Dec 31 2023

Top Ten Films & TV Shows Of 2023

2023 boasted its fair share of exceptional genre films and TV shows. It is also noted for being the year when superhero films and TV shows started to lose steam. More on that some other time. Still, there plenty of quality fare for us fans and here are the best films and TV shows of 2023. Be sure to drop a comment with your own choices and rankings.

Films

10. 65

Adam Driver starred as a pilot of a crashed starship who struggled to survive in a hellish prehistoric landscape that turned out to be Earth 65 million years ago. This absorbing survival tale had intense moments and great dinosaur scenes.

9. The Creator

Garth Edwards’ film about a soldier protecting a young A.I.girl while pursued by hostile forces was derivative in terms of its plot. But its jaw-dropping visuals of a future Asian society where man and A.I. live harmoniously, action scenes and performances more than made up for its flaws.

8. Ant-Man and the Wasp: Quantumania

The third Ant-Man film was unfairly put down by many who missed the usual capers of the previous Ant-Man films. Instead this film went in a different and wilder sci-fi direction as our heroes explored bizarre landscapes and confronted the next big bad in the Marvel Cinematic Universe (MCU), Kang the Conqueror.

7. Leave the World Behind

This apocalyptic psychological thriller was both disturbing and intriguing as we see how the world begins to crumble from the viewpoint of vacationers. We were also swept up in their horrified plight as they struggled to understand their new situation and survive in a dangerous new normal with their limited skills and experience.

6. Dungeons & Dragons: Honor Among Thieves

This fun-filled fantasy romp based on the classic board game turned out to be a pleasant surprise. The film boasted spirited performances starting with Chris Pine as a lovable rogue and an imaginative script and direction that always kept the pace moving throughout the film.

5. Blue Beetle

It’s a shame that one of the last DC Extended Universe (DCEU) films did not perform better in theaters since it was of the best DCEU films. While the film followed the typical superhero origin formula, its strong performances, direction, and humorous family interactions elevated the film with its back-to-basics approach with superhero films.

4. Indiana Jones and the Dial of Destiny

The last hurrah for our favorite swashbuckling archeologist hit many emotional notes in its depiction of Indiana Jones in his twilight years. Yes, Steven Spielberg’s masterful direction was sorely missed in the final Indiana Jones film, but its solid direction, thrilling action and Harrison Ford’s solid performance as the title hero made this a memorable finale to the fantasy adventure franchise.

3. Godzilla Minus Zero

The latest Godzilla film proved that the decades-old franchise could still deliver captivating and exciting kaiju films. It stood above other Godzilla films thanks to its grounded approach, emphasis on relatable characters and a directorial decision to make the title creature a terrifying force of nature. It’s easy to see why this is one of the best Godzilla films.

2. Spider-Man: Across the Spider-Verse

There were other notable animated films this year like Elemental or Teenage Mutant Ninja Turtles: Mutant Mayhem that rivaled Spider-Man: Across the Spider-Verse with distinctive animation and scripts. However, Spider-Man: Across the Spider-Verse stood out from the pack with stunning and unparalleled animation that was simply stunning.

More importantly, what made the film such a success was its engaging storyline of a relatable Miles Morales involved in a head-spinning story, which involved other universes and characters. Cannot wait for the conclusion to the storyline!

1. Guardians of the Galaxy, Volume 3

James Gunn’s final MCU film was one of the best in the Marvel film franchise. It perfectly closed the chapter of these lovable galactic misfits/heroes while exploring their emotional connections and giving us glimpses of how the team would continue without the OG heroes.

This film proved that the MCU could still deliver quality films that are widely acclaimed and perform well. What made audiences engage with Guardians of the Galaxy, Volume 3 was its emotional core as we witnessed the tragic backstory of Rocket Raccoon, the fragile nature of the other guardians, and one of the most evil MCU villains ever shown.

Noteworthy Mentions:

Aquaman and the Lost Kingdom, Elemental, Evil Dead Rise, The Flash, Knock at the Cabin, M3GAN, The Marvels, Rebel Moon, Part One: A Child of Fire, The Super Mario Bros. Movie, Teenage Mutant Ninja Turtles: Mutant Mayhem

TV Shows

10. Superman & Lois

The third season of the final Arrowverse TV show continued demonstrating that it is one of the best Arrowverse TV shows as Superman/Clark Kent continued balancing life as a superhero and a husband and father to his family in Smallville.

9. Monarch: Legacy of Monsters

This TV show did so much to flesh out and expand the world of the Monsterverse by featuring interesting characters and fascinating plots involving time jumps and conspiracies. The result was a fascinating look at the impact that giant kaijus would have in the world.

8. For All Mankind

Ronald D. Moore’s alternate reality TV series where the Soviets landed on the moon first, relished in how that reality has begun to wildly diverge from ours as it featured life on a thriving Martian colony circa 2003, along with the intriguing geopolitics and personal drama that often intertwined.

7. What If…?

The second season of this animated MCU TV show featured more diverse variant MCU characters and situations. Unlike the live-action MCU, What If…? really let its imagination run wild with the concept of the Multiverse thanks to its inventive tales of alternate MCU realities.

6. Sweet Tooth

The second season of this live-action adaptation of the Vertigo comic book by Jeff Lemire was just as enjoyable as the first thanks to winning characters like young Gus and other animal/children hybrids and humans trying to survive in a post-apocalyptic world ravaged by a plague and warlords.

5. Gen V

This spinoff of The Boys was much more than a satirical take on the X-Men or the New Mutants. It further fleshed out the world of The Boys and underlined the dark side of supeheroics with relatable characters who suffered with the burden of having super powers and their lives as angst-ridden teenagers.

4. The Last of Us

This was a faithful and tense adaptation of the classic video game about a ruthless man protecting a young girl in a world devastated by a plague that turned most of humanity into mindless monsters. The performances were simply brilliant and the scripts truly touched viewers during its explorations of the characters and their relationships in a savage world.

3. Star Trek: Strange New Worlds

The second season continued the episodic back-to-basics approach to Star Trek with excellent one-off episodes. Star Trek: Strange New Worlds was buoyed by solid scripts and spot-on acting, which made it one of the franchise’s best entries. Even though some of the episodes may have been too bizarre like the musical episode or the one that featured characters from the animated Star Trek: Lower Decks, the season overall was a genuine success.

2. Loki

From the first frenetic moments of its premiere episode to the majestic triumph of its last scenes in the season finale, Loki singlehandedly demonstrated that there was still creative life in the MCU, which struggled in 2023.

Highlighted by brain-twisting time travel conundrums and a topnotch cast, the second season of Loki was arguably better than the first as we saw the title character complete his emotional transformation from a petty foe into a mature god burdened with maintaining all of time and reality.

1. Star Trek: Picard

Yes, the third and final season of Star Trek: Picard reveled in memberberries, call backs, Easter eggs and references. But it was much more than that, it was a genuine love letter and tribute to the Star Trek franchise, circa 1990s.

Star Trek: Picard had an engaging and exciting storyline with many twists and turns as it reunited the cast from Star Trek: The Next Generation for one last hurrah to save the United Federation of Planets from an old foe. At the same time, the TV show introduced intriguing new characters that tantalized viewers with potential future adventures. Come on, give us a Star Trek: Legacy show already!

Noteworthy Mentions:

Ahsoka, Black Mirror, the Doctor Who specials, Doom Patrol, Foundation, Harley Quinn, Invincible, La Brea, The Mandalorian, One Piece, Percy Jackson and the Olympians, Primal, Scavengers Reign, Scott PIlgrim Takes Off, Silo, Upload

Dec 3 2023

Godzilla Minus One = Plus One Greatness

Some may scoff the latest Godzilla film, Godzilla Minus One, as just another kaiju flick with battling monsters, goofy plots, and bad acting. But they will be very surprised by what Godzilla Minus One offers since it is one of the greatest Godzilla films ever made.

Evoking the serious and somber tone of the original Godzilla from 1954, Godzilla Minus One is much more than a giant kaiju film about rampaging monsters standing in for deadly forces of nature. It is also a film that studies the impact of war on former soldiers and civilians. With that in mind, the film takes the time to get viewers to become involved with the storyline of its human characters who have a surprising amount of depth and story arcs.

The film opens in the last days of World War II on a Japanese island that serves as repair depot for kamikaze planes. Kōichi Shikishima (Ryunosuke Kamiki) is a kamikaze pilot who lost his nerve and sets down on the island and pretends his plane needs repairs. During nightfall, the depot is attacked by a dinosaur-like monster called Godzilla by the locals. This version of Godzilla is considerably shorter than the giant walking skyscraper we’re used to seeing. This one is about the size of a large t-rex, but is quite deadly. Shikishima cannot bring himself to attack the rampaging beast that soon kills nearly everyone at the depot. Carrying this guilt with him, Shikishima struggles to adapt to civilian life in the midst of a decimated Japan after the war ends. A couple of years later, he meets Noriko Oishi (Minami Hamabe), who struggling to survive with her adopted child Akiko, who was orphaned during the war. The three form a fragile family that soon begin to strive after both adults find jobs and meaning. Shikishima works on a minesweeper boat and bonds with his shipmates. He is compelled to accept his new family and to marry Noriko, but his wartime past still haunts him. At this time a U.S. nuclear test in Bikini Atoll mutates Godzilla, who soon appears in Japan’s waters as a gigantic destructive force that emits radiation through its breath and is able to quickly heal itself from deadly injuries.

After a terrifying encounter with the creature, Shikishima’s surivor guilt and post-traumatic stress disorder kick into overdrive as he is plagued by inner demons over his inability to act in the past. Before long Godzilla makes landfall and decimates the Japanese city of Ginza before disappearing into the ocean. But everyone knows the behemoth will return and take all measures to destroy the kaiju before it returns. This also provides Shikishima with the drive to earn a measure of self redemption by confronting the monster once and for all.

Godzilla Minus One is full of drama and tension as we witness Shikishima’s story and the terrifying might of the monster. Obviously, Godzilla is a metaphor for the destructive force of war and this is done so well in the film. His rampages are very terriying and humbling as humanity and society are laid to waste by the kaiju. The scenes of mass destruction are also anchored by the compelling human stories as the survivors of World War II struggle to rebuild their lives and society. That is why it is disheatening to see the fragile peace created by Shikishima and his friends torn apart so easily by Godzilla. We actually care about these people, they are not random background characters who we casually dismiss when the monster stomps about a city. At the same time, the film also evokes Jaws in its depiction of the casual banter of shipmates who then confront a terrifying underwater beast that functions a colossal prehistoric shark.

The only quibble with the film is that it takes great lengths to explain why the American or even the remnants of the Japanese military did not try to confront the monster more openly. Despite shoutouts about Cold War fears, this does not seem realistic, especially if the behemoth that destroys a city is breathing out deadly radioactive fire. You can bet the U.S. military would have gotten involved when this was discovered. It is also implausible that the Japanese military would have a hands off attitude when it came to fighting Godzilla. Instead, the final confrontation is left up to “private citizens” who take matters into their own hands. This just seems unrealistic.

Unlike most Godzilla films, Godzilla Minus One boasts excellent production values from special effects that easily rivals what comes out of Hollywood to engaging performances from the actors. Much of the credit has to go to its director and screenwriter Takashi Yamazaki, who also supervised the stunning special effects. Yamazaki has a great eye for filmmaking and other kaiju productions should emulate what he has accomplished. It is clear that the Monsterverse films could use the talent of Takashi Yamazaki, who would bring levity and depth to their films. As much fun as the Monsterverse films are Godzilla Minus One elevates the kaiju genre to a much higher level. Then again Hollywood being the way it is would dilute the talent of this director.

It is stunning to know that after 70 years, it is still possible to create an excellent Godzilla film. Godzilla Minus One has set a new standard for Godzilla films that will be difficult to match, but it could inspire other equally impressive kaiju films.

José Soto

Sep 26 2023

The X-Files: The Truth Is Still Out There 30 Years Later

The X-Files is celebrating 30 years and is regarded as one of the most influential sci-fi TV shows of all time. It was in September 1993 that audiences were introduced to now-iconic FBI investigators Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson). Mulder was obsessed with finding out what happened to his sister who was abducted by aliens when he was just a boy. This passion launched his lifetime pursuit of investigating the UFO phenomenon and other paranormal events. His bosses at the FBI were wary of his quest and partnered him with sceptical FBI agent Scully, who always tried to reign in Mulder’s forays into the unknown. Their evolving relationship and investigations into weird events, such as alien bounty hunters and cryptid creatures, endeared them to fans worldwide and made Mulder and Scully household names.

The plots of the episodes over the original 9 seasons consisted of either the conspiracy storyline that featured sinister govt. agents and alien forces conspiring to take over the world, or “monsters of the week”, where the duo investigated other strange events having to do with unexplained phenomena, such as psychic powers in the episode “Beyond the Sea” or sea serpents in the episode “Quagmire”, among other bizarre events. The conspiracy episodes became increasingly convoluted as the series progressed with the storyline involving an alien plan to colonize the Earth, and the aliens were assisted by covert government forces led by the villain of the series, the Cigarette Smoking Man (William B. Davis), the nemesis of both Mulder and Scully, who always attempted to untangle to web of lies they faced with each case. They’re helped by various allies during the show, such as their boss Walter Skinner (Mitch Pileggi) who shielded them from attempts to have the X-Files section of the bureau shut down at great risk to himself, as well as the Lone Gunmen (Dean Haglund, Tom Braidwood, and Bruce Harwood), fellow conspiracy buffs who assisted Mulder from time to time in solving cases.

The influence of The X-files can’t be overstated as it led to many other shows involving alien conspiracies or other kinds of surreal mysteries that would have a complex story unfold over several seasons. Such shows that followed quickly after The X-Files debuted were Dark Skies, and spinoffs Millennium and The Lone Gunmen. Even well after The X-files aired, in the 2000s, other shows appeared that followed in the footsteps of characters dealing with weird circumstances or events like Lost, Fringe and Supernatural, all of which are regarded as offspring of The X-Files, the first show that had mass appeal showcasing bizarre and unexplained phenomenon.

As for what inspired The X-Files itself, this would have to be the great but short-lived Kolchak: The Night Stalker starring Darrin McGavin, which aired in 1974-75 and is credited by X-Files creator Chris Carter as a huge influence on The X-Files. That show had a bumbling investigative reporter Karl Kolchak seeking answers to unexplained phenomenon very similar to what Mulder and Scully would take on 20 years later. McGavin even guest starred in two episodes of The X-Files portraying a character seen as the father of the FBI’s X-Files division, a tribute to Kolchak’s influence on the show.

The X-Files returned for two more seasons in 2016 and 2018 after a long hiatus and two theatrical films, which again showcased Mulder and Scully trying to unravel more alien and government plots, and finding the whereabouts of their child William. Overall, the show has become an icon in the TV and cultural landscape and has legions of devoted followers. It arrived at a time when the idea of UFOs and aliens were emerging in the mainstream as a serious topic and the show further pushed these conversations into the mainstream. The X-Files is still highly regarded 30 years later and will still be seen and imitated for many years to come.

C.S. Link

Feb 4 2023

Reaction To The New DCU Announcement

To be frank, it was best to wait a few days after the announcement from DC Studios’ head James Gunn about their new slate of DC Universe (DCU) films and TV shows. The immediate reaction for these types of announcements often run wildly until the news is fully digested. What was interesting about Gunn’s announcement was not the rage from fans of the ending DC Extended Universe (DCEU), but the large collective shrug from most.

There are many reasons for the various reactions, but the pervailing muted response has to do with the content of the upcoming DCU films and TV shows and that fans have been burned before with the intial announcement of the DCEU. When the first batch of DCEU films were announced last decade there was a lot to get fans super excited, especially with Batman v Superman: Dawn of Justice. Now we know how all that turned out. Some of the films were never made (with The Flash finally premiering later this year), while some released films failed to deliver. Then there is the fact that some of the more well-received aspects of the DCEU, namely actors like Henry Cavill and Gal Godot, will not be a part of the DCU. So, naturally the skepticism and outrage was expected.

But let’s face the truth: the DCEU was a failure. Blame the executives at Warner Bros.. Blame the producers, writers, directors and actors. Blame the unrealistic expectations and toxic fans. But the fact remains that there were too many missed opportunities and that Warner Bros. was too reactionary. Instead of trying to fix what was wrong with the DCEU, the film studios had a scattershot approach to their DC properties. They ignored what worked with the DCEU and doubled down on films and TV shows that featured DC characters, but were not connected to the DCEU. What made things worse for the cinematic universe was that non-DCEU films like Joker and The Batman were huge successes. More and more DC films and TV shows were greenlit that were not part of the DCEU, while the DCEU itself was left behind.

This was a mistake. Warner Bros. have the characters in a shared superhero universe that should have rivaled Marvel Studios and their properties. While this may please Marvel fans, the fact is that Marvel Studios needs healthy competition to keep them on their toes, and we were seeing the effect, as their recent films and TV shows were not as well received as earlier releases.

What could have been done to salvage the DCEU? Nothing, at this point. James Gunn took the right approach by starting over. But there should have been a complete reboot. Instead we are getting a TV show about Amanda Waller starring Viola Davis, who was prominent in the DCEU. Then there are reports that other actors from the DCEU like Ezra Miller will be a part of the DCU. Why keep Davis and Miller but not Cavill and Gadot? The latter two actors were very popular and turned in iconic performances as Superman and Wonder Woman. Unfortunately, while they were great in their roles they are too identified with the DCEU and nervous executives probably feared that keeping them in a new cinematic universe would be too confusing for the average moviegoer. Whatever.

On the other hand, to dismiss the DCU without seeing the final product is foolish. James Gunn is a very talented filmmaker who took the obscure Marvel Comics property Guardians of the Galaxy and made them beloved superstars. He also did this to a lesser effect with DC characters in his film The Suicide Squad and TV show Peacemaker.

Do some of the announced films and TV shows sound uninspiring? Sure. Who is clamoring for Waller or The Authority or Paradise Lost (sorry this last announced project seems too much like Game of Thrones)? Who the hell can replace Henry Cavill? Anyone trying to answer this should remember how many fans were attached to Christopher Reeve as Superman or bemoaned about how Brandon Routh was short changed. Who knows, maybe Cavill and Gadot will return at some point. It happened to Routh when he had the opportunity to reprise Superman in the Arrowverse version of Crisis on Infinite Earths. That is one crossover event that is begging to be redone properly by Gunn and his people.

It stinks that we have to wait until 2025 to see the first DCU entry Superman: Legacy, but until then we should be patient and see what happens. We should also be rooting for the DCU to succeed because if it falters like the DCEU then it will be a long time before such effort is made to create a live-action cinematic universe based on the beloved DC characters.