Aug 17 2015

D23 Expo Highlights: Star Wars, MCU, Theme Parks & More

Disney had their own version of Comic-Con this past weekend with their D23 Expo held in Anaheim. As can be guessed, the convention was related to all things under the Disney umbrella and what’s coming up. The highlights from D23 Expo dealt with exciting theme park and genre film developments.

Star Wars

Many fans were disappointed that there wasn’t a new trailer for Star Wars: The Force Awakens, but were titillated with the reveal of a Drew Struzan movie poster for the film and an official cast photo for the first Star Wars Anthology film Star Wars: Rogue One. There was also confirmation that Colin Trevorrow, the director of the mammoth hit Jurassic World, will direct Star Wars Episode IX. But the juiciest revelations had to do with the expected and highly anticipated Star Wars Land to be built in Disneyland Park and Disney’s Hollywood Studios.

Ever since Disney bought Lucasfilm and all of its intellectual property from George Lucas a few years ago, fans have impatiently waited for some kind of expansion of Star Wars in the Disney parks beyond Star Tours. Yes, the famous simulator ride had been updated with new, random scenes recently, but aside from Jedi Training Academy and the popular Star Wars Weekends, it seemed as if Disney hadn’t really paid a lot of love to its newest IP acquisition. Meanwhile, its rival Universal Studios Orlando stunned and dazzled Harry Potter fans with its meticulously developed Harry Potter lands in their parks.

That all changed with the announcement. Finally, Disney will have a worthy answer to Harry Potter with an equally revered IP. The Star Wars Land (note: it wasn’t called that in the announcement) will be 14 acres, which will feature a cantina and an immersive Star Wars environment on a new planet similar to what Universal did with Diagon Alley and Hogswart. There will be two new E-ticket rides, one will allow visitors to pilot the Millennium Falcon (most likely some kind of simulator ride), while the other will be based on Star Wars: The Force Awakens. There will be another update to Star Tours that will include a destination from Star Wars: The Force Awakens, an updating of Jedi Training Academy, and an interactive experience called Star Wars Launch Bay. This attraction will be in pavilions in both parks that will feature meet and greets, exhibits and stores, of course. The only drawback to these ambitious plans is that when it came to the time table for all of this the only answer was “coming soon”. Just thinking out loud here, but Disney should take heed on how quickly Universal builds its new attractions. Some of us would like to have something open before this decade ends!

Marvel Cinematic Universe

The two items that are keeping fans salivating had to do with Captain America: Civil War and Doctor Strange. With the latter, Marvel Studios guru Kevin Feige introduced concept art (Doctor Strange begins filming later this fall) that featured a classic look for the sorcerer that includes his red cape and Eye of Agamotto. A trailer for Captain America: Civil War was unveiled, which, of course, no one that didn’t attend D23 Expo could see. There are tons of fake “leaked” trailers out now on YouTube and the smattering of legit ones are taken down too fast to bother linking to, but rest assured as soon as its released to the masses, you can see it here. Based on the descriptions, it sounds like an awesome film and it could be part of the reason why DC/Warner Bros. moved their own superhero civil war flick to another date.

Theme Park News

The other major announcement regarding the Disney theme parks was that Disney’s Hollywood Studios will build a Toy Story Land for the young and young at heart. At 11 acres, this land will have two new rides (a spinner ride and a family coaster), expand Toy Story Mania, which is probably the best news because the wait times for that attraction is beyond ridiculous (and frankly not worth the wait). No time frame was given as to when this will happen. But based on the other big construction needed for Star Wars Land, Disney might as well shut down Disney’s Hollywood Studios until all of this is finished. They may finish ahead of schedule that way, make fans even happier, who will more likely spend money sooner.

Speaking of slow construction, the Avatar Land in Disney’s Animal Kingdom is still chugging along. At least with this expansion we have an actual opening date (2017). For anyone that doesn’t know, there will be two attractions based on Avatar, one is similar to the popular Soarin’ ride and will allow visitors to fly over the skies of Pandora, and the other attraction will be a boat ride.

Here’s some news that will rankle North American Marvel fans, Hong Kong Disneyland will have an Iron Man ride. Similar to Star Tours, the Iron Man Experience will feature the Golden Avenger facing off against the forces of Hydra in Hong Kong. Sounds great for anyone who has an updated passport and the money and time to burn. Look, we understand that there can’t be any Marvel rides in Walt Disney World, but couldn’t they have this slotted for Disneyland? That agreement between Disney and Universal only applies to rides east of the Mississippi.

Upcoming Films

Disney had presentations for its upcoming film slate and the announcements were fast and heavy. New animated films include Gigantic, Moana, Zootopia, live-action versions of Beauty and the Beast, Ghost in the Shell, and The Jungle Book, a remake of Pete’s Dragon, Pirates of the Caribbean: Dead Men Tell No Tales, and Alice Through The Looking Glass. Part of the presentation focused on Pixar, which showcased The Good Dinosaur and announcements for Cars 3, The Incredibles 2, Finding Dory, Coco (based on the Dia de los Muertos festival), and Toy Story 4. This fourth film in the franchise will be more of a love story and will be about Woody looking for his lost love Bo Peep. The Pixar stuff is exciting except for the third go around with Cars. But marketing types at Disney would disagree with that!

All these announcements and presentations at D23 Expo confirm that Disney isn’t resting on its laurels. The next few years will be exciting times for fans, at least when it comes to films. The theme park components will pay off at a much later date.

Aug 13 2015

A Look At Josh Trank’s Chronicle

Josh Trank’s directorial career is in serious jeopardy since Fantastic Four has not only flopped, but has become an infamous failure, thanks in part to his ill-conceived tweet on the eve of the troubled film’s release that disavowed it as not his work. This added fuel to the fire about his professionalism and merits as a filmmaker. These developments have led many to question if he has the right temperament for the business. It’s too early to tell how this will play out, but one thing that can’t be denied is that with his first film Chronicle he displayed promising talent with a movie that mashed the superhero and found-footage genres. Here is a review.

The “found footage” sub-genre may elicit many groans and complaints from moviegoers. While Chronicle at first didn’t seem all that different from films of this type with its slightly mundane first act when it introduced stereotypical characters, it turned out to be a refreshing viewing experience. Unlike most “found footage” movies, this wasn’t a horror film, but rather about three teenage boys who developed telekinetic powers and how it affected them. Before long the film turned out to be a pleasantly surprising with its plot development and execution.

The main camera used in Chronicle is operated by one of the boys, Andrew Detmer (Dane DeHaan), a shy, emo type who picks up the hobby of videotaping his life. Andrew clearly doesn’t have a happy life in school or at home. He’s shunned and picked on by bullies, his father’s a violent alcoholic and his mother is dying of cancer. At some point, he goes to a rave party with his outgoing cousin Matt Garetty (Alex Russell), and they run into the ultra-popular Steve Montgomery (Michael B. Jordan), who’s running for school president. The three leave the party and discover a hole in the ground near the party. After hearing strange sounds coming from it they descend into the hole to investigate. Deep down they encounter a crystalline structure of unknown origin that pulses and causes them to have nosebleeds.

The movie jumped ahead in time to where the trio are experimenting with their newly acquired telekinetic powers. They treat it as a fun diversion and bond together while carrying out pranks with their powers. But it soon becomes clear that their powers are increasing and that Andrew’s inner demons causes him to become more and more malicious with his powers.

That was the best twist with the film. We’ve all been expecting to see the lovable shy loser get super powers and then run off to save the world. Sadly, this doesn’t happen with Andrew, he’s clearly not Peter Parker, as he uses his abilities to hurt others. But, the character was so well presented and three dimensional that despite his increasingly violent actions, one can’t help but sympathize with his situation, while fearing him. Andrew thought that the powers would change his life for the better, but they haven’t. He is still unpopular, his father continues berating him and he cannot save his mother.

In the meantime, Matt and Steve defy the popular jock stereotypes and become more sympathetic. Matt soon realizes that they have to be responsible with their powers. This doesn’t mean he wants them to fight crime, only to not use the powers to harm living things. This difference in opinion will ultimately lead to a clash between the two cousins. Kudos goes to the three actors who play the three friends, the bond they share over their secret powers and the joy they have at first is apparent and one can’t help but marvel at their telekinetic displays.

Whereas something as simple as levitating a ball may seem humdrum in an X-Men film, in Chronicle it truly came off as a marvel. With that said the final act of the film was jaw-dropping thanks to its special effects that put more expensive superhero films to shame in the wow factor as a major battle takes place in the skies over Seattle.

Put aside any complaints about Fantastic Four when considering Josh Trank’s debut film. Chronicle is still a well-made production that showed promise and indicated that Josh Trank would have a memorable filmmaking career. Trank should be commended for Chronicle’s execution because the “found footage” technique added to the reality of what moviegoers saw before their eyes. Unfortunately, as terrific as Chronicle was, Trank suffered the sophomore curse big time with his disjointed Fantastic Four. It is a poorly made film that has clear evidence of studio tampering (as seen by the haphazard third act) and it’s so-called grounded and gritty take of Marvel Comics’ superheroes was misguided from the start. It proves that undertaking a big-scale production was too much for the young director. However, if given another chance to direct a smaller production like Chronicle, Trank might be able to develop his skills and find some redemption.

Lewis T. Grove

Aug 7 2015

Latest Version Of Fantastic Four Is Doomed

After torturing myself from watching Fantastic Four, the new ~~cash grab~~ reboot by 20th Century Fox to hold on to the film rights to Marvel Comics’ legendary superhero team, I’m convinced that the film studio doesn’t know what to do with this franchise. How bad was Fantastic Four? Let’s put it this way, not only does it make the Tim Story Fantastic Four films seem like Christopher Nolan’s Dark Knight Trilogy films, but I would rather watch Batman & Robin again than sit through this monstrosity one more time. Seriously, at least those films can be enjoyed on an “it’s so bad, it’s hysterical” level while drunk or high. This dreary, dour film doesn’t even have that guilty pleasure value.

I’m not exaggerating when I say this film is an insult to the Fantastic Four and to superhero films. It’s obvious that almost everyone involved in this film from director Josh Trank to the actors don’t respect the source material or have a clue as to what made the comic book work. At least, Tim Story had enough sense to pay homage to the comic books and captured many parts of it like the banter, the feeling of family, the sense of fun. All of that is missing here. The cast has no synergy, there isn’t any joy or excitement or even adventure with this reboot. Instead Josh Trank gives us a pretentious and sloppily slapped together mess that is evidence that control of the film was taken away from him in post production. Not that it helped.

There are half-hearted attempts in the first third to create some character developments, but then they’re dropped. For instance, when Johnny Storm (Michael B. Jordan) is confronting his father Franklin (Reg. E. Cathey, who gives the best performance in this cesspool), there is a hint that he is jealous of his adopted sister Sue (Kate Mara), but it’s never brought up again. Remember how Johnny would always tease Ben Grimm in the comics and earlier films? That only happens once, at the end. That’s right, and it Johnny’s sole attempt at humor came off as being mean-spirited for no good reason. The opening third tries to copy Spielberg’s sense of wonder, but all I got where endless scenes of people looking at blueprints and computer screens and Reed Richards (Miles Teller) wandering around hallways and spouting exposition. It isn’t until forty five minutes into a ninety-minute film that the characters get their powers and basically not do much with them until the end.

Then without warning, Fantastic Four becomes a poor man’s David Cronenberg body horror film, which was kind of intriguing, but undeveloped especially with Ben Grimm (Jamie Bell). What could’ve been a good showcase for him is a lost opportunity and that’s a @!#$ shame because in this muddle there is a nugget of something that could’ve been stellar. The other attempt at body horror is actually quite laughable. When Reed Richards is first shown all stretched out on an exam table like a Stretch Armstrong doll I couldn’t stop rolling my eyes on how silly he looked.

Finally, Fantastic Four completely goes off the rails in the final third that tries to be an action superhero film, but collapses when the villain Victor Von Doom (Tobey Kebbell) appears. This version of Dr. Doom incredibly redeems the Tim Story version! Doom here just shows up in the last fifteen minutes or so, blows up people’s heads with telekinesis and screams corny lines about the evils of humanity. He doesn’t look menacing but like a stupid combo of the Mummy and a metallic Freddy Krueger. This Doom has none of his comic book counterpart’s bravado and power. The only merciful thing to say about Dr. Doom is that his screen time is so short you can take a bathroom break when he first appears and he’ll gone by the time you return. BTW, most of those clips you’ve seen in the trailers don’t appear in the finished film.

Oh God, I have a headache right now thinking about the film. I’m going to pull out my old Fantastic Four DVDs to wash out the memories of witnessing this summer’s real Trainwreck. I think I’ll also go see Ant-Man again this weekend for good measure. With that let me conclude this review with an open letter to 20th Century Fox:

Dear Fox:

Your company has struck out three times with the Fantastic Four. Each time you tried to improve the film franchise you only dug the grave deeper for the First Family of Marvel superheroes. Now you have released what will be known as one of the worst superhero films. You clearly don’t understand why they launched the Marvel Comics phenomenon and this reboot is a disrespect to the First Family and its fans.

By refusing to let the rights go back to Marvel and making bad films, you’re ruining your reputation and good will. Honestly, I’m questioning if I should bother to pay money to see more X-Men films and their spinoffs.

You’ve tried, but we’re getting diminishing returns here. Be honest with yourself and your shareholders. The bottom line is the dollar, but by continuing to produce these insulting adaptations you are alienating viewers and are putting your future profit at risk.

OK, keep the X-Men franchise, you’ve done good with it for the most part and there’s word that you want to do a TV show based on those mutants. Well, since you need to negotiate with Marvel for the TV rights, why not earn some cred and give the Fantastic Four rights back to Marvel? Don’t be a tool and hold onto the rights for another five or seven years then crank out another piece of crap out of spite. Just let it go.

Waldermann Rivera

Aug 3 2015

The Merits & Flaws Of Past Fantastic Four Films

The Fantastic Four, Marvel Comics’ first superhero team, always had a hard time with its live-action adaptations. The new reboot isn’t an exception. Filmmakers can’t seem to be able to properly translate what worked for this team in the pages of comic books into movies. Still, putting aside what went wrong with the three previous movies, they did get many parts right. It’s just that they missed the mark, sometimes by a mile.

The Fantastic Four (1995)

Bernd Eichinger and his Neue Constantin studio bought the film rights to the Fantastic Four back in the ’80s, but couldn’t raise the funds for the movie. By the next decade in order to prevent losing the rights the studio with Roger Corman’s help produced The Fantastic Four a quick, cheap adaptation.

Oh boy, this movie was a mess, it’s on the level of those Godawful monstrosities made by The Asylum. The acting was hysterically bad, particularly Joseph Culp as Doctor Doom. Talk about hamming up the scenes! Then there were the zero-grade special effects. It’s hard to believe that a million dollars was spent on this fiasco when you see that they used animatics during the one scene that the Human Torch (Jay Underwood) used his full powers. Want a guaranteed laugh? Check out the film’s final scene when Mr. Fantastic (Alex Hyde-White) waves goodbye with an obvious fake arm from the sunroof of his wedding limo!

Yet, as terrible as the film was, it had a certain charm. The production nailed down the team’s look right down to the costumes, even The Thing (Michael Bailey Smith) was impressive. This is amazing considering how far off the mark more professional productions were with their versions of The Thing and Dr. Doom. Never mind the acting, at least they looked like their comic book counterparts!

Despite their inexperience, you could tell that the actors and production team were trying their best. They honestly believed this was going to be a big deal, but tragically for them it wasn’t. The cast and crew didn’t know that the film was never intended to be released and it wasn’t. Nor did they expect the film to get its infamous reputation as bootleg copies of the film circulated. Still, while it’s a terrible movie, it warrants a viewing for either fans who want to see a more faithful adaptation or drunks needing a good laugh.

Fantastic Four (2005)

When the superhero movie boom started early last decade, it wasn’t long before the FF got their shot at the limelight. 20th Century Fox released Fantastic Four in 2005, which turned out to be a modest hit, but received mixed reactions.

Even though Fantastic Four was a more polished and professional film with a $100 million budget (compared to the reboot’s $122 million) it seemed routine and bland at times. What was worse was that Fantastic Four was hobbled with a poor villain, a vital component of any superhero film. Dr. Doom (Julian McMahon) was completely wrong from the casting to his backstory. In this version, he was your typical evil CEO who was part metallic and had electric-based powers. Those kind of changes wouldn’t have bothered people so much if the actor was a good fit. But, McMahon just didn’t have the gravitas that Doom requires because he’s a larger-than-life villain.

Ben Grimm/The Thing (Michael Chiklis) was also altered, but with different results. His look didn’t match the comic books’ version because he was human sized and lacked that famous protruding brow line. Also, his story was altered in that he was married, but his wife (briefly played by Laurie Holden of The Walking Dead) left him after she saw how he was disfigured by the accident that gave him his powers. But these changes weren’t too jarring and more importantly, Chiklis and the production captured Ben Grimm’s essence. Like in the comics he was downtrodden and full of self pity. He quarreled with his teammates, especially Johnny Storm (Chris Evans), who loved pulling pranks on him.

The other highlight was Johnny himself. Evans channeled the nature of this young superhero brilliantly. He reveled in his powers, he was brash, brave and loved life, which is why he was a good foil for the moody Thing. Evans was so convincing as the happy-go-lucky Human Torch that when he was announced to play Captain America, some people doubted he could portray the more mature and grounded hero. He proved them wrong. Continue reading →

Jul 24 2015

The First Dozen Marvel (MCU) Films Ranked

With the release of Ant-Man, Phase Two of the Marvel Cinematic Universe (MCU) films has concluded. Before Phase Three begins with Captain America: Civil War, now would be a good time to rank the twelve MCU films released so far.

1. The Avengers (2012) – As the culmination of years of careful seeding by previous MCU films The Avengers was a bold, energetic triumph. Director Joss Whedon accomplished the impossible by bringing together completely different characters and molding them into a superhero team just like in the comic books.

As the most successful superhero film of all time, The Avengers excited numerous viewers and changed the landscape of superhero films. Before this film, the usual superhero films operated in their own realities without any indication of a rich universe as seen in comic books. But The Avengers embraced the richness of its comic book lore and it paid off. Now, shared cinematic universes are the rage. However, The Avengers is the best of the MCU films because it was so energetic, witty, and snappy, and had the novelty of our favorite heroes meeting for the first time. It all led to one of the most exciting finales presented on film that still reverberates with viewers.

2. Guardians of the Galaxy (2014) – Marvel Studios showed they were willing to take a chance with this quirky and exciting space adventure yarn. Who would’ve imagined that a sci-fi movie about a bumbling space pirate, violent green aliens, a foul-mouthed raccoon and a walking tree would strike a chord with audiences?

Technically, Guardians of the Galaxy isn’t a superhero film, but this demonstrates how this MCU entry is quite different from its standard superhero repertoire. What made it special wasn’t just the premise, beautiful visuals or production design, but a toe-tapping soundtrack that ingeniously used ’70s pop songs. It was a unique signature for this space opera tale about a group of space losers who banded together to save the galaxy. Chris Pratt became a star thanks to his silly, but good-hearted role as Star-Lord, the self-proclaimed legendary outlaw.

3. Captain America: The Winter Soldier (2014) – The best MCU solo superhero film and one of the greatest superhero films ever made. More importantly, this was arguably the most volatile entry in the MCU because by the time the film ended, the cinematic universe was forever changed by the film’s events.

Chris Evans as Captain America/Steve Rogers has demonstrated how he has grown in stature in these films. As a man out of time, Steve Rogers faced his greatest threats from a former friend (one of the deadliest and most frightening supervillains on film) and a shocking global conspiracy that rocked the MCU to its roots. Adding to the film’s specialness were a tightly written script, well-executed and riveting fight scenes and terrific performances from the cast.

4. Ant-Man (2015) – The final Phase Two film is known for its numerous behind-the-scenes hurdles where the original director quit after having developed the film for years. Yet, in spite of that and the titular character’s obscurity, Ant-Man was an unexpectedly great superhero film that’s full of panache.

As one of the more humorous MCU films, Ant-Man quickly won over viewers with its outlandish premise: a man who can shrink and communicate with ants. Wrapped around that was a swift-paced heist story that deftly integrated itself into the larger MCU in a natural way that eluded other films that attempted this. Adding to the film’s enjoyment were many winning performances, fantastic special effects and unlike other MCU films, Ant-Man was able to deliver an astonishing final act that helped pave the future for the MCU.

5. Thor (2011) – What sets Marvel Studios apart with their MCU films is its willingness to remain faithful to the comic book source material. At the same time, Marvel Studios has the ability to make organic changes and updates to its characters and situations. Thor is a perfect example. The film wisely eschewed its magic-based comic book roots that Thor and his ilk were actual gods and cleverly used science fiction tropes instead.

Thor followed the winning formula of MCU films by having an egotistical, flawed character learn some humility and become a hero. Thanks to director Kenneth Branagh, Thor also had a sense of grandeur that evoked a Shakespearean family drama. In this case, that involved otherworldly aliens mistaken for gods. It was also noted for its humorous fish-out-of-water scenario and Tom Hiddleston’s star-making performance as Loki, the MCU’s best villain.

6. Iron Man (2008) – The one that started the MCU phenomenon still holds up as a well-made origin story. Robert Downey, Jr. shined as he made a personal and professional comeback in the role of a lifetime. His trend-setting Tony Stark/Iron Man was a self-centered narcissist who learned to become something more.

The first part of Iron Man was engrossing, particularly during the moments when Tony Stark first faced his mortality and was forced to construct a crude armored suit. However, the film faltered a bit in the second half. The pace dragged as we waited for him to construct a proper Iron Man suit. Things weren’t helped by the final battle that looked like something out of the Transformers and was just as cartoony. But Iron Man’s successful formula set the tone for the rest of the MCU. Continue reading →

Starloggers

Observations, Reports & Remarks From Out Of This World & Beyond

Category Entertainment

D23 Expo Highlights: Star Wars, MCU, Theme Parks & More

A Look At Josh Trank’s Chronicle

Latest Version Of Fantastic Four Is Doomed

The Merits & Flaws Of Past Fantastic Four Films

The First Dozen Marvel (MCU) Films Ranked

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