crash, and has to come to terms with his new life. Vic is alienated from his family and friends while finding a new family in the Doom Patrol. Perhaps the most damaged character is Kay Challis (Diane Guerrero), Crazy Jane, who suffers from multiple personalities that were created to protect a little girl that was abused. These different personas are shown as a group of women living in an underground area connected by a subway station, when at certain times, one of them comes to the surface to display a completely different aspect of Jane’s life, and a different super power, too.

The plots of the episodes are strange to say the least and the flashbacks to each character’s respective pasts are a frequent occurrence. We see them thinking about their traumas, struggling to get past it and become heroes to fight against whatever threats they are facing today. These threats include Mr. Nobody (Alan Tudyk), an old enemy of Niles, or the Candlemaker, a creature from Dorothy’s subconscious, as well as Madame Rouge (Michelle Gomez), a time traveling agent of the Bureau of Normalcy, who captured Rita and forced her to become a weapon. Later on, Rouge actually joins the Doom Patrol to lead them after the departure of Niles. The series can seem somewhat chaotic with so many different ideas thrown around. Such things like a sentient street that talks to people via signs, zombie versions of the characters going to the afterlife, and magical creatures coming from a girl’s imagination all make the show very distinctive in DC lore.

Doom Patrol is supposed to have a proper ending as the producers had a hint that cancellation was coming so hopefully the last batch of episodes coming out later this year will give this odd group the sendoff they deserve and hopefully they will finally get some peace of mind. Regardless of how it ends however, this series has cemented its place as the most unique property to come out of the DC universe and will most likely stay that way.

C. S. Link

Crisis With The Arrowverse TV Shows

Lately, headlines announced some issue or another befallen one Arrowverse TV show after the other, and this gives the impression that  the Arrowverse TV shows are in trouble. It seems collectively, the superhero shows hit their peak earlier this year with the crossover event “Crisis on Infinite Earths”, and things largely went downhill from there.

This is just a broad generalization, some of the Arrowverse TV shows are doing fine, namely Black Lightning and Stargirl, but there is a sense that these superhero shows have run out of steam and feel dated.

The Hood

Arrow, the show the live-action DC superhero TV universe is named after, concluded its eight-season run earlier this year, just as it had found renewed energy. The reason the show ended was because the main actor who played Green Arrow, Stephen Amell, wanted to leave to resume a more normal life. For anyone, who doesn’t know, these shows are filmed in Canada, which requires the cast and crew to be away from their families. Arrow was justly celebrated when it ended, but there were questions of how the the Arrowverse would continue without its flagship show. Other shows like The Flash have eclipsed Arrow in terms of popularity and ratings, but the Arrowverse still seems empty without Green Arrow stalking around in the dark alleys telling bad guys “You have failed this city!”

Older, remaining Arrowverse shows such as The Flash, Legends of Tomorrow and Supergirl are running low on creativity. For the most part, the episodes and scripts are bland and uninspiring. The Flash ended its season with its main character no longer having his natural powers and his wife trapped in another dimension. But it was so dull and shrug inducing. The Flash has had problems in recent years with coming up with engaging villains and story arcs. For too long, the show relied on evil speedsters, but the new batch of villains are just blah. Then there is the undeniable fact that the actors seem bored and going through some drama, which will be covered shortly. It is just a shame, given the excitement most fans felt for the show and its lead character after the thrilling encounter between the TV version of the Flash with his DCEU counterpart during “Crisis on Infinite Earths”. The crossover event was supposed to provide a new spark of creative energy but very little has happened aside from some Flash villains being reimagined and not very well; although Lex Luthor’s revamping in Supergirl was interesting.  At the very least the meeting between the two Flashes rekindled interest in the upcoming movie version of the Flash.

Legends of Tomorrow is a mere shadow of its initial premise: C-list superheroes who time travel to get some respect. That is still there somewhere but it has been buried lately in these nonsensical magic-related plots and most of the original cast is gone. Some of the replacements are not very compelling, though to its credit Legends of Tomorrow does a decent job of being goofy and funny. Some episodes are very humorous and the show wisely figured out long ago not to take itself too seriously and embraced its comedic tone. However, other shows like Doom Patrol overshadowed Legends of Tomorrow by being quirkier and more insightful superhero shows.

Continue reading

Top Ten Films and TV Shows of 2019

2019 proved to be a smorgasbord of genre offerings on film and TV as have been most of the years in this concluding decade. Many of the films and TV shows on this list have been widely acclaimed, one of the films became the highest grossing film of all time, another looks to be revered at the Academy Awards, while a couple of the TV shows have caught the public zeitgeist. Here are the best films and TV shows of 2019. Of course, this list is purely subjective, so apologies to anyone wondering why Cats did not make the list. 😀

Onward to 2020 and the rest of the coming decade!

Films

Mcbride at space elevator

10. Ad Astra

This space drama starring Brad Pitt as an astronaut searching for his father was quietly involving as it took audiences into a tour through the solar system. For the most part, it was a grounded and breathtaking look at space travel in the near future. It stumbles in the third act, but what came before was quite memorable.

9. How to Train Your Dragon: The Hidden World

Visually arresting while staying focused on its emotional core and story, the third and final How to Train Your Dragon film capped off a wonderful trilogy. Thanks to this film, the trilogy achieved the difficult distinction of being part of a trilogy where all the films in it were great.

TIE 8. Alita: Battle Angel/It Chapter Two

The stylish live-action adaptation of the classic manga became a cult classic for good reason. Stunning visuals and a brilliant mo-cap performance by Rosa Salazar as Alita were the best highlights in this action-packed, cyberpunk epic.

Meanwhile, the concluding chapter of Stephen King’s opus monster horror tale delivered the emotional feels and scares that started with the first It film. Brilliant acting and casting and genuine character arcs also made this a worthy sequel.

7. Shazam!

In a crowded superhero film landscape, Shazam! managed to be something unique and stood out in the field. Shazam! was witty, genuinely heartfelt and refreshing that worked as a quirky family drama, coming-of-age romp and a fun superhero film that helped to reinvigorate the struggling DCEU.

6. Toy Story 4

The fourth and final Toy Story film was just as funny, whimsical and poignant as the previous films. It introduced charming and hysterical new characters while touching our hearts as our favorite toys moved on with their lives.

5. Godzilla: King of the Monsters

Big, loud, and explosive like its marque monsters, Godzilla: King of the Monsters was ravaged by critics but enjoyed by the rest. No doubt, the plot, logic and characters were muddled and not essential, but who cared? This was supposed to be a big-budget kaiju throwdown and it delivered that with its jaw dropping effects and sequences of monsters stomping on cities and each other.

4. Star Wars Episode IX: The Rise of Skywalker

The last (until 2022) of the Star Wars films was a rousing, loud and messy conclusion to the nine-film Skywalker Saga. Director J.J. Abrams had the unenviable task of tying up the Star Wars films, while undoing much of what occurred in the previous Star Wars Saga film. The results were not pretty, but his efforts worked with this fast-paced space fantasy that was flawed but satisfying as it celebrated all that was great about Star Wars.

black and red spidey

3. Spider-Man: Far From Home

The final film in Phase Three of the MCU successfully entertained audiences with the breezy misadventures of everyone’s favorite teenage superhero. The second Spider-Man solo film set in the MCU continued to showcase his angst and mishaps as he went on a European school trip. Aside from the laughs at Spidey’s expense, Spider-Man: Far From Home showcased his emotional growth and maturity as he faced adulthood and the aftermath of the events of Avengers: Endgame. The mid-credits scene was a genuine stunner that left us itching for the next film, which will thankfully happen.

2. Joker

Disturbing and at the same time captivating, Joker echoed other character studies of emotionally broken men like Taxi Driver or The King of Comedy. The DC film thoroughly explored the psychological deterioration of the disturbed Arthur Fleck (Joaquin Phoenix) in his dismal and empty life in the gritty streets of Gotham. The film felt more like a documentary set in the hellish streets that evoked New York City in the 1970s that happened to chronicle the origin of Batman’s greatest villain.

But what struck viewers most was the performance by Phoenix as the man who becomes the Joker (depending on one’s interpretation, Fleck may not even be the actual Joker). His portrayal made Fleck a somewhat sympathetic person, yet terrifying at the same time. The unease culminated during Fleck’s complete breakdown as he embraced anarchy and chaos, which spread like a virus throughout Gotham’s restless populace.

1. Avengers: Endgame

Some may think of Avengers: Endgame as just a direct sequel to Avengers: Infinity War, but it was much more than that. Avengers Endgame was the epic, grand finale of the massive Infinity Saga which spanned over 20 films set in the Marvel Cinematic Universe (MCU). Featuring most of the characters from the past MCU films (many of them played by high-caliber thespians), the fourth Avengers film powerfully concluded the Infinity Saga that started back in 2008 when Tony Stark first emerged from a cave wearing a suit of armor.

Avengers: Endgame is so much more than your typical comic book film with topnotch effects and fight scenes. Though it has plenty of those! This film took the time to explore the emotional aftermath of the heroes’ failures during Avengers: Infinity War and their long road back to redemption. From there, the film becomes a hysterical and exciting time travel romp rivaling the best of the Back to the Future films before culminating in an action-jammed third act. The final act of the film was already renowned for having the greatest superhero battle ever shown on film that doubles as a who’s who of superheroes against the forces of Thanos. However, Avengers: Endgame’s heart-tugging and fitting coda left an everlasting impression among viewers as it reflected on and ultimately celebrated the heroes and achievement of the MCU.

Honorable Mentions:

Brightburn; Captain Marvel; Crawl; Dark Phoenix; Doctor Sleep; Glass; Jumanji: The Next Level; Replicas; Us; Zombieland: Double Tap

TV Shows

10. Undone

A beautifully animated and captivating series used rotoscoping to illustrate the fluid reality experienced by its main character Alma (Rosa Salazar). After a near-death experience, she gains the ability to move through time and reality as she helps her dead father solve his murder. The animation was quite unique, but its character study was even more provocative.

9. Watchmen

Less of a sequel to Alan Moore and David Gibbons’ seminal comic book and more of a spinoff, Watchmen was highlighted by its timely and relevant storylines set in an alternate world that surprised audiences.

8. The Handmaid’s Tale

The third season of this dystopian look at America under a brutal theocratic rule was as haunting as ever. Still, despite its harshness, the show changed gears with new characters and new aspects of society while providing glimmers of hope to keep us watching.

jon kills daenerys

7. Game of Thrones

Yes, the final season of Game of Thrones was a letdown compared to the other seasons of this landmark fantasy show. It was rushed and left many unanswered questions. Nevertheless, Game of Thrones’ final season managed to conclude its sprawling epic tale of warring kingdoms with terrific, unmatched production values, effects and acting.

6. Stranger Things

The loving tribute to 1980s genre flicks continued to entertain viewers in its third season. The characters, including Eleven, were allowed to grow and mature as they faced off against interdimensional threats to their small town in Indiana. This growth and breakout new characters were the true stars of Stranger Things, not the monsters.

5. The Expanse

The decade’s best sci-fi TV show got a new lease on life in its fourth season thanks to Amazon Prime. The story of mankind’s first clumsy steps into becoming an interstellar civilization was just as enthralling as previous seasons thanks to above-par scripts, excellent special effects and its grounded and realistic aspect.

4. The Boys

Amazon Prime’s entry into superhero TV shows popped out with its black humor and graphic violence as it illustrated the seedier and more cynical side of superheroes. Graphic nature aside, The Boys was well put together and offered an engrossing behind-the-scenes look at superheroes (if you can call them that).

3. Doom Patrol

Superhero TV shows have stepped up their game and pushed boundaries. Then there is Doom Patrol, which as the best superhero TV show of 2019 added the weird to weirdness. Doom Patrol embraced its quirky and bizarre comic book roots and enthralled us with goofy, misfit characters and outrageous and unconventional scripts.

baby yoda and mando

2. The Mandalorian

The first live-action Star Wars TV show is easily the flagship show on the Disney+ streaming service and for good reason as it has caught the attention of the world thanks to Baby Yoda. The Mandalorian will help keep interest alive in the Star Wars franchise thanks to its simple and effective story of an enigmatic bounty hunter and the infant child he cares for.

As an ode to Sergio Leone spaghetti westerns and Lone Wolf and Cub, The Mandalorian is a mesmerizing space western with intriguing characters, namely the mysterious Mandalorian with no name, and exciting stories. And that Baby Yoda is so adorable!

1. Star Trek: Discovery

2019 had many memorable and outstanding genre TV shows. Many of which will stand the test of time. But Star Trek: Discovery comes out on top simply for exceeding expectations after its mixed first season. In its sophomore season, Star Trek: Discovery went back to basics and embraced its traditional Star Trek roots. By doing so, the TV show delivered many standout episodes, some of which can be considered to be classic Star Trek stories.

Star Trek: Discovery was also buoyed by a breakout performance by Anson Mount as Captain Christopher Pike, cinema-level effects and photography and fascinating storylines. Not every episode was great but they were solid entertainment, while others were instant classics. This season also confirmed beyond doubt that the show was clearly set in the actual prime Star Trek universe, which was a relief for many. In many ways, the second season of Star Trek: Discovery helped revive interest in the Star Trek franchise, which will hopefully be fueled by the upcoming Star Trek: Picard.

Honorable Mentions:

Arrow; Carnival Row; Dark Crystal: Age of Resistance; For All Mankind; Legion; Lost in Space; Love, Death & Robots; Runaways; Star Trek: Short Treks; Titans; The Twilight Zone; The Witcher; Years and Years