60 Years Of The Marvelous Fantastic Four

“A brilliant scientist—his best friend—the woman he loves—and her fiery-tempered kid brother! Together, they braved the unknown terrors of outer space, and were changed by cosmic rays into something more than merely human! MR. FANTASTIC! THE THING! THE INVISIBLE GIRL! THE HUMAN TORCH! Now they are the FANTASTIC FOUR—and the world will never be the same again!” Introduction to the Fantastic Four comic books during the 1970s,

Not much can be said about the Fantastic Four that hasn’t been said before. It’s widely regarded as one of Marvel Comics’ greatest teams and to this day, it deserves the title of the World’s Greatest Comic Magazine- as it was advertised proudly on the covers of the comic books. They were called “the First Family of Marvel”, and during the silver and bronze age the creative teams, which began with co-creators Jack Kirby and Stan Lee, spun tale after tale involving the main four characters with their supporting cast as they figured out how to solve their problems or win the battle against the bad guys.

As we celebrate the 60th anniversary the FF, their story has proven to be as timeless as it is popular. First, we got Dr. Reed Richards, who becomes the stretchable Mr. fantastic, we have Sue storm who marries Reed and she becomes the Invisible Girl (and later rightly renames herself the Invisible Woman), then we have her younger brother Johnny, a hot rod-riding hothead, who loves fast cars and is always dating pretty girls, and then we have the family’s trusted friend Ben Grimm, who becomes the ever lovin’ blue-eyed Thing.

Why these characters work together is because the creation is structured around a family dynamic. A family who is close and loyal, yet bicker and banter, but at the end of the day come together as a team to win the day.

Why the setting works is that this is no ordinary family. Each one has been imbued with super powers based on cosmic ray irradiation when they rocketed to space on a test flight. Reed can stretch his body, Sue becomes invisible, Johnny bursts into flames and fly, and Ben became a rocky layered bulk of a humanoid. In terms of personality, Reed is the level-headed leader, Sue with her invisible powers also has a force projection where she could solidify the air around her making her a telekinetic, and effectively the most powerful member of the team. Johnny usually flies when he is fully engulfed in flames and can project flame blasts from his hands. And the Thing is so strong he could almost beat the Hulk, if not hold his own against the green goliath.

Also, the creators skillfully mixed the situation of the mundane and juxtaposed it with the cosmic. While Johnny and Ben were bickering over a meal, there might be something going on in the universe, a catastrophic threat of some kind or a massive universal event so they had to suspend their meal and arguments until later.

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Latest Version Of Fantastic Four Is Doomed

crap poster

After torturing myself from watching Fantastic Four, the new cash grab reboot by 20th Century Fox to hold on to the film rights to Marvel Comics’ legendary superhero team, I’m convinced that the film studio doesn’t know what to do with this franchise. How bad was Fantastic Four? Let’s put it this way, not only does it make the Tim Story Fantastic Four films seem like Christopher Nolan’s Dark Knight Trilogy films, but I would rather watch Batman & Robin again than sit through this monstrosity one more time. Seriously, at least those films can be enjoyed on an “it’s so bad, it’s hysterical” level while drunk or high. This dreary, dour film doesn’t even have that guilty pleasure value.

I’m not exaggerating when I say this film is an ff castinsult to the Fantastic Four and to superhero films. It’s obvious that almost everyone involved in this film from director Josh Trank to the actors don’t respect the source material or have a clue as to what made the comic book work. At least, Tim Story had enough sense to pay homage to the comic books and captured many parts of it like the banter, the feeling of family, the sense of fun. All of that is missing here. The cast has no synergy, there isn’t any joy or excitement or even adventure with this reboot. Instead Josh Trank gives us a pretentious and sloppily slapped together mess that is evidence that control of the film was taken away from him in post production. Not that it helped.

richardsThere are half-hearted attempts in the first third to create some character developments, but then they’re dropped. For instance, when Johnny Storm (Michael B. Jordan) is confronting his father Franklin (Reg. E. Cathey, who gives the best performance in this cesspool), there is a hint that he is jealous of his adopted sister Sue (Kate Mara), but it’s never brought up again. Remember how Johnny would always tease Ben Grimm in the comics and earlier films? That only happens once, at the end. That’s right, and it Johnny’s sole attempt at humor came off as being mean-spirited for no good reason. The opening third tries to copy Spielberg’s sense of wonder, but all I got where endless scenes of people looking at blueprints and computer screens and Reed Richards (Miles Teller) wandering around hallways and spouting exposition. It isn’t until forty five minutes into a ninety-minute film that the characters get their powers and basically not do much with them until the end.

Then without warning, Fantastic Four becomes a poor man’s David Cronenberg body horror film, which was kind of intriguing, but undeveloped especially with Ben Grimm (Jamie Bell). What could’ve been a good showcase for him is a lost opportunity and that’s a @!#$ shame because in this muddle there is a nugget of something that could’ve been stellar. The other attempt at body horror is actually quite laughable. When Reed Richards is first shown all stretched out on an exam table like a Stretch Armstrong doll I couldn’t stop rolling my eyes on how silly he looked.

doomedFinally, Fantastic Four completely goes off the rails in the final third that tries to be an action superhero film, but collapses when the villain Victor Von Doom (Tobey Kebbell) appears. This version of Dr. Doom incredibly redeems the Tim Story version! Doom here just shows up in the last fifteen minutes or so, blows up people’s heads with telekinesis and screams corny lines about the evils of humanity. He doesn’t look menacing but like a stupid combo of the Mummy and a metallic Freddy Krueger. This Doom has none of his comic book counterpart’s bravado and power. The only merciful thing to say about Dr. Doom is that his screen time is so short you can take a bathroom break when he first appears and he’ll gone by the time you return. BTW, most of those clips you’ve seen in the trailers don’t appear in the finished film.

Oh God, I have a headache right now thinking about the film. I’m going to pull out my old Fantastic Four DVDs to wash out the memories of witnessing this summer’s real Trainwreck. I think I’ll also go see Ant-Man again this weekend for good measure. With that let me conclude this review with an open letter to 20th Century Fox:

FF

Dear Fox:

Your company has struck out three times with the Fantastic Four. Each time you tried to improve the film franchise you only dug the grave deeper for the First Family of Marvel superheroes. Now you have released what will be known as one of the worst superhero films. You clearly don’t understand why they launched the Marvel Comics phenomenon and this reboot is a disrespect to the First Family and its fans.

By refusing to let the rights go back to Marvel and making bad films, you’re ruining your reputation and good will. Honestly, I’m questioning if I should bother to pay money to see more X-Men films and their spinoffs.

You’ve tried, but we’re getting diminishing returns here. Be honest with yourself and your shareholders. The bottom line is the dollar, but by continuing to produce these insulting adaptations you are alienating viewers and are putting your future profit at risk.

OK, keep the X-Men franchise, you’ve done good with it for the most part and there’s word that you want to do a TV show based on those mutants. Well, since you need to negotiate with Marvel for the TV rights, why not earn some cred and give the Fantastic Four rights back to Marvel? Don’t be a tool and hold onto the rights for another five or seven years then crank out another piece of crap out of spite. Just let it go.

Waldermann Rivera

 

The Merits & Flaws Of Past Fantastic Four Films

ff cast 2

The Fantastic Four, Marvel Comics’ first superhero team, always had a hard time with its live-action adaptations. The new reboot isn’t an exception. Filmmakers can’t seem to be able to properly translate what worked for this team in the pages of comic books into movies. Still, putting aside what went wrong with the three previous movies, they did get many parts right. It’s just that they missed the mark, sometimes by a mile.

The Fantastic Four (1995)

Bernd Eichinger and his Neue Constantin studio bought the film rights to the Fantastic Four back in the ’80s, but couldn’t raise the funds for the movie. By the next decade in order to prevent losing the rights the studio with Roger Corman’s help produced The Fantastic Four a quick, cheap adaptation.

old ff castOh boy, this movie was a mess, it’s on the level of those Godawful monstrosities made by The Asylum. The acting was hysterically bad, particularly Joseph Culp as Doctor Doom. Talk about hamming up the scenes! Then there were the zero-grade special effects. It’s hard to believe that a million dollars was spent on this fiasco when you see that they used animatics during the one scene that the Human Torch (Jay Underwood) used his full powers. Want a guaranteed laugh? Check out the film’s final scene when Mr. Fantastic (Alex Hyde-White) waves goodbye with an obvious fake arm from the sunroof of his wedding limo!

Yet, as terrible as the film was, it had a certain charm. The production nailed down the team’s look right down to the costumes, even The Thing (Michael Bailey Smith) was impressive. This is amazing considering how far off the mark more professional productions were with their versions of The Thing and Dr. Doom. Never mind the acting, at least they looked like their comic book counterparts!

bad ff

Despite their inexperience, you could tell that the actors and production team were trying their best. They honestly believed this was going to be a big deal, but tragically for them it wasn’t. The cast and crew didn’t know that the film was never intended to be released and it wasn’t. Nor did they expect the film to get its infamous reputation as bootleg copies of the film circulated. Still, while it’s a terrible movie, it warrants a viewing for either fans who want to see a more faithful adaptation or drunks needing a good laugh.

Fantastic Four (2005)

When the superhero movie boom started early last decade, it wasn’t long before the FF got their shot at the limelight. 20th Century Fox released Fantastic Four in 2005, which turned out to be a modest hit, but received mixed reactions.

ff cast

Even though Fantastic Four was a more polished and professional film with a $100 million budget (compared to the reboot’s $122 million) it seemed routine and bland at times. doomWhat was worse was that Fantastic Four was hobbled with a poor villain, a vital component of any superhero film. Dr. Doom (Julian McMahon) was completely wrong from the casting to his backstory. In this version, he was your typical evil CEO who was part metallic and had electric-based powers. Those kind of changes wouldn’t have bothered people so much if the actor was a good fit. But, McMahon just didn’t have the gravitas that Doom requires because he’s a larger-than-life villain.

Ben Grimm/The Thing (Michael Chiklis) was also altered, but with different results. His look didn’t match the comic books’ version because he was human sized and lacked that famous protruding brow line. Also, his story was altered in that he was married, but his wife (briefly played by Laurie Holden of The Walking Dead) left him after she saw how he was disfigured by the accident that gave him his powers. But these changes weren’t too jarring and more importantly, Chiklis and the production captured Ben Grimm’s essence. Like in the comics he was downtrodden and full of self pity. He quarreled with his teammates, especially Johnny Storm (Chris Evans), who loved pulling pranks on him.

real torch

The other highlight was Johnny himself. Evans channeled the nature of this young superhero brilliantly. He reveled in his powers, he was brash, brave and loved life, which is why he was a good foil for the moody Thing. Evans was so convincing as the happy-go-lucky Human Torch that when he was announced to play Captain America, some people doubted he could portray the more mature and grounded hero. He proved them wrong. Continue reading

Top Ten Marvel Movie Villains

With Marvel’s superheroes blazing their way across movie screens, one factor for the films’ success is the supervillain(s) the heroes face. As any good storyteller will tell you, the vital ingredient for a gripping yarn is a formidable foe to put the story’s protagonist to the test.

marvel movie villain

Being that the Marvel superheroes have such memorable enemies and that they translate well to the screen it’s one reason why the Marvel films have been successful. Naturally, with future Marvel films coming up, this list will change, but that’s part of the fun in making up these lists. So for now, these are the top ten villains to appear in Marvel movies…and the five worst.

Ivan Vanko10. Ivan Vanko in Iron Man 2 (Mickey Rourke): Combining elements of Whiplash and the Crimson Dynamo for the big screen, Vanko is a cold, deadly and enraged Iron Man foe who was much more engaging than the original film’s Obadiah Stane or this one’s Justin Hammer.

9. Emil Blonsky/The Abomination in The Incredible Hulk (Tim Roth): Come on, the guy had the balls to go up against the Hulk man to man! That’s one tough SOB, and yes when he becomes The Abomination and fights the Hulk it looks like something out of  a video game. But it was a lot more fun than that turgid Ang Lee film.

8. Bullseye in Daredevil (Colin Farrell): One of the bright spots in that film, Bullseye had a maniacal sense of energy, ego and deadliness that upstaged Daredevil and gave him a personal motivation for trying to defeat the title hero.

7. The Red Skull/Johann Schmidt in red skull hugo weavingCaptain America: The First Avenger (Hugo Weaving): A bit one-dimensional but well-played by Weaving  as an uber Nazi whose ambitions elevate his evil to another level altogether.

green goblin spidey 16. The Green Goblin/Norman Osborn in Spider-Man (Willem Dafoe): The outfit stunk otherwise the Goblin would’ve ranked higher. Dafoe, however, gives Osborn his all as a crazed CEO with fantastic gadgets and (aside from the outfit) largely works as a villain.

5. Col. William Stryker in X2 (Brian Cox): Despite not having any powers, Stryker is one terrifying person whose bigotry and fear of mutants is a driving force that threatens the lives of the film’s mutants whether they’re hero or villain.

4. The New Goblin/Harry Osbron in new goblinSpider-Man 2 and Spider-Man 3 (James Franco): A true tragic villain, Harry doesn’t become bad until the end of Spider-Man 2 where the agony of his father’s death and his own inadequacies unhinge him. His hatred for Peter Parker/Spider-Man, the means he goes about seeking vengeance and his final tragic redemption are the best things in the third Spider-Man film.

doctor octopus3. Doctor Octopus/Otto Octavius in Spider-Man 2 (Alfred Molina): The best of the science-driven-mad villains. Molina gives us a very dimensional Doc Ock who isn’t driven by world conquest or revenge but to achieve a scientific goal. Never mind that trying to create his version of fusion threatens the world. Calculating and arrogant even before his accident, Octavius paid the price for his arrogance and was a formidably tough foe for Spider-Man.

2. Loki in Thor (Tom Hiddleston): One loki in thorof the biggest surprises wth Thor is how subtle and crafty Loki came off. It would’ve been easy with a title as God of Mischief to have him be a Norse god version of The Joker and be cackling and chaotic. Instead, thanks largely to Hiddleston’s quiest expressions, Loki is seen sympathetically as the seemingly less-favored son who holds a secret grudge against his brother Thor. The film successfully shows why Loki detests his situation and why he turns on his family; it’s more layered than him finding out his true origin. Rather his envy and anger are due to his own insecurities, Thor’s arrogance and is his validation for taking over Asgard through crafty means.

old magneto1. Magneto/ Erik Lehnsherr in X-Men, X2, and X-Men: The Last Stand ( Ian MacKellen): As one of the deadliest and most powerful villains, Magneto is someone you can’t help empathize with considering his background; he’s a World War II concentration camp survivor. He developed a hatred for non-mutants who persecuted his own kind,  thus making him feel justified in his actions against society. Magneto was usually one step ahead of Professor X and willing to go the extra distance to achieve his goals whether it involved harming a young girl or firing a gun point blank at a cop with his magnetic powers. Despite his age, Magneto was someone to take seriously as a foe and was also the mirror image, in terms of idealogy, of Professor X’s dream of peaceful co-existance with humans. Sadly, many of humanity’s actions throughout the original trilogy only added fuel to his cause and made viewers wonder as to who was truly evil or misguided.

new magnetoSpecial shout outs in no particular order go to Mystique (Rebecca Romijin Stamos) in the X-Men films, Venom/Eddie Brock (Topher Grace) in Spider-Man 3, The Kingpin/Wilson Fisk (Michael Clarke Duncan) in Daredevil, Jared Nomak (Luke Goss) in Blade II, and Magneto/ Erik Lehnsherr (Michael Fassbender) in X-Men: First Class.  Fassbender’s portrayal of Magneto was good enough to make the top ten list but for most of the movie he is actually an anti-hero who only becomes truly villainous by the film’s end.

And now for the five worst. Before getting to the these turds let it be noted that all it takes to sink a film (sometimes singlehandedly) is a poor villain. When coming up with a screenplay attention must be paid to the villain’s motivation, execution and threat level. It’s a hard thing to pull off; when it works you have a great movie when it doesn’t you have a franchise killer. So here they are, the Marvel movie villain Hall of Shame inductees:

5. Howard Saint in The Punisher (John Travolta): You know as a villain you’re in trouble when the colorful assassins you send after the Punisher like the Russian are more interesting than you.

4. Toad in X-Men (Ray Park): Talk about hamming it up! That scene at the Statue of Liberty when Toad tries to mock Storm with his silly dancing earned him a good lightning strike that ensured that he didn’t return in the sequels.

3. Blackheart/Legion in Ghost Rider (Wes Bentley): Boring, boring, boring! Generic demonic foe that looks more like a goth reject than the son of Mephisto. His father was a more intriguing foe yet this film chose to focus instead on this bratty emo.

doctor doom 2005

2. Dr. Doom/Victor Von Doom in Fantastic Four (Julian McMahon): This is miscasting at its worst. McMahon was terrific as the narcissistic plastic surgeon in Nip/Tuck but lacked the gravitas to be Marvel’s most infamous and regal villain. Everyone expected an Eastern European despot but got your standard egotistical CEO and coming so soon after Willem Dafoe’s Green Goblin performance it just drew unfavorable comparisons. In trying to tie his origin with the Fantastic Four and making him a mutated being, this film robs the character of his rich backstory and menace. In this film he’s just a poor Goblin/Magneto/Electro knock-off. He was more like his comic book counterpart, power-hungry and more Machiavellian in the sequel but that film’s awfulness wiped out any improvement made to Doom’s character.

1. Galactus in Fantastic Four: Rise of the Silver Surfer: Destroyer of worlds, nearly omnipotent, a force of nature personified by a giant being with that wonderfully whacky Kirby outfit, that is how fans conceive of Galactus. Do we get this on film? No! We get a cloud. A stormy cloud. Seriously how lazy is this? What’s equally laughable is the filmmakers’ attempt to explain why they went with a cloud, apparently they wanted to leave it up to whoever did a Silver Surfer film to have a free reign designing Galactus. All this did was help to scuttle that film and any followups to the Fantastic Four. The execution reeks of not being imaginative and/or having a limited f/x budget. It was the ultimate payoff that never happened and signified the film’s problems. There was too much going on in the movie to adequately explore the most famous Fantastic Four story, it would have been better to end it with a cliffhanger even if it never happened. It would have left less of a bad taste.

José Soto